Bradbury Ray Douglas. Let"s All Kill Constance

LET'S ALL KILL CONSTANCE

RAY BRADBURY

   This book is dedicated
   with love
   to my daughter
   ALEXANDRA,
   without whose help
   the Third Millennium
   might never have arrived.
   and again
   with gratitude and love
   to SID STEBEL

 

CHAPTER ONE

 
   IT was a dark and stormy night.
   Is that one way to catch your reader?
   Well, then, it was a stormy night with dark rain pouring in drenches on Venice, California, the sky shattered by lightning at midnight. It had rained from sunset going headlong toward dawn. No creature stirred in that downfall. The shades in the bungalows were drawn on faint blue glimmers where night owls deathwatched bad news or worse. The only thing that moved in all that flood ten miles south and ten miles north was Death. And someone running fast ahead of Death.
   To bang on my paper-thin oceanfront bungalow door.
   Shocking me, hunched at my typewriter, digging graves, my cure for insomnia. I was trapped in a tomb when the hammering hit my door, midstorm.
   I flung the door wide to find: Constance Rattigan.
   Or, as she was widely known, The Rattigan.
   A series of flicker-flash lightning bolts cracked the sky and photographed, dark, light, light, dark, a dozen times: Rattigan.
   Forty years of triumphs and disasters crammed in one brown surf-seal body. Golden tan, five feet two inches tall, here she comes, there she goes, swimming far out at sunset, bodysurfing back, they said, at dawn, to be beached at all hours, barking with the sea beasts half a mile out, or idling in her oceanside pool, a martini in each hand, stark naked to the sun. Or whiplashing down into her basement projection room to watch herself run, timeless, on the pale ceiling with Eric Von Stroheim, Jack Gilbert, or Rod La Rocque's ghosts, then abandoning her silent laughter on the cellar walls, vanishing in the surf again, a quick target that Time and Death could never catch.
   Constance.
   The Rattigan.
   "My God, what are you doing here?" she cried, rain, or tears, on her wild suntanned face.
   "My God," I said. "What are you?"
   "Answer my question!"
   "Maggie's east at a teachers' conference. I'm trying to finish my new novel. Our house, inland, is deserted. My old landlord said, your beach apartment's empty, come write, swim. And here I am. My God, Constance, get inside. You'll drown!"
   "I already have. Stand back!"
   But Constance did not move. For a long moment she stood shivering in the light of great sheets of lightning and the following sound of thunder. One moment I thought I saw the woman that I had known for years, larger than life, leaping into and jumping out of the sea, whose image I had witnessed on the ceiling and walls of her basement's projection room, backstroking through the lives of Von Stroheim and other silent ghosts.
   Then, that changed. She stood in the doorway, diminished by light and sound. She shrank to a child, clutching a black bag to her chest, holding herself from the cold, eyes shut with some unguessed dread. It was hard for me to believe that Rattigan, the eternal film star, had come to visit in the midst of thunders.
   I finally said again, "Come in, come in."
   She repeated her whisper, "Stand back!"
   She swarmed on me, and with one vacuum-suction kiss, harassed my tongue like saltwater taffy, and fled. Halfway across the room she thought to come back and buss my cheek lightly.
   "Jeez, that's some flavor," she said. "But wait, I'm scared!"
   Hugging her elbows, she sogged down to dampen my sofa. I brought a huge towel, pulled off her dress, and wrapped her.
   "You do this to all your women?" she said, teeth chattering.
   "Only on dark and stormy nights."
   "I won't tell Maggie."
   "Hold still, Rattigan, for God's sake."
   "Men have said that all my life. Then they drive a stake through my heart."
   "Are your teeth gritting because you're half-drowned or scared?"
   "Let's see." She sank back, exhausted. "I ran all the way from my place. I knew you weren't here, it's been years since you left, but Christ, how great to find you! Save me!"
   "From what, for God's sake?"
   "Death."
   "No one gets saved from that, Constance."
   "Don't say that! I didn't come to die. I'm here, Christ, to live forever!"
   "That's just a prayer, Constance, not reality."
   "You're going to live forever. Your books!"
   "Forty years, maybe."
   "Don't knock forty years. I could use a few."
   "You could use a drink. Sit still."
   I brought out a half bottle of Cold Duck.
   "Jesus! What's that?"
   "I hate scotch and this is el cheapo writer's stuff. Drink."
   "It's hemlock." She drank and grimaced. "Quick! Something else!"
   In our midget bathroom I found a small flask of vodka, kept for nights when dawn was far off. Constance seized it.
   "Come to Mama!"
   She chugalugged.
   "Easy, Constance."
   "You don't have my death cramps."
   She finished three more shots and handed me the flask, eyes shut.
   "God is good."
   She fell back on the pillows.
   "You wanna hear about that damn thing that chased me down the shore?"
   "Wait." I put the bottle of Cold Duck to my lips and drank. "Shoot."
   "Well," she said. "Death."

