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"Goodness me!" said Dorothy, trembling a little; "the Scoodlers must be reg'lar cannibals."
"Don't want to be soup," protested Button-Bright, beginning to cry.
"Hush, dear," said the little girl, trying to comfort him; "we don't any of us want to be soup. But don't worry; the shaggy man will take care of us."
"Will he?" asked Polychrome, who did not like the Scoodlers at all, and kept close to Dorothy.
"I'll try," promised the shaggy man; but he looked worried.
Happening just then to feel the Love Magnet in his pocket, he said to the creatures, with more confidence:
"Don't you love me?"
"Yes!" they shouted, all together.
"Then you mustn't harm me, or my friends," said the shaggy man, firmly.
"We love you in soup!" they yelled, and in a flash turned their white sides to the front.
"How dreadful!" said Dorothy. "This is a time, Shaggy Man, when you get loved too much."
"Don't want to be soup!" wailed Button-Bright again; and Toto began to whine dismally, as if he didn't want to be soup, either.
"The only thing to do," said the shaggy man to his friends, in a low tone, "is to get out of this pocket in the rocks as soon as we can, and leave the Scoodlers behind us. Follow me, my dears, and don't pay any attention to what they do or say."
With this, he began to march along the road to the opening in the rocks ahead, and the others kept close behind him. But the Scoodlers closed up in front, as if to bar their way, and so the shaggy man stooped down and picked up a loose stone, which he threw at the creatures to scare them from the path.
At this the Scoodlers raised a howl. Two of them picked their heads from their shoulders and hurled them at the shaggy man with such force that he fell over in a heap, greatly astonished. The two now ran forward with swift leaps, caught up their heads, and put them on again, after which they sprang back to their positions on the rocks.
10. Escaping the Soup-Kettle
11. Johnny Dooit Does It
12. The Deadly Desert Crossed
13. The Truth Pond
14. Tik-Tok and Billina
"Don't want to be soup," protested Button-Bright, beginning to cry.
"Hush, dear," said the little girl, trying to comfort him; "we don't any of us want to be soup. But don't worry; the shaggy man will take care of us."
"Will he?" asked Polychrome, who did not like the Scoodlers at all, and kept close to Dorothy.
"I'll try," promised the shaggy man; but he looked worried.
Happening just then to feel the Love Magnet in his pocket, he said to the creatures, with more confidence:
"Don't you love me?"
"Yes!" they shouted, all together.
"Then you mustn't harm me, or my friends," said the shaggy man, firmly.
"We love you in soup!" they yelled, and in a flash turned their white sides to the front.
"How dreadful!" said Dorothy. "This is a time, Shaggy Man, when you get loved too much."
"Don't want to be soup!" wailed Button-Bright again; and Toto began to whine dismally, as if he didn't want to be soup, either.
"The only thing to do," said the shaggy man to his friends, in a low tone, "is to get out of this pocket in the rocks as soon as we can, and leave the Scoodlers behind us. Follow me, my dears, and don't pay any attention to what they do or say."
With this, he began to march along the road to the opening in the rocks ahead, and the others kept close behind him. But the Scoodlers closed up in front, as if to bar their way, and so the shaggy man stooped down and picked up a loose stone, which he threw at the creatures to scare them from the path.
At this the Scoodlers raised a howl. Two of them picked their heads from their shoulders and hurled them at the shaggy man with such force that he fell over in a heap, greatly astonished. The two now ran forward with swift leaps, caught up their heads, and put them on again, after which they sprang back to their positions on the rocks.
10. Escaping the Soup-Kettle
The shaggy man got up and felt of himself to see if he was hurt; but he was not. One of the heads had struck his breast and the other his left shoulder; yet though they had knocked him down, the heads were not hard enough to bruise him.
"Come on," he said firmly; "we've got to get out of here some way," and forward he started again.
The Scoodlers began yelling and throwing their heads in great numbers at our frightened friends. The shaggy man was knocked over again, and so was Button-Bright, who kicked his heels against the ground and howled as loud as he could, although he was not hurt a bit. One head struck Toto, who first yelped and then grabbed the head by an ear and started running away with it.
The Scoodlers who had thrown their heads began to scramble down and run to pick them up, with wonderful quickness; but the one whose head Toto had stolen found it hard to get it back again. The head couldn't see the body with either pair of its eyes, because the dog was in the way, so the headless Scoodler stumbled around over the rocks and tripped on them more than once in its effort to regain its top. Toto was trying to get outside the rocks and roll the head down the hill; but some of the other Scoodlers came to the rescue of their unfortunate comrade and pelted the dog with their own heads until he was obliged to drop his burden and hurry back to Dorothy.
The little girl and the Rainbow's Daughter had both escaped the shower of heads, but they saw now that it would be useless to try to run away from the dreadful Scoodlers.
"We may as well submit," declared the shaggy man, in a rueful voice, as he got upon his feet again. He turned toward their foes and asked:
"What do you want us to do?"
"Come!" they cried, in a triumphant chorus, and at once sprang from the rocks and surrounded their captives on all sides. One funny thing about the Scoodlers was they could walk in either direction, coming or going, without turning around; because they had two faces and, as Dorothy said, "two front sides," and their feet were shaped like the letter T upside down. They moved with great rapidity and there was something about their glittering eyes and contrasting colors and removable heads that inspired the poor prisoners with horror, and made them long to escape.
But the creatures led their captives away from the rocks and the road, down the hill by a side path until they came before a low mountain of rock that looked like a huge bowl turned upside down. At the edge of this mountain was a deep gulf — so deep that when you looked into it there was nothing but blackness below. Across the gulf was a narrow bridge of rock, and at the other end of the bridge was an arched opening that led into the mountain.
Over this bridge the Scoodlers led their prisoners, through the opening into the mountain, which they found to be an immense hollow dome lighted by several holes in the roof. All around the circular space were built rock houses, set close together, each with a door in the front wall. None of these houses was more than six feet wide, but the Scoodlers were thin people sidewise and did not need much room. So vast was the dome that there was a large space in the middle of the cave, in front of all these houses, where the creatures might congregate as in a great hall.
It made Dorothy shudder to see a huge iron kettle suspended by a stout chain in the middle of the place, and underneath the kettle a great heap of kindling wood and shavings, ready to light.
"What's that?" asked the shaggy man, drawing back as they approached this place, so that they were forced to push him forward.
"The Soup Kettle!" yelled the Scoodlers, and then they shouted in the next breath:
"We're hungry!"
Button-Bright, holding Dorothy's hand in one chubby fist and Polly's hand in the other, was so affected by this shout that he began to cry again, repeating the protest:
"Don't want to be soup, I don't!"
"Never mind," said the shaggy man, consolingly; "I ought to make enough soup to feed them all, I'm so big; so I'll ask them to put me in the kettle first."
"All right," said Button-Bright, more cheerfully.
But the Scoodlers were not ready to make soup yet. They led the captives into a house at the farthest side of the cave — a house somewhat wider than the others.
"Who lives here?" asked the Rainbow's Daughter. The Scoodlers nearest her replied:
"The Queen."
It made Dorothy hopeful to learn that a woman ruled over these fierce creatures, but a moment later they were ushered by two or three of the escort into a gloomy, bare room — and her hope died away.
For the Queen of the Scoodlers proved to be much more dreadful in appearance than any of her people. One side of her was fiery red, with jet-black hair and green eyes and the other side of her was bright yellow, with crimson hair and black eyes. She wore a short skirt of red and yellow and her hair, instead of being banged, was a tangle of short curls upon which rested a circular crown of silver — much dented and twisted because the Queen had thrown her head at so many things so many times. Her form was lean and bony and both her faces were deeply wrinkled.
"What have we here?" asked the Queen sharply, as our friends were made to stand before her.
"Soup!" cried the guard of Scoodlers, speaking together.
"We're not!" said Dorothy, indignantly; "we're nothing of the sort."
"Ah, but you will be soon," retorted the Queen, a grim smile making her look more dreadful than before.
"Pardon me, most beautiful vision," said the shaggy man, bowing before the queen politely. "I must request your Serene Highness to let us go our way without being made into soup. For I own the Love Magnet, and whoever meets me must love me and all my friends."
"True," replied the Queen. "We love you very much; so much that we intend to eat your broth with real pleasure. But tell me, do you think I am so beautiful?"
"You won't be at all beautiful if you eat me," he said, shaking his head sadly. "Handsome is as handsome does, you know."
The Queen turned to Button-Bright.
"Do YOU think I'm beautiful?" she asked.
"No," said the boy; "you're ugly."
"I think you're a fright," said Dorothy.
"If you could see yourself you'd be terribly scared," added Polly.
The Queen scowled at them and flopped from her red side to her yellow side.
"Take them away," she commanded the guard, "and at six o'clock run them through the meat chopper and start the soup kettle boiling. And put plenty of salt in the broth this time, or I'll punish the cooks severely."
"Any onions, your Majesty?" asked one of the guard.
"Plenty of onions and garlic and a dash of red pepper. Now, go!"
The Scoodlers led the captives away and shut them up in one of the houses, leaving only a single Scoodler to keep guard.
The place was a sort of store-house; containing bags of potatoes and baskets of carrots, onions and turnips.
"These," said their guard, pointing to the vegetables, "we use to flavor our soups with."
