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Mr Dombey having nothing else to say, proposed — the breakfast being now finished, and the Major gorged, like any Boa Constrictor — that they should start. A barouche being in waiting, according to the orders of that gentleman, the two ladies, the Major and himself, took their seats in it; the Native and the wan page mounted the box, Mr Towlinson being left behind; and Mr Carker, on horseback, brought up the rear. Mr Carker cantered behind the carriage. at the distance of a hundred yards or so, and watched it, during all the ride, as if he were a cat, indeed, and its four occupants, mice. Whether he looked to one side of the road, or to the other — over distant landscape, with its smooth undulations, wind-mills, corn, grass, bean fields, wild-flowers, farm-yards, hayricks, and the spire among the wood — or upwards in the sunny air, where butterflies were sporting round his head, and birds were pouring out their songs — or downward, where the shadows of the branches interlaced, and made a trembling carpet on the road — or onward, where the overhanging trees formed aisles and arches, dim with the softened light that steeped through leaves — one corner of his eye was ever on the formal head of Mr Dombey, addressed towards him, and the feather in the bonnet, drooping so neglectfully and scornfully between them; much as he had seen the haughty eyelids droop; not least so, when the face met that now fronting it. Once, and once only, did his wary glance release these objects; and that was, when a leap over a low hedge, and a gallop across a field, enabled him to anticipate the carriage coming by the road, and to be standing ready, at the journey's end, to hand the ladies out. Then, and but then, he met her glance for an instant in her first surprise; but when he touched her, in alighting, with his soft white hand, it overlooked him altogether as before.
Mrs Skewton was bent on taking charge of Mr Carker herself, and showing him the beauties of the Castle. She was determined to have his arm, and the Major's too. It would do that incorrigible creature: who was the most barbarous infidel in point of poetry: good to be in such company. This chance arrangement left Mr Dombey at liberty to escort Edith: which he did: stalking before them through the apartments with a gentlemanly solemnity.
'Those darling byegone times, Mr Carker,' said Cleopatra, 'with their delicious fortresses, and their dear old dungeons, and their delightful places of torture, and their romantic vengeances, and their picturesque assaults and sieges, and everything that makes life truly charming! How dreadfully we have degenerated!'
'Yes, we have fallen off deplorably,' said Mr Carker.
The peculiarity of their conversation was, that Mrs Skewton, in spite of her ecstasies, and Mr Carker, in spite of his urbanity, were both intent on watching Mr Dombey and Edith. With all their conversational endowments, they spoke somewhat distractedly, and at random, in consequence.
'We have no Faith left, positively,' said Mrs Skewton, advancing her shrivelled ear; for Mr Dombey was saying something to Edith. 'We have no Faith in the dear old Barons, who were the most delightful creatures — or in the dear old Priests, who were the most warlike of men — or even in the days of that inestimable Queen Bess, upon the wall there, which were so extremely golden. Dear creature! She was all Heart And that charming father of hers! I hope you dote on Harry the Eighth!'
'I admire him very much,' said Carker.
'So bluff!' cried Mrs Skewton, 'wasn't he? So burly. So truly English. Such a picture, too, he makes, with his dear little peepy eyes, and his benevolent chin!'
'Ah, Ma'am!' said Carker, stopping short; 'but if you speak of pictures, there's a composition! What gallery in the world can produce the counterpart of that?'
As the smiling gentleman thus spake, he pointed through a doorway to where Mr Dombey and Edith were standing alone in the centre of another room.
They were not interchanging a word or a look. Standing together, arm in arm, they had the appearance of being more divided than if seas had rolled between them. There was a difference even in the pride of the two, that removed them farther from each other, than if one had been the proudest and the other the humblest specimen of humanity in all creation. He, self-important, unbending, formal, austere. She, lovely and graceful, in an uncommon degree, but totally regardless of herself and him and everything around, and spurning her own attractions with her haughty brow and lip, as if they were a badge or livery she hated. So unmatched were they, and opposed, so forced and linked together by a chain which adverse hazard and mischance had forged: that fancy might have imagined the pictures on the walls around them, startled by the unnatural conjunction, and observant of it in their several expressions. Grim knights and warriors looked scowling on them. A churchman, with his hand upraised, denounced the mockery of such a couple coming to God's altar. Quiet waters in landscapes, with the sun reflected in their depths, asked, if better means of escape were not at hand, was there no drowning left? Ruins cried, 'Look here, and see what We are, wedded to uncongenial Time!'
Animals, opposed by nature, worried one another, as a moral to them.
Loves and Cupids took to flight afraid, and Martyrdom had no such torment in its painted history of suffering.
Nevertheless, Mrs Skewton was so charmed by the sight to which Mr Carker invoked her attention, that she could not refraIn from saying, half aloud, how sweet, how very full of soul it was! Edith, overhearing, looked round, and flushed indignant scarlet to her hair.
'My dearest Edith knows I was admiring her!' said Cleopatra, tapping her, almost timidly, on the back with her parasol. 'Sweet pet!'
Again Mr Carker saw the strife he had witnessed so unexpectedly among the trees. Again he saw the haughty languor and indifference come over it, and hide it like a cloud.
She did not raise her eyes to him; but with a slight peremptory motion of them, seemed to bid her mother come near. Mrs Skewton thought it expedient to understand the hint, and advancing quickly, with her two cavaliers, kept near her daughter from that time, Mr Carker now, having nothing to distract his attention, began to discourse upon the pictures and to select the best, and point them out to Mr Dombey: speaking with his usual familiar recognition of Mr Dombey's greatness, and rendering homage by adjusting his eye-glass for him, or finding out the right place in his catalogue, or holding his stick, or the like. These services did not so much originate with Mr Carker, in truth, as with Mr Dombey himself, who was apt to assert his chieftainship by saying, with subdued authority, and in an easy way — for him — 'Here, Carker, have the goodness to assist me, will you?' which the smiling gentleman always did with pleasure.
They made the tour of the pictures, the walls, crow's nest, and so forth; and as they were still one little party, and the Major was rather in the shade: being sleepy during the process of digestion: Mr Carker became communicative and agreeable. At first, he addressed himself for the most part to Mrs Skewton; but as that sensitive lady was in such ecstasies with the works of art, after the first quarter of an hour, that she could do nothing but yawn (they were such perfect inspirations, she observed as a reason for that mark of rapture), he transferred his attentions to Mr Dombey. Mr Dombey said little beyond an occasional 'Very true, Carker,' or 'Indeed, Carker,' but he tacitly encouraged Carker to proceed, and inwardly approved of his behaviour very much: deeming it as well that somebody should talk, and thinking that his remarks, which were, as one might say, a branch of the parent establishment, might amuse Mrs Granger. Mr Carker, who possessed an excellent discretion, never took the liberty of addressing that lady, direct; but she seemed to listen, though she never looked at him; and once or twice, when he was emphatic in his peculiar humility, the twilight smile stole over her face, not as a light, but as a deep black shadow.
Warwick Castle being at length pretty well exhausted, and the Major very much so: to say nothing of Mrs Skewton, whose peculiar demonstrations of delight had become very frequent Indeed: the carriage was again put In requisition, and they rode to several admired points of view In the neighbourhood. Mr Dombey ceremoniously observed of one of these, that a sketch, however slight, from the fair hand of Mrs Granger, would be a remembrance to him of that agreeable day: though he wanted no artificial remembrance, he was sure (here Mr Dombey made another of his bows), which he must always highly value.
Withers the lean having Edith's sketch-book under his arm, was immediately called upon by Mrs Skewton to produce the same: and the carriage stopped, that Edith might make the drawing, which Mr Dombey was to put away among his treasures.
'But I am afraid I trouble you too much,' said Mr Dombey.
'By no means. Where would you wish it taken from?' she answered, turning to him with the same enforced attention as before.
Mr Dombey, with another bow, which cracked the starch in his cravat, would beg to leave that to the Artist.
'I would rather you chose for yourself,' said Edith.
'Suppose then,' said Mr Dombey, 'we say from here. It appears a good spot for the purpose, or — Carker, what do you think?'
There happened to be in the foreground, at some little distance, a grove of trees, not unlike that In which Mr Carker had made his chain of footsteps in the morning, and with a seat under one tree, greatly resembling, in the general character of its situation, the point where his chain had broken.
'Might I venture to suggest to Mrs Granger,' said Carker, 'that that is an interesting — almost a curious — point of view?'
She followed the direction of his riding-whip with her eyes, and raised them quickly to his face. It was the second glance they had exchanged since their introduction; and would have been exactly like the first, but that its expression was plainer.
'Will you like that?' said Edith to Mr Dombey.
'I shall be charmed,' said Mr Dombey to Edith.
Therefore the carriage was driven to the spot where Mr Dombey was to be charmed; and Edith, without moving from her seat, and openIng her sketch-book with her usual proud indifference, began to sketch.
'My pencils are all pointless,' she said, stopping and turning them over.
'Pray allow me,' said Mr Dombey. 'Or Carker will do it better, as he understands these things. Carker, have the goodness to see to these pencils for Mrs Granger.
