Father Ferlenghetti showed up at Art's Gran's at 7PM, just as the sun began to set over the lake, and Art and he shared lemonade on Gran's sunporch and watched as the waves on Lake Ontario turned harshly golden.
"So, Arthur, tell me, what are you doing with your life?" the Father said. He had grown exquisitely aged, almost translucent, since Art had seen him last. In his dog collar and old-fashioned aviator's shades, he looked like a waxworks figure.
Art had forgotten all about the Father's visit until Gran stepped out of her superheated kitchen to remind him. He'd hastily showered and changed into fresh slacks and a mostly clean tee shirt, and had agreed to entertain the priest while his Gran finished cooking supper. Now, he wished he'd signed up to do the cooking.
"I'm working in London," he said. "The same work as ever, but for an English firm."
"That's what your grandmother tells me. But is it making you happy? Is it what you plan to do with the rest of your life?"
"I guess so," Art said. "Sure."
"You don't sound so sure," Father Ferlenghetti said.
"Well, the work part's excellent. The politics are pretty ugly, though, to tell the truth."
"Ah. Well, we can't avoid politics, can we?"
"No, I guess we can't."
"Art, I've always known that you were a very smart young man, but being smart isn't the same as being happy. If you're very lucky, you'll get to be my age and you'll look back on your life and be glad you lived it."
Gran called him in for dinner before he could think of a reply. He settled down at the table and Gran handed him a pen.
"What's this for?" he asked.
"Sign the tablecloth," she said. "Write a little something and sign it and date it, nice and clear, please."
"Sign the tablecloth?"
"Yes. I've just started a fresh one. I have everyone sign my tablecloth and then I embroider the signatures in, so I have a record of everyone who's been here for supper. They'll make a nice heirloom for your children-I'll show you the old ones after we eat."
"What should I write?"
"It's up to you."
While Gran and the Father looked on, Art uncapped the felt-tip pen and thought and thought, his mind blank. Finally, he wrote, "For my Gran. No matter where I am, I know you're thinking of me." He signed it with a flourish.
"Lovely. Let's eat now."
Art meant to log in and see if Colonelonic had dredged up any intel on Linda's ex, but he found himself trapped on the sunporch with Gran and the Father and a small stack of linen tablecloths hairy with embroidered wishes. He traced their braille with his fingertips, recognizing the names of his childhood. Gran and the Father talked late into the night, and the next thing Art knew, Gran was shaking him awake. He was draped in a tablecloth that he'd pulled over himself like a blanket, and she folded it and put it away while he ungummed his eyes and staggered off to bed.
Audie called him early the next morning, waking him up.
"Hey, Art! It's your cousin!"
"Audie?"
"You don't have any other female cousins, so yes, that's a good guess. Your Gran told me you were in Canada for a change."
"Yup, I am. Just for a little holiday."
"Well, it's been long enough. What do you do in London again?"
"I'm a consultant for Virgin/Deutsche Telekom." He has this part of the conversation every time he speaks with Audie. Somehow, the particulars of his job just couldn't seem to stick in her mind.
"What kind of consultant?"
"User experience. I help design their interactive stuff. How's Ottawa?"
"They pay you for that, huh? Well, nice work if you can get it."
Art believed that Audie was being sincere in her amazement at his niche in the working world, and not sneering at all. Still, he had to keep himself from saying something snide about the lack of tangible good resulting from keeping MPs up to date on the poleconomy of semiconductor production in PacRim sweatshops.
"They sure do. How's Ottawa?"
"Amazing. And why London? Can't you find work at home?"
"Yeah, I suppose I could. This just seemed like a good job at the time. How's Ottawa?
"Seemed, huh? You going to be moving back, then? Quitting?"
"Not anytime soon. How's Ottawa?"
"Ottawa? It's beautiful this time of year. Alphie and Enoch and I were going to go to the trailer for the weekend, in Calabogie. You could drive up and meet us. Swim, hike. We've built a sweatlodge near the dock; you and Alphie could bake up together."