The prisoners were rather disheartened by this time, for they saw no way to escape and did not know how soon it would be six o'clock and time for the meatchopper to begin work. But the shaggy man was brave and did not intend to submit to such a horrid fate without a struggle.
"I'm going to fight for our lives," he whispered to the children, "for if I fail we will be no worse off than before, and to sit here quietly until we are made into soup would be foolish and cowardly."
The Scoodler on guard stood near the doorway, turning first his white side toward them and then his black side, as if he wanted to show to all of his greedy four eyes the sight of so many fat prisoners. The captives sat in a sorrowful group at the other end of the room — except Polychrome, who danced back and forth in the little place to keep herself warm, for she felt the chill of the cave. Whenever she approached the shaggy man he would whisper something in her ear, and Polly would nod her pretty head as if she understood.
The shaggy man told Dorothy and Button-Bright to stand before him while he emptied the potatoes out of one of the sacks. When this had been secretly done, little Polychrome, dancing near to the guard, suddenly reached out her hand and slapped his face, the next instant whirling away from him quickly to rejoin her friends.
The angry Scoodler at once picked off his head and hurled it at the Rainbow's Daughter; but the shaggy man was expecting that, and caught the head very neatly, putting it in the sack, which he tied at the mouth. The body of the guard, not having the eyes of its head to guide it, ran here and there in an aimless manner, and the shaggy man easily dodged it and opened the door. Fortunately, there was no one in the big cave at that moment, so he told Dorothy and Polly to run as fast as they could for the entrance, and out across the narrow bridge.
"I'll carry Button-Bright," he said, for he knew the little boy's legs were too short to run fast.
Dorothy picked up Toto and then seized Polly's hand and ran swiftly toward the entrance to the cave. The shaggy man perched Button-Bright on his shoulders and ran after them. They moved so quickly and their escape was so wholly unexpected that they had almost reached the bridge when one of the Scoodlers looked out of his house and saw them.
The creature raised a shrill cry that brought all of its fellows bounding out of the numerous doors, and at once they started in chase. Dorothy and Polly had reached the bridge and crossed it when the Scoodlers began throwing their heads. One of the queer missiles struck the shaggy man on his back and nearly knocked him over; but he was at the mouth of the cave now, so he set down Button-Bright and told the boy to run across the bridge to Dorothy.
Then the shaggy man turned around and faced his enemies, standing just outside the opening, and as fast as they threw their heads at him he caught them and tossed them into the black gulf below. The headless bodies of the foremost Scoodlers kept the others from running close up, but they also threw their heads in an effort to stop the escaping prisoners. The shaggy man caught them all and sent them whirling down into the black gulf. Among them he noticed the crimson and yellow head of the Queen, and this he tossed after the others with right good will.
Presently every Scoodler of the lot had thrown its head, and every head was down in the deep gulf, and now the helpless bodies of the creatures were mixed together in the cave and wriggling around in a vain attempt to discover what had become of their heads. The shaggy man laughed and walked across the bridge to rejoin his companions.
"It's lucky I learned to play base-ball when I was young," he remarked, "for I caught all those heads easily and never missed one. But come along, little ones; the Scoodlers will never bother us or anyone else any more."
Button-Bright was still frightened and kept insisting, "I don't want to be soup!" for the victory had been gained so suddenly that the boy could not realize they were free and safe. But the shaggy man assured him that all danger of their being made into soup was now past, as the Scoodlers would be unable to eat soup for some time to come.
So now, anxious to get away from the horrid gloomy cave as soon as possible, they hastened up the hillside and regained the road just beyond the place where they had first met the Scoodlers; and you may be sure they were glad to find their feet on the old familiar path again.
"Come on," he said firmly; "we've got to get out of here some way," and forward he started again.
The Scoodlers began yelling and throwing their heads in great numbers at our frightened friends. The shaggy man was knocked over again, and so was Button-Bright, who kicked his heels against the ground and howled as loud as he could, although he was not hurt a bit. One head struck Toto, who first yelped and then grabbed the head by an ear and started running away with it.
The Scoodlers who had thrown their heads began to scramble down and run to pick them up, with wonderful quickness; but the one whose head Toto had stolen found it hard to get it back again. The head couldn't see the body with either pair of its eyes, because the dog was in the way, so the headless Scoodler stumbled around over the rocks and tripped on them more than once in its effort to regain its top. Toto was trying to get outside the rocks and roll the head down the hill; but some of the other Scoodlers came to the rescue of their unfortunate comrade and pelted the dog with their own heads until he was obliged to drop his burden and hurry back to Dorothy.
The little girl and the Rainbow's Daughter had both escaped the shower of heads, but they saw now that it would be useless to try to run away from the dreadful Scoodlers.
"We may as well submit," declared the shaggy man, in a rueful voice, as he got upon his feet again. He turned toward their foes and asked:
"What do you want us to do?"
"Come!" they cried, in a triumphant chorus, and at once sprang from the rocks and surrounded their captives on all sides. One funny thing about the Scoodlers was they could walk in either direction, coming or going, without turning around; because they had two faces and, as Dorothy said, "two front sides," and their feet were shaped like the letter T upside down. They moved with great rapidity and there was something about their glittering eyes and contrasting colors and removable heads that inspired the poor prisoners with horror, and made them long to escape.
But the creatures led their captives away from the rocks and the road, down the hill by a side path until they came before a low mountain of rock that looked like a huge bowl turned upside down. At the edge of this mountain was a deep gulf — so deep that when you looked into it there was nothing but blackness below. Across the gulf was a narrow bridge of rock, and at the other end of the bridge was an arched opening that led into the mountain.
Over this bridge the Scoodlers led their prisoners, through the opening into the mountain, which they found to be an immense hollow dome lighted by several holes in the roof. All around the circular space were built rock houses, set close together, each with a door in the front wall. None of these houses was more than six feet wide, but the Scoodlers were thin people sidewise and did not need much room. So vast was the dome that there was a large space in the middle of the cave, in front of all these houses, where the creatures might congregate as in a great hall.
It made Dorothy shudder to see a huge iron kettle suspended by a stout chain in the middle of the place, and underneath the kettle a great heap of kindling wood and shavings, ready to light.
"What's that?" asked the shaggy man, drawing back as they approached this place, so that they were forced to push him forward.
"The Soup Kettle!" yelled the Scoodlers, and then they shouted in the next breath:
"We're hungry!"
Button-Bright, holding Dorothy's hand in one chubby fist and Polly's hand in the other, was so affected by this shout that he began to cry again, repeating the protest:
"Don't want to be soup, I don't!"
"Never mind," said the shaggy man, consolingly; "I ought to make enough soup to feed them all, I'm so big; so I'll ask them to put me in the kettle first."
"All right," said Button-Bright, more cheerfully.
But the Scoodlers were not ready to make soup yet. They led the captives into a house at the farthest side of the cave — a house somewhat wider than the others.
"Who lives here?" asked the Rainbow's Daughter. The Scoodlers nearest her replied:
"The Queen."
It made Dorothy hopeful to learn that a woman ruled over these fierce creatures, but a moment later they were ushered by two or three of the escort into a gloomy, bare room — and her hope died away.
For the Queen of the Scoodlers proved to be much more dreadful in appearance than any of her people. One side of her was fiery red, with jet-black hair and green eyes and the other side of her was bright yellow, with crimson hair and black eyes. She wore a short skirt of red and yellow and her hair, instead of being banged, was a tangle of short curls upon which rested a circular crown of silver — much dented and twisted because the Queen had thrown her head at so many things so many times. Her form was lean and bony and both her faces were deeply wrinkled.
"What have we here?" asked the Queen sharply, as our friends were made to stand before her.
"Soup!" cried the guard of Scoodlers, speaking together.
"We're not!" said Dorothy, indignantly; "we're nothing of the sort."
"Ah, but you will be soon," retorted the Queen, a grim smile making her look more dreadful than before.
"Pardon me, most beautiful vision," said the shaggy man, bowing before the queen politely. "I must request your Serene Highness to let us go our way without being made into soup. For I own the Love Magnet, and whoever meets me must love me and all my friends."
"True," replied the Queen. "We love you very much; so much that we intend to eat your broth with real pleasure. But tell me, do you think I am so beautiful?"
"You won't be at all beautiful if you eat me," he said, shaking his head sadly. "Handsome is as handsome does, you know."
The Queen turned to Button-Bright.
"Do YOU think I'm beautiful?" she asked.
"No," said the boy; "you're ugly."
"I think you're a fright," said Dorothy.
"If you could see yourself you'd be terribly scared," added Polly.
The Queen scowled at them and flopped from her red side to her yellow side.
"Take them away," she commanded the guard, "and at six o'clock run them through the meat chopper and start the soup kettle boiling. And put plenty of salt in the broth this time, or I'll punish the cooks severely."
"Any onions, your Majesty?" asked one of the guard.
"Plenty of onions and garlic and a dash of red pepper. Now, go!"
The Scoodlers led the captives away and shut them up in one of the houses, leaving only a single Scoodler to keep guard.
The place was a sort of store-house; containing bags of potatoes and baskets of carrots, onions and turnips.
"These," said their guard, pointing to the vegetables, "we use to flavor our soups with."
The prisoners were rather disheartened by this time, for they saw no way to escape and did not know how soon it would be six o'clock and time for the meatchopper to begin work. But the shaggy man was brave and did not intend to submit to such a horrid fate without a struggle.
