"Thanks, soldier. Who gunned him?"
   "Read it in the paper tomorrow — maybe."
   "I want to know now."
   "Do you get everything you want?"
   "No. Is that an answer, soldier?"
   "Somebody you never heard of gunned him. Let it go at that."
   "If that's on the level, someday I may be able to do you a favor."
   "Hang up and let me go to bed."
   He laughed again. "You're looking for Rusty Regan, aren't you?"
   "A lot of people seem to think I am, but I'm not."
   "If you were, I could give you an idea. Drop in and see me down at the beach. Any time. Glad to see you."
   "Maybe."
   "Be seeing you then." The phone clicked and I sat holding it with a savage patience. Then I dialed the Sternwoods' number and heard it ring four or five times and then the butler's suave voice saying: "General Sternwood's residence."
   "This is Marlowe. Remember me? I met you about a hundred years ago — or was it yesterday?"
   "Yes, Mr. Marlowe. I remember, of course."
   "Is Mrs. Regan home?"
   "Yes, I believe so. Would you — "
   I cut in on him with a sudden change of mind. "No. You give her the message. Tell her I have the pictures, all of them, and that everything is all right."
   "Yes. . . yes. . ." The voice seemed to shake a little. "You have the pictures — all of them — and everything is all right. . . Yes, sir. I may say — thank you very much, sir."
   The phone rang back in five minutes. I had finished my drink and it made me feel as if I could eat the dinner I had forgotten all about; I went out leaving the telephone ringing. It was ringing when I came back; It rang at intervals until half-past twelve. At that time I put my lights out and opened the windows up and muffled the phone bell with a piece of paper and went to bed. I had a bellyful of the Sternwood family.
   I read all three of the morning papers over my eggs and bacon the next morning. Their accounts of the affair came as close to the truth as newspaper stories usually come — as close as Mars is to Saturn. None of the three connected Owen Taylor, driver of the Lido Pier Suicide Car, with the Laurel Canyon Exotic Bungalow Slaying. None of them mentioned the Sternwoods, Bernie Ohls or me. Owen Taylor was "chauffeur to a wealthy family." Captain Cronjager of the Hollywood Division got all the credit for solving the two slayings in his district, which were supposed to arise out of a dispute over the proceeds from a wire service maintained by one Geiger in the back of the bookstore on Hollywood Boulevard. Brody had shot Geiger and Carol Lundgren had shot Brody in revenge. Police were holding Carol Lundgren in custody. He had confessed. He had a bad record — probably in high school. Police were also holding one Agnes Lozelle, Geiger's secretary, as a material witness.
   It was a nice write-up. It gave the impression that Geiger had been killed the night before, that Brody had been killed about an hour later, and that Captain Cronjager had solved both murders while lighting a cigarette. The suicide of Taylor made Page One of Section II. There was a photo of the sedan on the deck of the power lighter, with the license plate blacked out, and something covered with a cloth lying on the deck beside the running board. Owen Taylor had been despondent and in poor health. His family lived in Dubuque, and his body would be shipped there. There would be no inquest.

20

   Captain Gregory of the Missing' Persons Bureau laid my card down on his wide flat desk and arranged it so that its edges exactly paralleled the edges of the desk. He studied it with his head on one side, grunted, swung around in his swivel chair and looked out of his window at the barred top floor of the Hall of Justice half a block away. He was a burly man with tired eyes and the slow deliberate movements of a night watchman. His voice was toneless, flat and uninterested.
   "Private dick, eh?" he said, not looking at me at all, but looking out of his window. Smoke wisped from the blackened bowl of a briar that hung on his eye tooth. "What can I do for you?"
   "I'm working for General Guy Sternwood, 3765 Alta Brea Crescent, West Hollywood."
   Captain Gregory blew a little smoke from the corner of his mouth without removing the pipe. "On what?"
   "Not exactly on what you're working on, but I'm interested. I thought you could help me."
   "Help you on what?"
   "General Sternwood's a rich man," I said. "He's an old friend of the D.A.'s father. If he wants to hire a full-time boy to run errands for him, that's no reflection on the police. It's just a luxury he is able to afford himself."
   "What makes you think I'm doing anything for him?"
   I didn't answer that. He swung around slowly and heavily in his swivel chair and put his large feet flat on the bare linoleum that covered his floor. His office had the musty smell of years of routine. He stared at me bleakly.
   "I don't want to waste your time, Captain," I said and pushed my chair back — about four inches.
   He didn't move. He kept on staring at me out of his washed-out tired eyes. "You know the D.A.?"
   "I've met him. I worked for him once. I know Bernie Ohls, his chief investigator, pretty well."
   Captain Gregory reached for a phone and mumbled into it: "Get me Ohls at the D.A.'s office."