CHAPTER TWO

 
   I WAS beginning to wish there was more in that empty vodka flask. Shivering, I turned on the small gas heater in the hall, searched the kitchen, found a bottle of Ripple.
   "Hell!" Rattigan cried. "That's hair tonic!" She drank and shivered. "Where was I?"
   "Running fast."
   "Yeah, but whatever I ran away from came with."
   The front door knocked with wind.
   I grabbed her hand until the knocking stopped.
   Then she picked up her big black purse and handed over a small book, trembling.
   "Here."
   I read: Los Angeles Telephone Directory, 1900. "Oh, Lord," I whispered. "Tell me why I brought that?" she said.
   I turned from the As on down through the Gs and Hs and on through M and TV and O to the end, the names, the names, from a lost year, the names, oh my God, the names.
   "Let it sink in," said Constance.
   I started up front. A for Alexander, Albert, and William. B for Burroughs. C for…
   "Good grief," I whispered. "1900. This is I960." I looked at Constance, pale under her eternal summer tan. "These people. Only a few are still alive." I stared at the names. "No use calling most of these numbers. This is-"
   "What?"
   "A Book of the Dead."
   "Bull's— eye."
   "A Book of the Dead," I said. "Egyptian. Fresh from the tomb."
   "Fresh out." Constance waited.
   "Someone sent this to you?" I said. "Was there a note?"
   "There doesn't have to be a note, does there?"
   I turned more pages. "No. Since practically everyone here is gone, the implication is-“
   "I'll soon be silent."
   "You'd be the last name in these pages of the dead?"
   "Yep," said Constance.
   I went to turn the heat up and shivered.
   "What an awful thing to do."
   "Awful."
   "Telephone books," I murmured. "Maggie says I cry at them, but it all depends on what telephone books, when."
   "All depends. Now…"
   From her purse she pulled out a second small black book.
   "Open that."
   I opened it and read, "Constance Rattigan" and her address on the beach, and turned to the first page. It was all As.
   "Abrams, Alexander, Alsop, Allen."
   I went on.
   "Baldwin, Bradley, Benson, Burton, Buss…"
   And felt a coldness take my fingers.
   "These are all friends of yours? I know those names."
   "And…?"
   "Not all, but most of them, buried out at Forest Lawn. But dug up tonight. A graveyard book," I said.
   "And worse than the one from 1900."
   "Why?"
   "I gave this one away years ago. To the Hollywood Helpers. I didn't have the heart to erase the names. The dead accumulated. A few live ones remained. But I gave the book away. Now it's back. Found it when I came in tonight from the surf."
   "Jesus, you swim in this weather?"
   "Rain or shine. And tonight I came back to find this lying like a tombstone in my yard."
   “No note?”
   "By saying nothing, it says everything."
   "Christ." I took the old directory in one hand, Rattigan's small names and numbers book in the other.
   "Two almost-Books of the Dead," I said.
   "Almost, yes," said Constance. "Look here, and here, and also here."
   She showed me three names on three pages, each with a red ink circle around it and a crucifix.
   "These names?" I said. "Special?"
   "Special, yes. AW dead. Or so I think. But they're marked, aren't they? With a cross by each, which means what?"
   "Marked to die? Next up?"
   "Yes, no, I don't know, except it scares me. Look."
   Her name, up front, had a red ink circle around it, plus the crucifix.
   "Book of the Dead, plus a list of the soon possibly dead?"
   "Holding it, how does that book feel to you?"
   "Cold," I said. "Awfully cold."
   The rain beat on the roof.
   "Who would do a thing like this to you, Constance? Name a few."
   "Hell, ten thousand." She paused to add sums. "Would you believe nine hundred? Give or take a dozen."
   "My God, that's too many suspects."
   "Spread over thirty years? Sparse."
   "Sparse!" I cried.
   "They stood in lines on the beach."
   "You didn't have to ask them in!"
   "When they all shouted Rattigan!?"
   "You didn't have to listen."
   "What is this, a Baptist revival?"
   “Sorry.”
   "Well." She took the last swig in the bottle and winced. "Will you help find this son of a bitch, or two sons of bitches, if the Books of the Dead were sent by separate creeps?"
   "I'm no detective, Constance."
   "How come I remember you half-drowned in the canal with that psycho Shrank?"
   "Well…"
   "How come I saw you up on Notre Dame at Fenix Studios with the Hunchback? Please help Mama."
   "Let me sleep on it."
   "No sleep tonight. Hug these old bones. Now …"
   She stood up with the two Books of the Dead and walked across the room to open the door on black rain and the surf eating the shore, and aimed the books. "Wait!" I cried. "If I'm going to help, I'll need those!"
   "Atta boy." She shut the door. "Bed and hugs? But no phys ed."
   "I wasn't planning, Constance," I said.