"Wow," Art said, wishing he had Audie's gift for changing the subject. "Sounds great. But. Well, you know. Gotta catch up with friends here in Toronto. It's been a while, you know. Well." The image of sharing a smoke-filled dome with Alphie's naked, cross-legged, sweat-slimed paunch had seared itself across his waking mind.
"No? Geez. Too bad. I'd really hoped that we could reconnect, you and me and Alphie. We really should spend some more time together, keep connected, you know?"
"Well," Art said. "Sure. Yes." Relations or no, Audie and Alphie were basically strangers to him, and it was beyond him why Audie thought they should be spending time together, but there it was. Reconnect, keep connected. Hippies. "We should. Next time I'm in Canada, for sure, we'll get together, I'll come to Ottawa. Maybe Christmas. Skating on the canal, OK?"
"Very good," Audie said. "I'll pencil you in for Christmas week. Here, I'll send you the wish lists for Alphie and Enoch and me, so you'll know what to get."
Xmas wishlists in July. Organized hippies! What planet did his cousins grow up on, anyway?
"Thanks, Audie. I'll put together a wishlist and pass it along to you soon, OK?" His bladder nagged at him. "I gotta run now, all right?"
"Great. Listen, Art, it's been, well, great to talk to you again. It really makes me feel whole to connect with you. Don't be a stranger, all right?"
"Yeah, OK! Nice to talk to you, too. Bye!"
"Safe travels and wishes fulfilled," Audie said.
"You too!"
"So, Arthur, tell me, what are you doing with your life?" the Father said. He had grown exquisitely aged, almost translucent, since Art had seen him last. In his dog collar and old-fashioned aviator's shades, he looked like a waxworks figure.
Art had forgotten all about the Father's visit until Gran stepped out of her superheated kitchen to remind him. He'd hastily showered and changed into fresh slacks and a mostly clean tee shirt, and had agreed to entertain the priest while his Gran finished cooking supper. Now, he wished he'd signed up to do the cooking.
"I'm working in London," he said. "The same work as ever, but for an English firm."
"That's what your grandmother tells me. But is it making you happy? Is it what you plan to do with the rest of your life?"
"I guess so," Art said. "Sure."
"You don't sound so sure," Father Ferlenghetti said.
"Well, the work part's excellent. The politics are pretty ugly, though, to tell the truth."
"Ah. Well, we can't avoid politics, can we?"
"No, I guess we can't."
"Art, I've always known that you were a very smart young man, but being smart isn't the same as being happy. If you're very lucky, you'll get to be my age and you'll look back on your life and be glad you lived it."
Gran called him in for dinner before he could think of a reply. He settled down at the table and Gran handed him a pen.
"What's this for?" he asked.
"Sign the tablecloth," she said. "Write a little something and sign it and date it, nice and clear, please."
"Sign the tablecloth?"
"Yes. I've just started a fresh one. I have everyone sign my tablecloth and then I embroider the signatures in, so I have a record of everyone who's been here for supper. They'll make a nice heirloom for your children-I'll show you the old ones after we eat."
"What should I write?"
"It's up to you."
While Gran and the Father looked on, Art uncapped the felt-tip pen and thought and thought, his mind blank. Finally, he wrote, "For my Gran. No matter where I am, I know you're thinking of me." He signed it with a flourish.
"Lovely. Let's eat now."
Art meant to log in and see if Colonelonic had dredged up any intel on Linda's ex, but he found himself trapped on the sunporch with Gran and the Father and a small stack of linen tablecloths hairy with embroidered wishes. He traced their braille with his fingertips, recognizing the names of his childhood. Gran and the Father talked late into the night, and the next thing Art knew, Gran was shaking him awake. He was draped in a tablecloth that he'd pulled over himself like a blanket, and she folded it and put it away while he ungummed his eyes and staggered off to bed.
Audie called him early the next morning, waking him up.
"Hey, Art! It's your cousin!"
"Audie?"
"You don't have any other female cousins, so yes, that's a good guess. Your Gran told me you were in Canada for a change."
"Yup, I am. Just for a little holiday."
"Well, it's been long enough. What do you do in London again?"
