to her came sharply back into her mind. "When you are in the country
alone at night sometime try giving yourself to the night, to the
darkness, to the shadows cast by trees. The experience, if you really
give yourself to it, will tell you a startling story. You will find
that, although the white men have owned the land for several
generations now and although they have built towns everywhere, dug coal
out of the ground, covered the land with railroads, towns and cities,
they do not own an inch of the land in the whole continent. It still
belongs to a race who in their physical life are now dead. The red men,
although they are practically all gone still own the American
continent. Their fancy has peopled it with ghosts, with gods and
devils. It is because in their time they loved the land. The proof of
what I say is to be seen everywhere. We have given our towns no
beautiful names of our own because we have not built the towns
beautifully. When an American town has a beautiful name it was stolen
from another race, from a race that still owns the land in which we
live. We are all strangers here. When you are alone at night in the
country, anywhere in America, try giving yourself to the night. You
will find that death only resides in the conquering whites and that
life remains in the red men who are gone."
The spirits of the two men, Walter Sayers and Melville Stoner,
dominated the mind of Rosalind. She felt that. It was as though they
were beside her, sitting beside her on the grass in the orchard. She
was quite certain that Melville Stoner had come back to his house and
was now sitting within sound of her voice, did she raise her voice to
call. What did they want her of her? Had she suddenly begun to love two
men, both older than herself? The shadows of the branches of trees made
a carpet on the floor of the orchard, a soft carpet spun of some
delicate material on which the footsteps of men could make no sound.
The two men were coming toward her, advancing over the carpet. Melville
Stoner was near at hand and Walter Sayers was coming from far away, out
of the distance. The spirit of him was creeping toward her. The two men
were in accord. They came bearing some male knowledge of life,
something they wanted to give her.
She arose and stood by the tree, trembling. Into what a state she had
got herself! How long would it endure? Into what knowledge of life and
death was she being led? She had come home on a simple mission. She
loved Walter Sayers, wanted to offer herself to him but before doing so
had felt the call to come home to her mother. She had thought she would
be bold and would tell her mother the story of her love. She would tell
her and then take what the older woman offered. If her mother
understood and sympathized, well that would be a beautiful thing to
have happen. If her mother did not understand--at any rate she would
have paid some old debt, would have been true to some old, unexpressed
obligation.
The two men--what did they want of her? What had Melville Stoner to do
with the matter? She put the figure of him out of her mind. In the
figure of the other man, Walter Sayers, there was something less
aggressive, less assertive. She clung to that.
She put her arm about the trunk of the old apple tree and laid her
cheek against its rough bark. Within herself she was so intense, so
excited that she wanted to rub her cheeks against the bark of the tree
until the blood came, until physical pain came to counteract the
tenseness within that had become pain.
Since the meadow between the orchard and the street end had been
planted to corn she would have to reach the street by going along a
lane, crawling under a wire fence and crossing the yard of the widowed
chicken raiser. A profound silence reigned over the orchard and when
she had crawled under the fence and reached the widow's back yard she
had to feel her way through a narrow opening between a chicken house
and a barn by running her fingers forward over the rough boards.
Her mother sat on the porch waiting and on the narrow porch before his
house next door sat Melville Stoner. She saw him as she hurried past
and shivered slightly. "What a dark vulture-like thing he is! He lives
off the dead, off dead glimpses of beauty, off dead old sounds heard at
night," she thought. When she got to the Wescott house she threw
herself down on the porch and lay on her back with her arms stretched
above her head. Her mother sat on a rocking chair beside her. There was
a street lamp at the corner at the end of the street and a little light
came through the branches of trees and lighted her mother's face. How
white and still and death-like it was. When she had looked Rosalind
closed her eyes. "I mustn't. I shall lose courage," she thought.
There was no hurry about delivering the message she had come to
deliver. It would be two hours before her father came home. The silence
of the village street was broken by a hubbub that arose in the house
across the street. Two boys playing some game ran from room to room
through the house, slamming doors, shouting. A baby began to cry and
then a woman's voice protested. "Quit it! Quit it!" the voice called.
"Don't you see you have wakened the baby? Now I shall have a time
getting him to sleep again."
Rosalind's fingers closed and her hands remained clenched. "I came home
to tell you something. I have fallen in love with a man and can't marry
him. He is a good many years older than myself and is already married.
He has two children. I love him and I think he loves me--I know he
does. I want him to have me too. I wanted to come home and tell you
before it happened," she said speaking in a low clear voice. She
wondered if Melville Stoner could hear her declaration.
Nothing happened. The chair in which Rosalind's mother sat had been
rocking slowly back and forth and making a slight creaking sound. The
sound continued. In the house across the street the baby stopped
crying. The words Rosalind had come from Chicago to say to her mother
were said and she felt relieved and almost happy. The silence between
the two women went on and on. Rosalind's mind wandered away. Presently
there would be some sort of reaction from her mother. She would be
condemned. Perhaps her mother would say nothing until her father came
home and would then tell him. She would be condemned as a wicked woman,
ordered to leave the house. It did not matter.
Rosalind waited. Like Walter Sayers, sitting in his garden, her mind
seemed to float away, out of her body. It ran away from her mother to
the man she loved.
One evening, on just such another quiet summer evening as this one, she
had gone into the country with Walter Sayers. Before that he had talked
to her, at her, on many other evenings and during long hours in the
office. He had found in her someone to whom he could talk, to whom he
wanted to talk. What doors of life he had opened for her! The talk had
gone on and on. In her presence the man was relieved, he relaxed out of
the tenseness that had become the habit of this body. He had told her
of how he had wanted to be a singer and had given up the notion. "It
isn't my wife's fault nor the children's fault," he had said. "They
could have lived without me. The trouble is I could not have lived
without them. I am a defeated man, was intended from the first to be a
defeated man and I needed something to cling to, something with which
to justify my defeat. I realize that now. I am a dependent. I shall
never try to sing now because I am one who has at least one merit. I
know defeat. I can accept defeat."
That is what Walter Sayers had said and then on the summer evening in
the country as she sat beside him in his car he had suddenly begun to
sing. He had opened a farm gate and had driven the car silently along a
grass covered lane and into a meadow. The lights had been put out and
the car crept along. When it stopped some cattle came and stood nearby.