CHAPTER THREE

 
   at two forty-five in the middle of the dark storm, a terrific lightning bolt rammed the earth behind my bungalow. Thunder erupted. Mice died in the walls.
   Rattigan leaped upright in bed.
   "Save me!" she yelled.
   "Constance." I stared through the dark. "You talking to yourself, God, or me?"
   "Whoever's listening!"
   "We all are."
   She lay in my arms.
   The telephone rang at three A.M., the hour when all souls die if they need to die.
   I lifted the receiver.
   '"Who's in bed with you?" Maggie asked from some country with no rains and no storms.
   I searched Constance's suntanned face, with the white skull lost under her summer flesh.
   "No one," I said.
   And it was almost true.

CHAPTER FOUR

 
   at six in the morning dawn was out there somewhere, but you couldn't see it for the rain. Lightning still flashed and took pictures of the tide slamming the shore.
   An incredibly big lightning bolt struck out in the street and I knew if I reached across the bed, the other side would be empty.
   "Constance!"
   The front door stood wide like a stage exit, with rain drumming the carpet, and the two phone books, large and small, dropped for me to find.
   "Constance," I said in dismay, and looked around.
   At least she put on her dress, I thought.
   I telephoned her number. Silence.
   I shrugged on my raincoat and trudged up the shoreline, blinded by rain, and stood in front of her Arabian-fortress house, which was brightly lit inside and out.
   But no shadows moved anywhere.
   "Constance!" I yelled.
   The lights stayed on and the silence with it.
   A monstrous wave slammed the shore.
   I looked for her footprints going out to the tide.
   None.
   Thank God, I thought. But then, the rain would have erased them.
   "All right for you!" I yelled.
   And went away.

CHAPTER FIVE

 
   LATER I moved along the dusty path through the jungle trees and the wild azalea bushes carrying two six-packs. I knocked on Crumley's carved African front door and waited. I knocked again. Silence. I set one six-pack of beer against the door and backed off.
   After eight or nine long breaths, the door opened just enough to let a nicotine-stained hand grab the beer and pull it in. The door shut.
   "Crumley," I yelled. I ran up to the door.
   "Go away," said a voice from inside.
   "Crumley, it's the Crazy. Let me in!"
   "No way," said Crumley's voice, liquid now, for he had opened the first beer. "Your wife called."
   "Damn!" I whispered.
   Crumley swallowed. "She said that every time she leaves town, you fall off the pier in deep guano, or karate-chop a team of lesbian midgets."
   "She didn't say that!"
   "Look, Willie"-for Shakespeare-"I'm an old man and can't take those graveyard carousels and crocodile men snor-keling the canals at midnight. Drop that other six-pack. Thank God for your wife."
   "Damn," I murmured.
   "She said she'll come home early if you don't cease and desist."
   "She would, too," I muttered.
   "Nothing like a wife coming home early to spoil the chaos. Wait." He took a swallow. "You're okay, William, but no thanks."
   I set the other six-pack down and put the 1900 telephone book and Rattigan's private phone book on top, and backed off.
   After a long while that hand emerged again, touched Braille-wise over the books, knocked them off, and grabbed the beer. I waited. Finally the door reopened. The hand, curious, fumbled the books and snatched them in.
   "Good!" I cried.
   Good! I thought. In one hour, by God… he'll call!

CHAPTER SIX

 
   in one hour, Crumley called.
   But didn't call me William.
   He said, "Crud, crap, crapola. You really know how to hook a guy. What is it with these goddamn Books of the Dead?"
   "Why do you say that?"
   "Hell, I was born in a mortuary, raised in a graveyard, matriculated in the Valley of the Kings outside Karnak in upper, or was it lower, Egypt? Some nights I dream I'm wrapped in creosote. Who wouldn't know a book that's dead when it's served with his beer?"
   "Same old Crumley," I said.
   "I wish it wasn't. When I hang up I'm calling your wife!"
   "Don't!"
   "Why not?"
   "Because— " I stopped, gasped, and then blurted out, "I need you!"
   "Crud."
   "Did you hear what I said?"
   "I heard," he muttered. "Christ."
   And at last, "Meet you down by Rattigan's. Around sunset. When things come out of the surf to get you."
   "Rattigan's."
   He hung up before I could.