   He sat holding the phone down on its cradle. Moments passed. Smoke drifted from his pipe. His eyes were heavy and motionless like his hand. The bell tinkled and he reached for my card with his left hand. "Ohls?. . . Al Gregory at headquarters. A guy named Philip Marlowe is in my office. His card says he's a private investigator. He wants information from me. . . . Yeah? What does he look like? . . . Okey, thanks."
   He dropped the phone and took his pipe out of his mouth and tamped the tobacco with the brass cap of a heavy pencil. He did it carefully and solemnly, as if that was as important as anything he would have to do that day. He leaned back and stared at me some more.
   "What you want?"
   "An idea of what progress you're making, if any."
   He thought that over. "Regan?" he asked finally.
   "Sure."
   "Know him?"
   "I never saw him. I hear he's a good-looking Irishman in his late thirties, that he was once in the liquor racket, that he married General Sternwood's older daughter and that they didn't click. I'm told he disappeared about a month back."
   "Sternwood oughta think himself lucky instead of hiring private talent to beat around in the tall grass."
   "The General took a big fancy to him. Such things happen. The old man is crippled and lonely. Regan used to sit around with him and keep him company."
   "What you think you can do that we can't do?"
   "Nothing at all, in so far as finding Regan goes. But there's a rather mysterious blackmail angle. I want to make sure Regan isn't involved. Knowing where he is or isn't might help."
   "Brother, I'd like to help you, but I don't know where he is. He pulled down the curtain and that's that."
   "Pretty hard to do against your organization, isn't it, Captain?"
   "Yeah — but it can be done — for a while." He touched a bell button on the side of his desk. A middle-aged woman put her head in at a side door. "Get me the file on Terence Regan, Abba."
   The door closed. Captain Gregory and I looked at each other in some more heavy silence. The door opened again and the woman put a tabbed green file on his desk. Captain Gregory nodded her out, put a pair of heavy horn-rimmed glasses on his veined nose and turned the papers in the file over slowly. I rolled a cigarette around in my fingers.
   "He blew on the 16th of September," he said. "The only thing important about that is it was the chauffeur's day off and nobody saw Regan take his car out. It was late afternoon, though. We found the car four days later in a garage belonging to a ritzy bungalow court place near the Sunset Towers. A garage man reported it to the stolen car detail, said it didn't belong there. The place is called the Casa de Oro. There's an angle to that I'll tell you about in a minute. We couldn't find out anything about who put the car in there. We print the car but don't find any prints that are on file anywhere. The car in that garage don't jibe with foul play, although there's a reason to suspect foul play. It jibes with something else I'll tell you about in a minute."
   I said: "That jibes with Eddie Mars' wife being on the missing list."
   He looked annoyed. "Yeah. We investigate the tenants and find she's living there. Left about the time Regan did, within two days anyway. A guy who sounds a bit like Regan had been seen with her, but we don't get a positive identification. It's goddamned funny in this police racket how an old woman can look out of a window and see a guy running and pick him out of a line-up six months later, but we can show hotel help a clear photo and they just can't be sure."
   "That's one of the qualifications for good hotel help," I said.
   "Yeah. Eddie Mars and his wife didn't live together, but they were friendly, Eddie says. Here's some of the possibilities. First off Regan carried fifteen grand, packed it in his clothes all the time. Real money, they tell me. Not just a top card and a bunch of hay. That's a lot of jack but this Regan might be the boy to have it around so he could take it out and look at it when somebody was looking at him. Then again maybe he wouldn't give a damn. His wife says he never made a nickel off of old man Sternwood except room and board and a Packard 120 his wife gave him. Tie that for an ex-legger in the rich gravy."
   "It beats me," I said.
   "Well, here we are with a guy who ducks out and has fifteen grand in his pants and folks know it. Well, that's money. I might duck out myself, if I had fifteen grand, and me with two kids in high school. So the first thought is somebody rolls him for it and rolls him too hard, so they have to take him out in the desert and plant him among the cactuses. But I don't like that too well. Regan carried a gat and had plenty of experience using it, and not just in a greasy-faced liquor mob. I understand he commanded a whole brigade in the Irish troubles back in 1922 or whenever it was. A guy like that wouldn't be white meat to a heister. Then, his car being in that garage makes whoever rolled him know he was sweet on Eddie Mars' wife, which he was, I guess, but it ain't something every poolroom bum would know."
   "Got a photo?" I asked.
   "Him, not her. That's funny too. There's a lot of funny angles to this case. Here." He pushed a shiny print across the desk and I looked at an Irish face that was more sad than merry and more reserved than brash. Not the face of a tough guy and not the face of a man who could be pushed around much by anybody. Straight dark brows with strong bone under them. A forehead wide rather than high, a mat of dark clustering hair, a thin short nose, a wide mouth. A chin that had strong lines but was small for the mouth. A face that looked a little taut, the face of a man who would move fast and play for keeps. I passed the print back. I would know that face, if I saw it.