Mr Carker rode up close to the carriage-door on Mrs Granger's side, and letting the rein fall on his horse's neck, took the pencils from her hand with a smile and a bow, and sat in the saddle leisurely mending them. Having done so, he begged to be allowed to hold them, and to hand them to her as they were required; and thus Mr Carker, with many commendations of Mrs Granger's extraordinary skill — especially in trees — remained — close at her side, looking over the drawing as she made it. Mr Dombey in the meantime stood bolt upright in the carriage like a highly respectable ghost, looking on too; while Cleopatra and the Major dallied as two ancient doves might do.
'Are you satisfied with that, or shall I finish it a little more?' said Edith, showing the sketch to Mr Dombey.
Mr Dombey begged that it might not be touched; it was perfection.
'It is most extraordinary,' said Carker, bringing every one of his red gums to bear upon his praise. 'I was not prepared for anything so beautiful, and so unusual altogether.'
This might have applied to the sketcher no less than to the sketch; but Mr Carker's manner was openness itself — not as to his mouth alone, but as to his whole spirit. So it continued to be while the drawing was laid aside for Mr Dombey, and while the sketching materials were put up; then he handed in the pencils (which were received with a distant acknowledgment of his help, but without a look), and tightening his rein, fell back, and followed the carriage again.
Thinking, perhaps, as he rode, that even this trivial sketch had been made and delivered to its owner, as if it had been bargained for and bought. Thinking, perhaps, that although she had assented with such perfect readiness to his request, her haughty face, bent over the drawing, or glancing at the distant objects represented in it, had been the face of a proud woman, engaged in a sordid and miserable transaction. Thinking, perhaps, of such things: but smiling certainly, and while he seemed to look about him freely, in enjoyment of the air and exercise, keeping always that sharp corner of his eye upon the carriage.
A stroll among the haunted ruins of Kenilworth, and more rides to more points of view: most of which, Mrs Skewton reminded Mr Dombey, Edith had already sketched, as he had seen in looking over her drawings: brought the day's expedition to a close. Mrs Skewton and Edith were driven to their own lodgings; Mr Carker was graciously invited by Cleopatra to return thither with Mr Dombey and the Major, in the evening, to hear some of Edith's music; and the three gentlemen repaired to their hotel to dinner.
The dinner was the counterpart of yesterday's, except that the Major was twenty-four hours more triumphant and less mysterious. Edith was toasted again. Mr Dombey was again agreeably embarrassed. And Mr Carker was full of interest and praise.
There were no other visitors at Mrs Skewton's. Edith's drawings were strewn about the room, a little more abundantly than usual perhaps; and Withers, the wan page, handed round a little stronger tea. The harp was there; the piano was there; and Edith sang and played. But even the music was played by Edith to Mr Dombey's order, as it were, in the same uncompromising way. As thus.
'Edith, my dearest love,' said Mrs Skewton, half an hour after tea, 'Mr Dombey is dying to hear you, I know.'
'Mr Dombey has life enough left to say so for himself, Mama, I have no doubt.'
'I shall be immensely obliged,' said Mr Dombey.
'What do you wish?'
'Piano?' hesitated Mr Dombey.
'Whatever you please. You have only to choose.
Accordingly, she began with the piano. It was the same with the harp; the same with her singing; the same with the selection of the pieces that she sang and played. Such frigid and constrained, yet prompt and pointed acquiescence with the wishes he imposed upon her, and on no one else, was sufficiently remarkable to penetrate through all the mysteries of picquet, and impress itself on Mr Carker's keen attention. Nor did he lose sight of the fact that Mr Dombey was evidently proud of his power, and liked to show it.
Nevertheless, Mr Carker played so well — some games with the Major, and some with Cleopatra, whose vigilance of eye in respect of Mr Dombey and Edith no lynx could have surpassed — that he even heightened his position in the lady-mother's good graces; and when on taking leave he regretted that he would be obliged to return to London next morning, Cleopatra trusted: community of feeling not being met with every day: that it was far from being the last time they would meet.
'I hope so,' said Mr Carker, with an expressive look at the couple in the distance, as he drew towards the door, following the Major. 'I think so.'
Mr Dombey, who had taken a stately leave of Edith, bent, or made some approach to a bend, over Cleopatra's couch, and said, in a low voice: 'I have requested Mrs Granger's permission to call on her to-morrow morning — for a purpose — and she has appointed twelve o'clock. May I hope to have the pleasure of finding you at home, Madam, afterwards?'
Cleopatra was so much fluttered and moved, by hearing this, of course, incomprehensible speech, that she could only shut her eyes, and shake her head, and give Mr Dombey her hand; which Mr Dombey, not exactly knowing what to do with, dropped.
'Dombey, come along!' cried the Major, looking in at the door.
'Damme, Sir, old Joe has a great mind to propose an alteration in the name of the Royal Hotel, and that it should be called the Three Jolly Bachelors, in honour of ourselves and Carker.' With this, the Major slapped Mr Dombey on the back, and winking over his shoulder at the ladies, with a frightful tendency of blood to the head, carried him off.
Mrs Skewton reposed on her sofa, and Edith sat apart, by her harp, in silence. The mother, trifling with her fan, looked stealthily at the daughter more than once, but the daughter, brooding gloomily with downcast eyes, was not to be disturbed.
Thus they remained for a long hour, without a word, until Mrs Skewton's maid appeared, according to custom, to prepare her gradually for night. At night, she should have been a skeleton, with dart and hour-glass, rather than a woman, this attendant; for her touch was as the touch of Death. The painted object shrivelled underneath her hand; the form collapsed, the hair dropped off, the arched dark eyebrows changed to scanty tufts of grey; the pale lips shrunk, the skin became cadaverous and loose; an old, worn, yellow, nodding woman, with red eyes, alone remained in Cleopatra's place, huddled up, like a slovenly bundle, in a greasy flannel gown.
The very voice was changed, as it addressed Edith, when they were alone again.
'Why don't you tell me,' it said sharply, 'that he is coming here to-morrow by appointment?'
'Because you know it,' returned Edith, 'Mother.'
The mocking emphasis she laid on that one word! 'You know he has bought me,' she resumed. 'Or that he will, to-morrow. He has considered of his bargain; he has shown it to his friend; he is even rather proud of it; he thinks that it will suit him, and may be had sufficiently cheap; and he will buy to-morrow.
God, that I have lived for this, and that I feel it!'
Compress into one handsome face the conscious self-abasement, and the burning indignation of a hundred women, strong in passion and in pride; and there it hid itself with two white shuddering arms.
'What do you mean?' returned the angry mother. 'Haven't you from a child — '
'A child!' said Edith, looking at her, 'when was I a child? What childhood did you ever leave to me? I was a woman — artful, designing, mercenary, laying snares for men — before I knew myself, or you, or even understood the base and wretched aim of every new display I learnt You gave birth to a woman. Look upon her. She is in her pride tonight'
And as she spoke, she struck her hand upon her beautiful bosom, as though she would have beaten down herself 'Look at me,' she said, 'who have never known what it is to have an honest heart, and love. Look at me, taught to scheme and plot when children play; and married in my youth — an old age of design — to one for whom I had no feeling but indifference. Look at me, whom he left a widow, dying before his inheritance descended to him — a judgment on you! well deserved! — and tell me what has been my life for ten years since.'
'We have been making every effort to endeavour to secure to you a good establishment,' rejoined her mother. 'That has been your life.
And now you have got it.'
'There is no slave in a market: there is no horse in a fair: so shown and offered and examined and paraded, Mother, as I have been, for ten shameful years,' cried Edith, with a burning brow, and the same bitter emphasis on the one word. 'Is it not so? Have I been made the bye-word of all kinds of men? Have fools, have profligates, have boys, have dotards, dangled after me, and one by one rejected me, and fallen off, because you were too plain with all your cunning: yes, and too true, with all those false pretences: until we have almost come to be notorious? The licence of look and touch,' she said, with flashing eyes, 'have I submitted to it, in half the places of resort upon the map of England? Have I been hawked and vended here and there, until the last grain of self-respect is dead within me, and I loathe myself?
Has been my late childhood? I had none before. Do not tell me that I had, tonight of all nights in my life!'
'You might have been well married,' said her mother, 'twenty times at least, Edith, if you had given encouragement enough.'
'No! Who takes me, refuse that I am, and as I well deserve to be,' she answered, raising her head, and trembling in her energy of shame and stormy pride, 'shall take me, as this man does, with no art of mine put forth to lure him. He sees me at the auction, and he thinks it well to buy me. Let him! When he came to view me — perhaps to bid — he required to see the roll of my accomplishments. I gave it to him.
When he would have me show one of them, to justify his purchase to his men, I require of him to say which he demands, and I exhibit it. I will do no more. He makes the purchase of his own will, and with his own sense of its worth, and the power of his money; and I hope it may never disappoint him. I have not vaunted and pressed the bargain; neither have you, so far as I have been able to prevent you.
'You talk strangely to-night, Edith, to your own Mother.'