"I'm going to fight for our lives," he whispered to the children, "for if I fail we will be no worse off than before, and to sit here quietly until we are made into soup would be foolish and cowardly."
The Scoodler on guard stood near the doorway, turning first his white side toward them and then his black side, as if he wanted to show to all of his greedy four eyes the sight of so many fat prisoners. The captives sat in a sorrowful group at the other end of the room — except Polychrome, who danced back and forth in the little place to keep herself warm, for she felt the chill of the cave. Whenever she approached the shaggy man he would whisper something in her ear, and Polly would nod her pretty head as if she understood.
The shaggy man told Dorothy and Button-Bright to stand before him while he emptied the potatoes out of one of the sacks. When this had been secretly done, little Polychrome, dancing near to the guard, suddenly reached out her hand and slapped his face, the next instant whirling away from him quickly to rejoin her friends.
The angry Scoodler at once picked off his head and hurled it at the Rainbow's Daughter; but the shaggy man was expecting that, and caught the head very neatly, putting it in the sack, which he tied at the mouth. The body of the guard, not having the eyes of its head to guide it, ran here and there in an aimless manner, and the shaggy man easily dodged it and opened the door. Fortunately, there was no one in the big cave at that moment, so he told Dorothy and Polly to run as fast as they could for the entrance, and out across the narrow bridge.
"I'll carry Button-Bright," he said, for he knew the little boy's legs were too short to run fast.
Dorothy picked up Toto and then seized Polly's hand and ran swiftly toward the entrance to the cave. The shaggy man perched Button-Bright on his shoulders and ran after them. They moved so quickly and their escape was so wholly unexpected that they had almost reached the bridge when one of the Scoodlers looked out of his house and saw them.
The creature raised a shrill cry that brought all of its fellows bounding out of the numerous doors, and at once they started in chase. Dorothy and Polly had reached the bridge and crossed it when the Scoodlers began throwing their heads. One of the queer missiles struck the shaggy man on his back and nearly knocked him over; but he was at the mouth of the cave now, so he set down Button-Bright and told the boy to run across the bridge to Dorothy.
Then the shaggy man turned around and faced his enemies, standing just outside the opening, and as fast as they threw their heads at him he caught them and tossed them into the black gulf below. The headless bodies of the foremost Scoodlers kept the others from running close up, but they also threw their heads in an effort to stop the escaping prisoners. The shaggy man caught them all and sent them whirling down into the black gulf. Among them he noticed the crimson and yellow head of the Queen, and this he tossed after the others with right good will.
Presently every Scoodler of the lot had thrown its head, and every head was down in the deep gulf, and now the helpless bodies of the creatures were mixed together in the cave and wriggling around in a vain attempt to discover what had become of their heads. The shaggy man laughed and walked across the bridge to rejoin his companions.
"It's lucky I learned to play base-ball when I was young," he remarked, "for I caught all those heads easily and never missed one. But come along, little ones; the Scoodlers will never bother us or anyone else any more."
Button-Bright was still frightened and kept insisting, "I don't want to be soup!" for the victory had been gained so suddenly that the boy could not realize they were free and safe. But the shaggy man assured him that all danger of their being made into soup was now past, as the Scoodlers would be unable to eat soup for some time to come.
So now, anxious to get away from the horrid gloomy cave as soon as possible, they hastened up the hillside and regained the road just beyond the place where they had first met the Scoodlers; and you may be sure they were glad to find their feet on the old familiar path again.
11. Johnny Dooit Does It
"It's getting awful rough walking," said Dorothy, as they trudged along. Button-Bright gave a deep sigh and said he was hungry. Indeed, all were hungry, and thirsty, too; for they had eaten nothing but the apples since breakfast; so their steps lagged and they grew silent and weary. At last they slowly passed over the crest of a barren hill and saw before them a line of green trees with a strip of grass at their feet. An agreeable fragrance was wafted toward them.
Our travelers, hot and tired, ran forward on beholding this refreshing sight and were not long in coming to the trees. Here they found a spring of pure bubbling water, around which the grass was full of wild strawberry plants, their pretty red berries ripe and ready to eat. Some of the trees bore yellow oranges and some russet pears, so the hungry adventurers suddenly found themselves provided with plenty to eat and to drink. They lost no time in picking the biggest strawberries and ripest oranges and soon had feasted to their hearts' content. Walking beyond the line of trees they saw before them a fearful, dismal desert, everywhere gray sand. At the edge of this awful waste was a large, white sign with black letters neatly painted upon it and the letters made these words:
ALL PERSONS ARE WARNED NOT TO VENTURE UPON THIS DESERT
For the Deadly Sands will Turn Any Living Flesh to Dust in an instant. Beyond This Barrier is the
LAND OF OZ
But no one can Reach that Beautiful Country because of these Destroying Sands
"Oh," said Dorothy, when the shaggy man had read the sign aloud; "I've seen this desert before, and it's true no one can live who tries to walk upon the sands."
"Then we musn't try it," answered the shaggy man thoughtfully. "But as we can't go ahead and there's no use going back, what shall we do next?"
"Don't know," said Button-Bright.
"I'm sure I don't know, either," added Dorothy, despondently.
"I wish father would come for me," sighed the pretty Rainbow's Daughter, "I would take you all to live upon the rainbow, where you could dance along its rays from morning till night, without a care or worry of any sort. But I suppose father's too busy just now to search the world for me."
"Don't want to dance," said Button-Bright, sitting down wearily upon the soft grass.
"It's very good of you, Polly," said Dorothy; "but there are other things that would suit me better than dancing on rainbows. I'm 'fraid they'd be kind of soft an' squashy under foot, anyhow, although they're so pretty to look at."
This didn't help to solve the problem, and they all fell silent and looked at one another questioningly.
"Really, I don't know what to do," muttered the shaggy man, gazing hard at Toto; and the little dog wagged his tail and said "Bow-wow!" just as if he could not tell, either, what to do. Button-Bright got a stick and began to dig in the earth, and the others watched him for a while in deep thought. Finally, the shaggy man said:
"It's nearly evening, now; so we may as well sleep in this pretty place and get rested; perhaps by morning we can decide what is best to be done."
There was little chance to make beds for the children, but the leaves of the trees grew thickly and would serve to keep off the night dews, so the shaggy man piled soft grasses in the thickest shade and when it was dark they lay down and slept peacefully until morning.
Long after the others were asleep, however, the shaggy man sat in the starlight by the spring, gazing thoughtfully into its bubbling waters. Suddenly he smiled and nodded to himself as if he had found a good thought, after which he, too, laid himself down under a tree and was soon lost in slumber.
In the bright morning sunshine, as they ate of the strawberries and sweet juicy pears, Dorothy said:
"Polly, can you do any magic?"
"No dear," answered Polychrome, shaking her dainty head.
"You ought to know SOME magic, being the Rainbow's Daughter," continued Dorothy, earnestly.
"But we who live on the rainbow among the fleecy clouds have no use for magic," replied Polychrome.
"What I'd like," said Dorothy, "is to find some way to cross the desert to the Land of Oz and its Emerald City. I've crossed it already, you know, more than once. First a cyclone carried my house over, and some Silver Shoes brought me back again — in half a second. Then Ozma took me over on her Magic Carpet, and the Nome King's Magic Belt took me home that time. You see it was magic that did it every time 'cept the first, and we can't 'spect a cyclone to happen along and take us to the Emerald City now."
"No indeed," returned Polly, with a shudder, "I hate cyclones, anyway."
"That's why I wanted to find out if you could do any magic," said the little Kansas girl. "I'm sure I can't; and I'm sure Button-Bright can't; and the only magic the shaggy man has is the Love Magnet, which won't help us much."
"Don't be too sure of that, my dear," spoke the shaggy man, a smile on his donkey face. "I may not be able to do magic myself, but I can call to us a powerful friend who loves me because I own the Love Magnet, and this friend surely will be able to help us."
"Who is your friend?" asked Dorothy.
"Johnny Dooit."
"What can Johnny do?"
"Anything," answered the shaggy man, with confidence.
"Ask him to come," she exclaimed, eagerly.
The shaggy man took the Love Magnet from his pocket and unwrapped the paper that surrounded it. Holding the charm in the palm of his hand he looked at it steadily and said these words:
"Dear Johnny Dooit, come to me. I need you bad as bad can be."
"Well, here I am," said a cheery little voice; "but you shouldn't say you need me bad, 'cause I'm always, ALWAYS, good."
At this they quickly whirled around to find a funny little man sitting on a big copper chest, puffing smoke from a long pipe. His hair was grey, his whiskers were grey; and these whiskers were so long that he had wound the ends of them around his waist and tied them in a hard knot underneath the leather apron that reached from his chin nearly to his feet, and which was soiled and scratched as if it had been used a long time. His nose was broad, and stuck up a little; but his eyes were twinkling and merry. The little man's hands and arms were as hard and tough as the leather in his apron, and Dorothy thought Johnny Dooit looked as if he had done a lot of hard work in his lifetime.
"Good morning, Johnny," said the shaggy man. "Thank you for coming to me so quickly."
"I never waste time," said the newcomer, promptly. "But what's happened to you? Where did you get that donkey head? Really, I wouldn't have known you at all, Shaggy Man, if I hadn't looked at your feet."
The shaggy man introduced Johnny Dooit to Dorothy and Toto and Button-Bright and the Rainbow's Daughter, and told him the story of their adventures, adding that they were anxious now to reach the Emerald City in the Land of Oz, where Dorothy had friends who would take care of them and send them safe home again.