CHAPTER SEVEN

 
   EVERYTHING by night, that's the ticket. Nothing at noon; the sun is too bright, the shadows wait. The sky burns so nothing dares move. There is no fun in sunlit exposure. Midnight brings fun when the shadows under trees lift their skirts and glide. Wind arrives. Leaves fall. Footsteps echo. Beams and floorboards creak. Dust sifts from tombstone angel wings. Shadows soar like ravens. Before dawn, the streetlights die, the town goes briefly blind.
   It is then that all good mysteries start, all adventures linger. Dawn never was. Everyone holds their breath to bind the darkness, save the terror, nail the shadows.
   So it was only proper that as dark waves were striking a darker shore, I met Crumley on the sand, out front of her big white Arabian-fortress beach house. We walked up and looked in.
   All the doors still stood wide, bright lights burned inside while Gershwin punched holes in a player-piano roll in 1928 to be played again and again, triple time, with no one listening except me and Crumley walking through lots of music, but no Constance.
   I opened my mouth to apologize for calling Crumley.
   "Drink your gin and shut up." Crumley thrust a beer at me.
   "Now," he went on, "what the hell does all this mean?" He thumbed the pages of Rattigan's personal Book of the Dead. "Here, here, and over here."
   There were red ink marks circling a half-dozen names, with deeply indented crucifixes freshly inscribed.
   "Constance guessed, and so did I, that those marks meant the owners of those names were still alive, but maybe not for long. What do you think?"
   "I don't," said Crumley. "This is your picnic. I was all set to head for Yosemite this weekend, and you show up like a film producer who improves the flavor of screenplays by peeing on every other scene. I'd better run for Yosemite right now; you got that look of a wild rabbit with intuitions."
   "Hold on." For he was starting to move. "Don't you want to prove or disprove which of these names are still kicking or which dropped dead?"
   I grabbed the book, then tossed it back so he had to catch. It fell open at one page with a more-than-enormous crucifix by an almost-circus-banner name. Crumley scowled. I read the name upside down: Califia. Queen Califia. Bunker Hill. No address. But there was a phone number.
   Crumley could not take his eyes off it, scowling.
   "Know where that is?" I said.
   "Bunker Hill, hell, I know, I know. I was born a few blocks north of there. A real free-for-all stewpot of Mexicans, Gypsies, stovepipe-out-the-window Irish, white trash and black. Used to go by there to look in at Callahan and Ortega, Funeral Directors. Hoped to see real bodies. My God, Callahan and Ortega, what names, right there in the middle of Juarez II, Guadalajara bums, dead flowers from Rosarita Beach, Dublin whores. Crud!" Crumley suddenly yelled, furious at listening to his own travel talk, half selling himself on my next expedition. "Did you hear me? Did you listen? God!"
   "I heard," I said. "So why don't we just call one of those red circle numbers to see what's aboveground or below?"
   And before he could protest, I seized the book and ran up the dune to Rattigan's outdoor pool, brightly lit, with an extension phone on a glass-top patio table, waiting. I didn't dare look at Crumley, who had not moved as I dialed.
   A voice answered from long miles away. That number was no longer in service. Damn, I thought, and then, Wait!
   I dialed information swiftly, got a number, dialed it, and held the phone out so Crumley could hear the voice:
   "Callahan and Ortega, good evening," the voice said, a full rich ripe brogue from center stage of Abbey Theatre. I smiled wildly. I saw Crumley, below, twitch.
   Callahan and Ortega," the voice repeated, louder now, its temper roused. A long pause. I stayed mum. "Who the hell is this?"
   I hung up before Crumley reached me.
   "Son of a bitch," he said, hooked.
   "Two blocks, maybe three, from where you were born?"
   "Four, you conniving bastard."
   "Well?" I said.
   Crumley grabbed Rattigan's book.
   "Almost but not quite a Book of the Dead?" he said.
   "Want to try another number?" I opened the book, turned, and stopped under the Rs. "Here's one, oh Lord yes, even better than Queen Califia."
   Crumley squinted. "Rattigan, Mount Lowe. What kind of Rattigan lives up on Mount Lowe? That's where the big red trolley that's been dead half my lifetime used to take thousands up for picnics."
   Memory shadowed Crumley's face.
   I touched another name.
   "Rattigan. St. Vibiana's Cathedral."
   "What kind of Rattigan, holy jumping Jesus, hides out in St. Vibiana's Cathedral?"
   "Spoken like a born-again Catholic." I studied Crumley's now-permanent scowl. "Want to know? I'm on my way."
   I took three false steps before Crumley swore. "How the hell you going to get there with no license and no car?"
   I kept my back turned. "You're going to take me."
   There was a long brooding silence.
   "Right?" I prompted.
   "You know how in hell to find where the Mount Lowe trolley once ran?"
   "I was carried up by my folks when I was eighteen months old."
   "That means you can show the way?"
   "Total recall."
   "Shut up," said Crumley as he tossed a half-dozen bottles of beer into the jalopy. "Get in the car."
   We got in, left Gershwin to punch piano-roll holes in Paris, and drove away.
   "Don't say anything," said Crumley. "Just nod your head left, right, or straight ahead."