Then he began to sing, softly at first and with increasing boldness as
he repeated the song over and over. Rosalind was so happy she had
wanted to cry out. "It is because of myself he can sing now," she had
thought proudly. How intensely, at the moment she loved the man, and
yet perhaps the thing she felt was not love after all. There was pride
in it. It was for her a moment of triumph. He had crept up to her out
of a dark place, out of the dark cave of defeat. It had been her hand
reached down that had given him courage.
She lay on her back, at her mother's feet, on the porch of the Wescott
house trying to think, striving to get her own impulses clear in her
mind. She had just told her mother that she wanted to give herself to
the man, Walter Sayers. Having made the statement she already wondered
if it could be quite true. She was a woman and her mother was a woman.
What would her mother have to say to her? What did mothers say to
daughters? The male element in life--what did it want? Her own desires
and impulses were not clearly realized within herself. Perhaps what she
wanted in life could be got in some sort of communion with another
woman, with her mother. What a strange and beautiful thing it would be
if mothers could suddenly begin to sing to their daughters, if out of
the darkness and silence of old women song could come.
Men confused Rosalind, they had always confused her. On that very
evening her father for the first time in years had really looked at
her. He had stopped before her as she sat on the porch and there had
been something in his eyes. A fire had burned in his old eyes as it had
sometimes burned in the eyes of Walter. Was the fire intended to
consume her quite? Was it the fate of women to be consumed by men and
of men to be consumed by women?
In the orchard, an hour before she had distinctly felt the two men,
Melville Stoner and Walter Sayers coming toward her, walking silently
on the soft carpet made of the dark shadows of trees.
They were again coming toward her. In their thoughts they approached
nearer and nearer to her, to the inner truth of her. The street and the
town of Willow Springs were covered with a mantle of silence. Was it
the silence of death? Had her mother died? Did her mother sit there now
a dead thing in the chair beside her?
The soft creaking of the rocking chair went on and on. Of the two men
whose spirits seemed hovering about one, Melville Stoner, was bold and
cunning. He was too close to her, knew too much of her. He was
unafraid. The spirit of Walter Sayers was merciful. He was gentle, a
man of understanding. She grew afraid of Melville Stoner. He was too
close to her, knew too much of the dark, stupid side of her life. She
turned on her side and stared into the darkness toward the Stoner house
remembering her girlhood. The man was too physically close. The faint
light from the distant street lamp that had lighted her mother's face
crept between branches of trees and over the tops of bushes and she
could see dimly the figure of Melville Stoner sitting before his house.
She wished it were possible with a thought to destroy him, wipe him
out, cause him to cease to exist. He was waiting. When her mother had
gone to bed and when she had gone upstairs to her own room to lie awake
he would invade her privacy. Her father would come home, walking with
dragging footsteps along the sidewalk. He would come into the Wescott
house and through to the back door. He would pump the pail of water at
the pump and bring it into the house to put it on the box by the
kitchen sink. Then he would wind the clock. He would--
Rosalind stirred uneasily. Life in the figure of Melville Stoner had
her, it gripped her tightly. She could not escape. He would come into
her bedroom and invade her secret thoughts. There was no escape for
her. She imagined his mocking laughter ringing through the silent
house, the sound rising above the dreadful commonplace sounds of
everyday life there. She did not want that to happen. The sudden death
of Melville Stoner would bring sweet silence. She wished it possible
with a thought to destroy him, to destroy all men. She wanted her
mother to draw close to her. That would save her from the men. Surely,
before the evening had passed her mother would have something to say,
something living and true.
Rosalind forced the figure of Melville Stoner out of her mind. It was
as though she had got out of her bed in the room upstairs and had taken
the man by the arm to lead him to the door. She had put him out of the
room and had closed the door.
Her mind played her a trick. Melville Stoner had no sooner gone out of
her mind than Walter Sayers came in. In imagination she was with Walter
in the car on the summer evening in the pasture and he was singing. The
cattle with their soft broad noses and the sweet grass-flavored breaths
were crowding in close.
There was sweetness in Rosalind's thoughts now. She rested and waited,
waited for her mother to speak. In her presence Walter Sayers had
broken his long silence and soon the old silence between mother and
daughter would also be broken.
The singer who would not sing had begun to sing because of her
presence. Song was the true note of life, it was the triumph of life
over death.
What sweet solace had come to her that time when Walter Sayers sang!
How life had coursed through her body! How alive she had suddenly
become! It was at that moment she had decided definitely, finally, that
she wanted to come closer to the man, that she wanted with him the
ultimate physical closeness--to find in physical expression through him
what in his song he was finding through her.
It was in expressing physically her love of the man she would find the
white wonder of life, the wonder of which, as a clumsy and crude girl,
she had dreamed as she lay on the grass in the orchard. Through the
body of the singer she would approach, touch the white wonder of life.
"I shall willingly sacrifice everything else on the chance that may
happen," she thought.
How peaceful and quiet the summer night had become! How clearly now she
understood life! The song Walter Sayers had sung in the field, in the
presence of the cattle was in a tongue she had not understood, but now
she understood everything, even the meaning of the strange foreign
words.
The song was about life and death. What else was there to sing about?
The sudden knowledge of the content of the song had not come out of her
own mind. The spirit of Walter was coming toward her. It had pushed the
mocking spirit of Melville Stoner aside. What things had not the mind
of Walter Sayers already done to her mind, to the awakening woman
within her. Now it was telling her the story of the song. The words of
the song itself seemed to float down the silent street of the Iowa
town. They described the sun going down in the smoke clouds of a city
and the gulls coming from a lake to float over the city.
Now the gulls floated over a river. The river was the color of
chrysoprase. She, Rosalind Wescott, stood on a bridge in the heart of
the city and she had become entirely convinced of the filth and
ugliness of life. She was about to throw herself into the river, to
destroy herself in an effort to make herself clean.
It did not matter. Strange sharp cries came from the birds. The cries
of the birds were like the voice of Melville Stoner. They whirled and
turned in the air overhead. In a moment more she would throw herself
into the river and then the birds would fall straight down in a long
graceful line. The body of her would be gone, swept away by the stream,
carried away to decay but what was really alive in herself would arise
with the birds, in the long graceful upward line of the flight of the
birds.
Rosalind lay tense and still on the porch at her mother's feet. In the
air above the hot sleeping town, buried deep in the ground beneath all
towns and cities, life went on singing, it persistently sang. The song
of life was in the humming of bees, in the calling of tree toads, in
the throats of negroes rolling cotton bales on a boat in a river.