   Captain Gregory knocked his pipe out and refilled it and tamped the tobacco down with his thumb. He lit it, blew smoke and began to talk again.
   "Well, there could be people who would know he was sweet on Eddie Mars' frau. Besides Eddie himself. For a wonder he knew it. But he don't seem to give a damn. We checked him pretty thoroughly around that time. Of course Eddie wouldn't have knocked him off out of jealousy. The set-up would point to him too obvious."
   "It depends how smart he is," I said. "He might try the double bluff."
   Captain Gregory shook his head. "If he's smart enough to get by in his racket, he's too smart for that. I get your idea. He pulls the dumb play because he thinks we wouldn't expect him to pull the dumb play. From a police angle that's wrong. Because he'd have us in his hair so much it would interfere with his business. You might think a dumb play would be smart. I might think so. The rank and file wouldn't. They'd make his life miserable. I've ruled it out. If I'm wrong, you can prove it on me and I'll eat my chair cushion. Till then I'm leaving Eddie in the clear. Jealousy is a bad motive for his type. Top-flight racketeers have business brains. They learn to do things that are good policy and let their personal feelings take care of themselves. I'm leaving that out."
   "What are you leaving in?"
   "The dame and Regan himself. Nobody else. She was a blonde then, but she won't be now. We don't find her car, so they probably left in it. They had a long start on us — fourteen days. Except for that car of Regan's I don't figure we'd have got the case at all. Of course I'm used to them that way, especially in good-class families. And of course everything I've done has had to be under the hat."
   He leaned back and thumped the arms of his chair with the heels of his large heavy hands.
   "I don't see nothing to do but wait," he said. "We've got readers out, but it's too soon to look for results. Regan had fifteen grand we know of. The girl had some, maybe a lot in rocks. But they'll run out of dough some day. Regan will cash a check, drop a marker, write a letter. They're in a strange town and they've got new names, but they've got the same old appetites. They got to get back in the fiscal system."
   "What did the girl do before she married Eddie Mars?"
   "Torcher."
   "Can't you get any old professional photos?"
   "No. Eddie must of had some, but he won't loosen up. He wants her let alone. I can't make him. He's got friends in town, or he wouldn't be what he is." He grunted. "Any of this do you any good?"
   I said: "You'll never find either of them. The Pacific Ocean is too close."
   "What I said about my chair cushion still goes. We'll find him. It may take time. It could take a year or two."
   "General Sternwood may not live that long," I said.
   "We've done all we could, brother. If he wants to put out a reward and spend some money, we might get results. The city don't give me the kind of money it takes." His large eyes peered at me and his scratchy eyebrows moved. "You serious about thinking Eddie put them both down?"
   I laughed. "No. I was just kidding. I think what you think, Captain. That Regan ran away with a woman who meant more to him than a rich wife he didn't get along with. Besides, she isn't rich yet."
   "You met her, I suppose?"
   "Yes. She'd make a jazzy week-end, but she'd be wearing for a steady diet."
   He grunted and I thanked him for his time and information and left. A gray Plymouth sedan tailed me away from the City Hall. I gave it a chance to catch up with me on a quiet street. It refused the offer, so I shook it off and went about my business.

21

   I didn't go near the Sternwood family. I went back to the office and sat in my swivel chair and tried to catch up on my foot-dangling. There was a gusty wind blowing in at the windows and the soot from the oil burners of the hotel next door was down-drafted into the room and rolling across the top of the desk like tumbleweed drifting across a vacant lot. I was thinking about going out to lunch and that life was pretty flat and that it would probably be just as flat if I took a drink and that taking a drink all alone at that time of day wouldn't be any fun anyway. I was thinking this when Norris called up. In his carefully polite manner he said that General Sternwood was not feeling very well and that certain items in the newspaper had been read to him and he assumed that my investigation was now completed.
   "Yes, as regards Geiger," I said. "I didn't shoot him, you know."
   "The General didn't suppose you did, Mr. Marlowe."
   "Does the General know anything about those photographs Mrs. Regan was worrying about?"
   "No, sir. Decidedly not."
   "Did you know what the General gave me?"
   "Yes, sir. Three notes and a card, I believe."
   "Right. I'll return them. As to the photos I think I'd better just destroy them."
   "Very good, sir. Mrs. Regan tried to reach you a number of times last night — "
   "I was out getting drunk," I said.
   "Yes. Very necessary, sir, I'm sure. The General has instructed me to send you a check for five hundred dollars. Will that be satisfactory?"
   "More than generous," I said.
   "And I presume we may now consider the incident closed?"
   "Oh sure. Tight as a vault with a busted time lock."