CHAPTER EIGHT

 
   "I'LL be damned if I know why in hell I'm doing this," Crumley muttered, almost driving on the wrong side of the street. "I said, I'll be damned if I know why in hell-"
   "I heard you," I said, watching the mountains and the foothills coming closer.
   "You know who you remind me of?" Crumley snorted. "My first and only wife, who knew how to flimflam me with her shapes and sizes and big smiles."
   "Do I flimflam you?"
   "Say you don't and I'll throw you out of the car. When you see me coming, you sit and pretend to be working a crossword puzzle. You're maybe four words into it before I grab your pencil and shove you outta the way."
   "Did I ever do that, Crumley?"
   "Don't get me mad. You watching the street signs? Do so.
   Now. Tell me, why are you heading this damn-fool expedition?"
   I looked at the Rattigan phone book in my lap. "She was running away, she said. From Death, from one of die names in this book. Maybe one of them sent it to her as a spoiled gift. Or maybe she was running toward them, like we're doing, heading for one to see if he's the sinner who dared to send tombstone dictionaries to impressionable child actresses."
   "Rattigan's no child," Crumley groused.
   "She is. She wouldn't've been so great up on the screen if she hadn't kept one heckuva lot of her Meglin Kiddie self locked up in all those sexual acrobatics. It's not the old Rattigan who's scared here; it's the schoolgirl in panic running through the dark forest, Hollywood, full of monsters."
   "You whipping up another of your Christmas fruitcakes full of nuts?"
   "Does it sound like it?"
   "No comment. Why would one of these red-lined friends send her two books full of lousy memories?"
   "Why not? Constance loved a lot of people in her time. So, years later, one way or another, a lot of people hate her. They got rejected, left behind, forgotten. She got famous. They were found with the trash by the side of the road. Or maybe they're real old now and dying, and before they go they want to spoil things."
   "You're beginning to sound like me," Crumley said.
   "God help me, I hope not. I mean-"
   "It's okay. You'll never be Crumley, just like I'll never be Jules Verne Junior. Where in hell are we?"
   I glanced up quickly.
   "Hey!" I said. "This is it. Mount Lowe! Where the great old red trolley train fell down dead, a long time ago.
   "Professor Lowe," I said, reading some offhand memory from the dark side of my eyelids, "was the man who invented balloon photography during the Civil War."
   "Where did that come from?" Crumley exclaimed.
   "It just came," I said, unsettled.
   "You're full of useless information."
   "Oh, I don't know," I said, offended. "We're here at Mount Lowe, right? And it's named for Professor Lowe and his Toonerville Trolley scaling its heights, right?"
   "Yeah, yeah, sure," Crumley said.
   "Well then, Professor Lowe invented hot-air balloon photography that helped catch enemy images in the great war of the states. Balloons, and a new invention, trains, won for the North."
   "Okay, okay," Crumley grumbled. "I'm outta the car and ready to climb."
   I leaned out the car window and looked at the long weed-choked path that went up and up a long incline in evening's gathering shadows.
   I shut my eyes and recited. "It's three miles to the top. You really want to walk?"
   Crumley glared at the foothill.
   "Hell, no." He got back in the car and banged the door shut. "Is there any chance we could run off the edge of that damn narrow path? We'd be goners."
   "Always the chance. Onward!"
   Crumley edged our jalopy to the foot of the mostly blind path, cut the engine, got out, walked over, kicked some dirt, and pulled some weeds.
   "Hallelujah!" he exclaimed. "Iron, steel! The old rail track, didn't bother to yank it out, just buried it!"
   "See?!" I said.
   His face crimson, Crumley plunged back in, almost submerging the car.
   "Okay, smart-ass! Damn car won't start!"
   "Put your foot on the starter!"
   "Damn!" Crumley stomped the floorboard. The car shimmied.
   "Double— damn smart-ass kids!"
   We ascended.

CHAPTER NINE

 
   the way up the mountain was a double wilderness. The dry season had come early and burned the wild grass to sere crispness. In the rapidly fading light the whole hillside up to the peak was the color of wheat, fried by the sun. As we rode, it crackled. Two weeks before, someone had tossed a match and the whole foothill had exploded in flame. It was headlined in the papers and lit the television news, the flames were so pretty. But now the fire was gone and the chars and dryness with it. There was a dead-fire smell as Crumley and I threaded the lost path winding up Mount Lowe.
   On the way, Crumley said, "It's good you can't see over my side. A thousand-foot drop."
   I clutched my knees.
   Crumley noticed. "Well, maybe only a five-hundred-foot drop."
   I shut my eyes and recited off my clenched eyelids.
   "The Mount Lowe railway was part electric, part cable car."
   Crumley, made curious, said, "And?"
   I unclenched my knees.
   "The railway opened July Fourth, 1893, with free cake and ice cream and thousands of riders. The Pasadena City Brass Band rode the first car playing 'Hail, Columbia.' But considering their passage into the clouds, they had shifted to 'Nearer My God to Thee,' which made at least ten thousand people along the way cry. Later in the ascension they decided to do 'Upward, Always Upward' as they reached the heights. They were followed in three cable cars by the Los Angeles Symphony; the violins in one car, the brass in a second, and the timpani and woodwinds in the third car. In the confusion, the conductor was left behind with his baton. Later in the day the Salt Lake City Mormon Tabernacle Choir ascended, also in three cars; sopranos in one, the baritones in another, and the bass in the third. They sang 'Onward, Christian Soldiers,' which seemed very appropriate as they vanished in the mist. It was reported that ten thousand miles of red, white, and blue bunting covered all of the trolleys and the trains and the cable cars. When the day was finally over, one semihysterical woman who admired Professor Lowe for what he had done to bring about the creation of the Mount Lowe railway and its taverns and hotels was quoted as saying, 'Praise God from whom all blessings flow and also praise Professor Lowe,' which made everyone cry again," I babbled on.
   Crumley said, "I'll be damned."
   I added, "The Pacific Electric Railway ran to Mount Lowe, the Pasadena Ostrich Farm, Seleg Lion Zoo, San Gabriel Mission, Monrovia, Baldwin's Ranch, and Whittier."
   Crumley mumbled under his breath and drove on in silence.
   Taking that as a hint, I said, "Are we there yet?"
   "Cowardly custard," said Crumley. "Open your eyes."
   I opened my eyes.
   "I think we're there."
   And we were. For there stood the ruins of the old rail station, and beyond that, a few charred struts of the burned pavilion.
   I got out slowly and stood with Crumley surveying miles of land that went forever to the sea.
   "Cortes never saw better," said Crumley. "View's great. Makes you wonder why they didn't rebuild."
   "Politics."
   "Always is. Now, where in hell do we find someone named Rattigan in a place like this?"
   "There!"
   Some eighty feet away, behind a huge spread of pepper trees, was a small cottage half-sunk in the earth. Fire hadn't touched it, but rain had worn its paint and battered its roof.
   "There's got to be a body in there," Crumley said as we walked toward it.
   "Isn't there always a body, or else why come see?"
   "Go check. I'll stand here hating myself for not bringing more booze."
   "Some detective." I ambled over to the cottage and had one helluva time yanking its door wide. When it finally whined and gave way, I lurched back, afraid, and peered in.
   "Crumley," I said at last.
   "Yeah?" he said, sixty feet away.
   "Come see."
   "A body?" he said.
   "Even better" I said in awe.