The song was a command. It told over and over the story of life and of
death, life forever defeated by death, death forever defeated by life.
* * * * *
The long silence of Rosalind's mother was broken and Rosalind tried to
tear herself away from the spirit of the song that had begun to sing
itself within her--
The sun sank down into the western sky over a city--
Life defeated by death,
Death defeated by life.
The factory chimneys had become pencils of light--
Life defeated by death,
Death defeated by life.
The rocking chair in which Rosalind's mother sat kept creaking. Words
came haltingly from between her white lips. The test of Ma Wescott's
life had come. Always she had been defeated. Now she must triumph in
the person of Rosalind, the daughter who had come out of her body. To
her she must make clear the fate of all women. Young girls grew up
dreaming, hoping, believing. There was a conspiracy. Men made words,
they wrote books and sang songs about a thing called love. Young girls
believed. They married or entered into close relationships with men
without marriage. On the marriage night there was a brutal assault and
after that the woman had to try to save herself as best she could. She
withdrew within herself, further and further within herself. Ma Wescott
had stayed all her life hidden away within her own house, in the
kitchen of her house. As the years passed and after the children came
her man had demanded less and less of her. Now this new trouble had
come. Her daughter was to have the same experience, to go through the
experience that had spoiled life for her.
How proud she had been of Rosalind, going out into the world, making
her own way. Her daughter dressed with a certain air, walked with a
certain air. She was a proud, upstanding, triumphant thing. She did not
need a man.
"God, Rosalind, don't do it, don't do it," she muttered over and over.
How much she had wanted Rosalind to keep clear and clean! Once she also
had been a young woman, proud, upstanding. Could anyone think she had
ever wanted to become Ma Wescott, fat, heavy and old? All through her
married life she had stayed in her own house, in the kitchen of her own
house, but in her own way she had watched, she had seen how things went
with women. Her man had known how to make money, he had always housed
her comfortably. He was a slow, silent man but in his own way he was as
good as any of the men of Willow Springs. Men worked for money, they
ate heavily and then at night they came home to the woman they had
married.
Before she married, Ma Wescott had been a farmer's daughter. She had
seen things among the beasts, how the male pursued the female. There
was a certain hard insistence, cruelty. Life perpetuated itself that
way. The time of her own marriage was a dim, terrible time. Why had she
wanted to marry? She tried to tell Rosalind about it. "I saw him on the
Main Street of town here, one Saturday evening when I had come to town
with father, and two weeks after that I met him again at a dance out in
the country," she said. She spoke like one who has been running a long
distance and who has some important, some immediate message to deliver.
"He wanted me to marry him and I did it. He wanted me to marry him and
I did it."
She could not get beyond the fact of her marriage. Did her daughter
think she had no vital thing to say concerning the relationship of men
and women? All through her married life she had stayed in her husband's
house, working as a beast might work, washing dirty clothes, dirty
dishes, cooking food.
She had been thinking, all through the years she had been thinking.
There was a dreadful lie in life, the whole fact of life was a lie.
She had thought it all out. There was a world somewhere unlike the
world in which she lived. It was a heavenly place in which there was no
marrying or giving in marriage, a sexless quiet windless place where
mankind lived in a state of bliss. For some unknown reason mankind had
been thrown out of that place, had been thrown down upon the earth. It
was a punishment for an unforgivable sin, the sin of sex.
The sin had been in her as well as in the man she had married. She had
wanted to marry. Why else did she do it? Men and women were condemned
to commit the sin that destroyed them. Except for a few rare sacred
beings no man or woman escaped.
What thinking she had done! When she had just married and after her man
had taken what he wanted of her he slept heavily but she did not sleep.
She crept out of bed and going to a window looked at the stars. The
stars were quiet. With what a slow stately tread the moon moved across
the sky. The stars did not sin. They did not touch one another. Each
star was a thing apart from all other stars, a sacred inviolate thing.
On the earth, under the stars everything was corrupt, the trees,
flowers, grasses, the beasts of the field, men and women. They were all
corrupt. They lived for a moment and then fell into decay. She herself
was falling into decay. Life was a lie. Life perpetuated itself by the
lie called love. The truth was that life itself came out of sin,
perpetuated itself only by sin.
"There is no such thing as love. The word is a lie. The man you are
telling me about wants you for the purpose of sin," she said and
getting heavily up went into the house.
Rosalind heard her moving about in the darkness. She came to the screen
door and stood looking at her daughter lying tense and waiting on the
porch. The passion of denial was so strong in her that she felt choked.
To the daughter it seemed that her mother standing in the darkness
behind her had become a great spider, striving to lead her down into
some web of darkness. "Men only hurt women," she said, "they can't help
wanting to hurt women. They are made that way. The thing they call love
doesn't exist. It's a lie."
"Life is dirty. Letting a man touch her dirties a woman." Ma Wescott
fairly screamed forth the words. They seemed torn from her, from some
deep inner part of her being. Having said them she moved off into the
darkness and Rosalind heard her going slowly toward the stairway that
led to the bedroom above. She was weeping in the peculiar half choked
way in which old fat women weep. The heavy feet that had begun to mount
the stair stopped and there was silence. Ma Wescott had said nothing of
what was in her mind. She had thought it all out, what she wanted to
say to her daughter. Why would the words not come? The passion for
denial within her was not satisfied. "There is no love. Life is a lie.
It leads to sin, to death and decay," she called into the darkness.
A strange, almost uncanny thing happened to Rosalind. The figure of her
mother went out of her mind and she was in fancy again a young girl and
had gone with other young girls to visit a friend about to be married.
With the others she stood in a room where white dresses lay on a bed.
One of her companions, a thin, flat breasted girl fell on her knees
beside the bed. A cry arose. Did it come from the girl or from the old
tired defeated woman within the Wescott house? "Don't do it. O,
Rosalind don't do it," pleaded a voice broken with sobs.
The Wescott house had become silent like the street outside and like
the sky sprinkled with stars into which Rosalind gazed. The tenseness
within her relaxed and she tried again to think. There was a thing that
balanced, that swung backward and forward. Was it merely her heart
beating? Her mind cleared.
The song that had come from the lips of Walter Sayers was still singing
within her--
Life the conqueror over death,
Death the conqueror over life.
She sat up and put her head into her hands. "I came here to Willow
Springs to put myself to a test. Is it the test of life and death?" she
asked herself. Her mother had gone up the stairway, into the darkness
of the bedroom above.