   "Thank you, sir. I am sure we all appreciate it. When the General is feeling a little better — possibly tomorrow — he would like to thank you in person."
   "Fine," I said. "I'll come out and drink some more of his brandy, maybe with champagne."
   "I shall see that some is properly iced," the old boy said, almost with a smirk in his voice.
   That was that. We said good-by and hung up. The coffee shop smell from next door came in at the windows with the soot but failed to make me hungry. So I got out my office bottle and took the drink and let my self-respect ride its own race.
   I counted it up on my fingers. Rusty Regan had run away from a lot of money and a handsome wife to go wandering with a vague blonde who was more or less married to a racketeer named Eddie Mars. He had gone suddenly without good-bys and there might be any number of reasons for that. The General had been too proud, or, at the first interview he gave me, too careful, to tell me the Missing Persons Bureau had the matter in hand. The Missing Persons people were dead on their feet on it and evidently didn't think it worth bothering over. Regan had done what he had done and that was his business. I agreed with Captain Gregory that Eddie Mars would have been very unlikely to involve himself in a double murder just because another man had gone to town with the blonde he was not even living with. It might have annoyed him, but business is business, and you have to hold your teeth clamped around Hollywood to keep from chewing on stray blondes. If there had been a lot of money involved, that would be different. But fifteen grand wouldn't be a lot of money to Eddie Mars. He was no two-bit chiseler like Brody.
   Geiger was dead and Carmen would have to find some other shady character to drink exotic blends of hootch with. I didn't suppose she would have any trouble. All she would have to do would be to stand on the corner for five minutes and look coy. I hoped that the next grifter who dropped the hook on her would play her a little more smoothly, a little more for the long haul rather than the quick touch.
   Mrs. Regan knew Eddie Mars well enough to borrow money from him. That was natural, if she played roulette and was a good loser. Any gambling house owner would lend a good client money in a pinch. Apart from this they had an added bond of interest in Regan. He was her husband and he had gone off with Eddie Mars' wife.
   Carol Lundgren, the boy killer with the limited vocabulary, was out of circulation for a long, long time, even if they didn't strap him in a chair over a bucket of acid. They wouldn't, because he would take a plea and save the county money. They all do when they don't have the price of a big lawyer. Agnes Lozelle was in custody as a material witness. They wouldn't need her for that, if Carol took a plea, and if he pleaded guilty on arraignment, they would turn her loose. They wouldn't want to open up any angles on Geiger's business, apart from which they had nothing on her.
   That left me. I had concealed a murder and suppressed evidence for twenty-four hours, but I was still at large and had a five-hundred-dollar check coming. The smart thing for me to do was to take another drink and forget the whole mess.
   That being the obviously smart thing to do, I called Eddie Mars and told him I was coming down to Las Olindas that evening to talk to him. That was how smart I was.
   I got down there about nine, under a hard high October moon that lost itself in the top layers of a beach fog. The Cypress Club was at the far end of the town, a rambling frame mansion that had once been the summer residence of a rich man named De Cazens, and later had been a hotel. It was now a big dark outwardly shabby place in a thick grove of wind-twisted Monterey cypresses, which gave it its name. It had enormous scrolled porches, turrets all over the place, stained-glass trims around the big windows, big empty stables at the back, a general air of nostalgic decay. Eddie Mars had left the outside much as he had found it, instead of making it over to look like an MGM set. I left my car on a street with sputtering arc lights and walked into the grounds along a damp gravel path to the main entrance. A doorman in a doublebreasted guard's coat let me into a huge dim silent lobby from which a white oak staircase curved majestically up to the darkness of an upper floor. I checked my hat and coat and waited, listening to music and confused voices behind heavy double doors. They seemed a long way off, and not quite of the same world as the building itself. Then the slim pasty-faced blond man who had been with Eddie Mars and the pug at Geiger's place came through a door under the staircase, smiled at me bleakly and took me back with him along a carpeted hail to the boss's office.
   This was a square room with a deep old bay window and a stone fireplace in which a fire of juniper logs burned lazily. It was wainscoted in walnut and had a frieze of faded damask above the paneling. The ceiling was high and remote. There was a smell of cold sea.
   Eddie Mars' dark sheenless desk didn't belong in the room, but neither did anything made after 1900. His carpet had a Florida suntan. There was a bartop radio in the corner and a Sevres china tea set on a copper tray beside a samovar. I wondered who that was for. There was a door in the corner that had a time lock on it.
   Eddie Mars grinned at me sociably and shook hands and moved his chin at the vault. "I'm a pushover for a heist mob here except for that thing," he said cheerfully. "The local johns drop in every morning and watch me open it. I have an arrangement with them."
   "You hinted you had something for me," I said. "What is it?"
   "What's your hurry? Have a drink and sit down."
   "No hurry at all. You and I haven't anything to talk about but business."