"I'm a consultant for Virgin/Deutsche Telekom." He has this part of the conversation every time he speaks with Audie. Somehow, the particulars of his job just couldn't seem to stick in her mind.
"What kind of consultant?"
"User experience. I help design their interactive stuff. How's Ottawa?"
"They pay you for that, huh? Well, nice work if you can get it."
Art believed that Audie was being sincere in her amazement at his niche in the working world, and not sneering at all. Still, he had to keep himself from saying something snide about the lack of tangible good resulting from keeping MPs up to date on the poleconomy of semiconductor production in PacRim sweatshops.
"They sure do. How's Ottawa?"
"Amazing. And why London? Can't you find work at home?"
"Yeah, I suppose I could. This just seemed like a good job at the time. How's Ottawa?
"Seemed, huh? You going to be moving back, then? Quitting?"
"Not anytime soon. How's Ottawa?"
"Ottawa? It's beautiful this time of year. Alphie and Enoch and I were going to go to the trailer for the weekend, in Calabogie. You could drive up and meet us. Swim, hike. We've built a sweatlodge near the dock; you and Alphie could bake up together."
"Wow," Art said, wishing he had Audie's gift for changing the subject. "Sounds great. But. Well, you know. Gotta catch up with friends here in Toronto. It's been a while, you know. Well." The image of sharing a smoke-filled dome with Alphie's naked, cross-legged, sweat-slimed paunch had seared itself across his waking mind.
"No? Geez. Too bad. I'd really hoped that we could reconnect, you and me and Alphie. We really should spend some more time together, keep connected, you know?"
"Well," Art said. "Sure. Yes." Relations or no, Audie and Alphie were basically strangers to him, and it was beyond him why Audie thought they should be spending time together, but there it was. Reconnect, keep connected. Hippies. "We should. Next time I'm in Canada, for sure, we'll get together, I'll come to Ottawa. Maybe Christmas. Skating on the canal, OK?"
"Very good," Audie said. "I'll pencil you in for Christmas week. Here, I'll send you the wish lists for Alphie and Enoch and me, so you'll know what to get."
Xmas wishlists in July. Organized hippies! What planet did his cousins grow up on, anyway?
"Thanks, Audie. I'll put together a wishlist and pass it along to you soon, OK?" His bladder nagged at him. "I gotta run now, all right?"
"Great. Listen, Art, it's been, well, great to talk to you again. It really makes me feel whole to connect with you. Don't be a stranger, all right?"
"Yeah, OK! Nice to talk to you, too. Bye!"
"Safe travels and wishes fulfilled," Audie said.
"You too!"
25.
Now I've got a comm, I hardly know what to do with it. Call Gran? Call Audie? Call Fede? Login to an EST chat and see who's up to what?
How about the Jersey clients?
There's an idea. Give them everything, all the notes I built for Fede and his damned patent application, sign over the exclusive rights to the patent for one dollar and services rendered (i.e., getting me a decent lawyer and springing me from this damned hole).
My last lawyer was a dickhead. He met me at the courtroom fifteen minutes before the hearing, in a private room whose fixtures had the sticky filthiness of a bus-station toilet. "Art, yes, hello, I'm Allan Mendelson, your attorney. How are you?
He was well over 6'6", but weighed no more than 120 lbs and hunched over his skinny ribs while he talked, dry-washing his hands. His suit looked like the kind of thing you'd see on a Piccadilly Station homeless person, clean enough and well-enough fitting, but with an indefinable air of cheapness and falsehood.
"Well, not so good," I said. "They upped my meds this morning, so I'm pretty logy. Can't concentrate. They said it was to keep me calm while I was transported. Dirty trick, huh?"
"What?" he'd been browsing through his comm, tapping through what I assumed was my file. "No, no. It's perfectly standard. This isn't a trial, it's a hearing. We're all on the same side, here." He tapped some more. "Your side."
"Good," Art said. "My grandmother came down, and she wants to testify on my behalf."
"Oooh," the fixer said, shaking his head. "No, not a great idea. She's not a mental health professional, is she?"