The song singing within Rosalind went on--
Life the conqueror over death,
Death the conqueror over life.
Was the song a male thing, the call of the male to the female, a lie,
as her mother had said? It did not sound like a lie. The song had come
from the lips of the man Walter and she had left him and had come to
her mother. Then Melville Stoner, another male, had come to her. In him
also was singing the song of life and death. When the song stopped
singing within one did death come? Was death but denial? The song was
singing within herself. What a confusion!
After her last outcry Ma Wescott had gone weeping up the stairs and to
her own room and to bed. After a time Rosalind followed. She threw
herself onto her own bed without undressing. Both women lay waiting.
Outside in the darkness before his house sat Melville Stoner, the male,
the man who knew of all that had passed between mother and daughter.
Rosalind thought of the bridge over the river near the factory in the
city and of the gulls floating in the air high above the river. She
wished herself there, standing on the bridge. "It would be sweet now to
throw my body down into the river," she thought. She imagined herself
falling swiftly and the swifter fall of the birds down out of the sky.
They were swooping down to pick up the life she was ready to drop,
sweeping swiftly and beautifully down. That was what the song Walter
had sung was about.
* * * * *
Henry Wescott came home from his evening at Emanuel Wilson's store. He
went heavily through the house to the back door and the pump. There was
the slow creaking sound of the pump working and then he came into the
house and put the pail of water on the box by the kitchen sink. A
little of the water spilled. There was a soft little slap--like a
child's bare feet striking the floor--
Rosalind arose. The dead cold weariness that had settled down upon her
went away. Cold dead hands had been gripping her. Now they were swept
aside. Her bag was in a closet but she had forgotten it. Quickly she
took off her shoes and holding them in her hands went out into the hall
in her stockinged feet. Her father came heavily up the stairs past her
as she stood breathless with her body pressed against the wall in the
hallway.
How quick and alert her mind had become! There was a train Eastward
bound toward Chicago that passed through Willow Springs at two in the
morning. She would not wait for it. She would walk the eight miles to
the next town to the east. That would get her out of town. It would
give her something to do. "I need to be moving now," she thought as she
ran down the stairs and went silently out of the house.
She walked on the grass beside the sidewalk to the gate before Melville
Stoner's house and he came down to the gate to meet her. He laughed
mockingly. "I fancied I might have another chance to walk with you
before the night was gone," he said bowing. Rosalind did not know how
much of the conversation between herself and her mother he had heard.
It did not matter. He knew all Ma Wescott had said, all she could say
and all Rosalind could say or understand. The thought was infinitely
sweet to Rosalind. It was Melville Stoner who lifted the town of Willow
Springs up out of the shadow of death. Words were unnecessary. With him
she had established the thing beyond words, beyond passion--the
fellowship in living, the fellowship in life.
They walked in silence to the town's edge and then Melville Stoner put
out his hand. "You'll come with me?" she asked, but he shook his head
and laughed. "No," he said, "I'll stay here. My time for going passed
long ago. I'll stay here until I die. I'll stay here with my thoughts."
He turned and walked away into the darkness beyond the round circle of
light cast by the last street lamp on the street that now became a
country road leading to the next town to the east. Rosalind stood to
watch him go and something in his long loping gait again suggested to
her mind the figure of a gigantic bird. "He is like the gulls that
float above the river in Chicago," she thought. "His spirit floats
above the town of Willow Springs. When the death in life comes to the
people here he swoops down, with his mind, plucking out the beauty of
them."
She walked at first slowly along the road between corn fields. The
night was a vast quiet place into which she could walk in peace. A
little breeze rustled the corn blades but there were no dreadful
significant human sounds, the sounds made by those who lived physically
but who in spirit were dead, had accepted death, believed only in
death. The corn blades rubbed against each other and there was a low
sweet sound as though something was being born, old dead physical life
was being torn away, cast aside. Perhaps new life was coming into the
land.
Rosalind began to run. She had thrown off the town and her father and
mother as a runner might throw off a heavy and unnecessary garment. She
wished also to throw off the garments that stood between her body and
nudity. She wanted to be naked, new born. Two miles out of town a
bridge crossed Willow Creek. It was now empty and dry but in the
darkness she imagined it filled with water, swift running water, water
the color of chrysoprase. She had been running swiftly and now she
stopped and stood on the bridge her breath coming in quick little
gasps.
After a time she went on again, walking until she had regained her
breath and then running again. Her body tingled with life. She did not
ask herself what she was going to do, how she was to meet the problem
she had come to Willow Springs half hoping to have solved by a word
from her mother. She ran. Before her eyes the dusty road kept coming up
to her out of darkness. She ran forward, always forward into a faint
streak of light. The darkness unfolded before her. There was joy in the
running and with every step she took she achieved a new sense of
escape. A delicious notion came into her mind. As she ran she thought
the light under her feet became more distinct. It was, she thought, as
though the darkness had grown afraid in her presence and sprang aside,
out of her path. There was a sensation of boldness. She had herself
become something that within itself contained light. She was a creator
of light. At her approach darkness grew afraid and fled away into the
distance. When that thought came she found herself able to run without
stopping to rest and half wished she might run on forever, through the
land, through towns and cities, driving darkness away with her
presence.
I stated it as definitely as I could. I was in a room with them.
They had tongues like me, and hair and eyes.
I got up out of my chair and said it as definitely as I could.
Their eyes wavered. Something slipped out of their grasp. Had I been
white and strong and young enough I might have plunged through walls,
gone outward into nights and days, gone into prairies, into distances--
gone outward to the doorstep of the house of God, gone to God's throne
room with their hands in mine.
What I am trying to say is this--
By God I made their minds flee out of them.
Their minds came out of them as clear and straight as anything could
be.
I said they might build temples to their lives.
I threw my words at faces floating in a street.
I threw my words like stones, like building stones.
I scattered words in alleyways like seeds.
I crept at night and threw my words in empty rooms of houses in a
street.
I said that life was life, that men in streets and cities might build
temples to their souls.
I whispered words at night into a telephone.
I told my people life was sweet, that men might live.
I said a million temples might be built, that doorsteps might be
cleansed.
At their fleeing harried minds I hurled a stone.
I said they might build temples to themselves.