'It seems so to me; stranger to me than you,' said Edith. 'But my education was completed long ago. I am too old now, and have fallen too low, by degrees, to take a new course, and to stop yours, and to help myself. The germ of all that purifies a woman's breast, and makes it true and good, has never stirred in mine, and I have nothing else to sustain me when I despise myself.' There had been a touching sadness in her voice, but it was gone, when she went on to say, with a curled lip, 'So, as we are genteel and poor, I am content that we should be made rich by these means; all I say is, I have kept the only purpose I have had the strength to form — I had almost said the power, with you at my side, Mother — and have not tempted this man on.'
'This man! You speak,' said her mother, 'as if you hated him.'
'And you thought I loved him, did you not?' she answered, stopping on her way across the room, and looking round. 'Shall I tell you,' she continued, with her eyes fixed on her mother, 'who already knows us thoroughly, and reads us right, and before whom I have even less of self-respect or confidence than before my own inward self; being so much degraded by his knowledge of me?'
'This is an attack, I suppose,' returned her mother coldly, 'on poor, unfortunate what's-his-name — Mr Carker! Your want of self-respect and confidence, my dear, in reference to that person (who is very agreeable, it strikes me), is not likely to have much effect on your establishment. Why do you look at me so hard? Are you ill?'
Edith suddenly let fall her face, as if it had been stung, and while she pressed her hands upon it, a terrible tremble crept over her whole frame. It was quickly gone; and with her usual step, she passed out of the room.
The maid who should have been a skeleton, then reappeared, and giving one arm to her mistress, who appeared to have taken off her manner with her charms, and to have put on paralysis with her flannel gown, collected the ashes of Cleopatra, and carried them away in the other, ready for tomorrow's revivification.
CHAPTER 28
Mrs Skewton was bent on taking charge of Mr Carker herself, and showing him the beauties of the Castle. She was determined to have his arm, and the Major's too. It would do that incorrigible creature: who was the most barbarous infidel in point of poetry: good to be in such company. This chance arrangement left Mr Dombey at liberty to escort Edith: which he did: stalking before them through the apartments with a gentlemanly solemnity.
'Those darling byegone times, Mr Carker,' said Cleopatra, 'with their delicious fortresses, and their dear old dungeons, and their delightful places of torture, and their romantic vengeances, and their picturesque assaults and sieges, and everything that makes life truly charming! How dreadfully we have degenerated!'
'Yes, we have fallen off deplorably,' said Mr Carker.
The peculiarity of their conversation was, that Mrs Skewton, in spite of her ecstasies, and Mr Carker, in spite of his urbanity, were both intent on watching Mr Dombey and Edith. With all their conversational endowments, they spoke somewhat distractedly, and at random, in consequence.
'We have no Faith left, positively,' said Mrs Skewton, advancing her shrivelled ear; for Mr Dombey was saying something to Edith. 'We have no Faith in the dear old Barons, who were the most delightful creatures — or in the dear old Priests, who were the most warlike of men — or even in the days of that inestimable Queen Bess, upon the wall there, which were so extremely golden. Dear creature! She was all Heart And that charming father of hers! I hope you dote on Harry the Eighth!'
'I admire him very much,' said Carker.
'So bluff!' cried Mrs Skewton, 'wasn't he? So burly. So truly English. Such a picture, too, he makes, with his dear little peepy eyes, and his benevolent chin!'
'Ah, Ma'am!' said Carker, stopping short; 'but if you speak of pictures, there's a composition! What gallery in the world can produce the counterpart of that?'
As the smiling gentleman thus spake, he pointed through a doorway to where Mr Dombey and Edith were standing alone in the centre of another room.
They were not interchanging a word or a look. Standing together, arm in arm, they had the appearance of being more divided than if seas had rolled between them. There was a difference even in the pride of the two, that removed them farther from each other, than if one had been the proudest and the other the humblest specimen of humanity in all creation. He, self-important, unbending, formal, austere. She, lovely and graceful, in an uncommon degree, but totally regardless of herself and him and everything around, and spurning her own attractions with her haughty brow and lip, as if they were a badge or livery she hated. So unmatched were they, and opposed, so forced and linked together by a chain which adverse hazard and mischance had forged: that fancy might have imagined the pictures on the walls around them, startled by the unnatural conjunction, and observant of it in their several expressions. Grim knights and warriors looked scowling on them. A churchman, with his hand upraised, denounced the mockery of such a couple coming to God's altar. Quiet waters in landscapes, with the sun reflected in their depths, asked, if better means of escape were not at hand, was there no drowning left? Ruins cried, 'Look here, and see what We are, wedded to uncongenial Time!'
Animals, opposed by nature, worried one another, as a moral to them.
Loves and Cupids took to flight afraid, and Martyrdom had no such torment in its painted history of suffering.
Nevertheless, Mrs Skewton was so charmed by the sight to which Mr Carker invoked her attention, that she could not refraIn from saying, half aloud, how sweet, how very full of soul it was! Edith, overhearing, looked round, and flushed indignant scarlet to her hair.
'My dearest Edith knows I was admiring her!' said Cleopatra, tapping her, almost timidly, on the back with her parasol. 'Sweet pet!'
Again Mr Carker saw the strife he had witnessed so unexpectedly among the trees. Again he saw the haughty languor and indifference come over it, and hide it like a cloud.
She did not raise her eyes to him; but with a slight peremptory motion of them, seemed to bid her mother come near. Mrs Skewton thought it expedient to understand the hint, and advancing quickly, with her two cavaliers, kept near her daughter from that time, Mr Carker now, having nothing to distract his attention, began to discourse upon the pictures and to select the best, and point them out to Mr Dombey: speaking with his usual familiar recognition of Mr Dombey's greatness, and rendering homage by adjusting his eye-glass for him, or finding out the right place in his catalogue, or holding his stick, or the like. These services did not so much originate with Mr Carker, in truth, as with Mr Dombey himself, who was apt to assert his chieftainship by saying, with subdued authority, and in an easy way — for him — 'Here, Carker, have the goodness to assist me, will you?' which the smiling gentleman always did with pleasure.
They made the tour of the pictures, the walls, crow's nest, and so forth; and as they were still one little party, and the Major was rather in the shade: being sleepy during the process of digestion: Mr Carker became communicative and agreeable. At first, he addressed himself for the most part to Mrs Skewton; but as that sensitive lady was in such ecstasies with the works of art, after the first quarter of an hour, that she could do nothing but yawn (they were such perfect inspirations, she observed as a reason for that mark of rapture), he transferred his attentions to Mr Dombey. Mr Dombey said little beyond an occasional 'Very true, Carker,' or 'Indeed, Carker,' but he tacitly encouraged Carker to proceed, and inwardly approved of his behaviour very much: deeming it as well that somebody should talk, and thinking that his remarks, which were, as one might say, a branch of the parent establishment, might amuse Mrs Granger. Mr Carker, who possessed an excellent discretion, never took the liberty of addressing that lady, direct; but she seemed to listen, though she never looked at him; and once or twice, when he was emphatic in his peculiar humility, the twilight smile stole over her face, not as a light, but as a deep black shadow.
Warwick Castle being at length pretty well exhausted, and the Major very much so: to say nothing of Mrs Skewton, whose peculiar demonstrations of delight had become very frequent Indeed: the carriage was again put In requisition, and they rode to several admired points of view In the neighbourhood. Mr Dombey ceremoniously observed of one of these, that a sketch, however slight, from the fair hand of Mrs Granger, would be a remembrance to him of that agreeable day: though he wanted no artificial remembrance, he was sure (here Mr Dombey made another of his bows), which he must always highly value.
Withers the lean having Edith's sketch-book under his arm, was immediately called upon by Mrs Skewton to produce the same: and the carriage stopped, that Edith might make the drawing, which Mr Dombey was to put away among his treasures.
'But I am afraid I trouble you too much,' said Mr Dombey.
'By no means. Where would you wish it taken from?' she answered, turning to him with the same enforced attention as before.
Mr Dombey, with another bow, which cracked the starch in his cravat, would beg to leave that to the Artist.
'I would rather you chose for yourself,' said Edith.
'Suppose then,' said Mr Dombey, 'we say from here. It appears a good spot for the purpose, or — Carker, what do you think?'
There happened to be in the foreground, at some little distance, a grove of trees, not unlike that In which Mr Carker had made his chain of footsteps in the morning, and with a seat under one tree, greatly resembling, in the general character of its situation, the point where his chain had broken.
'Might I venture to suggest to Mrs Granger,' said Carker, 'that that is an interesting — almost a curious — point of view?'
She followed the direction of his riding-whip with her eyes, and raised them quickly to his face. It was the second glance they had exchanged since their introduction; and would have been exactly like the first, but that its expression was plainer.
'Will you like that?' said Edith to Mr Dombey.
'I shall be charmed,' said Mr Dombey to Edith.
Therefore the carriage was driven to the spot where Mr Dombey was to be charmed; and Edith, without moving from her seat, and openIng her sketch-book with her usual proud indifference, began to sketch.
'My pencils are all pointless,' she said, stopping and turning them over.
'Pray allow me,' said Mr Dombey. 'Or Carker will do it better, as he understands these things. Carker, have the goodness to see to these pencils for Mrs Granger.