"No," I said. "But she's known me all my life. She knows I'm not a danger to myself or others."
"Sorry, that's not appropriate. We all love our families, but the court wants to hear from people who have qualified opinions on this subject. Your doctors will speak, of course."
"Do I get to speak?"
"If you really want to. That's not a very good idea, either, though, I'm afraid. If the judge wants to hear from you, she'll address you. Otherwise, your best bet is to sit still, no fidgeting, look as sane and calm as you can."
I felt like I had bricks dangling from my limbs and one stuck in my brain. The new meds painted the world with translucent whitewash, stuffed cotton in my ears and made my tongue thick. Slowly, my brain absorbed all of this.
"You mean that my Gran can't talk, I can't talk, and all the court hears is the doctors?"
"Don't be difficult, Art. This is a hearing to determine your competency. A group of talented mental health professionals have observed you for the past week and they've come to some conclusions based on those observations. If everyone who came before the court for a competency hearing brought out a bunch of irrelevant witnesses and made long speeches, the court calendar would be backlogged for decades. Then other people who were in for observation wouldn't be able to get their hearings. It wouldn't work for anyone. You see that, right?"
"Not really. I really think it would be better if I got to testify on my behalf. I have that right, don't I?"
He sighed and looked very put-upon. "If you insist, I'll call you to speak. But as your lawyer, it's my professional opinion that you should not do this."
"I really would prefer to."
He snapped his comm shut. "I'll meet you in the courtroom, then. The bailiff will take you in."
"Can you tell my Gran where I am? She's waiting in the court, I think."
"Sorry. I have other cases to cope with-I can't really play messenger, I'm afraid."
When he left the little office, I felt as though I'd been switched off. The drugs weighted my eyelids and soothed my panic and outrage. Later, I'd be livid, but right then I could barely keep from folding my arms on the grimy table and resting my head on them.
The hearing went so fast I barely even noticed it. I sat with my lawyer and the doctors stood up and entered their reports into evidence-I don't think they read them aloud, even, just squirted them at the court reporter. My Gran sat behind me, on a chair that was separated from the court proper by a banister. She had her hand on my shoulder the whole time, and it felt like an anvil there to my dopey muscles.
"All right, Art," my jackass lawyer said, giving me a prod. "Here's your turn. Stand up and keep it brief."
I struggled to my feet. The judge was an Asian woman about my age, a small round head set atop a shapeless robe and perched on a high seat behind a high bench.
"Your Honor," I said. I didn't know what to say next. All my wonderful rhetoric had fled me. The judge looked at me briefly, then went back to tapping her comm. Maybe she was playing solitaire or looking at porn. "I asked to have a moment to address the Court. My lawyer suggested that I not do this, but I insisted.
"Here's the thing. There's no way for me to win here. There's a long story about how I got here. Basically, I had a disagreement with some of my coworkers who were doing something that I thought was immoral. They decided that it would be best for their plans if I was out of the way for a little while, so that I couldn't screw them up, so they coopered this up, told the London police that I'd gone nuts.
"So I ended up in an institution here for observation, on the grounds that I was dangerously paranoid. When the people at the institution asked me about it, I told them what had happened. Because I was claiming that the people who had me locked up were conspiring to make me look paranoid, the doctors decided that I was paranoid. But tell me, how could I demonstrate my non-paranoia? I mean, as far as I can tell, the second I was put away for observation, I was guaranteed to be found wanting. Nothing I could have said or done would have made a difference."
The judge looked up from her comm and gave me another once-over. I was wearing my best day clothes, which were my basic London shabby chic white shirt and gray wool slacks and narrow blue tie. It looked natty enough in the UK, but I knew that in the US it made me look like an overaged door-to-door Mormon. The judge kept looking at me. Call to action, I thought. End your speeches with a call to action. It was another bit of goofy West Coast Vulcan Mind Control, courtesy of Linda's fucking ex.
"So here's what I wanted to do. I wanted to stand up here and let you know what had happened to me and ask you for advice. If we assume for the moment that I'm not crazy, how should I demonstrate that here in the court?"