End of the Project Gutenberg EBook of Triumph of the Egg and Other Stories
by Sherwood Anderson
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alone at night sometime try giving yourself to the night, to the
darkness, to the shadows cast by trees. The experience, if you really
give yourself to it, will tell you a startling story. You will find
that, although the white men have owned the land for several
generations now and although they have built towns everywhere, dug coal
out of the ground, covered the land with railroads, towns and cities,
they do not own an inch of the land in the whole continent. It still
belongs to a race who in their physical life are now dead. The red men,
although they are practically all gone still own the American
continent. Their fancy has peopled it with ghosts, with gods and
devils. It is because in their time they loved the land. The proof of
what I say is to be seen everywhere. We have given our towns no
beautiful names of our own because we have not built the towns
beautifully. When an American town has a beautiful name it was stolen
from another race, from a race that still owns the land in which we
live. We are all strangers here. When you are alone at night in the
country, anywhere in America, try giving yourself to the night. You
will find that death only resides in the conquering whites and that
life remains in the red men who are gone."
The spirits of the two men, Walter Sayers and Melville Stoner,
dominated the mind of Rosalind. She felt that. It was as though they
were beside her, sitting beside her on the grass in the orchard. She
was quite certain that Melville Stoner had come back to his house and
was now sitting within sound of her voice, did she raise her voice to
call. What did they want her of her? Had she suddenly begun to love two
men, both older than herself? The shadows of the branches of trees made
a carpet on the floor of the orchard, a soft carpet spun of some
delicate material on which the footsteps of men could make no sound.
The two men were coming toward her, advancing over the carpet. Melville
Stoner was near at hand and Walter Sayers was coming from far away, out
of the distance. The spirit of him was creeping toward her. The two men
were in accord. They came bearing some male knowledge of life,
something they wanted to give her.
She arose and stood by the tree, trembling. Into what a state she had
got herself! How long would it endure? Into what knowledge of life and
death was she being led? She had come home on a simple mission. She
loved Walter Sayers, wanted to offer herself to him but before doing so
had felt the call to come home to her mother. She had thought she would
be bold and would tell her mother the story of her love. She would tell
her and then take what the older woman offered. If her mother
understood and sympathized, well that would be a beautiful thing to
have happen. If her mother did not understand--at any rate she would
have paid some old debt, would have been true to some old, unexpressed
obligation.
The two men--what did they want of her? What had Melville Stoner to do
with the matter? She put the figure of him out of her mind. In the
figure of the other man, Walter Sayers, there was something less
aggressive, less assertive. She clung to that.
She put her arm about the trunk of the old apple tree and laid her
cheek against its rough bark. Within herself she was so intense, so
excited that she wanted to rub her cheeks against the bark of the tree
until the blood came, until physical pain came to counteract the
tenseness within that had become pain.
Since the meadow between the orchard and the street end had been
planted to corn she would have to reach the street by going along a
lane, crawling under a wire fence and crossing the yard of the widowed
chicken raiser. A profound silence reigned over the orchard and when
she had crawled under the fence and reached the widow's back yard she
had to feel her way through a narrow opening between a chicken house
and a barn by running her fingers forward over the rough boards.
Her mother sat on the porch waiting and on the narrow porch before his
house next door sat Melville Stoner. She saw him as she hurried past
and shivered slightly. "What a dark vulture-like thing he is! He lives
off the dead, off dead glimpses of beauty, off dead old sounds heard at
night," she thought. When she got to the Wescott house she threw
herself down on the porch and lay on her back with her arms stretched
above her head. Her mother sat on a rocking chair beside her. There was
a street lamp at the corner at the end of the street and a little light
came through the branches of trees and lighted her mother's face. How
white and still and death-like it was. When she had looked Rosalind
closed her eyes. "I mustn't. I shall lose courage," she thought.
There was no hurry about delivering the message she had come to
deliver. It would be two hours before her father came home. The silence
of the village street was broken by a hubbub that arose in the house
across the street. Two boys playing some game ran from room to room
through the house, slamming doors, shouting. A baby began to cry and
then a woman's voice protested. "Quit it! Quit it!" the voice called.
"Don't you see you have wakened the baby? Now I shall have a time
getting him to sleep again."
Rosalind's fingers closed and her hands remained clenched. "I came home
to tell you something. I have fallen in love with a man and can't marry
him. He is a good many years older than myself and is already married.
He has two children. I love him and I think he loves me--I know he
does. I want him to have me too. I wanted to come home and tell you
before it happened," she said speaking in a low clear voice. She
wondered if Melville Stoner could hear her declaration.
Nothing happened. The chair in which Rosalind's mother sat had been
rocking slowly back and forth and making a slight creaking sound. The
sound continued. In the house across the street the baby stopped
crying. The words Rosalind had come from Chicago to say to her mother
were said and she felt relieved and almost happy. The silence between
the two women went on and on. Rosalind's mind wandered away. Presently
there would be some sort of reaction from her mother. She would be
condemned. Perhaps her mother would say nothing until her father came
home and would then tell him. She would be condemned as a wicked woman,
ordered to leave the house. It did not matter.
Rosalind waited. Like Walter Sayers, sitting in his garden, her mind
seemed to float away, out of her body. It ran away from her mother to
the man she loved.
One evening, on just such another quiet summer evening as this one, she
had gone into the country with Walter Sayers. Before that he had talked
to her, at her, on many other evenings and during long hours in the
office. He had found in her someone to whom he could talk, to whom he
wanted to talk. What doors of life he had opened for her! The talk had
gone on and on. In her presence the man was relieved, he relaxed out of
the tenseness that had become the habit of this body. He had told her
of how he had wanted to be a singer and had given up the notion. "It
isn't my wife's fault nor the children's fault," he had said. "They
could have lived without me. The trouble is I could not have lived
without them. I am a defeated man, was intended from the first to be a
defeated man and I needed something to cling to, something with which
to justify my defeat. I realize that now. I am a dependent. I shall
never try to sing now because I am one who has at least one merit. I
know defeat. I can accept defeat."
That is what Walter Sayers had said and then on the summer evening in
the country as she sat beside him in his car he had suddenly begun to
sing. He had opened a farm gate and had driven the car silently along a
grass covered lane and into a meadow. The lights had been put out and
the car crept along. When it stopped some cattle came and stood nearby.