   "You'll have the drink and like it," he said. He mixed a couple and put mine down beside a red leather chair and stood crosslegged against the desk himself, one hand in the side pocket of his midnight-blue dinner jacket, the thumb outside and the nail glistening. In dinner clothes he looked a little harder than in gray flannel, but he still looked like a horseman. We drank and nodded at each other.
   "Ever been here before?" he asked.
   "During prohibition. I don't get any kick out of gambling."
   "Not with money," he smiled. "You ought to look in tonight. One of your friends is outside betting the wheels. I hear she's doing pretty well. Vivian Regan."
   I sipped my drink and took one of his monogrammed cigarettes.
   "I kind of liked the way you handled that yesterday," he said. "You made me sore at the time but I could see afterwards how right you were. You and I ought to get along. How much do I owe you?"
   "For doing what?"
   "Still careful, eh? I have my pipe line into headquarters, or I wouldn't be here. I get them the way they happen, not the way you read them in the papers." He showed me his large white teeth.
   "How much have you got?" I asked.
   "You're not talking money?"
   "Information was the way I understood it."
   "Information about what?"
   "You have a short memory. Regan."
   "Oh, that." He waved his glistening nails in the quiet light from one of those bronze lamps that shoot a beam at the ceiling. "I hear you got the information already. I felt I owed you a fee. I'm used to paying for nice treatment."
   "I didn't drive down here to make a touch. I get paid for what I do. Not much by your standards, but I make out. One customer at a time is a good rule. You didn't bump Regan off, did you?"
   "No. Did you think I did?"
   "I wouldn't put it past you."
   He laughed. "You're kidding."
   I laughed. "Sure, I'm kidding. I never saw Regan, but I saw his photo. You haven't got the men for the work. And while we're on that subject don't send me any more gun punks with orders. I might get hysterical and blow one down."
   He looked through his glass at the fire, set it down on the end of the desk and wiped his lips with a sheer lawn handkerchief.
   "You talk a good game," he said. "But I dare say you can break a hundred and ten. You're not really interested in Regan, are you?"
   "No, not professionally. I haven't been asked to be. But I know somebody who would like to know where he is."
   "She doesn't give a damn," he said.
   "I mean her father."
   He wiped his lips again and looked at the handkerchief almost as if he expected to find blood on it. He drew his thick gray eyebrows close together and fingered the side of his weatherbeaten nose.
   "Geiger was trying to blackmail the General," I said. "The General wouldn't say so, but I figure he was at least half scared Regan might be behind it."
   Eddie Mars laughed. "Uh-uh. Geiger worked that one on everybody. It was strictly his own idea. He'd get notes from people that looked legal — were legal, I dare say, except that he wouldn't have dared sue on them. He'd present the notes, with a nice flourish, leaving himself empty-handed. If he drew an ace, he had a prospect that scared and he went to work. If he didn't draw an ace, he just dropped the whole thing."
   "Clever guy," I said. "He dropped it all right. Dropped it and fell on it. How come you know all this?"
   He shrugged impatiently. "I wish to Christ I didn't know half the stuff that's brought to me. Knowing other people's business is the worst investment a man can make in my circle. Then if it was just Geiger you were after, you're washed up on that angle."
   "Washed up and paid off."
   "I'm sorry about that. I wish old Sternwood would hire himself a soldier like you on a straight salary, to keep those girls of his home at least a few nights a week."
   "Why?"
   His mouth looked sulky. "They're plain trouble. Take the dark one. She's a pain in the neck around here. If she loses, she plunges and I end up with a fistful of paper which nobody will discount at any price. She has no money of her own except an allowance and what's in the old man's will is a secret. If she wins, she takes my money home with her."
   "You get it back the next night," I said.
   "I get some of it back. But over a period of time I'm loser."
   He looked earnestly at me, as if that was important to me. I wondered why he thought it necessary to tell me at all. I yawned and finished my drink.
   "I'm going out and look the joint over," I said.
   "Yes, do." He pointed to a door near the vault door. "That leads to a door behind the tables."
   "I'd rather go in the way the suckers enter."
   "Okey. As you please. We're friends, aren't we, soldier?"
   "Sure." I stood up and we shook hands.
   "Maybe I can do you a real favor some day," he said. "You got it all from Gregory this time."
   "So you own a piece of him too."
   "Oh not that bad. We're just friends."
   I stared at him for a moment, then went over to the door I had come in at. I looked back at him when I had it open.
   "You don't have anybody tailing me around in a gray Plymouth sedan, do you?"
   His eyes widened sharply. He looked jarred. "Hell, no. Why should I?"
   "I couldn't imagine," I said, and went on out. I thought his surprise looked genuine enough to be believed. I thought he even looked a little worried. I couldn't think of any reason for that.