The judge rolled her head from shoulder to shoulder, making glossy black waterfalls of her hair. The whole hearing is very fuzzy for me, but that hair! Who ever heard of a civil servant with good hair?
"Mr. Berry," she said, "I'm afraid I don't have much to tell you. It's my responsibility to listen to qualified testimony and make a ruling. You haven't presented any qualified testimony to support your position. In the absence of such testimony, my only option is to remand you into the custody of the Department of Mental Health until such time as a group of qualified professionals see fit to release you." I expected her to bang a gavel, but instead she just scritched at her comm and squirted the order at the court reporter and I was led away.
I didn't even have a chance to talk to Gran.
How about the Jersey clients?
There's an idea. Give them everything, all the notes I built for Fede and his damned patent application, sign over the exclusive rights to the patent for one dollar and services rendered (i.e., getting me a decent lawyer and springing me from this damned hole).
My last lawyer was a dickhead. He met me at the courtroom fifteen minutes before the hearing, in a private room whose fixtures had the sticky filthiness of a bus-station toilet. "Art, yes, hello, I'm Allan Mendelson, your attorney. How are you?
He was well over 6'6", but weighed no more than 120 lbs and hunched over his skinny ribs while he talked, dry-washing his hands. His suit looked like the kind of thing you'd see on a Piccadilly Station homeless person, clean enough and well-enough fitting, but with an indefinable air of cheapness and falsehood.
"Well, not so good," I said. "They upped my meds this morning, so I'm pretty logy. Can't concentrate. They said it was to keep me calm while I was transported. Dirty trick, huh?"
"What?" he'd been browsing through his comm, tapping through what I assumed was my file. "No, no. It's perfectly standard. This isn't a trial, it's a hearing. We're all on the same side, here." He tapped some more. "Your side."
"Good," Art said. "My grandmother came down, and she wants to testify on my behalf."
"Oooh," the fixer said, shaking his head. "No, not a great idea. She's not a mental health professional, is she?"
"No," I said. "But she's known me all my life. She knows I'm not a danger to myself or others."
"Sorry, that's not appropriate. We all love our families, but the court wants to hear from people who have qualified opinions on this subject. Your doctors will speak, of course."
"Do I get to speak?"
"If you really want to. That's not a very good idea, either, though, I'm afraid. If the judge wants to hear from you, she'll address you. Otherwise, your best bet is to sit still, no fidgeting, look as sane and calm as you can."
I felt like I had bricks dangling from my limbs and one stuck in my brain. The new meds painted the world with translucent whitewash, stuffed cotton in my ears and made my tongue thick. Slowly, my brain absorbed all of this.
"You mean that my Gran can't talk, I can't talk, and all the court hears is the doctors?"
"Don't be difficult, Art. This is a hearing to determine your competency. A group of talented mental health professionals have observed you for the past week and they've come to some conclusions based on those observations. If everyone who came before the court for a competency hearing brought out a bunch of irrelevant witnesses and made long speeches, the court calendar would be backlogged for decades. Then other people who were in for observation wouldn't be able to get their hearings. It wouldn't work for anyone. You see that, right?"
"Not really. I really think it would be better if I got to testify on my behalf. I have that right, don't I?"
He sighed and looked very put-upon. "If you insist, I'll call you to speak. But as your lawyer, it's my professional opinion that you should not do this."
"I really would prefer to."
He snapped his comm shut. "I'll meet you in the courtroom, then. The bailiff will take you in."
"Can you tell my Gran where I am? She's waiting in the court, I think."
"Sorry. I have other cases to cope with-I can't really play messenger, I'm afraid."
When he left the little office, I felt as though I'd been switched off. The drugs weighted my eyelids and soothed my panic and outrage. Later, I'd be livid, but right then I could barely keep from folding my arms on the grimy table and resting my head on them.
The hearing went so fast I barely even noticed it. I sat with my lawyer and the doctors stood up and entered their reports into evidence-I don't think they read them aloud, even, just squirted them at the court reporter. My Gran sat behind me, on a chair that was separated from the court proper by a banister. She had her hand on my shoulder the whole time, and it felt like an anvil there to my dopey muscles.