"But," said he, "we find that we can't cross this desert, which turns all living flesh that touches it into dust; so I have asked you to come and help us."
Johnny Dooit puffed his pipe and looked carefully at the dreadful desert in front of them — stretching so far away they could not see its end.
"You must ride," he said, briskly.
"What in?" asked the shaggy man.
"In a sand-boat, which has runners like a sled and sails like a ship. The wind will blow you swiftly across the desert and the sand cannot touch your flesh to turn it into dust."
"Good!" cried Dorothy, clapping her hands delightedly. "That was the way the Magic Carpet took us across. We didn't have to touch the horrid sand at all."
"But where is the sand-boat?" asked the shaggy man, looking all around him.
"I'll make you one," said Johnny Dooit.
As he spoke, he knocked the ashes from his pipe and put it in his pocket. Then he unlocked the copper chest and lifted the lid, and Dorothy saw it was full of shining tools of all sorts and shapes.
Johnny Dooit moved quickly now — so quickly that they were astonished at the work he was able to accomplish. He had in his chest a tool for everything he wanted to do, and these must have been magic tools because they did their work so fast and so well.
The man hummed a little song as he worked, and Dorothy tried to listen to it. She thought the words were something like these:
The only way to do a thing Is do it when you can, And do it cheerfully, and sing And work and think and plan. The only real unhappy one Is he who dares to shirk; The only really happy one Is he who cares to work.
Whatever Johnny Dooit was singing he was certainly doing things, and they all stood by and watched him in amazement.
He seized an axe and in a couple of chops felled a tree. Next he took a saw and in a few minutes sawed the tree-trunk into broad, long boards. He then nailed the boards together into the shape of a boat, about twelve feet long and four feet wide. He cut from another tree a long, slender pole which, when trimmed of its branches and fastened upright in the center of the boat, served as a mast. From the chest he drew a coil of rope and a big bundle of canvas, and with these — still humming his song — he rigged up a sail, arranging it so it could be raised or lowered upon the mast.
Dorothy fairly gasped with wonder to see the thing grow so speedily before her eyes, and both Button-Bright and Polly looked on with the same absorbed interest.
"It ought to be painted," said Johnny Dooit, tossing his tools back into the chest, "for that would make it look prettier. But 'though I can paint it for you in three seconds it would take an hour to dry, and that's a waste of time."
"We don't care how it looks," said the shaggy man, "if only it will take us across the desert."
"It will do that," declared Johnny Dooit. "All you need worry about is tipping over. Did you ever sail a ship?"
"I've seen one sailed," said the shaggy man.
"Good. Sail this boat the way you've seen a ship sailed, and you'll be across the sands before you know it."
With this he slammed down the lid of the chest, and the noise made them all wink. While they were winking the workman disappeared, tools and all.
Our travelers, hot and tired, ran forward on beholding this refreshing sight and were not long in coming to the trees. Here they found a spring of pure bubbling water, around which the grass was full of wild strawberry plants, their pretty red berries ripe and ready to eat. Some of the trees bore yellow oranges and some russet pears, so the hungry adventurers suddenly found themselves provided with plenty to eat and to drink. They lost no time in picking the biggest strawberries and ripest oranges and soon had feasted to their hearts' content. Walking beyond the line of trees they saw before them a fearful, dismal desert, everywhere gray sand. At the edge of this awful waste was a large, white sign with black letters neatly painted upon it and the letters made these words:
ALL PERSONS ARE WARNED NOT TO VENTURE UPON THIS DESERT
For the Deadly Sands will Turn Any Living Flesh to Dust in an instant. Beyond This Barrier is the
LAND OF OZ
But no one can Reach that Beautiful Country because of these Destroying Sands
"Oh," said Dorothy, when the shaggy man had read the sign aloud; "I've seen this desert before, and it's true no one can live who tries to walk upon the sands."
"Then we musn't try it," answered the shaggy man thoughtfully. "But as we can't go ahead and there's no use going back, what shall we do next?"
"Don't know," said Button-Bright.
"I'm sure I don't know, either," added Dorothy, despondently.
"I wish father would come for me," sighed the pretty Rainbow's Daughter, "I would take you all to live upon the rainbow, where you could dance along its rays from morning till night, without a care or worry of any sort. But I suppose father's too busy just now to search the world for me."
"Don't want to dance," said Button-Bright, sitting down wearily upon the soft grass.
"It's very good of you, Polly," said Dorothy; "but there are other things that would suit me better than dancing on rainbows. I'm 'fraid they'd be kind of soft an' squashy under foot, anyhow, although they're so pretty to look at."
This didn't help to solve the problem, and they all fell silent and looked at one another questioningly.
"Really, I don't know what to do," muttered the shaggy man, gazing hard at Toto; and the little dog wagged his tail and said "Bow-wow!" just as if he could not tell, either, what to do. Button-Bright got a stick and began to dig in the earth, and the others watched him for a while in deep thought. Finally, the shaggy man said:
"It's nearly evening, now; so we may as well sleep in this pretty place and get rested; perhaps by morning we can decide what is best to be done."
There was little chance to make beds for the children, but the leaves of the trees grew thickly and would serve to keep off the night dews, so the shaggy man piled soft grasses in the thickest shade and when it was dark they lay down and slept peacefully until morning.
Long after the others were asleep, however, the shaggy man sat in the starlight by the spring, gazing thoughtfully into its bubbling waters. Suddenly he smiled and nodded to himself as if he had found a good thought, after which he, too, laid himself down under a tree and was soon lost in slumber.
In the bright morning sunshine, as they ate of the strawberries and sweet juicy pears, Dorothy said:
"Polly, can you do any magic?"
"No dear," answered Polychrome, shaking her dainty head.
"You ought to know SOME magic, being the Rainbow's Daughter," continued Dorothy, earnestly.
"But we who live on the rainbow among the fleecy clouds have no use for magic," replied Polychrome.
"What I'd like," said Dorothy, "is to find some way to cross the desert to the Land of Oz and its Emerald City. I've crossed it already, you know, more than once. First a cyclone carried my house over, and some Silver Shoes brought me back again — in half a second. Then Ozma took me over on her Magic Carpet, and the Nome King's Magic Belt took me home that time. You see it was magic that did it every time 'cept the first, and we can't 'spect a cyclone to happen along and take us to the Emerald City now."
"No indeed," returned Polly, with a shudder, "I hate cyclones, anyway."
"That's why I wanted to find out if you could do any magic," said the little Kansas girl. "I'm sure I can't; and I'm sure Button-Bright can't; and the only magic the shaggy man has is the Love Magnet, which won't help us much."
"Don't be too sure of that, my dear," spoke the shaggy man, a smile on his donkey face. "I may not be able to do magic myself, but I can call to us a powerful friend who loves me because I own the Love Magnet, and this friend surely will be able to help us."
"Who is your friend?" asked Dorothy.
"Johnny Dooit."
"What can Johnny do?"
"Anything," answered the shaggy man, with confidence.
"Ask him to come," she exclaimed, eagerly.
The shaggy man took the Love Magnet from his pocket and unwrapped the paper that surrounded it. Holding the charm in the palm of his hand he looked at it steadily and said these words:
"Dear Johnny Dooit, come to me. I need you bad as bad can be."
"Well, here I am," said a cheery little voice; "but you shouldn't say you need me bad, 'cause I'm always, ALWAYS, good."
At this they quickly whirled around to find a funny little man sitting on a big copper chest, puffing smoke from a long pipe. His hair was grey, his whiskers were grey; and these whiskers were so long that he had wound the ends of them around his waist and tied them in a hard knot underneath the leather apron that reached from his chin nearly to his feet, and which was soiled and scratched as if it had been used a long time. His nose was broad, and stuck up a little; but his eyes were twinkling and merry. The little man's hands and arms were as hard and tough as the leather in his apron, and Dorothy thought Johnny Dooit looked as if he had done a lot of hard work in his lifetime.
"Good morning, Johnny," said the shaggy man. "Thank you for coming to me so quickly."
"I never waste time," said the newcomer, promptly. "But what's happened to you? Where did you get that donkey head? Really, I wouldn't have known you at all, Shaggy Man, if I hadn't looked at your feet."
The shaggy man introduced Johnny Dooit to Dorothy and Toto and Button-Bright and the Rainbow's Daughter, and told him the story of their adventures, adding that they were anxious now to reach the Emerald City in the Land of Oz, where Dorothy had friends who would take care of them and send them safe home again.
"But," said he, "we find that we can't cross this desert, which turns all living flesh that touches it into dust; so I have asked you to come and help us."
Johnny Dooit puffed his pipe and looked carefully at the dreadful desert in front of them — stretching so far away they could not see its end.
"You must ride," he said, briskly.
"What in?" asked the shaggy man.
"In a sand-boat, which has runners like a sled and sails like a ship. The wind will blow you swiftly across the desert and the sand cannot touch your flesh to turn it into dust."
"Good!" cried Dorothy, clapping her hands delightedly. "That was the way the Magic Carpet took us across. We didn't have to touch the horrid sand at all."
"But where is the sand-boat?" asked the shaggy man, looking all around him.
"I'll make you one," said Johnny Dooit.