CHAPTER TEN

 
   we entered a labyrinth of newsprint. A labyrinth; hell, a catacomb with narrow passages between stacks of old newspapers-the New York Times, the Chicago Tribune, the Seattle News, the Detroit Free Press. Five feet on the left, six on the right, and a pathway between which you might jockey through, fearful of avalanches that could crush and kill.
   "Holy magoly!" I breathed.
   "You can say that again," Crumley groused. "Christ, there must be ten thousand Sunday and daily papers stacked here, in layers-look, yellow down below, white on top. And not just one stack, ten dozen-my God, a hundred!"
   For indeed the catacomb of newsprint hollowed back through twilight shadow to curve out of sight.
   It was a moment, I later said, like Lord Carnarvon opening Tut's tomb in 1922. All those ancient headlines, those obituary piles, that led to what? More news stacks and more beyond. Crumley and I sidled through with hardly enough space for bellies or behinds.
   "God," I whispered, "if ever a real earthquake hit-"
   "It did!" came a voice from far down the stacked tunnel of print. A mummy cried. "Kicked the stacks! Almost pancaked me!"
   "Who's there?" I called. "Where in hell are you?"
   "A great maze, yeah?" The mummy's voice yelled in glee. "Built it myself! Morning extra by night final, race specials, Sunday comics, you name it! Forty years! A museum library of news, un-fit to print. Keep moving! Around the bend to your left. I'm here somewhere!"
   "Move!" Crumley panted. "There's gotta be a space with fresh air!"
   "That's it!" the dry voice called. "You're close. Bear left. Don't smoke! Damn place's a firetrap of headlines: 'Hitler Takes Power,' 'Mussolini Bombs Ethiopia for Kindling,' 'Roosevelt Dead,' 'Churchill Builds Iron Curtain,' swell, huh?"
   We turned a final comer among tall flapjack stacks of print to find a clearing in the forest.
   On the far side of the clearing was an army cot. On the cot lay what seemed a long bundle of beef jerky or a mummy rampant from the earth. There was a strong smell. Not dead, I thought, not alive.
   I approached the cot slowly, with Crumley behind. I knew the odor now. Not death, but the great unwashed.
   The rag bundle stirred. Some ancient blanket shreds flaked from a face like watermarks on mud shallows. A faint crack of light glinted between two withered lids.
   "Pardon my not rising," the withered mouth trembled. "Chez Monsieur from Armentieres, haven't got up in forty years." It cackled a cackle that almost killed it. It began to cough.
   "No, no, I'm okay," it whispered. The head fell back. "Where the hell you been?"
   "Where…?"
   "I been expecting you!" said the mummy. "What year is it? 1932? 1946? 1950?"
   "You're getting warmer."
   "1960. Howzat?"
   "Bull's— eye," said Crumley.
   "I'm not all crackers." The old man's dry dust mouth quavered. "You bring my vittles?"
   "Vittles?"
   "No, no, couldn't be. It's a kid, totes the dog food through that Grub Street newsprint alley, can by can, or the whole damn thing falls. You're not him-or he?"
   We glanced behind and shook our heads.
   "How you like my penthouse? Original meaning: place where they used to pent up people so they couldn't run amok. We gave it a different meaning and raised the rent. Where was I? Oh, yeah. How you like this joint?"
   "A Christian Science reading room," said Crumley.
   "Darn tootin'," said Ramses II. "Started 1925. Couldn't stop. Smash and grab, not much smash, mainly grab. It all started one day when I forgot to throw out the morning papers. Next thing there was a week collected and then more Tribune/Times/Daily News trash. That there on your right is 1939. On the left: 1940. One stack back: '41. Neat!"
   "What happens if you want a special date and it's four feet down?"
   "I try not to figure that. Name a date."
   "April ninth, 1937," leaped off my tongue.
   "Why the hell that?" said Crumley.
   "Don't stop the boy," came the whisper from under the dust blanket. " 'Jean Harlow, dead at twenty-six. Uremic poisoning. Services manana. Forest Lawn. Nelson Eddy, Jeanette MacDonald duet at the obsequies.' "
   "My God!" I exploded.
   "Pretty damn smart, huh? More!"
   "May third, 1942," popped from my mouth.
   " 'Carole Lombard killed. Air crash. Gable weeps.' "
   Crumley turned to me. "Is that all you know? Dead film stars?"
   "Don't fret the kid," said the old voice six feet under. "What you doing here?"
   "We came— " said Crumley.
   "It's about-" I said.
   "Don't." The old man whirled a dust storm of thoughts. "You're a sequel!"
   "Sequel?"