Mr Carker rode up close to the carriage-door on Mrs Granger's side, and letting the rein fall on his horse's neck, took the pencils from her hand with a smile and a bow, and sat in the saddle leisurely mending them. Having done so, he begged to be allowed to hold them, and to hand them to her as they were required; and thus Mr Carker, with many commendations of Mrs Granger's extraordinary skill — especially in trees — remained — close at her side, looking over the drawing as she made it. Mr Dombey in the meantime stood bolt upright in the carriage like a highly respectable ghost, looking on too; while Cleopatra and the Major dallied as two ancient doves might do.
'Are you satisfied with that, or shall I finish it a little more?' said Edith, showing the sketch to Mr Dombey.
Mr Dombey begged that it might not be touched; it was perfection.
'It is most extraordinary,' said Carker, bringing every one of his red gums to bear upon his praise. 'I was not prepared for anything so beautiful, and so unusual altogether.'
This might have applied to the sketcher no less than to the sketch; but Mr Carker's manner was openness itself — not as to his mouth alone, but as to his whole spirit. So it continued to be while the drawing was laid aside for Mr Dombey, and while the sketching materials were put up; then he handed in the pencils (which were received with a distant acknowledgment of his help, but without a look), and tightening his rein, fell back, and followed the carriage again.
Thinking, perhaps, as he rode, that even this trivial sketch had been made and delivered to its owner, as if it had been bargained for and bought. Thinking, perhaps, that although she had assented with such perfect readiness to his request, her haughty face, bent over the drawing, or glancing at the distant objects represented in it, had been the face of a proud woman, engaged in a sordid and miserable transaction. Thinking, perhaps, of such things: but smiling certainly, and while he seemed to look about him freely, in enjoyment of the air and exercise, keeping always that sharp corner of his eye upon the carriage.
A stroll among the haunted ruins of Kenilworth, and more rides to more points of view: most of which, Mrs Skewton reminded Mr Dombey, Edith had already sketched, as he had seen in looking over her drawings: brought the day's expedition to a close. Mrs Skewton and Edith were driven to their own lodgings; Mr Carker was graciously invited by Cleopatra to return thither with Mr Dombey and the Major, in the evening, to hear some of Edith's music; and the three gentlemen repaired to their hotel to dinner.
The dinner was the counterpart of yesterday's, except that the Major was twenty-four hours more triumphant and less mysterious. Edith was toasted again. Mr Dombey was again agreeably embarrassed. And Mr Carker was full of interest and praise.
There were no other visitors at Mrs Skewton's. Edith's drawings were strewn about the room, a little more abundantly than usual perhaps; and Withers, the wan page, handed round a little stronger tea. The harp was there; the piano was there; and Edith sang and played. But even the music was played by Edith to Mr Dombey's order, as it were, in the same uncompromising way. As thus.
'Edith, my dearest love,' said Mrs Skewton, half an hour after tea, 'Mr Dombey is dying to hear you, I know.'
'Mr Dombey has life enough left to say so for himself, Mama, I have no doubt.'
'I shall be immensely obliged,' said Mr Dombey.
'What do you wish?'
'Piano?' hesitated Mr Dombey.
'Whatever you please. You have only to choose.
Accordingly, she began with the piano. It was the same with the harp; the same with her singing; the same with the selection of the pieces that she sang and played. Such frigid and constrained, yet prompt and pointed acquiescence with the wishes he imposed upon her, and on no one else, was sufficiently remarkable to penetrate through all the mysteries of picquet, and impress itself on Mr Carker's keen attention. Nor did he lose sight of the fact that Mr Dombey was evidently proud of his power, and liked to show it.
Nevertheless, Mr Carker played so well — some games with the Major, and some with Cleopatra, whose vigilance of eye in respect of Mr Dombey and Edith no lynx could have surpassed — that he even heightened his position in the lady-mother's good graces; and when on taking leave he regretted that he would be obliged to return to London next morning, Cleopatra trusted: community of feeling not being met with every day: that it was far from being the last time they would meet.
'I hope so,' said Mr Carker, with an expressive look at the couple in the distance, as he drew towards the door, following the Major. 'I think so.'
Mr Dombey, who had taken a stately leave of Edith, bent, or made some approach to a bend, over Cleopatra's couch, and said, in a low voice: 'I have requested Mrs Granger's permission to call on her to-morrow morning — for a purpose — and she has appointed twelve o'clock. May I hope to have the pleasure of finding you at home, Madam, afterwards?'
Cleopatra was so much fluttered and moved, by hearing this, of course, incomprehensible speech, that she could only shut her eyes, and shake her head, and give Mr Dombey her hand; which Mr Dombey, not exactly knowing what to do with, dropped.
'Dombey, come along!' cried the Major, looking in at the door.
'Damme, Sir, old Joe has a great mind to propose an alteration in the name of the Royal Hotel, and that it should be called the Three Jolly Bachelors, in honour of ourselves and Carker.' With this, the Major slapped Mr Dombey on the back, and winking over his shoulder at the ladies, with a frightful tendency of blood to the head, carried him off.
Mrs Skewton reposed on her sofa, and Edith sat apart, by her harp, in silence. The mother, trifling with her fan, looked stealthily at the daughter more than once, but the daughter, brooding gloomily with downcast eyes, was not to be disturbed.
Thus they remained for a long hour, without a word, until Mrs Skewton's maid appeared, according to custom, to prepare her gradually for night. At night, she should have been a skeleton, with dart and hour-glass, rather than a woman, this attendant; for her touch was as the touch of Death. The painted object shrivelled underneath her hand; the form collapsed, the hair dropped off, the arched dark eyebrows changed to scanty tufts of grey; the pale lips shrunk, the skin became cadaverous and loose; an old, worn, yellow, nodding woman, with red eyes, alone remained in Cleopatra's place, huddled up, like a slovenly bundle, in a greasy flannel gown.
The very voice was changed, as it addressed Edith, when they were alone again.
'Why don't you tell me,' it said sharply, 'that he is coming here to-morrow by appointment?'
'Because you know it,' returned Edith, 'Mother.'
The mocking emphasis she laid on that one word! 'You know he has bought me,' she resumed. 'Or that he will, to-morrow. He has considered of his bargain; he has shown it to his friend; he is even rather proud of it; he thinks that it will suit him, and may be had sufficiently cheap; and he will buy to-morrow.
God, that I have lived for this, and that I feel it!'
Compress into one handsome face the conscious self-abasement, and the burning indignation of a hundred women, strong in passion and in pride; and there it hid itself with two white shuddering arms.
'What do you mean?' returned the angry mother. 'Haven't you from a child — '
'A child!' said Edith, looking at her, 'when was I a child? What childhood did you ever leave to me? I was a woman — artful, designing, mercenary, laying snares for men — before I knew myself, or you, or even understood the base and wretched aim of every new display I learnt You gave birth to a woman. Look upon her. She is in her pride tonight'
And as she spoke, she struck her hand upon her beautiful bosom, as though she would have beaten down herself 'Look at me,' she said, 'who have never known what it is to have an honest heart, and love. Look at me, taught to scheme and plot when children play; and married in my youth — an old age of design — to one for whom I had no feeling but indifference. Look at me, whom he left a widow, dying before his inheritance descended to him — a judgment on you! well deserved! — and tell me what has been my life for ten years since.'
'We have been making every effort to endeavour to secure to you a good establishment,' rejoined her mother. 'That has been your life.
And now you have got it.'
'There is no slave in a market: there is no horse in a fair: so shown and offered and examined and paraded, Mother, as I have been, for ten shameful years,' cried Edith, with a burning brow, and the same bitter emphasis on the one word. 'Is it not so? Have I been made the bye-word of all kinds of men? Have fools, have profligates, have boys, have dotards, dangled after me, and one by one rejected me, and fallen off, because you were too plain with all your cunning: yes, and too true, with all those false pretences: until we have almost come to be notorious? The licence of look and touch,' she said, with flashing eyes, 'have I submitted to it, in half the places of resort upon the map of England? Have I been hawked and vended here and there, until the last grain of self-respect is dead within me, and I loathe myself?
Has been my late childhood? I had none before. Do not tell me that I had, tonight of all nights in my life!'
'You might have been well married,' said her mother, 'twenty times at least, Edith, if you had given encouragement enough.'
'No! Who takes me, refuse that I am, and as I well deserve to be,' she answered, raising her head, and trembling in her energy of shame and stormy pride, 'shall take me, as this man does, with no art of mine put forth to lure him. He sees me at the auction, and he thinks it well to buy me. Let him! When he came to view me — perhaps to bid — he required to see the roll of my accomplishments. I gave it to him.
When he would have me show one of them, to justify his purchase to his men, I require of him to say which he demands, and I exhibit it. I will do no more. He makes the purchase of his own will, and with his own sense of its worth, and the power of his money; and I hope it may never disappoint him. I have not vaunted and pressed the bargain; neither have you, so far as I have been able to prevent you.
'You talk strangely to-night, Edith, to your own Mother.'