As he spoke, he knocked the ashes from his pipe and put it in his pocket. Then he unlocked the copper chest and lifted the lid, and Dorothy saw it was full of shining tools of all sorts and shapes.
Johnny Dooit moved quickly now — so quickly that they were astonished at the work he was able to accomplish. He had in his chest a tool for everything he wanted to do, and these must have been magic tools because they did their work so fast and so well.
The man hummed a little song as he worked, and Dorothy tried to listen to it. She thought the words were something like these:
The only way to do a thing Is do it when you can, And do it cheerfully, and sing And work and think and plan. The only real unhappy one Is he who dares to shirk; The only really happy one Is he who cares to work.
Whatever Johnny Dooit was singing he was certainly doing things, and they all stood by and watched him in amazement.
He seized an axe and in a couple of chops felled a tree. Next he took a saw and in a few minutes sawed the tree-trunk into broad, long boards. He then nailed the boards together into the shape of a boat, about twelve feet long and four feet wide. He cut from another tree a long, slender pole which, when trimmed of its branches and fastened upright in the center of the boat, served as a mast. From the chest he drew a coil of rope and a big bundle of canvas, and with these — still humming his song — he rigged up a sail, arranging it so it could be raised or lowered upon the mast.
Dorothy fairly gasped with wonder to see the thing grow so speedily before her eyes, and both Button-Bright and Polly looked on with the same absorbed interest.
"It ought to be painted," said Johnny Dooit, tossing his tools back into the chest, "for that would make it look prettier. But 'though I can paint it for you in three seconds it would take an hour to dry, and that's a waste of time."
"We don't care how it looks," said the shaggy man, "if only it will take us across the desert."
"It will do that," declared Johnny Dooit. "All you need worry about is tipping over. Did you ever sail a ship?"
"I've seen one sailed," said the shaggy man.
"Good. Sail this boat the way you've seen a ship sailed, and you'll be across the sands before you know it."
With this he slammed down the lid of the chest, and the noise made them all wink. While they were winking the workman disappeared, tools and all.
12. The Deadly Desert Crossed
"Oh, that's too bad!" cried Dorothy; "I wanted to thank Johnny Dooit for all his kindness to us."
"He hasn't time to listen to thanks," replied the shaggy man; "but I'm sure he knows we are grateful. I suppose he is already at work in some other part of the world."
They now looked more carefully at the sand-boat, and saw that the bottom was modeled with two sharp runners which would glide through the sand. The front of the sand-boat was pointed like the bow of a ship, and there was a rudder at the stern to steer by.
It had been built just at the edge of the desert, so that all its length lay upon the gray sand except the after part, which still rested on the strip of grass.
"Get in, my dears," said the shaggy man; "I'm sure I can manage this boat as well as any sailor. All you need do is sit still in your places."
Dorothy got in, Toto in her arms, and sat on the bottom of the boat just in front of the mast. Button-Bright sat in front of Dorothy, while Polly leaned over the bow. The shaggy man knelt behind the mast. When all were ready he raised the sail half-way. The wind caught it. At once the sand-boat started forward — slowly at first, then with added speed. The shaggy man pulled the sail way up, and they flew so fast over the Deadly Desert that every one held fast to the sides of the boat and scarcely dared to breathe.
The sand lay in billows, and was in places very uneven, so that the boat rocked dangerously from side to side; but it never quite tipped over, and the speed was so great that the shaggy man himself became frightened and began to wonder how he could make the ship go slower.
"It we're spilled in this sand, in the middle of the desert," Dorothy thought to herself, "we'll be nothing but dust in a few minutes, and that will be the end of us."
But they were not spilled, and by-and-by Polychrome, who was clinging to the bow and looking straight ahead, saw a dark line before them and wondered what it was. It grew plainer every second, until she discovered it to be a row of jagged rocks at the end of the desert, while high above these rocks she could see a tableland of green grass and beautiful trees.
"Look out!" she screamed to the shaggy man. "Go slowly, or we shall smash into the rocks."
He heard her, and tried to pull down the sail; but the wind would not let go of the broad canvas and the ropes had become tangled.
Nearer and nearer they drew to the great rocks, and the shaggy man was in despair because he could do nothing to stop the wild rush of the sand-boat.
They reached the edge of the desert and bumped squarely into the rocks. There was a crash as Dorothy, Button-Bright, Toto and Polly flew up in the air in a curve like a skyrocket's, one after another landing high upon the grass, where they rolled and tumbled for a time before they could stop themselves.
The shaggy man flew after them, head first, and lighted in a heap beside Toto, who, being much excited at the time, seized one of the donkey ears between his teeth and shook and worried it as hard as he could, growling angrily. The shaggy man made the little dog let go, and sat up to look around him.
Dorothy was feeling one of her front teeth, which was loosened by knocking against her knee as she fell. Polly was looking sorrowfully at a rent in her pretty gauze gown, and Button-Bright's fox head had stuck fast in a gopher hole and he was wiggling his little fat legs frantically in an effort to get free.
Otherwise they were unhurt by the adventure; so the shaggy man stood up and pulled Button-Bright out of the hole and went to the edge of the desert to look at the sand-boat. It was a mere mass of splinters now, crushed out of shape against the rocks. The wind had torn away the sail and carried it to the top of a tall tree, where the fragments of it fluttered like a white flag.
"Well," he said, cheerfully, "we're here; but where the here is I don't know."
"It must be some part of the Land of Oz," observed Dorothy, coming to his side.
"Must it?"
"'Course it must. We're across the desert, aren't we? And somewhere in the middle of Oz is the Emerald City."
"To be sure," said the shaggy man, nodding. "Let's go there."
"But I don't see any people about, to show us the way," she continued.
"Let's hunt for them," he suggested. "There must be people somewhere; but perhaps they did not expect us, and so are not at hand to give us a welcome."
"He hasn't time to listen to thanks," replied the shaggy man; "but I'm sure he knows we are grateful. I suppose he is already at work in some other part of the world."
They now looked more carefully at the sand-boat, and saw that the bottom was modeled with two sharp runners which would glide through the sand. The front of the sand-boat was pointed like the bow of a ship, and there was a rudder at the stern to steer by.
It had been built just at the edge of the desert, so that all its length lay upon the gray sand except the after part, which still rested on the strip of grass.
"Get in, my dears," said the shaggy man; "I'm sure I can manage this boat as well as any sailor. All you need do is sit still in your places."
Dorothy got in, Toto in her arms, and sat on the bottom of the boat just in front of the mast. Button-Bright sat in front of Dorothy, while Polly leaned over the bow. The shaggy man knelt behind the mast. When all were ready he raised the sail half-way. The wind caught it. At once the sand-boat started forward — slowly at first, then with added speed. The shaggy man pulled the sail way up, and they flew so fast over the Deadly Desert that every one held fast to the sides of the boat and scarcely dared to breathe.
The sand lay in billows, and was in places very uneven, so that the boat rocked dangerously from side to side; but it never quite tipped over, and the speed was so great that the shaggy man himself became frightened and began to wonder how he could make the ship go slower.
"It we're spilled in this sand, in the middle of the desert," Dorothy thought to herself, "we'll be nothing but dust in a few minutes, and that will be the end of us."
But they were not spilled, and by-and-by Polychrome, who was clinging to the bow and looking straight ahead, saw a dark line before them and wondered what it was. It grew plainer every second, until she discovered it to be a row of jagged rocks at the end of the desert, while high above these rocks she could see a tableland of green grass and beautiful trees.
"Look out!" she screamed to the shaggy man. "Go slowly, or we shall smash into the rocks."
He heard her, and tried to pull down the sail; but the wind would not let go of the broad canvas and the ropes had become tangled.
Nearer and nearer they drew to the great rocks, and the shaggy man was in despair because he could do nothing to stop the wild rush of the sand-boat.
They reached the edge of the desert and bumped squarely into the rocks. There was a crash as Dorothy, Button-Bright, Toto and Polly flew up in the air in a curve like a skyrocket's, one after another landing high upon the grass, where they rolled and tumbled for a time before they could stop themselves.
The shaggy man flew after them, head first, and lighted in a heap beside Toto, who, being much excited at the time, seized one of the donkey ears between his teeth and shook and worried it as hard as he could, growling angrily. The shaggy man made the little dog let go, and sat up to look around him.
Dorothy was feeling one of her front teeth, which was loosened by knocking against her knee as she fell. Polly was looking sorrowfully at a rent in her pretty gauze gown, and Button-Bright's fox head had stuck fast in a gopher hole and he was wiggling his little fat legs frantically in an effort to get free.
Otherwise they were unhurt by the adventure; so the shaggy man stood up and pulled Button-Bright out of the hole and went to the edge of the desert to look at the sand-boat. It was a mere mass of splinters now, crushed out of shape against the rocks. The wind had torn away the sail and carried it to the top of a tall tree, where the fragments of it fluttered like a white flag.
"Well," he said, cheerfully, "we're here; but where the here is I don't know."
"It must be some part of the Land of Oz," observed Dorothy, coming to his side.
"Must it?"
"'Course it must. We're across the desert, aren't we? And somewhere in the middle of Oz is the Emerald City."
"To be sure," said the shaggy man, nodding. "Let's go there."
"But I don't see any people about, to show us the way," she continued.
"Let's hunt for them," he suggested. "There must be people somewhere; but perhaps they did not expect us, and so are not at hand to give us a welcome."