22

   It was about ten-thirty when the little yellow-sashed Mexican orchestra got tired of playing a low-voiced, prettied-up rhumba that nobody was dancing to. The gourd player rubbed his finger tips together as if they were sore and got a cigarette into his mouth almost with the same movement. The other four, with a timed simultaneous stoop, reached under their chairs for glasses from which they sipped, smacking their lips and flashing their eyes. Tequila, their manner said. It was probably mineral water. The pretense was as wasted as the music. Nobody was looking at them.
   The room had been a ballroom once and Eddie Mars had changed it only as much as his business compelled him. No chromium glitter, no indirect lighting from behind angular cornices, no fused glass pictures, or chairs in violent leather and polished metal tubing, none of the pseudomodernistic circus of the typical Hollywood night trap. The light was from heavy crystal chandeliers and the rose-damask panels of the wall were still the same rose damask, a little faded by time and darkened by dust, that had been matched long ago against the parquetry floor, of which only a small glass-smooth space in front of the little Mexican orchestra showed bare. The rest was covered by a heavy old-rose carpeting that must have cost plenty. The parquetry was made of a dozen kinds of hardwood, from Burma teak through half a dozen shades of oak and ruddy wood that looked like mahogany, and fading out to the hard pale wild lilac of the California hills, all laid in elaborate patterns, with the accuracy of a transit.
   It was still a beautiful room and now there was roulette in it instead of measured, old-fashioned dancing. There were three tables close to the far wall. A low bronze railing joined them and made a fence around the croupiers. All three tables were working, but the crowd was at the middle one. I could see Vivian Regan's black head close to it, from across the room where I was leaning against the bar and turning a small glass of bacardi around on the mahogany.
   The bartender leaned beside me watching the cluster of well-dressed people at the middle table. "She's pickin' 'em tonight, right on the nose," he said. "That tall blackheaded frail."
   "Who is she?"
   "I wouldn't know her name. She comes here a lot though."
   "The hell you wouldn't know her name."
   "I just work here, mister," he said without any animosity. "She's all alone too. The guy was with her passed out. They took him out to his car."
   "I'll take her home," I said.
   "The hell you will. Well, I wish you luck anyways. Should I gentle up that bacardi or do you like it the way it is?"
   "I like it the way it is as well as I like it at all," I said.
   "Me, I'd just as leave drink croup medicine," he said.
   The crowd parted and two men in evening clothes pushed their way out and I saw the back of her neck and her bare shoulders in the opening. She wore a lowcut dress of dull green velvet. It looked too dressy for the occasion. The crowd closed and hid all but her black head. The two men came across the room and leaned against the bar and asked for Scotch and soda. One of them was flushed and excited. He was mopping his face with a black-bordered handkerchief. The double satin stripes down the side of his trousers were wide enough for tire tracks.
   "Boy, I never saw such a run," he said in a jittery voice. "Eight wins and two stand-offs in a row on that red. That's roulette, boy, that's roulette."
   "It gives me the itch," the other one said. "She's betting a grand at a crack. She can't lose." They put their beaks in their drinks, gurgled swiftly and went back.
   "So wise the little men are," the barkeep drawled. "A grand a crack, huh. I saw an old horseface in Havana once — "
   The noise swelled over at the middle table and a chiseled foreign voice rose above it saying: "If you will just be patient a moment, madam. The table cannot cover your bet. Mr. Mars will be here in a moment."
   I left my bacardi and padded across the carpet. The little orchestra started to play a tango, rather loud. No one was dancing or intending to dance. I moved through a scattering of people in dinner clothes and full evening dress and sports clothes and business suits to the end table at the left. It had gone dead. Two croupiers stood behind it with their heads together and their eyes sideways. One moved a rake back and forth aimlessly over the empty layout. They were both staring at Vivian Regan.
   Her long lashes twitched and her face looked unnaturally white. She was at the middle table, exactly opposite the wheel. There was a disordered pile of money and chips in front of her. It looked like a lot of money. She spoke to the croupier with a cool, insolent, ill-tempered drawl.
   "What kind of a cheap outfit is this, I'd like to know. Get busy and spin that wheel, highpockets. I want one more play and I'm playing table stakes. You take it away fast enough I've noticed, but when it comes to dishing it out you start to whine."
   The croupier smiled a cold polite smile that had looked at thousands of boors and millions of fools. His tall dark disinterested manner was flawless. He said gravely: "The table cannot cover your bet, madam. You have over sixteen thousand dollars there."
   "It's your money," the girl jeered. "Don't you want it back?"
   A man beside her tried to tell her something. She turned swiftly and spat something at him and he faded back into the crowd red-faced. A door opened in the paneling at the far end of the enclosed place made by the bronze railing. Eddie Mars came through the door with a set indifferent smile on his face, his hands thrust into the pockets of his dinner jacket, both thumbnails glistening outside. He seemed to like that pose. He strolled behind the croupiers and stopped at the corner of the middle table. He spoke with lazy calm, less politely than the croupier.