   "Last time anyone climbed Mount Lowe looking to jump off, he failed, went back down, and was hit by a car that cured his living. Last time someone really came was… noon today!"
   "Today!?"
   "Why not? Come find the old crock, drowned in dust, no rolls in the hay since '32. Someone did come a few hours ago, shouted down those tunnels of bad news. Recall that fairy tale porridge mill? Say 'go!' it made hot porridge. Kid got it started. Forgot the 'stop' word. Damn porridge flooded the whole town. People ate their way door-to-door. So I got newsprint, not porridge. What did I just say?"
   "Someone shouted down-"
   "The corridor between the London Times and Le Figaro? Yeah. Woman, braying like a mule. Yells emptied my bladder. Threatened to tiddlywink my stacks. One shove and it's dominoes, she screamed, whole damn print architecture squashes me!"
   "I should think earthquakes-"
   "Had 'em! Shook the hell out of 'Yang-Tse River Deluge' and 'Il Duce Conquers,' but here I am. Even the big one, in '32, didn't kick my poker stacks. Anyway, this wild woman screamed all my vices and demanded certain papers from special years. I said try first row on the left, then the right; I keep all the raw stuff high. I heard her wrestle the stacks. Her cursing could have set 'London on Fire!' She slammed the door, skedaddled, looking for a place to jump. I don't think a car got her. Know who she was? I been holding out on you. Guess?"
   "I can't," I said, stunned.
   "See that desk there in cat litter? Scrap the litter, lift the stuff with fancy type."
   I stepped to the desk. Under a tangle of sawdust and what seemed to be bird droppings, I found two dozen identical invitations.
   " 'Clarence Rattigan and-' " I paused.
   "Read it!" said the old man.
   " 'Constance Rattigan,' " I gasped, and went on. " 'Are pleased to announce their marriage atop Mount Lowe, June tenth, 1932, at three in the afternoon. Motor and rail escorts. Champagne following.'"
   "That hit you where you live?" said Clarence Rattigan.
   I glanced up.
   "Clarence Rattigan and Constance Rattigan," I said. "Hold on. Shouldn't Constance's maiden name be listed?"
   "Looks like incest, you mean?"
   "Strange peculiar."
   "You don't get it," the lips husked. "Constance made me change my name! It was Overholt. She said she was damned if she'd give up her first-class moniker for a second-rate hand-me-down, so-"
   "You got baptized before the ceremony?" I guessed.
   "Never was but finally did. Episcopal deacon down in Hollywood thought I was nuts. You ever try to argue with Constance?"
   'I— "
   "Won't take yes for an answer! 'Love Me or Leave Me,' she sang. I liked the tune. Hit me with the baptismal oil, laid on the unction. First damn fool in America to burn his birth certificate."
   "I'll be damned," I said.
   "No. Me. What you staring at?"
   "You.
   "Yeah, I know," he said. "I don't seem like much. Wasn't much then. See that bright doohickey on top o' the invites? Mount Lowe train motorman's brass handle. Rattigan liked the way I banged that brass. Me, the motorman on the Mount Lowe trolley! Jesus! Is there any beer anywhere?" he added suddenly.
   I gathered my spit. "You claim you were Rattigan's first husband and then ask for beer?"
   "I didn't say I was her first husband, just one of some. Where's that beer?" The old man gummed his lips.
   Crumley sighed and pulled some stuff from his pockets. "Here's beer and Mallomars."
   "Mallomars!" The old man stuck out his tongue and I placed one on it. He let it melt on his tongue like a Jesus wafer. "Mallomars! Women! Can't live without 'em!"
   He half sat up for beer.
   "Rattigan," I urged.
   "Oh, yeah. Marriage. She rode up on the trolley and went wild with the weather, thought it was my creation, proposed, and after our honeymoon, one night, found out I had nothing to do with the climate, grew icicles, and vamoosed. My body will never be the same." The old man shivered.
   "Is that all?"
   "What d'ya mean, all?! You ever throw her two falls out of three?"
   "Almost," I whispered.
   I pulled out Rattigan's phone book. "This clued us onto you.”
   The old man peered at his name circled in red ink. "Why would someone send you here?" He mused over another swallow. "Wait! You some sort of writer?"
   "Some sort."
   "Well hell, that's it! Haw long you known her?"
   "A few years."
   "A year with Rattigan's a thousand and one nights. Lost in the Fun House. Hell, son. I bet she red-circled my name because she wants you to write her autobiography. Starting with me, Old Faithful."
   "No," I said.
   "She ask you to take notes?"
   "Never."