13. The Truth Pond
They now made a more careful examination of the country around them. All was fresh and beautiful after the sultriness of the desert, and the sunshine and sweet, crisp air were delightful to the wanderers. Little mounds of yellowish green were away at the right, while on the left waved a group of tall leafy trees bearing yellow blossoms that looked like tassels and pompoms. Among the grasses carpeting the ground were pretty buttercups and cowslips and marigolds. After looking at these a moment Dorothy said reflectively:
"We must be in the Country of the Winkies, for the color of that country is yellow, and you will notice that 'most everything here is yellow that has any color at all."
"But I thought this was the Land of Oz," replied the shaggy man, as if greatly disappointed.
"So it is," she declared; "but there are four parts to the Land of Oz. The North Country is purple, and it's the Country of the Gillikins. The East Country is blue, and that's the Country of the Munchkins. Down at the South is the red Country of the Quadlings, and here, in the West, the yellow Country of the Winkies. This is the part that is ruled by the Tin Woodman, you know."
"Who's he?" asked Button-Bright.
"Why, he's the tin man I told you about. His name is Nick Chopper, and he has a lovely heart given him by the wonderful Wizard."
"Where does HE live?" asked the boy.
"The Wizard? Oh, he lives in the Emerald City, which is just in the middle of Oz, where the corners of the four countries meet."
"Oh," said Button-Bright, puzzled by this explanation.
"We must be some distance from the Emerald City," remarked the shaggy man.
"That's true," she replied; "so we'd better start on and see if we can find any of the Winkies. They're nice people," she continued, as the little party began walking toward the group of trees, "and I came here once with my friends the Scarecrow, and the Tin Woodman, and the Cowardly Lion, to fight a wicked witch who had made all the Winkies her slaves."
"Did you conquer her?" asked Polly.
"Why, I melted her with a bucket of water, and that was the end of her," replied Dorothy. "After that the people were free, you know, and they made Nick Chopper — that's the Tin Woodman — their Emp'ror."
"What's that?" asked Button-Bright.
"Emp'ror? Oh, it's something like an alderman, I guess."
"Oh," said the boy.
"But I thought Princess Ozma ruled Oz," said the shaggy man.
"So she does; she rules the Emerald City and all the four countries of Oz; but each country has another little ruler, not so big as Ozma. It's like the officers of an army, you see; the little rulers are all captains, and Ozma's the general."
By this time they had reached the trees, which stood in a perfect circle and just far enough apart so that their thick branches touched — or "shook hands," as Button-Bright remarked. Under the shade of the trees they found, in the center of the circle, a crystal pool, its water as still as glass. It must have been deep, too, for when Polychrome bent over it she gave a little sigh of pleasure.
"Why, it's a mirror!" she cried; for she could see all her pretty face and fluffy, rainbow-tinted gown reflected in the pool, as natural as life.
Dorothy bent over, too, and began to arrange her hair, blown by the desert wind into straggling tangles. Button-Bright leaned over the edge next, and then began to cry, for the sight of his fox head frightened the poor little fellow.
"I guess I won't look," remarked the shaggy man, sadly, for he didn't like his donkey head, either. While Polly and Dorothy tried to comfort Button-Bright, the shaggy man sat down near the edge of the pool, where his image could not be reflected, and stared at the water thoughtfully. As he did this he noticed a silver plate fastened to a rock just under the surface of the water, and on the silver plate was engraved these words:
THE TRUTH POND
"Ah!" cried the shaggy man, springing to his feet with eager joy; "we've found it at last."
"Found what?" asked Dorothy, running to him.
"The Truth Pond. Now, at last, I may get rid of this frightful head; for we were told, you remember, that only the Truth Pond could restore to me my proper face."
"Me, too!" shouted Button-Bright, trotting up to them.
"Of course," said Dorothy. "It will cure you both of your bad heads, I guess. Isn't it lucky we found it?"
"It is, indeed," replied the shaggy man. "I hated dreadfully to go to Princess Ozma looking like this; and she's to have a birthday celebration, too."
Just then a splash startled them, for Button-Bright, in his anxiety to see the pool that would "cure" him, had stepped too near the edge and tumbled heels over head into the water. Down he went, out of sight entirely, so that only his sailor hat floated on the top of the Truth Pond.
He soon bobbed up, and the shaggy man seized him by his sailor collar and dragged him to the shore, dripping and gasping for breath. They all looked upon the boy wonderingly, for the fox head with its sharp nose and pointed ears was gone, and in its place appeared the chubby round face and blue eyes and pretty curls that had belonged to Button-Bright before King Dox of Foxville transformed him.
"Oh, what a darling!" cried Polly, and would have hugged the little one had he not been so wet.
Their joyful exclamations made the child rub the water out of his eyes and look at his friends questioningly.
"You're all right now, dear," said Dorothy. "Come and look at yourself." She led him to the pool, and although there were still a few ripples on the surface of the water he could see his reflection plainly.
"It's me!" he said, in a pleased yet awed whisper.
"'Course it is," replied the girl, "and we're all as glad as you are, Button-Bright."
"Well," announced the shaggy man, "it's my turn next." He took off his shaggy coat and laid it on the grass and dived head first into the Truth Pond.
When he came up the donkey head had disappeared, and the shaggy man's own shaggy head was in its place, with the water dripping in little streams from his shaggy whiskers. He scrambled ashore and shook himself to get off some of the wet, and then leaned over the pool to look admiringly at his reflected face.
"I may not be strictly beautiful, even now," he said to his companions, who watched him with smiling faces; "but I'm so much handsomer than any donkey that I feel as proud as I can be."
"You're all right, Shaggy Man," declared Dorothy. "And Button-Bright is all right, too. So let's thank the Truth Pond for being so nice, and start on our journey to the Emerald City."
"I hate to leave it," murmured the shaggy man, with a sigh. "A truth pond wouldn't be a bad thing to carry around with us." But he put on his coat and started with the others in search of some one to direct them on their way.
"We must be in the Country of the Winkies, for the color of that country is yellow, and you will notice that 'most everything here is yellow that has any color at all."
"But I thought this was the Land of Oz," replied the shaggy man, as if greatly disappointed.
"So it is," she declared; "but there are four parts to the Land of Oz. The North Country is purple, and it's the Country of the Gillikins. The East Country is blue, and that's the Country of the Munchkins. Down at the South is the red Country of the Quadlings, and here, in the West, the yellow Country of the Winkies. This is the part that is ruled by the Tin Woodman, you know."
"Who's he?" asked Button-Bright.
"Why, he's the tin man I told you about. His name is Nick Chopper, and he has a lovely heart given him by the wonderful Wizard."
"Where does HE live?" asked the boy.
"The Wizard? Oh, he lives in the Emerald City, which is just in the middle of Oz, where the corners of the four countries meet."
"Oh," said Button-Bright, puzzled by this explanation.
"We must be some distance from the Emerald City," remarked the shaggy man.
"That's true," she replied; "so we'd better start on and see if we can find any of the Winkies. They're nice people," she continued, as the little party began walking toward the group of trees, "and I came here once with my friends the Scarecrow, and the Tin Woodman, and the Cowardly Lion, to fight a wicked witch who had made all the Winkies her slaves."
"Did you conquer her?" asked Polly.
"Why, I melted her with a bucket of water, and that was the end of her," replied Dorothy. "After that the people were free, you know, and they made Nick Chopper — that's the Tin Woodman — their Emp'ror."
"What's that?" asked Button-Bright.
"Emp'ror? Oh, it's something like an alderman, I guess."
"Oh," said the boy.
"But I thought Princess Ozma ruled Oz," said the shaggy man.
"So she does; she rules the Emerald City and all the four countries of Oz; but each country has another little ruler, not so big as Ozma. It's like the officers of an army, you see; the little rulers are all captains, and Ozma's the general."
By this time they had reached the trees, which stood in a perfect circle and just far enough apart so that their thick branches touched — or "shook hands," as Button-Bright remarked. Under the shade of the trees they found, in the center of the circle, a crystal pool, its water as still as glass. It must have been deep, too, for when Polychrome bent over it she gave a little sigh of pleasure.
"Why, it's a mirror!" she cried; for she could see all her pretty face and fluffy, rainbow-tinted gown reflected in the pool, as natural as life.
Dorothy bent over, too, and began to arrange her hair, blown by the desert wind into straggling tangles. Button-Bright leaned over the edge next, and then began to cry, for the sight of his fox head frightened the poor little fellow.
"I guess I won't look," remarked the shaggy man, sadly, for he didn't like his donkey head, either. While Polly and Dorothy tried to comfort Button-Bright, the shaggy man sat down near the edge of the pool, where his image could not be reflected, and stared at the water thoughtfully. As he did this he noticed a silver plate fastened to a rock just under the surface of the water, and on the silver plate was engraved these words:
THE TRUTH POND
"Ah!" cried the shaggy man, springing to his feet with eager joy; "we've found it at last."
"Found what?" asked Dorothy, running to him.
"The Truth Pond. Now, at last, I may get rid of this frightful head; for we were told, you remember, that only the Truth Pond could restore to me my proper face."
"Me, too!" shouted Button-Bright, trotting up to them.
"Of course," said Dorothy. "It will cure you both of your bad heads, I guess. Isn't it lucky we found it?"
"It is, indeed," replied the shaggy man. "I hated dreadfully to go to Princess Ozma looking like this; and she's to have a birthday celebration, too."