Then he began to sing, softly at first and with increasing boldness as
he repeated the song over and over. Rosalind was so happy she had
wanted to cry out. "It is because of myself he can sing now," she had
thought proudly. How intensely, at the moment she loved the man, and
yet perhaps the thing she felt was not love after all. There was pride
in it. It was for her a moment of triumph. He had crept up to her out
of a dark place, out of the dark cave of defeat. It had been her hand
reached down that had given him courage.
She lay on her back, at her mother's feet, on the porch of the Wescott
house trying to think, striving to get her own impulses clear in her
mind. She had just told her mother that she wanted to give herself to
the man, Walter Sayers. Having made the statement she already wondered
if it could be quite true. She was a woman and her mother was a woman.
What would her mother have to say to her? What did mothers say to
daughters? The male element in life--what did it want? Her own desires
and impulses were not clearly realized within herself. Perhaps what she
wanted in life could be got in some sort of communion with another
woman, with her mother. What a strange and beautiful thing it would be
if mothers could suddenly begin to sing to their daughters, if out of
the darkness and silence of old women song could come.
Men confused Rosalind, they had always confused her. On that very
evening her father for the first time in years had really looked at
her. He had stopped before her as she sat on the porch and there had
been something in his eyes. A fire had burned in his old eyes as it had
sometimes burned in the eyes of Walter. Was the fire intended to
consume her quite? Was it the fate of women to be consumed by men and
of men to be consumed by women?
In the orchard, an hour before she had distinctly felt the two men,
Melville Stoner and Walter Sayers coming toward her, walking silently
on the soft carpet made of the dark shadows of trees.
They were again coming toward her. In their thoughts they approached
nearer and nearer to her, to the inner truth of her. The street and the
town of Willow Springs were covered with a mantle of silence. Was it
the silence of death? Had her mother died? Did her mother sit there now
a dead thing in the chair beside her?
The soft creaking of the rocking chair went on and on. Of the two men
whose spirits seemed hovering about one, Melville Stoner, was bold and
cunning. He was too close to her, knew too much of her. He was
unafraid. The spirit of Walter Sayers was merciful. He was gentle, a
man of understanding. She grew afraid of Melville Stoner. He was too
close to her, knew too much of the dark, stupid side of her life. She
turned on her side and stared into the darkness toward the Stoner house
remembering her girlhood. The man was too physically close. The faint
light from the distant street lamp that had lighted her mother's face
crept between branches of trees and over the tops of bushes and she
could see dimly the figure of Melville Stoner sitting before his house.
She wished it were possible with a thought to destroy him, wipe him
out, cause him to cease to exist. He was waiting. When her mother had
gone to bed and when she had gone upstairs to her own room to lie awake
he would invade her privacy. Her father would come home, walking with
dragging footsteps along the sidewalk. He would come into the Wescott
house and through to the back door. He would pump the pail of water at
the pump and bring it into the house to put it on the box by the
kitchen sink. Then he would wind the clock. He would--
Rosalind stirred uneasily. Life in the figure of Melville Stoner had
her, it gripped her tightly. She could not escape. He would come into
her bedroom and invade her secret thoughts. There was no escape for
her. She imagined his mocking laughter ringing through the silent
house, the sound rising above the dreadful commonplace sounds of
everyday life there. She did not want that to happen. The sudden death
of Melville Stoner would bring sweet silence. She wished it possible
with a thought to destroy him, to destroy all men. She wanted her
mother to draw close to her. That would save her from the men. Surely,
before the evening had passed her mother would have something to say,
something living and true.
Rosalind forced the figure of Melville Stoner out of her mind. It was
as though she had got out of her bed in the room upstairs and had taken
the man by the arm to lead him to the door. She had put him out of the
room and had closed the door.
Her mind played her a trick. Melville Stoner had no sooner gone out of
her mind than Walter Sayers came in. In imagination she was with Walter
in the car on the summer evening in the pasture and he was singing. The
cattle with their soft broad noses and the sweet grass-flavored breaths
were crowding in close.
There was sweetness in Rosalind's thoughts now. She rested and waited,
waited for her mother to speak. In her presence Walter Sayers had
broken his long silence and soon the old silence between mother and
daughter would also be broken.
The singer who would not sing had begun to sing because of her
presence. Song was the true note of life, it was the triumph of life
over death.
What sweet solace had come to her that time when Walter Sayers sang!
How life had coursed through her body! How alive she had suddenly
become! It was at that moment she had decided definitely, finally, that
she wanted to come closer to the man, that she wanted with him the
ultimate physical closeness--to find in physical expression through him
what in his song he was finding through her.
It was in expressing physically her love of the man she would find the
white wonder of life, the wonder of which, as a clumsy and crude girl,
she had dreamed as she lay on the grass in the orchard. Through the
body of the singer she would approach, touch the white wonder of life.
"I shall willingly sacrifice everything else on the chance that may
happen," she thought.
How peaceful and quiet the summer night had become! How clearly now she
understood life! The song Walter Sayers had sung in the field, in the
presence of the cattle was in a tongue she had not understood, but now
she understood everything, even the meaning of the strange foreign
words.
The song was about life and death. What else was there to sing about?
The sudden knowledge of the content of the song had not come out of her
own mind. The spirit of Walter was coming toward her. It had pushed the
mocking spirit of Melville Stoner aside. What things had not the mind
of Walter Sayers already done to her mind, to the awakening woman
within her. Now it was telling her the story of the song. The words of
the song itself seemed to float down the silent street of the Iowa
town. They described the sun going down in the smoke clouds of a city
and the gulls coming from a lake to float over the city.
Now the gulls floated over a river. The river was the color of
chrysoprase. She, Rosalind Wescott, stood on a bridge in the heart of
the city and she had become entirely convinced of the filth and
ugliness of life. She was about to throw herself into the river, to
destroy herself in an effort to make herself clean.
It did not matter. Strange sharp cries came from the birds. The cries
of the birds were like the voice of Melville Stoner. They whirled and
turned in the air overhead. In a moment more she would throw herself
into the river and then the birds would fall straight down in a long
graceful line. The body of her would be gone, swept away by the stream,
carried away to decay but what was really alive in herself would arise
with the birds, in the long graceful upward line of the flight of the
birds.
Rosalind lay tense and still on the porch at her mother's feet. In the
air above the hot sleeping town, buried deep in the ground beneath all
towns and cities, life went on singing, it persistently sang. The song
of life was in the humming of bees, in the calling of tree toads, in
the throats of negroes rolling cotton bales on a boat in a river.