'It seems so to me; stranger to me than you,' said Edith. 'But my education was completed long ago. I am too old now, and have fallen too low, by degrees, to take a new course, and to stop yours, and to help myself. The germ of all that purifies a woman's breast, and makes it true and good, has never stirred in mine, and I have nothing else to sustain me when I despise myself.' There had been a touching sadness in her voice, but it was gone, when she went on to say, with a curled lip, 'So, as we are genteel and poor, I am content that we should be made rich by these means; all I say is, I have kept the only purpose I have had the strength to form — I had almost said the power, with you at my side, Mother — and have not tempted this man on.'
'This man! You speak,' said her mother, 'as if you hated him.'
'And you thought I loved him, did you not?' she answered, stopping on her way across the room, and looking round. 'Shall I tell you,' she continued, with her eyes fixed on her mother, 'who already knows us thoroughly, and reads us right, and before whom I have even less of self-respect or confidence than before my own inward self; being so much degraded by his knowledge of me?'
'This is an attack, I suppose,' returned her mother coldly, 'on poor, unfortunate what's-his-name — Mr Carker! Your want of self-respect and confidence, my dear, in reference to that person (who is very agreeable, it strikes me), is not likely to have much effect on your establishment. Why do you look at me so hard? Are you ill?'
Edith suddenly let fall her face, as if it had been stung, and while she pressed her hands upon it, a terrible tremble crept over her whole frame. It was quickly gone; and with her usual step, she passed out of the room.
The maid who should have been a skeleton, then reappeared, and giving one arm to her mistress, who appeared to have taken off her manner with her charms, and to have put on paralysis with her flannel gown, collected the ashes of Cleopatra, and carried them away in the other, ready for tomorrow's revivification.
CHAPTER 28
Alterations
'So the day has come at length, Susan,' said Florence to the excellent Nipper, 'when we are going back to our quiet home!'
Susan drew in her breath with an amount of expression not easily described, further relieving her feelings with a smart cough, answered, 'Very quiet indeed, Miss Floy, no doubt. Excessive so.'
'When I was a child,' said Florence, thoughtfully, and after musing for some moments, 'did you ever see that gentleman who has taken the trouble to ride down here to speak to me, now three times — three times, I think, Susan?'
'Three times, Miss,' returned the Nipper. 'Once when you was out a walking with them Sket— '
Florence gently looked at her, and Miss Nipper checked herself.
'With Sir Barnet and his lady, I mean to say, Miss, and the young gentleman. And two evenings since then.'
'When I was a child, and when company used to come to visit Papa, did you ever see that gentleman at home, Susan?' asked Florence.
'Well, Miss,' returned her maid, after considering, 'I really couldn't say I ever did. When your poor dear Ma died, Miss Floy, I was very new in the family, you see, and my element:' the Nipper bridled, as opining that her merits had been always designedly extinguished by Mr Dombey: 'was the floor below the attics.'
'To be sure,' said Florence, still thoughtfully; 'you are not likely to have known who came to the house. I quite forgot.'
'Not, Miss, but what we talked about the family and visitors,' said Susan, 'and but what I heard much said, although the nurse before Mrs Richards make unpleasant remarks when I was in company, and hint at little Pitchers, but that could only be attributed, poor thing,' observed Susan, with composed forbearance, 'to habits of intoxication, for which she was required to leave, and did.'
Florence, who was seated at her chamber window, with her face resting on her hand, sat looking out, and hardly seemed to hear what Susan said, she was so lost in thought.
'At all events, Miss,' said Susan, 'I remember very well that this same gentleman, Mr Carker, was almost, if not quite, as great a gentleman with your Papa then, as he is now. It used to be said in the house then, Miss, that he was at the head of all your Pa's affairs in the City, and managed the whole, and that your Pa minded him more than anybody, which, begging your pardon, Miss Floy, he might easy do, for he never minded anybody else. I knew that, Pitcher as I might have been.'
Susan Nipper, with an injured remembrance of the nurse before Mrs Richards, emphasised 'Pitcher' strongly.
'And that Mr Carker has not fallen off, Miss,' she pursued, 'but has stood his ground, and kept his credit with your Pa, I know from what is always said among our people by that Perch, whenever he comes to the house; and though he's the weakest weed in the world, Miss Floy, and no one can have a moment's patience with the man, he knows what goes on in the City tolerable well, and says that your Pa does nothing without Mr Carker, and leaves all to Mr Carker, and acts according to Mr Carker, and has Mr Carker always at his elbow, and I do believe that he believes (that washiest of Perches!) that after your Pa, the Emperor of India is the child unborn to Mr Carker.'
Not a word of this was lost on Florence, who, with an awakened interest in Susan's speech, no longer gazed abstractedly on the prospect without, but looked at her, and listened with attention.
'Yes, Susan,' she said, when that young lady had concluded. 'He is in Papa's confidence, and is his friend, I am sure.'
Florence's mind ran high on this theme, and had done for some days.
Mr Carker, in the two visits with which he had followed up his first one, had assumed a confidence between himself and her — a right on his part to be mysterious and stealthy, in telling her that the ship was still unheard of — a kind of mildly restrained power and authority over her — that made her wonder, and caused her great uneasiness. She had no means of repelling it, or of freeing herself from the web he was gradually winding about her; for that would have required some art and knowledge of the world, opposed to such address as his; and Florence had none. True, he had said no more to her than that there was no news of the ship, and that he feared the worst; but how he came to know that she was interested in the ship, and why he had the right to signify his knowledge to her, so insidiously and darkly, troubled Florence very much.
This conduct on the part of Mr Carker, and her habit of often considering it with wonder and uneasiness, began to invest him with an uncomfortable fascination in Florence's thoughts. A more distinct remembrance of his features, voice, and manner: which she sometimes courted, as a means of reducing him to the level of a real personage, capable of exerting no greater charm over her than another: did not remove the vague impression. And yet he never frowned, or looked upon her with an air of dislike or animosity, but was always smiling and serene.
Again, Florence, in pursuit of her strong purpose with reference to her father, and her steady resolution to believe that she was herself unwittingly to blame for their so cold and distant relations, would recall to mind that this gentleman was his confidential friend, and would think, with an anxious heart, could her struggling tendency to dislike and fear him be a part of that misfortune in her, which had turned her father's love adrift, and left her so alone? She dreaded that it might be; sometimes believed it was: then she resolved that she would try to conquer this wrong feeling; persuaded herself that she was honoured and encouraged by the notice of her father's friend; and hoped that patient observation of him and trust in him would lead her bleeding feet along that stony road which ended in her father's heart.
Thus, with no one to advise her — for she could advise with no one without seeming to complain against him — gentle Florence tossed on an uneasy sea of doubt and hope; and Mr Carker, like a scaly monster of the deep, swam down below, and kept his shining eye upon her. Florence had a new reason in all this for wishing to be at home again. Her lonely life was better suited to her course of timid hope and doubt; and she feared sometimes, that in her absence she might miss some hopeful chance of testifying her affection for her father. Heaven knows, she might have set her mind at rest, poor child! on this last point; but her slighted love was fluttering within her, and, even in her sleep, it flew away in dreams, and nestled, like a wandering bird come home, upon her father's neck.
Of Walter she thought often. Ah! how often, when the night was gloomy, and the wind was blowing round the house! But hope was strong in her breast. It is so difficult for the young and ardent, even with such experience as hers, to imagine youth and ardour quenched like a weak flame, and the bright day of life merging into night, at noon, that hope was strong yet. Her tears fell frequently for Walter's sufferings; but rarely for his supposed death, and never long.
She had written to the old Instrument-maker, but had received no answer to her note: which indeed required none. Thus matters stood with Florence on the morning when she was going home, gladly, to her old secluded life.
Doctor and Mrs Blimber, accompanied (much against his will) by their valued charge, Master Barnet, were already gone back to Brighton, where that young gentleman and his fellow-pilgrims to Parnassus were then, no doubt, in the continual resumption of their studies. The holiday time was past and over; most of the juvenile guests at the villa had taken their departure; and Florence's long visit was come to an end.
There was one guest, however, albeit not resident within the house, who had been very constant in his attentions to the family, and who still remained devoted to them. This was Mr Toots, who after renewing, some weeks ago, the acquaintance he had had the happiness of forming with Skettles Junior, on the night when he burst the Blimberian bonds and soared into freedom with his ring on, called regularly every other day, and left a perfect pack of cards at the hall-door; so many indeed, that the ceremony was quite a deal on the part of Mr Toots, and a hand at whist on the part of the servant.
Mr Toots, likewise, with the bold and happy idea of preventing the family from forgetting him (but there is reason to suppose that this expedient originated in the teeming brain of the Chicken), had established a six-oared cutter, manned by aquatic friends of the Chicken's and steered by that illustrious character in person, who wore a bright red fireman's coat for the purpose, and concealed the perpetual black eye with which he was afflicted, beneath a green shade. Previous to the institution of this equipage, Mr Toots sounded the Chicken on a hypothetical case, as, supposing the Chicken to be enamoured of a young lady named Mary, and to have conceived the intention of starting a boat of his own, what would he call that boat?
The Chicken replied, with divers strong asseverations, that he would either christen it Poll or The Chicken's Delight. Improving on this idea, Mr Toots, after deep study and the exercise of much invention, resolved to call his boat The Toots's Joy, as a delicate compliment to Florence, of which no man knowing the parties, could possibly miss the appreciation.