Just then a splash startled them, for Button-Bright, in his anxiety to see the pool that would "cure" him, had stepped too near the edge and tumbled heels over head into the water. Down he went, out of sight entirely, so that only his sailor hat floated on the top of the Truth Pond.
He soon bobbed up, and the shaggy man seized him by his sailor collar and dragged him to the shore, dripping and gasping for breath. They all looked upon the boy wonderingly, for the fox head with its sharp nose and pointed ears was gone, and in its place appeared the chubby round face and blue eyes and pretty curls that had belonged to Button-Bright before King Dox of Foxville transformed him.
"Oh, what a darling!" cried Polly, and would have hugged the little one had he not been so wet.
Their joyful exclamations made the child rub the water out of his eyes and look at his friends questioningly.
"You're all right now, dear," said Dorothy. "Come and look at yourself." She led him to the pool, and although there were still a few ripples on the surface of the water he could see his reflection plainly.
"It's me!" he said, in a pleased yet awed whisper.
"'Course it is," replied the girl, "and we're all as glad as you are, Button-Bright."
"Well," announced the shaggy man, "it's my turn next." He took off his shaggy coat and laid it on the grass and dived head first into the Truth Pond.
When he came up the donkey head had disappeared, and the shaggy man's own shaggy head was in its place, with the water dripping in little streams from his shaggy whiskers. He scrambled ashore and shook himself to get off some of the wet, and then leaned over the pool to look admiringly at his reflected face.
"I may not be strictly beautiful, even now," he said to his companions, who watched him with smiling faces; "but I'm so much handsomer than any donkey that I feel as proud as I can be."
"You're all right, Shaggy Man," declared Dorothy. "And Button-Bright is all right, too. So let's thank the Truth Pond for being so nice, and start on our journey to the Emerald City."
"I hate to leave it," murmured the shaggy man, with a sigh. "A truth pond wouldn't be a bad thing to carry around with us." But he put on his coat and started with the others in search of some one to direct them on their way.
14. Tik-Tok and Billina
They had not walked far across the flower-strewn meadows when they came upon a fine road leading toward the northwest and winding gracefully among the pretty yellow hills.
"That way," said Dorothy, "must be the direction of the Emerald City. We'd better follow the road until we meet some one or come to a house."
The sun soon dried Button-Bright's sailor suit and the shaggy man's shaggy clothes, and so pleased were they at regaining their own heads that they did not mind at all the brief discomfort of getting wet.
"It's good to be able to whistle again," remarked the shaggy man, "for those donkey lips were so thick I could not whistle a note with them." He warbled a tune as merrily as any bird.
"You'll look more natural at the birthday celebration, too," said Dorothy, happy in seeing her friends so happy.
Polychrome was dancing ahead in her usual sprightly manner, whirling gaily along the smooth, level road, until she passed from sight around the curve of one of the mounds. Suddenly they heard her exclaim "Oh!" and she appeared again, running toward them at full speed.
"What's the matter, Polly?" asked Dorothy, perplexed.
There was no need for the Rainbow's Daughter to answer, for turning the bend in the road there came advancing slowly toward them a funny round man made of burnished copper, gleaming brightly in the sun. Perched on the copper man's shoulder sat a yellow hen, with fluffy feathers and a pearl necklace around her throat.
"Oh, Tik-tok!" cried Dorothy, running forward. When she came to him, the copper man lifted the little girl in his copper arms and kissed her cheek with his copper lips.
"Oh, Billina!" cried Dorothy, in a glad voice, and the yellow hen flew to her arms, to be hugged and petted by turns.
The others were curiously crowding around the group, and the girl said to them:
"It's Tik-tok and Billina; and oh! I'm so glad to see them again."
"Wel-come to Oz," said the copper man in a monotonous voice.
Dorothy sat right down in the road, the yellow hen in her arms, and began to stroke Billina's back. Said the hen:
"Dorothy, dear, I've got some wonderful news to tell you."
"Tell it quick, Billina!" said the girl.
Just then Toto, who had been growling to himself in a cross way, gave a sharp bark and flew at the yellow hen, who ruffled her feathers and let out such an angry screech that Dorothy was startled.
"Stop, Toto! Stop that this minute!" she commanded. "Can't you see that Billina is my friend?" In spite of this warning had she not grabbed Toto quickly by the neck the little dog would have done the yellow hen a mischief, and even now he struggled madly to escape Dorothy's grasp. She slapped his ears once or twice and told him to behave, and the yellow hen flew to Tik-tok's shoulder again, where she was safe.
"What a brute!" croaked Billina, glaring down at the little dog.
"Toto isn't a brute," replied Dorothy, "but at home Uncle Henry has to whip him sometimes for chasing the chickens. Now look here, Toto," she added, holding up her finger and speaking sternly to him, "you've got to understand that Billina is one of my dearest friends, and musn't be hurt — now or ever."
Toto wagged his tail as if he understood.
"The miserable thing can't talk," said Billina, with a sneer.
"Yes, he can," replied Dorothy; "he talks with his tail, and I know everything he says. If you could wag your tail, Billina, you wouldn't need words to talk with."
"Nonsense!" said Billina.
"It isn't nonsense at all. Just now Toto says he's sorry, and that he'll try to love you for my sake. Don't you, Toto?"
"Bow-wow!" said Toto, wagging his tail again.
"But I've such wonderful news for you, Dorothy," cried the yellow hen; "I've — "
"Wait a minute, dear," interrupted the little girl; "I've got to introduce you all, first. That's manners, Billina. This," turning to her traveling companions, "is Mr. Tik-tok, who works by machinery 'cause his thoughts wind up, and his talk winds up, and his action winds up — like a clock."
"Do they all wind up together?" asked the shaggy man.
"No; each one separate. But he works just lovely, and Tik-tok was a good friend to me once, and saved my life — and Billina's life, too."
"Is he alive?" asked Button-Bright, looking hard at the copper man.
"Oh, no, but his machinery makes him just as good as alive." She turned to the copper man and said politely: "Mr. Tik-tok, these are my new friends: the shaggy man, and Polly the Rainbow's Daughter, and Button-Bright, and Toto. Only Toto isn't a new friend, 'cause he's been to Oz before."
The copper man bowed low, removing his copper hat as he did so.
"I'm ve-ry pleased to meet Dor-o-thy's fr-r-r-r — " Here he stopped short.
"Oh, I guess his speech needs winding!" said the little girl, running behind the copper man to get the key off a hook at his back. She wound him up at a place under his right arm and he went on to say:
"Par-don me for run-ning down. I was a-bout to say I am pleased to meet Dor-o-thy's friends, who must be my friends." The words were somewhat jerky, but plain to understand.
"And this is Billina," continued Dorothy, introducing the yellow hen, and they all bowed to her in turn.
"I've such wonderful news," said the hen, turning her head so that one bright eye looked full at Dorothy.
"What is it, dear?" asked the girl.
"I've hatched out ten of the loveliest chicks you ever saw."
"Oh, how nice! And where are they, Billina?"
"I left them at home. But they're beauties, I assure you, and all wonderfully clever. I've named them Dorothy."
"Which one?" asked the girl.
"All of them," replied Billina.
"That's funny. Why did you name them all with the same name?"
"It was so hard to tell them apart," explained the hen. "Now, when I call 'Dorothy,' they all come running to me in a bunch; it's much easier, after all, than having a separate name for each."
"I'm just dying to see 'em, Billina," said Dorothy, eagerly. "But tell me, my friends, how did you happen to be here, in the Country of the Winkies, the first of all to meet us?"
"I'll tell you," answered Tik-tok, in his monotonous voice, all the sounds of his words being on one level — "Prin-cess Oz-ma saw you in her mag-ic pic-ture, and knew you were com-ing here; so she sent Bil-lin-a and me to wel-come you as she could not come her-self; so that — fiz-i-dig-le cum-so-lut-ing hy-ber-gob-ble in-tu-zib-ick — "
"Good gracious! Whatever's the matter now?" cried Dorothy, as the copper man continued to babble these unmeaning words, which no one could understand at all because they had no sense.
"Don't know," said Button-Bright, who was half scared. Polly whirled away to a distance and turned to look at the copper man in a fright.
"His thoughts have run down, this time," remarked Billina composedly, as she sat on Tik-tok's shoulder and pruned her sleek feathers. "When he can't think, he can't talk properly, any more than you can. You'll have to wind up his thoughts, Dorothy, or else I'll have to finish his story myself."
Dorothy ran around and got the key again and wound up Tik-tok under his left arm, after which he could speak plainly again.
"Par-don me," he said, "but when my thoughts run down, my speech has no mean-ing, for words are formed on-ly by thought. I was a-bout to say that Oz-ma sent us to wel-come you and in-vite you to come straight to the Em-er-ald Ci-ty. She was too bus-y to come her-self, for she is pre-par-ing for her birth-day cel-e-bra-tion, which is to be a grand af-fair."
"I've heard of it," said Dorothy, "and I'm glad we've come in time to attend. Is it far from here to the Emerald City?"
"Not ve-ry far," answered Tik-tok, "and we have plen-ty of time. To-night we will stop at the pal-ace of the Tin Wood-man, and to-mor-row night we will ar-rive at the Em-er-ald Ci-ty."
"Goody!" cried Dorothy. "I'd like to see dear Nick Chopper again. How's his heart?"