The song was a command. It told over and over the story of life and of
death, life forever defeated by death, death forever defeated by life.
* * * * *
The long silence of Rosalind's mother was broken and Rosalind tried to
tear herself away from the spirit of the song that had begun to sing
itself within her--
The sun sank down into the western sky over a city--
Life defeated by death,
Death defeated by life.
The factory chimneys had become pencils of light--
Life defeated by death,
Death defeated by life.
The rocking chair in which Rosalind's mother sat kept creaking. Words
came haltingly from between her white lips. The test of Ma Wescott's
life had come. Always she had been defeated. Now she must triumph in
the person of Rosalind, the daughter who had come out of her body. To
her she must make clear the fate of all women. Young girls grew up
dreaming, hoping, believing. There was a conspiracy. Men made words,
they wrote books and sang songs about a thing called love. Young girls
believed. They married or entered into close relationships with men
without marriage. On the marriage night there was a brutal assault and
after that the woman had to try to save herself as best she could. She
withdrew within herself, further and further within herself. Ma Wescott
had stayed all her life hidden away within her own house, in the
kitchen of her house. As the years passed and after the children came
her man had demanded less and less of her. Now this new trouble had
come. Her daughter was to have the same experience, to go through the
experience that had spoiled life for her.
How proud she had been of Rosalind, going out into the world, making
her own way. Her daughter dressed with a certain air, walked with a
certain air. She was a proud, upstanding, triumphant thing. She did not
need a man.
"God, Rosalind, don't do it, don't do it," she muttered over and over.
How much she had wanted Rosalind to keep clear and clean! Once she also
had been a young woman, proud, upstanding. Could anyone think she had
ever wanted to become Ma Wescott, fat, heavy and old? All through her
married life she had stayed in her own house, in the kitchen of her own
house, but in her own way she had watched, she had seen how things went
with women. Her man had known how to make money, he had always housed
her comfortably. He was a slow, silent man but in his own way he was as
good as any of the men of Willow Springs. Men worked for money, they
ate heavily and then at night they came home to the woman they had
married.
Before she married, Ma Wescott had been a farmer's daughter. She had
seen things among the beasts, how the male pursued the female. There
was a certain hard insistence, cruelty. Life perpetuated itself that
way. The time of her own marriage was a dim, terrible time. Why had she
wanted to marry? She tried to tell Rosalind about it. "I saw him on the
Main Street of town here, one Saturday evening when I had come to town
with father, and two weeks after that I met him again at a dance out in
the country," she said. She spoke like one who has been running a long
distance and who has some important, some immediate message to deliver.
"He wanted me to marry him and I did it. He wanted me to marry him and
I did it."
She could not get beyond the fact of her marriage. Did her daughter
think she had no vital thing to say concerning the relationship of men
and women? All through her married life she had stayed in her husband's
house, working as a beast might work, washing dirty clothes, dirty
dishes, cooking food.
She had been thinking, all through the years she had been thinking.
There was a dreadful lie in life, the whole fact of life was a lie.
She had thought it all out. There was a world somewhere unlike the
world in which she lived. It was a heavenly place in which there was no
marrying or giving in marriage, a sexless quiet windless place where
mankind lived in a state of bliss. For some unknown reason mankind had
been thrown out of that place, had been thrown down upon the earth. It
was a punishment for an unforgivable sin, the sin of sex.
The sin had been in her as well as in the man she had married. She had
wanted to marry. Why else did she do it? Men and women were condemned
to commit the sin that destroyed them. Except for a few rare sacred
beings no man or woman escaped.
What thinking she had done! When she had just married and after her man
had taken what he wanted of her he slept heavily but she did not sleep.
She crept out of bed and going to a window looked at the stars. The
stars were quiet. With what a slow stately tread the moon moved across
the sky. The stars did not sin. They did not touch one another. Each
star was a thing apart from all other stars, a sacred inviolate thing.
On the earth, under the stars everything was corrupt, the trees,
flowers, grasses, the beasts of the field, men and women. They were all
corrupt. They lived for a moment and then fell into decay. She herself
was falling into decay. Life was a lie. Life perpetuated itself by the
lie called love. The truth was that life itself came out of sin,
perpetuated itself only by sin.
"There is no such thing as love. The word is a lie. The man you are
telling me about wants you for the purpose of sin," she said and
getting heavily up went into the house.
Rosalind heard her moving about in the darkness. She came to the screen
door and stood looking at her daughter lying tense and waiting on the
porch. The passion of denial was so strong in her that she felt choked.
To the daughter it seemed that her mother standing in the darkness
behind her had become a great spider, striving to lead her down into
some web of darkness. "Men only hurt women," she said, "they can't help
wanting to hurt women. They are made that way. The thing they call love
doesn't exist. It's a lie."
"Life is dirty. Letting a man touch her dirties a woman." Ma Wescott
fairly screamed forth the words. They seemed torn from her, from some
deep inner part of her being. Having said them she moved off into the
darkness and Rosalind heard her going slowly toward the stairway that
led to the bedroom above. She was weeping in the peculiar half choked
way in which old fat women weep. The heavy feet that had begun to mount
the stair stopped and there was silence. Ma Wescott had said nothing of
what was in her mind. She had thought it all out, what she wanted to
say to her daughter. Why would the words not come? The passion for
denial within her was not satisfied. "There is no love. Life is a lie.
It leads to sin, to death and decay," she called into the darkness.
A strange, almost uncanny thing happened to Rosalind. The figure of her
mother went out of her mind and she was in fancy again a young girl and
had gone with other young girls to visit a friend about to be married.
With the others she stood in a room where white dresses lay on a bed.
One of her companions, a thin, flat breasted girl fell on her knees
beside the bed. A cry arose. Did it come from the girl or from the old
tired defeated woman within the Wescott house? "Don't do it. O,
Rosalind don't do it," pleaded a voice broken with sobs.
The Wescott house had become silent like the street outside and like
the sky sprinkled with stars into which Rosalind gazed. The tenseness
within her relaxed and she tried again to think. There was a thing that
balanced, that swung backward and forward. Was it merely her heart
beating? Her mind cleared.
The song that had come from the lips of Walter Sayers was still singing
within her--
Life the conqueror over death,
Death the conqueror over life.
She sat up and put her head into her hands. "I came here to Willow
Springs to put myself to a test. Is it the test of life and death?" she
asked herself. Her mother had gone up the stairway, into the darkness
of the bedroom above.