Stretched on a crimson cushion in his gallant bark, with his shoes in the air, Mr Toots, in the exercise of his project, had come up the river, day after day, and week after week, and had flitted to and fro, near Sir Barnet's garden, and had caused his crew to cut across and across the river at sharp angles, for his better exhibition to any lookers-out from Sir Barnet's windows, and had had such evolutions performed by the Toots's Joy as had filled all the neighbouring part of the water-side with astonishment. But whenever he saw anyone in Sir Barnet's garden on the brink of the river, Mr Toots always feigned to be passing there, by a combination of coincidences of the most singular and unlikely description.
'How are you, Toots?' Sir Barnet would say, waving his hand from the lawn, while the artful Chicken steered close in shore.
'How de do, Sir Barnet?' Mr Toots would answer, What a surprising thing that I should see you here!'
Mr Toots, in his sagacity, always said this, as if, instead of that being Sir Barnet's house, it were some deserted edifice on the banks of the Nile, or Ganges.
'I never was so surprised!' Mr Toots would exclaim. — 'Is Miss Dombey there?'
Whereupon Florence would appear, perhaps.
'Oh, Diogenes is quite well, Miss Dombey,' Toots would cry. 'I called to ask this morning.'
'Thank you very much!' the pleasant voice of Florence would reply.
'Won't you come ashore, Toots?' Sir Barnet would say then. 'Come! you're in no hurry. Come and see us.'
'Oh, it's of no consequence, thank you!' Mr Toots would blushingly rejoin. 'I thought Miss Dombey might like to know, that's all.
Good-bye!' And poor Mr Toots, who was dying to accept the invitation, but hadn't the courage to do it, signed to the Chicken, with an aching heart, and away went the Joy, cleaving the water like an arrow.
The Joy was lying in a state of extraordinary splendour, at the garden steps, on the morning of Florence's departure. When she went downstairs to take leave, after her talk with Susan, she found Mr Toots awaiting her in the drawing-room.
'Oh, how de do, Miss Dombey?' said the stricken Toots, always dreadfully disconcerted when the desire of his heart was gained, and he was speaking to her; 'thank you, I'm very well indeed, I hope you're the same, so was Diogenes yesterday.'
'You are very kind,' said Florence.
'Thank you, it's of no consequence,' retorted Mr Toots. 'I thought perhaps you wouldn't mind, in this fine weather, coming home by water, Miss Dombey. There's plenty of room in the boat for your maid.'
'I am very much obliged to you,' said Florence, hesitating. 'I really am — but I would rather not.'
'Oh, it's of no consequence,' retorted Mr Toots. 'Good morning.'
'Won't you wait and see Lady Skettles?' asked Florence, kindly.
'Oh no, thank you,' returned Mr Toots, 'it's of no consequence at all.'
So shy was Mr Toots on such occasions, and so flurried! But Lady Skettles entering at the moment, Mr Toots was suddenly seized with a passion for asking her how she did, and hoping she was very well; nor could Mr Toots by any possibility leave off shaking hands with her, until Sir Barnet appeared: to whom he immediately clung with the tenacity of desperation.
'We are losing, today, Toots,' said Sir Barnet, turning towards Florence, 'the light of our house, I assure you'
'Oh, it's of no conseq — I mean yes, to be sure,' faltered the embarrassed Mr Toots. 'Good morning!'
Notwithstanding the emphatic nature of this farewell, Mr Toots, instead of going away, stood leering about him, vacantly. Florence, to relieve him, bade adieu, with many thanks, to Lady Skettles, and gave her arm to Sir Barnet.
'May I beg of you, my dear Miss Dombey,' said her host, as he conducted her to the carriage, 'to present my best compliments to your dear Papa?'
It was distressing to Florence to receive the commission, for she felt as if she were imposing on Sir Barnet by allowing him to believe that a kindness rendered to her, was rendered to her father. As she could not explain, however, she bowed her head and thanked him; and again she thought that the dull home, free from such embarrassments, and such reminders of her sorrow, was her natural and best retreat.
Such of her late friends and companions as were yet remaining at the villa, came running from within, and from the garden, to say good-bye. They were all attached to her, and very earnest in taking leave of her. Even the household were sorry for her going, and the servants came nodding and curtseying round the carriage door. As Florence looked round on the kind faces, and saw among them those of Sir Barnet and his lady, and of Mr Toots, who was chuckling and staring at her from a distance, she was reminded of the night when Paul and she had come from Doctor Blimber's: and when the carriage drove away, her face was wet with tears.
Sorrowful tears, but tears of consolation, too; for all the softer memories connected with the dull old house to which she was returning made it dear to her, as they rose up. How long it seemed since she had wandered through the silent rooms: since she had last crept, softly and afraid, into those her father occupied: since she had felt the solemn but yet soothing influence of the beloved dead in every action of her daily life! This new farewell reminded her, besides, of her parting with poor Walter: of his looks and words that night: and of the gracious blending she had noticed in him, of tenderness for those he left behind, with courage and high spirit. His little history was associated with the old house too, and gave it a new claim and hold upon her heart. Even Susan Nipper softened towards the home of so many years, as they were on their way towards it. Gloomy as it was, and rigid justice as she rendered to its gloom, she forgave it a great deal. 'I shall be glad to see it again, I don't deny, Miss,' said the Nipper. 'There ain't much in it to boast of, but I wouldn't have it burnt or pulled down, neither!'
'You'll be glad to go through the old rooms, won't you, Susan?' said Florence, smiling.
'Well, Miss,' returned the Nipper, softening more and more towards the house, as they approached it nearer, 'I won't deny but what I shall, though I shall hate 'em again, to-morrow, very likely.'
Florence felt that, for her, there was greater peace within it than elsewhere. It was better and easier to keep her secret shut up there, among the tall dark walls, than to carry it abroad into the light, and try to hide it from a crowd of happy eyes. It was better to pursue the study of her loving heart, alone, and find no new discouragements in loving hearts about her. It was easier to hope, and pray, and love on, all uncared for, yet with constancy and patience, in the tranquil sanctuary of such remembrances: although it mouldered, rusted, and decayed about her: than in a new scene, let its gaiety be what it would. She welcomed back her old enchanted dream of life, and longed for the old dark door to close upon her, once again.
Full of such thoughts, they turned into the long and sombre street.
Florence was not on that side of the carriage which was nearest to her home, and as the distance lessened between them and it, she looked out of her window for the children over the way.
She was thus engaged, when an exclamation from Susan caused her to turn quickly round.
'Why, Gracious me!' cried Susan, breathless, 'where's our house!'
'Our house!' said Florence.
Susan, drawing in her head from the window, thrust it out again, drew it in again as the carriage stopped, and stared at her mistress in amazement.
There was a labyrinth of scaffolding raised all round the house, from the basement to the roof. Loads of bricks and stones, and heaps of mortar, and piles of wood, blocked up half the width and length of the broad street at the side. Ladders were raised against the walls; labourers were climbing up and down; men were at work upon the steps of the scaffolding; painters and decorators were busy inside; great rolls of ornamental paper were being delivered from a cart at the door; an upholsterer's waggon also stopped the way; no furniture was to be seen through the gaping and broken windows in any of the rooms; nothing but workmen, and the implements of their several trades, swarming from the kitchens to the garrets. Inside and outside alike: bricklayers, painters, carpenters, masons: hammer, hod, brush, pickaxe, saw, and trowel: all at work together, in full chorus!
Florence descended from the coach, half doubting if it were, or could be the right house, until she recognised Towlinson, with a sun-burnt face, standing at the door to receive her.
'There is nothing the matter?' inquired Florence.
'Oh no, Miss.'
'There are great alterations going on.'
'Yes, Miss, great alterations,' said Towlinson.
Florence passed him as if she were in a dream, and hurried upstairs. The garish light was in the long-darkened drawing-room and there were steps and platforms, and men In paper caps, in the high places. Her mother's picture was gone with the rest of the moveables, and on the mark where it had been, was scrawled in chalk, 'this room in panel. Green and gold.' The staircase was a labyrinth of posts and planks like the outside of the house, and a whole Olympus of plumbers and glaziers was reclining in various attitudes, on the skylight. Her own room was not yet touched within, but there were beams and boards raised against it without, baulking the daylight. She went up swiftly to that other bedroom, where the little bed was; and a dark giant of a man with a pipe in his mouth, and his head tied up in a pocket-handkerchief, was staring in at the window.
It was here that Susan Nipper, who had been in quest of Florence, found her, and said, would she go downstairs to her Papa, who wished to speak to her.
'At home! and wishing to speak to me!' cried Florence, trembling.
Susan, who was infinitely more distraught than Florence herself, repeated her errand; and Florence, pale and agitated, hurried down again, without a moment's hesitation. She thought upon the way down, would she dare to kiss him? The longing of her heart resolved her, and she thought she would.
Her father might have heard that heart beat, when it came into his presence. One instant, and it would have beat against his breast.
But he was not alone. There were two ladies there; and Florence stopped. Striving so hard with her emotion, that if her brute friend Di had not burst in and overwhelmed her with his caresses as a welcome home — at which one of the ladies gave a little scream, and that diverted her attention from herself — she would have swooned upon the floor.