   "Something the matter, Mrs. Regan?"
   She turned her face to him with a sort of lunge. I saw the curve of her cheek stiffen, as if with an almost unbearable inner tautness. She didn't answer him.
   Eddie Mars said gravely: "If you're not playing any more, you must let me send someone home with you."
   The girl flushed. Her cheekbones stood out white in her face. Then she laughed off-key. She said bitterly:
   "One more play, Eddie. Everything I have on the red. I like red. It's the color of blood."
   Eddie Mars smiled faintly, then nodded and reached into his inner breast pocket. He drew out a large pinseal wallet with gold corners and tossed it carelessly along the table to the croupier. "Cover her bet in even thousands," he said, "if no one objects to this turn of the wheel being just for the lady."
   No one objected, Vivian Regan leaned down and pushed all her winnings savagely with both hands on to the large red diamond on the layout.
   The croupier leaned over the table without haste. He counted and stacked her money and chips, placed all but a few chips and bills in a neat pile and pushed the rest back off the layout with his rake. He opened Eddie Mars' wallet and drew out two flat packets of thousand-dollar bills. He broke one, counted six bills out, added them to the unbroken packet, put the four loose bills in the wallet and laid it aside as carelessly as if it had been a packet of matches. Eddie Mars didn't touch the wallet. Nobody moved except the croupier. He spun the wheel lefthanded and sent the ivory ball skittering along the upper edge with a casual flirt of his wrist. Then he drew his hands back and folded his arms.
   Vivian's lips parted slowly until her teeth caught the light and glittered like knives. The ball drifted lazily down the slope of the wheel and bounced on the chromium ridges above the numbers. After a long time and then very suddenly motion left it with a dry click. The wheel slowed, carrying the ball around with it. The croupier didn't unfold his arms until the wheel had entirely ceased to revolve.
   "The red wins," he said formally, without interest. The little ivory ball lay in Red 25, the third number from the Double Zero. Vivian Regan put her head back and laughed triumphantly.
   The croupier lifted his rake and slowly pushed the stack of thousand-dollar bills across the layout, added them to the stake, pushed everything slowly out of the field of play.
   Eddie Mars smiled, put his wallet back in his pocket, turned on his heel and left the room through the door in the paneling.
   A dozen people let their breath out at the same time and broke for the bar. I broke with them and got to the far end of the room before Vivian had gathered up her winnings and turned away from the table. I went into the large quiet lobby, got my hat and coat from the check girl, dropped a quarter in her tray and went out on the porch. The doorman loomed up beside me and said: "Can I get your car for you, sir?"
   I said: "I'm just going for a walk."
   The scrollwork along the edge of the porch was wet with the fog. The fog dripped from the Monterey cypresses that shadowed off into nothing towards the cliff above the ocean. You could see a scant dozen feet in any direction. I went down the porch steps and drifted off through the trees, following an indistinct path until I could hear the wash of the surf licking at the fog, low down at the bottom of the cliff. There wasn't a gleam of light anywhere. I could see a dozen trees clearly at one time, another dozen dimly, then nothing at all but the fog. I circled to the left and drifted back towards the gravel path that went around to the stables where they parked the cars. When I could make out the outlines of the house I stopped. A little in front of me I had heard a man cough.
   My steps hadn't made any sound on the soft moist turf. The man coughed again, then stifled the cough with a handkerchief or a sleeve. While he was still doing that I moved forward closer to him. I made him out, a vague shadow close to the path. Something made me step behind a tree and crouch down. The man turned his head. His face should have been a white blur when he did that. It wasn't. It remained dark. There was a mask over it.
   I waited, behind the tree.

23

   Light steps, the steps of a woman, came along the invisible pathway and the man in front of me moved forward and seemed to lean against the fog. I couldn't see the woman, then I could see her indistinctly. The arrogant carriage of her head seemed familiar. The man stepped out very quickly. The two figures blended in the fog, seemed to be part of the fog. There was dead silence for a moment. Then the man said:
   "This is a gun, lady. Gentle now. Sound carries in the fog. Just hand me the bag."
   The girl didn't make a sound. I moved forward a step. Quite suddenly I could see the foggy fuzz on the man's hat brim. The girl stood motionless. Then her breathing began to make a rasping sound, like a small file on soft wood.
   "Yell," the man said, "and I'll cut you in half."
   She didn't yell. She didn't move. There was a movement from him, and a dry chuckle. "It better be in here," he said. A catch clicked and a fumbling sound came to me. The man turned and came towards my tree. When he had taken three or four steps he chuckled again. The chuckle was something out of my own memories. I reached a pipe out of my pocket and held it like a gun.