The song singing within Rosalind went on--
Life the conqueror over death,
Death the conqueror over life.
Was the song a male thing, the call of the male to the female, a lie,
as her mother had said? It did not sound like a lie. The song had come
from the lips of the man Walter and she had left him and had come to
her mother. Then Melville Stoner, another male, had come to her. In him
also was singing the song of life and death. When the song stopped
singing within one did death come? Was death but denial? The song was
singing within herself. What a confusion!
After her last outcry Ma Wescott had gone weeping up the stairs and to
her own room and to bed. After a time Rosalind followed. She threw
herself onto her own bed without undressing. Both women lay waiting.
Outside in the darkness before his house sat Melville Stoner, the male,
the man who knew of all that had passed between mother and daughter.
Rosalind thought of the bridge over the river near the factory in the
city and of the gulls floating in the air high above the river. She
wished herself there, standing on the bridge. "It would be sweet now to
throw my body down into the river," she thought. She imagined herself
falling swiftly and the swifter fall of the birds down out of the sky.
They were swooping down to pick up the life she was ready to drop,
sweeping swiftly and beautifully down. That was what the song Walter
had sung was about.
* * * * *
Henry Wescott came home from his evening at Emanuel Wilson's store. He
went heavily through the house to the back door and the pump. There was
the slow creaking sound of the pump working and then he came into the
house and put the pail of water on the box by the kitchen sink. A
little of the water spilled. There was a soft little slap--like a
child's bare feet striking the floor--
Rosalind arose. The dead cold weariness that had settled down upon her
went away. Cold dead hands had been gripping her. Now they were swept
aside. Her bag was in a closet but she had forgotten it. Quickly she
took off her shoes and holding them in her hands went out into the hall
in her stockinged feet. Her father came heavily up the stairs past her
as she stood breathless with her body pressed against the wall in the
hallway.
How quick and alert her mind had become! There was a train Eastward
bound toward Chicago that passed through Willow Springs at two in the
morning. She would not wait for it. She would walk the eight miles to
the next town to the east. That would get her out of town. It would
give her something to do. "I need to be moving now," she thought as she
ran down the stairs and went silently out of the house.
She walked on the grass beside the sidewalk to the gate before Melville
Stoner's house and he came down to the gate to meet her. He laughed
mockingly. "I fancied I might have another chance to walk with you
before the night was gone," he said bowing. Rosalind did not know how
much of the conversation between herself and her mother he had heard.
It did not matter. He knew all Ma Wescott had said, all she could say
and all Rosalind could say or understand. The thought was infinitely
sweet to Rosalind. It was Melville Stoner who lifted the town of Willow
Springs up out of the shadow of death. Words were unnecessary. With him
she had established the thing beyond words, beyond passion--the
fellowship in living, the fellowship in life.
They walked in silence to the town's edge and then Melville Stoner put
out his hand. "You'll come with me?" she asked, but he shook his head
and laughed. "No," he said, "I'll stay here. My time for going passed
long ago. I'll stay here until I die. I'll stay here with my thoughts."
He turned and walked away into the darkness beyond the round circle of
light cast by the last street lamp on the street that now became a
country road leading to the next town to the east. Rosalind stood to
watch him go and something in his long loping gait again suggested to
her mind the figure of a gigantic bird. "He is like the gulls that
float above the river in Chicago," she thought. "His spirit floats
above the town of Willow Springs. When the death in life comes to the
people here he swoops down, with his mind, plucking out the beauty of
them."
She walked at first slowly along the road between corn fields. The
night was a vast quiet place into which she could walk in peace. A
little breeze rustled the corn blades but there were no dreadful
significant human sounds, the sounds made by those who lived physically
but who in spirit were dead, had accepted death, believed only in
death. The corn blades rubbed against each other and there was a low
sweet sound as though something was being born, old dead physical life
was being torn away, cast aside. Perhaps new life was coming into the
land.
Rosalind began to run. She had thrown off the town and her father and
mother as a runner might throw off a heavy and unnecessary garment. She
wished also to throw off the garments that stood between her body and
nudity. She wanted to be naked, new born. Two miles out of town a
bridge crossed Willow Creek. It was now empty and dry but in the
darkness she imagined it filled with water, swift running water, water
the color of chrysoprase. She had been running swiftly and now she
stopped and stood on the bridge her breath coming in quick little
gasps.
After a time she went on again, walking until she had regained her
breath and then running again. Her body tingled with life. She did not
ask herself what she was going to do, how she was to meet the problem
she had come to Willow Springs half hoping to have solved by a word
from her mother. She ran. Before her eyes the dusty road kept coming up
to her out of darkness. She ran forward, always forward into a faint
streak of light. The darkness unfolded before her. There was joy in the
running and with every step she took she achieved a new sense of
escape. A delicious notion came into her mind. As she ran she thought
the light under her feet became more distinct. It was, she thought, as
though the darkness had grown afraid in her presence and sprang aside,
out of her path. There was a sensation of boldness. She had herself
become something that within itself contained light. She was a creator
of light. At her approach darkness grew afraid and fled away into the
distance. When that thought came she found herself able to run without
stopping to rest and half wished she might run on forever, through the
land, through towns and cities, driving darkness away with her
presence.
I stated it as definitely as I could. I was in a room with them.
They had tongues like me, and hair and eyes.
I got up out of my chair and said it as definitely as I could.
Their eyes wavered. Something slipped out of their grasp. Had I been
white and strong and young enough I might have plunged through walls,
gone outward into nights and days, gone into prairies, into distances--
gone outward to the doorstep of the house of God, gone to God's throne
room with their hands in mine.
What I am trying to say is this--
By God I made their minds flee out of them.
Their minds came out of them as clear and straight as anything could
be.
I said they might build temples to their lives.
I threw my words at faces floating in a street.
I threw my words like stones, like building stones.
I scattered words in alleyways like seeds.
I crept at night and threw my words in empty rooms of houses in a
street.
I said that life was life, that men in streets and cities might build
temples to their souls.
I whispered words at night into a telephone.
I told my people life was sweet, that men might live.
I said a million temples might be built, that doorsteps might be
cleansed.
At their fleeing harried minds I hurled a stone.
I said they might build temples to themselves.
End of the Project Gutenberg EBook of Triumph of the Egg and Other Stories
by Sherwood Anderson
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