   "Damn, wouldn't that be great? Anyone ever written a book wilder than Constance, more wrathful than Rattigan? A bestseller! Lie down with Rattigan, get up with sequined fleas. Run down the hill, sign a publisher! I get royalties for revelations! Okay?"
   "Royalties."
   "Now gimme another Mallomar, more beer. You still need more guff?"
   I nodded.
   "That other table…" An orange crate. "A list of wedding guests."
   I went to the orange crate and riffled through some bills until I found one piece of quality paper and peered at it as he said, "You ever wonder where the name California came from?"
   "What's that-"
   "Pipe down. The Hispanics, when they marched north from Mexico in 1509, carried books. One published in Spain had an Amazon queen ruling in a land of milk and honey. Queen Califia. The country she ruled was named California. The Spaniards took one look down this here valley, saw the milk, ate the honey, and named it all-"
   "California?"
   "So, check that guest list."
   I looked and read: "Califia! My God! We tried to call her today! Where is she now?"
   "That's what the Rattigan wanted to know. It was Califia predicted our predestined marriage, but not our downfall. So Rattigan trapped me with a hammerlock and mobbed this place with bums and bad champagne, all because of Califia. 'Where the hell is she?' she shouted today, down the tunnel of newsprint. 'You would know!' she yelled. 'Not guilty!' I yelled back up the tunnel. 'Go, Constance! Califia ruined us both. Go kill her, then kill her again. Califia!'"
   The mummy fell back, exhausted.
   "You said all that," I asked. "At noon today?"
   "Some such," sighed the old man. "I sent Rattigan off for blood. I hope she finds that damned half-ass-trologer and…" His voice wandered. "More Mallomars?"
   I laid the cookie on his tongue. It melted. He talked fast.
   "You wouldn't think it to see this boneless wonder, but I got half a mil in the bank. Go see. I mouth-to-mouth-breathed Wall Street stocks not dead, just asleep. From 1941 through Hiroshima, Enewetak, and Nixon. I said buy IBM, buy Bell. Now I got this great spread with a view overlooking L.A., a one-holer Andy Gump behind, and the Glendale Market, well tipped, sends up a kid with Spam, canned chili, and bottled water! The life of Riley! You guys done shadowboxing my past?"
   "Almost."
   "Rattigan, Rattigan," the old man went on. "Good for a few hoots and raucous applause. She was written up in those papers from time to time. Grab one paper off the top of each stack, four on the right, six on the left, all different. She left snail-track spoors on the path to Marrakech. Today she came back to clean her catbox."
   "Did you actually see her?"
   "Didn't need to. That yell would split Rumpelstiltskin and sew him back up."
   "Is that all she wanted, Califia's address?"
   "And the papers! Take 'em and go to hell. It's been a long divorce with no surcease."
   "Can I have this?" I lifted an invitation.
   "Take a dozen! Only ones showed up were Rattigan's Kleenex guys. She used to wad and throw 'em over her shoulder. 'You can always order more,' she said. Grab the invites. Steal the newsprint. What did you say your name was?"
   "I didn't."
   "Thank God! Out!" said Clarence Rattigan.
   Crumley and I threaded our way, gingerly, through the labyrinthine towers, borrowed copies of eight different newspapers from eight different stacks, and were about to head out the front door when a kid with a loaded box barred our way.
   "What you got there?" I said.
   "Groceries."
   "Mostly booze?"
   "Groceries," the kid said. "He still in there?"
   "Don't come back!" King Tuts voice cried from deep down far away in the newsprint catacomb. "I won't be here!"
   "He's there, all right," said the kid, two shades paler.
   "Three fires and an earthquake! One more ahead! I feel it coming!" The mummy's voice faded.
   The kid looked at us.
   "It's all yours." I stepped back.
   "Don't move, don't breathe." The kid put one foot inside the door.
   Crumley and I didn't move, didn't breathe.
   And he was gone.

CHAPTER ELEVEN

 
   CRUMLEY managed to swerve his wreck around and head us back downhill without falling off the edge. On the way, my eyes brimmed.
   "Don't say it." Crumley avoided my face. "I don't want to hear."
   I swallowed hard. "Three fires and an earthquake. And more coming!"
   "That did it!" Crumley hit the brakes. "Don't say what you think, dammit. Sure, another quake's coming: Rattigan! She'll rip us all! Out, out, and walk!"
   "I'm afraid of heights."
   "Okay! Zip your lip!"
   We drove down beneath twenty thousand leagues of silence. Out on the street, in traffic, I scanned the newspapers, one by one.