"It's fine," said Billina; "the Tin Woodman says it gets softer and kindlier every day. He's waiting at his castle to welcome you, Dorothy; but he couldn't come with us because he's getting polished as bright as possible for Ozma's party."
"Well then," said Dorothy, "let's start on, and we can talk more as we go."
They proceeded on their journey in a friendly group, for Polychrome had discovered that the copper man was harmless and was no longer afraid of him. Button-Bright was also reassured, and took quite a fancy to Tik-tok. He wanted the clockwork man to open himself, so that he might see the wheels go round; but that was a thing Tik-tok could not do. Button-Bright then wanted to wind up the copper man, and Dorothy promised he should do so as soon as any part of the machinery ran down. This pleased Button-Bright, who held fast to one of Tik-tok's copper hands as he trudged along the road, while Dorothy walked on the other side of her old friend and Billina perched by turns upon his shoulder or his copper hat. Polly once more joyously danced ahead and Toto ran after her, barking with glee. The shaggy man was left to walk behind; but he didn't seem to mind that a bit,and whistled merrily or looked curiously upon the pretty scenes they passed.
"That way," said Dorothy, "must be the direction of the Emerald City. We'd better follow the road until we meet some one or come to a house."
The sun soon dried Button-Bright's sailor suit and the shaggy man's shaggy clothes, and so pleased were they at regaining their own heads that they did not mind at all the brief discomfort of getting wet.
"It's good to be able to whistle again," remarked the shaggy man, "for those donkey lips were so thick I could not whistle a note with them." He warbled a tune as merrily as any bird.
"You'll look more natural at the birthday celebration, too," said Dorothy, happy in seeing her friends so happy.
Polychrome was dancing ahead in her usual sprightly manner, whirling gaily along the smooth, level road, until she passed from sight around the curve of one of the mounds. Suddenly they heard her exclaim "Oh!" and she appeared again, running toward them at full speed.
"What's the matter, Polly?" asked Dorothy, perplexed.
There was no need for the Rainbow's Daughter to answer, for turning the bend in the road there came advancing slowly toward them a funny round man made of burnished copper, gleaming brightly in the sun. Perched on the copper man's shoulder sat a yellow hen, with fluffy feathers and a pearl necklace around her throat.
"Oh, Tik-tok!" cried Dorothy, running forward. When she came to him, the copper man lifted the little girl in his copper arms and kissed her cheek with his copper lips.
"Oh, Billina!" cried Dorothy, in a glad voice, and the yellow hen flew to her arms, to be hugged and petted by turns.
The others were curiously crowding around the group, and the girl said to them:
"It's Tik-tok and Billina; and oh! I'm so glad to see them again."
"Wel-come to Oz," said the copper man in a monotonous voice.
Dorothy sat right down in the road, the yellow hen in her arms, and began to stroke Billina's back. Said the hen:
"Dorothy, dear, I've got some wonderful news to tell you."
"Tell it quick, Billina!" said the girl.
Just then Toto, who had been growling to himself in a cross way, gave a sharp bark and flew at the yellow hen, who ruffled her feathers and let out such an angry screech that Dorothy was startled.
"Stop, Toto! Stop that this minute!" she commanded. "Can't you see that Billina is my friend?" In spite of this warning had she not grabbed Toto quickly by the neck the little dog would have done the yellow hen a mischief, and even now he struggled madly to escape Dorothy's grasp. She slapped his ears once or twice and told him to behave, and the yellow hen flew to Tik-tok's shoulder again, where she was safe.
"What a brute!" croaked Billina, glaring down at the little dog.
"Toto isn't a brute," replied Dorothy, "but at home Uncle Henry has to whip him sometimes for chasing the chickens. Now look here, Toto," she added, holding up her finger and speaking sternly to him, "you've got to understand that Billina is one of my dearest friends, and musn't be hurt — now or ever."
Toto wagged his tail as if he understood.
"The miserable thing can't talk," said Billina, with a sneer.
"Yes, he can," replied Dorothy; "he talks with his tail, and I know everything he says. If you could wag your tail, Billina, you wouldn't need words to talk with."
"Nonsense!" said Billina.
"It isn't nonsense at all. Just now Toto says he's sorry, and that he'll try to love you for my sake. Don't you, Toto?"
"Bow-wow!" said Toto, wagging his tail again.
"But I've such wonderful news for you, Dorothy," cried the yellow hen; "I've — "
"Wait a minute, dear," interrupted the little girl; "I've got to introduce you all, first. That's manners, Billina. This," turning to her traveling companions, "is Mr. Tik-tok, who works by machinery 'cause his thoughts wind up, and his talk winds up, and his action winds up — like a clock."
"Do they all wind up together?" asked the shaggy man.
"No; each one separate. But he works just lovely, and Tik-tok was a good friend to me once, and saved my life — and Billina's life, too."
"Is he alive?" asked Button-Bright, looking hard at the copper man.
"Oh, no, but his machinery makes him just as good as alive." She turned to the copper man and said politely: "Mr. Tik-tok, these are my new friends: the shaggy man, and Polly the Rainbow's Daughter, and Button-Bright, and Toto. Only Toto isn't a new friend, 'cause he's been to Oz before."
The copper man bowed low, removing his copper hat as he did so.
"I'm ve-ry pleased to meet Dor-o-thy's fr-r-r-r — " Here he stopped short.
"Oh, I guess his speech needs winding!" said the little girl, running behind the copper man to get the key off a hook at his back. She wound him up at a place under his right arm and he went on to say:
"Par-don me for run-ning down. I was a-bout to say I am pleased to meet Dor-o-thy's friends, who must be my friends." The words were somewhat jerky, but plain to understand.
"And this is Billina," continued Dorothy, introducing the yellow hen, and they all bowed to her in turn.
"I've such wonderful news," said the hen, turning her head so that one bright eye looked full at Dorothy.
"What is it, dear?" asked the girl.
"I've hatched out ten of the loveliest chicks you ever saw."
"Oh, how nice! And where are they, Billina?"
"I left them at home. But they're beauties, I assure you, and all wonderfully clever. I've named them Dorothy."
"Which one?" asked the girl.
"All of them," replied Billina.
"That's funny. Why did you name them all with the same name?"
"It was so hard to tell them apart," explained the hen. "Now, when I call 'Dorothy,' they all come running to me in a bunch; it's much easier, after all, than having a separate name for each."
"I'm just dying to see 'em, Billina," said Dorothy, eagerly. "But tell me, my friends, how did you happen to be here, in the Country of the Winkies, the first of all to meet us?"
"I'll tell you," answered Tik-tok, in his monotonous voice, all the sounds of his words being on one level — "Prin-cess Oz-ma saw you in her mag-ic pic-ture, and knew you were com-ing here; so she sent Bil-lin-a and me to wel-come you as she could not come her-self; so that — fiz-i-dig-le cum-so-lut-ing hy-ber-gob-ble in-tu-zib-ick — "
"Good gracious! Whatever's the matter now?" cried Dorothy, as the copper man continued to babble these unmeaning words, which no one could understand at all because they had no sense.
"Don't know," said Button-Bright, who was half scared. Polly whirled away to a distance and turned to look at the copper man in a fright.
"His thoughts have run down, this time," remarked Billina composedly, as she sat on Tik-tok's shoulder and pruned her sleek feathers. "When he can't think, he can't talk properly, any more than you can. You'll have to wind up his thoughts, Dorothy, or else I'll have to finish his story myself."
Dorothy ran around and got the key again and wound up Tik-tok under his left arm, after which he could speak plainly again.
"Par-don me," he said, "but when my thoughts run down, my speech has no mean-ing, for words are formed on-ly by thought. I was a-bout to say that Oz-ma sent us to wel-come you and in-vite you to come straight to the Em-er-ald Ci-ty. She was too bus-y to come her-self, for she is pre-par-ing for her birth-day cel-e-bra-tion, which is to be a grand af-fair."
"I've heard of it," said Dorothy, "and I'm glad we've come in time to attend. Is it far from here to the Emerald City?"
"Not ve-ry far," answered Tik-tok, "and we have plen-ty of time. To-night we will stop at the pal-ace of the Tin Wood-man, and to-mor-row night we will ar-rive at the Em-er-ald Ci-ty."
"Goody!" cried Dorothy. "I'd like to see dear Nick Chopper again. How's his heart?"
"It's fine," said Billina; "the Tin Woodman says it gets softer and kindlier every day. He's waiting at his castle to welcome you, Dorothy; but he couldn't come with us because he's getting polished as bright as possible for Ozma's party."
"Well then," said Dorothy, "let's start on, and we can talk more as we go."
They proceeded on their journey in a friendly group, for Polychrome had discovered that the copper man was harmless and was no longer afraid of him. Button-Bright was also reassured, and took quite a fancy to Tik-tok. He wanted the clockwork man to open himself, so that he might see the wheels go round; but that was a thing Tik-tok could not do. Button-Bright then wanted to wind up the copper man, and Dorothy promised he should do so as soon as any part of the machinery ran down. This pleased Button-Bright, who held fast to one of Tik-tok's copper hands as he trudged along the road, while Dorothy walked on the other side of her old friend and Billina perched by turns upon his shoulder or his copper hat. Polly once more joyously danced ahead and Toto ran after her, barking with glee. The shaggy man was left to walk behind; but he didn't seem to mind that a bit,and whistled merrily or looked curiously upon the pretty scenes they passed.