   I called out softly: "Hi, Lanny."
   The man stopped dead and started to bring his hand up. I said: "No. I told you never to do that, Lanny. You're covered."
   Nothing moved. The girl back on the path didn't move. I didn't move. Lanny didn't move.
   "Put the bag down between your feet, kid," I told him. "Slow and easy."
   He bent down. I jumped out and reached him still bent over. He straightened up against me breathing hard. His hands were empty.
   "Tell me I can't get away with it," I said. I leaned against him and took the gun out of his overcoat pocket. "Somebody's always giving me guns," I told him. "I'm weighted down with them till I walk all crooked. Beat it."
   Our breaths met and mingled, our eyes were like the eyes of two tomcats on a wall. I stepped back.
   "On your way, Lanny. No hard feelings. You keep it quiet and I keep it quiet. Okey?"
   "Okey," he said thickly.
   The fog swallowed him. The faint sound of his steps and then nothing. I picked the bag up and felt in it and went towards the path. She still stood there motionless, a gray fur coat held tight around her throat with an ungloved hand on which a ring made a faint glitter. She wore no hat. Her dark parted hair was part of the darkness of the night. Her eyes too.
   "Nice work, Marlowe. Are you my bodyguard now?" Her voice had a harsh note.
   "Looks that way. Here's the bag."
   She took it. I said: "Have you a car with you?"
   She laughed. "I came with a man. What are you doing here?"
   "Eddie Mars wanted to see me."
   "I didn't know you knew him. Why?"
   "I don't mind telling you. He thought I was looking for somebody he thought had run away with his wife."
   "Were you?"
   "No."
   "Then what did you come for?"
   "To find out why he thought I was looking for somebody he thought had run away with his wife."
   "Did you find out?"
   "No."
   "You leak information like a radio announcer," she said. "I suppose it's none of my business — even if the man was my husband. I thought you weren't interested in that."
   "People keep throwing it at me."
   She clicked her teeth in annoyance. The incident of the masked man with the gun seemed to have made no impression on her at all. "Well, take me to the garage," she said. "I have to look in at my escort."
   We walked along the path and around a corner of the building and there was light ahead, then around another corner and came to a bright enclosed stable yard lit with two floodlights. It was still paved with brick and still sloped down to a grating in the middle. Cars glistened and a man in a brown smock got up off a stool and came forward.
   "Is my boy friend still blotto?" Vivian asked him carelessly.
   "I'm afraid he is, miss. I put a rug over him and run the windows up. He's okey, I guess. Just kind of resting."
   We went over to a big Cadillac and the man in the smock pulled the rear door open. On the wide back seat, loosely arranged, covered to the chin with a plaid robe, a man lay snoring with his mouth open. He seemed to be a big blond man who would hold a lot of liquor.
   "Meet Mr. Larry Cobb," Vivian said. "Mister Cobb — Mister Marlowe."
   "Mr. Cobb was my escort," she said. "Such a nice escort, Mr. Cobb. So attentive. You should see him sober. I should see him sober. Somebody should him sober. I mean, just for the record. So it could become a part of history, that brief flashing moment, soon buried in time, but never forgotten — when Larry Cobb was sober."
   "Yeah," I said.
   "I've even thought of marrying him," she went on a high strained voice, as if the shock of the stickip was just beginning to get to her. "At odd times when nothing pleasant would come into my mind. We all have those spells. Lots of money, you know. A yacht, a place on Long Island, a place at Newport, a place at Bermuda, places dotted here and there all ever the world probably — just a good Scotch bottle apart. And to Mr. Cobb a bottle of Scotch is not very far."
   "Yeah," I said. "Does he have a driver to take him home?"
   "Don't say 'yeah.' It's common." She looked at me with arched eyebrows. The man in the smock was chewing his lower lip hard. "Oh, undoubtedly a whole platoon of drivers. They probably do squads right in front of the garage every morning, buttons shining, harness gleaming, white gloves immaculate — a sort of West Point elegance about them."
   "Well, where the hell is this driver?" I asked.
   "He drove hisself tonight," the man in the smock said, almost apologetically. "I could call his home and have somebody come down for him."
   Vivian turned around and smiled at him as if he had just presented her with a diamond tiara. "That would be lovely," she said. "Would you do that? I really wouldn't want Mr. Cobb to die like that — with his mouth open. Someone might think he had died of thirst."
   The man in the smock said: "Not if they sniffed him, miss."
   She opened her bag and grabbed a handful of paper money and pushed it at him. "You'll take care of him, I'm sure."
   "Jeeze," the man said, pop-eyed. "I sure will, miss."
   "Regan is the name," she said sweetly. "Mrs. Regan. You'll probably see me again. Haven't been here long, have you?"