'Florence,' said her father, putting out his hand: so stiffly that it held her off: 'how do you do?'
Florence took the hand between her own, and putting it timidly to her lips, yielded to its withdrawal. It touched the door in shutting it, with quite as much endearment as it had touched her.
'What dog is that?' said Mr Dombey, displeased.
'It is a dog, Papa — from Brighton.'
'Well!' said Mr Dombey; and a cloud passed over his face, for he understood her.
'He is very good-tempered,' said Florence, addressing herself with her natural grace and sweetness to the two lady strangers. 'He is only glad to see me. Pray forgive him.'
She saw in the glance they interchanged, that the lady who had screamed, and who was seated, was old; and that the other lady, who stood near her Papa, was very beautiful, and of an elegant figure.
Susan drew in her breath with an amount of expression not easily described, further relieving her feelings with a smart cough, answered, 'Very quiet indeed, Miss Floy, no doubt. Excessive so.'
'When I was a child,' said Florence, thoughtfully, and after musing for some moments, 'did you ever see that gentleman who has taken the trouble to ride down here to speak to me, now three times — three times, I think, Susan?'
'Three times, Miss,' returned the Nipper. 'Once when you was out a walking with them Sket— '
Florence gently looked at her, and Miss Nipper checked herself.
'With Sir Barnet and his lady, I mean to say, Miss, and the young gentleman. And two evenings since then.'
'When I was a child, and when company used to come to visit Papa, did you ever see that gentleman at home, Susan?' asked Florence.
'Well, Miss,' returned her maid, after considering, 'I really couldn't say I ever did. When your poor dear Ma died, Miss Floy, I was very new in the family, you see, and my element:' the Nipper bridled, as opining that her merits had been always designedly extinguished by Mr Dombey: 'was the floor below the attics.'
'To be sure,' said Florence, still thoughtfully; 'you are not likely to have known who came to the house. I quite forgot.'
'Not, Miss, but what we talked about the family and visitors,' said Susan, 'and but what I heard much said, although the nurse before Mrs Richards make unpleasant remarks when I was in company, and hint at little Pitchers, but that could only be attributed, poor thing,' observed Susan, with composed forbearance, 'to habits of intoxication, for which she was required to leave, and did.'
Florence, who was seated at her chamber window, with her face resting on her hand, sat looking out, and hardly seemed to hear what Susan said, she was so lost in thought.
'At all events, Miss,' said Susan, 'I remember very well that this same gentleman, Mr Carker, was almost, if not quite, as great a gentleman with your Papa then, as he is now. It used to be said in the house then, Miss, that he was at the head of all your Pa's affairs in the City, and managed the whole, and that your Pa minded him more than anybody, which, begging your pardon, Miss Floy, he might easy do, for he never minded anybody else. I knew that, Pitcher as I might have been.'
Susan Nipper, with an injured remembrance of the nurse before Mrs Richards, emphasised 'Pitcher' strongly.
'And that Mr Carker has not fallen off, Miss,' she pursued, 'but has stood his ground, and kept his credit with your Pa, I know from what is always said among our people by that Perch, whenever he comes to the house; and though he's the weakest weed in the world, Miss Floy, and no one can have a moment's patience with the man, he knows what goes on in the City tolerable well, and says that your Pa does nothing without Mr Carker, and leaves all to Mr Carker, and acts according to Mr Carker, and has Mr Carker always at his elbow, and I do believe that he believes (that washiest of Perches!) that after your Pa, the Emperor of India is the child unborn to Mr Carker.'
Not a word of this was lost on Florence, who, with an awakened interest in Susan's speech, no longer gazed abstractedly on the prospect without, but looked at her, and listened with attention.
'Yes, Susan,' she said, when that young lady had concluded. 'He is in Papa's confidence, and is his friend, I am sure.'
Florence's mind ran high on this theme, and had done for some days.
Mr Carker, in the two visits with which he had followed up his first one, had assumed a confidence between himself and her — a right on his part to be mysterious and stealthy, in telling her that the ship was still unheard of — a kind of mildly restrained power and authority over her — that made her wonder, and caused her great uneasiness. She had no means of repelling it, or of freeing herself from the web he was gradually winding about her; for that would have required some art and knowledge of the world, opposed to such address as his; and Florence had none. True, he had said no more to her than that there was no news of the ship, and that he feared the worst; but how he came to know that she was interested in the ship, and why he had the right to signify his knowledge to her, so insidiously and darkly, troubled Florence very much.
This conduct on the part of Mr Carker, and her habit of often considering it with wonder and uneasiness, began to invest him with an uncomfortable fascination in Florence's thoughts. A more distinct remembrance of his features, voice, and manner: which she sometimes courted, as a means of reducing him to the level of a real personage, capable of exerting no greater charm over her than another: did not remove the vague impression. And yet he never frowned, or looked upon her with an air of dislike or animosity, but was always smiling and serene.
Again, Florence, in pursuit of her strong purpose with reference to her father, and her steady resolution to believe that she was herself unwittingly to blame for their so cold and distant relations, would recall to mind that this gentleman was his confidential friend, and would think, with an anxious heart, could her struggling tendency to dislike and fear him be a part of that misfortune in her, which had turned her father's love adrift, and left her so alone? She dreaded that it might be; sometimes believed it was: then she resolved that she would try to conquer this wrong feeling; persuaded herself that she was honoured and encouraged by the notice of her father's friend; and hoped that patient observation of him and trust in him would lead her bleeding feet along that stony road which ended in her father's heart.
Thus, with no one to advise her — for she could advise with no one without seeming to complain against him — gentle Florence tossed on an uneasy sea of doubt and hope; and Mr Carker, like a scaly monster of the deep, swam down below, and kept his shining eye upon her. Florence had a new reason in all this for wishing to be at home again. Her lonely life was better suited to her course of timid hope and doubt; and she feared sometimes, that in her absence she might miss some hopeful chance of testifying her affection for her father. Heaven knows, she might have set her mind at rest, poor child! on this last point; but her slighted love was fluttering within her, and, even in her sleep, it flew away in dreams, and nestled, like a wandering bird come home, upon her father's neck.
Of Walter she thought often. Ah! how often, when the night was gloomy, and the wind was blowing round the house! But hope was strong in her breast. It is so difficult for the young and ardent, even with such experience as hers, to imagine youth and ardour quenched like a weak flame, and the bright day of life merging into night, at noon, that hope was strong yet. Her tears fell frequently for Walter's sufferings; but rarely for his supposed death, and never long.
She had written to the old Instrument-maker, but had received no answer to her note: which indeed required none. Thus matters stood with Florence on the morning when she was going home, gladly, to her old secluded life.
Doctor and Mrs Blimber, accompanied (much against his will) by their valued charge, Master Barnet, were already gone back to Brighton, where that young gentleman and his fellow-pilgrims to Parnassus were then, no doubt, in the continual resumption of their studies. The holiday time was past and over; most of the juvenile guests at the villa had taken their departure; and Florence's long visit was come to an end.
There was one guest, however, albeit not resident within the house, who had been very constant in his attentions to the family, and who still remained devoted to them. This was Mr Toots, who after renewing, some weeks ago, the acquaintance he had had the happiness of forming with Skettles Junior, on the night when he burst the Blimberian bonds and soared into freedom with his ring on, called regularly every other day, and left a perfect pack of cards at the hall-door; so many indeed, that the ceremony was quite a deal on the part of Mr Toots, and a hand at whist on the part of the servant.
Mr Toots, likewise, with the bold and happy idea of preventing the family from forgetting him (but there is reason to suppose that this expedient originated in the teeming brain of the Chicken), had established a six-oared cutter, manned by aquatic friends of the Chicken's and steered by that illustrious character in person, who wore a bright red fireman's coat for the purpose, and concealed the perpetual black eye with which he was afflicted, beneath a green shade. Previous to the institution of this equipage, Mr Toots sounded the Chicken on a hypothetical case, as, supposing the Chicken to be enamoured of a young lady named Mary, and to have conceived the intention of starting a boat of his own, what would he call that boat?
The Chicken replied, with divers strong asseverations, that he would either christen it Poll or The Chicken's Delight. Improving on this idea, Mr Toots, after deep study and the exercise of much invention, resolved to call his boat The Toots's Joy, as a delicate compliment to Florence, of which no man knowing the parties, could possibly miss the appreciation.
Stretched on a crimson cushion in his gallant bark, with his shoes in the air, Mr Toots, in the exercise of his project, had come up the river, day after day, and week after week, and had flitted to and fro, near Sir Barnet's garden, and had caused his crew to cut across and across the river at sharp angles, for his better exhibition to any lookers-out from Sir Barnet's windows, and had had such evolutions performed by the Toots's Joy as had filled all the neighbouring part of the water-side with astonishment. But whenever he saw anyone in Sir Barnet's garden on the brink of the river, Mr Toots always feigned to be passing there, by a combination of coincidences of the most singular and unlikely description.
'How are you, Toots?' Sir Barnet would say, waving his hand from the lawn, while the artful Chicken steered close in shore.
'How de do, Sir Barnet?' Mr Toots would answer, What a surprising thing that I should see you here!'
Mr Toots, in his sagacity, always said this, as if, instead of that being Sir Barnet's house, it were some deserted edifice on the banks of the Nile, or Ganges.
'I never was so surprised!' Mr Toots would exclaim. — 'Is Miss Dombey there?'
Whereupon Florence would appear, perhaps.
'Oh, Diogenes is quite well, Miss Dombey,' Toots would cry. 'I called to ask this morning.'
'Thank you very much!' the pleasant voice of Florence would reply.
'Won't you come ashore, Toots?' Sir Barnet would say then. 'Come! you're in no hurry. Come and see us.'
'Oh, it's of no consequence, thank you!' Mr Toots would blushingly rejoin. 'I thought Miss Dombey might like to know, that's all.
Good-bye!' And poor Mr Toots, who was dying to accept the invitation, but hadn't the courage to do it, signed to the Chicken, with an aching heart, and away went the Joy, cleaving the water like an arrow.
The Joy was lying in a state of extraordinary splendour, at the garden steps, on the morning of Florence's departure. When she went downstairs to take leave, after her talk with Susan, she found Mr Toots awaiting her in the drawing-room.
'Oh, how de do, Miss Dombey?' said the stricken Toots, always dreadfully disconcerted when the desire of his heart was gained, and he was speaking to her; 'thank you, I'm very well indeed, I hope you're the same, so was Diogenes yesterday.'
'You are very kind,' said Florence.
'Thank you, it's of no consequence,' retorted Mr Toots. 'I thought perhaps you wouldn't mind, in this fine weather, coming home by water, Miss Dombey. There's plenty of room in the boat for your maid.'
'I am very much obliged to you,' said Florence, hesitating. 'I really am — but I would rather not.'
'Oh, it's of no consequence,' retorted Mr Toots. 'Good morning.'
'Won't you wait and see Lady Skettles?' asked Florence, kindly.
'Oh no, thank you,' returned Mr Toots, 'it's of no consequence at all.'
So shy was Mr Toots on such occasions, and so flurried! But Lady Skettles entering at the moment, Mr Toots was suddenly seized with a passion for asking her how she did, and hoping she was very well; nor could Mr Toots by any possibility leave off shaking hands with her, until Sir Barnet appeared: to whom he immediately clung with the tenacity of desperation.
'We are losing, today, Toots,' said Sir Barnet, turning towards Florence, 'the light of our house, I assure you'
'Oh, it's of no conseq — I mean yes, to be sure,' faltered the embarrassed Mr Toots. 'Good morning!'
Notwithstanding the emphatic nature of this farewell, Mr Toots, instead of going away, stood leering about him, vacantly. Florence, to relieve him, bade adieu, with many thanks, to Lady Skettles, and gave her arm to Sir Barnet.
'May I beg of you, my dear Miss Dombey,' said her host, as he conducted her to the carriage, 'to present my best compliments to your dear Papa?'
It was distressing to Florence to receive the commission, for she felt as if she were imposing on Sir Barnet by allowing him to believe that a kindness rendered to her, was rendered to her father. As she could not explain, however, she bowed her head and thanked him; and again she thought that the dull home, free from such embarrassments, and such reminders of her sorrow, was her natural and best retreat.
Such of her late friends and companions as were yet remaining at the villa, came running from within, and from the garden, to say good-bye. They were all attached to her, and very earnest in taking leave of her. Even the household were sorry for her going, and the servants came nodding and curtseying round the carriage door. As Florence looked round on the kind faces, and saw among them those of Sir Barnet and his lady, and of Mr Toots, who was chuckling and staring at her from a distance, she was reminded of the night when Paul and she had come from Doctor Blimber's: and when the carriage drove away, her face was wet with tears.
Sorrowful tears, but tears of consolation, too; for all the softer memories connected with the dull old house to which she was returning made it dear to her, as they rose up. How long it seemed since she had wandered through the silent rooms: since she had last crept, softly and afraid, into those her father occupied: since she had felt the solemn but yet soothing influence of the beloved dead in every action of her daily life! This new farewell reminded her, besides, of her parting with poor Walter: of his looks and words that night: and of the gracious blending she had noticed in him, of tenderness for those he left behind, with courage and high spirit. His little history was associated with the old house too, and gave it a new claim and hold upon her heart. Even Susan Nipper softened towards the home of so many years, as they were on their way towards it. Gloomy as it was, and rigid justice as she rendered to its gloom, she forgave it a great deal. 'I shall be glad to see it again, I don't deny, Miss,' said the Nipper. 'There ain't much in it to boast of, but I wouldn't have it burnt or pulled down, neither!'
'You'll be glad to go through the old rooms, won't you, Susan?' said Florence, smiling.
'Well, Miss,' returned the Nipper, softening more and more towards the house, as they approached it nearer, 'I won't deny but what I shall, though I shall hate 'em again, to-morrow, very likely.'
Florence felt that, for her, there was greater peace within it than elsewhere. It was better and easier to keep her secret shut up there, among the tall dark walls, than to carry it abroad into the light, and try to hide it from a crowd of happy eyes. It was better to pursue the study of her loving heart, alone, and find no new discouragements in loving hearts about her. It was easier to hope, and pray, and love on, all uncared for, yet with constancy and patience, in the tranquil sanctuary of such remembrances: although it mouldered, rusted, and decayed about her: than in a new scene, let its gaiety be what it would. She welcomed back her old enchanted dream of life, and longed for the old dark door to close upon her, once again.
Full of such thoughts, they turned into the long and sombre street.
Florence was not on that side of the carriage which was nearest to her home, and as the distance lessened between them and it, she looked out of her window for the children over the way.
She was thus engaged, when an exclamation from Susan caused her to turn quickly round.
'Why, Gracious me!' cried Susan, breathless, 'where's our house!'
'Our house!' said Florence.
Susan, drawing in her head from the window, thrust it out again, drew it in again as the carriage stopped, and stared at her mistress in amazement.
There was a labyrinth of scaffolding raised all round the house, from the basement to the roof. Loads of bricks and stones, and heaps of mortar, and piles of wood, blocked up half the width and length of the broad street at the side. Ladders were raised against the walls; labourers were climbing up and down; men were at work upon the steps of the scaffolding; painters and decorators were busy inside; great rolls of ornamental paper were being delivered from a cart at the door; an upholsterer's waggon also stopped the way; no furniture was to be seen through the gaping and broken windows in any of the rooms; nothing but workmen, and the implements of their several trades, swarming from the kitchens to the garrets. Inside and outside alike: bricklayers, painters, carpenters, masons: hammer, hod, brush, pickaxe, saw, and trowel: all at work together, in full chorus!
Florence descended from the coach, half doubting if it were, or could be the right house, until she recognised Towlinson, with a sun-burnt face, standing at the door to receive her.
'There is nothing the matter?' inquired Florence.
'Oh no, Miss.'
'There are great alterations going on.'
'Yes, Miss, great alterations,' said Towlinson.
Florence passed him as if she were in a dream, and hurried upstairs. The garish light was in the long-darkened drawing-room and there were steps and platforms, and men In paper caps, in the high places. Her mother's picture was gone with the rest of the moveables, and on the mark where it had been, was scrawled in chalk, 'this room in panel. Green and gold.' The staircase was a labyrinth of posts and planks like the outside of the house, and a whole Olympus of plumbers and glaziers was reclining in various attitudes, on the skylight. Her own room was not yet touched within, but there were beams and boards raised against it without, baulking the daylight. She went up swiftly to that other bedroom, where the little bed was; and a dark giant of a man with a pipe in his mouth, and his head tied up in a pocket-handkerchief, was staring in at the window.
It was here that Susan Nipper, who had been in quest of Florence, found her, and said, would she go downstairs to her Papa, who wished to speak to her.
'At home! and wishing to speak to me!' cried Florence, trembling.
Susan, who was infinitely more distraught than Florence herself, repeated her errand; and Florence, pale and agitated, hurried down again, without a moment's hesitation. She thought upon the way down, would she dare to kiss him? The longing of her heart resolved her, and she thought she would.
Her father might have heard that heart beat, when it came into his presence. One instant, and it would have beat against his breast.
But he was not alone. There were two ladies there; and Florence stopped. Striving so hard with her emotion, that if her brute friend Di had not burst in and overwhelmed her with his caresses as a welcome home — at which one of the ladies gave a little scream, and that diverted her attention from herself — she would have swooned upon the floor.
'Florence,' said her father, putting out his hand: so stiffly that it held her off: 'how do you do?'
Florence took the hand between her own, and putting it timidly to her lips, yielded to its withdrawal. It touched the door in shutting it, with quite as much endearment as it had touched her.
'What dog is that?' said Mr Dombey, displeased.
'It is a dog, Papa — from Brighton.'
'Well!' said Mr Dombey; and a cloud passed over his face, for he understood her.
'He is very good-tempered,' said Florence, addressing herself with her natural grace and sweetness to the two lady strangers. 'He is only glad to see me. Pray forgive him.'
She saw in the glance they interchanged, that the lady who had screamed, and who was seated, was old; and that the other lady, who stood near her Papa, was very beautiful, and of an elegant figure.