"All right, Art," my jackass lawyer said, giving me a prod. "Here's your turn. Stand up and keep it brief."
I struggled to my feet. The judge was an Asian woman about my age, a small round head set atop a shapeless robe and perched on a high seat behind a high bench.
"Your Honor," I said. I didn't know what to say next. All my wonderful rhetoric had fled me. The judge looked at me briefly, then went back to tapping her comm. Maybe she was playing solitaire or looking at porn. "I asked to have a moment to address the Court. My lawyer suggested that I not do this, but I insisted.
"Here's the thing. There's no way for me to win here. There's a long story about how I got here. Basically, I had a disagreement with some of my coworkers who were doing something that I thought was immoral. They decided that it would be best for their plans if I was out of the way for a little while, so that I couldn't screw them up, so they coopered this up, told the London police that I'd gone nuts.
"So I ended up in an institution here for observation, on the grounds that I was dangerously paranoid. When the people at the institution asked me about it, I told them what had happened. Because I was claiming that the people who had me locked up were conspiring to make me look paranoid, the doctors decided that I was paranoid. But tell me, how could I demonstrate my non-paranoia? I mean, as far as I can tell, the second I was put away for observation, I was guaranteed to be found wanting. Nothing I could have said or done would have made a difference."
The judge looked up from her comm and gave me another once-over. I was wearing my best day clothes, which were my basic London shabby chic white shirt and gray wool slacks and narrow blue tie. It looked natty enough in the UK, but I knew that in the US it made me look like an overaged door-to-door Mormon. The judge kept looking at me. Call to action, I thought. End your speeches with a call to action. It was another bit of goofy West Coast Vulcan Mind Control, courtesy of Linda's fucking ex.
"So here's what I wanted to do. I wanted to stand up here and let you know what had happened to me and ask you for advice. If we assume for the moment that I'm not crazy, how should I demonstrate that here in the court?"
The judge rolled her head from shoulder to shoulder, making glossy black waterfalls of her hair. The whole hearing is very fuzzy for me, but that hair! Who ever heard of a civil servant with good hair?
"Mr. Berry," she said, "I'm afraid I don't have much to tell you. It's my responsibility to listen to qualified testimony and make a ruling. You haven't presented any qualified testimony to support your position. In the absence of such testimony, my only option is to remand you into the custody of the Department of Mental Health until such time as a group of qualified professionals see fit to release you." I expected her to bang a gavel, but instead she just scritched at her comm and squirted the order at the court reporter and I was led away.
I didn't even have a chance to talk to Gran.
26.
• ##Received address book entry "Toby Ginsburg" from Colonelonic.
• ## Colonelonic (private): This guy's up to something. Flew to Boston twice this week. Put a down payment on a house in Orange County. _Big_ house. _Big_ down payment. A car, too: vintage T-bird convertible. A gas burner! Bought CO2 credits for an entire year to go with it.
• Trepan: /private Colonelonic Huh. Who's he working for?
• ## Colonelonic (private): Himself. He Federally incorporated last week, something called "TunePay, Inc." He's the Chairman, but he's only a minority shareholder. The rest of the common shares are held by a dummy corporation in London. Couldn't get any details on that without using a forensic accounting package, and that'd get me fired right quick.
• Trepan: /private Colonelonic It's OK. I get the picture. I owe you one, all right?
• ## Colonelonic (private): sweat.value==0 Are you going to tell me what this is all about someday? Not some bullshit about your girlfriend?
• Trepan: /private Colonelonic Heh. That part was true, actually. I'll tell you the rest, maybe, someday. Not today, though. I gotta go to London.
Art's vision throbbed with his pulse as he jammed his clothes back into his backpack with one hand while he booked a ticket to London on his comm with the other. Sweat beaded on his forehead as he ordered the taxi while scribbling a note to Gran on the smart-surface of her fridge.
He was verging on berserk by the time he hit airport security. The guard played the ultrasound flashlight over him and looked him up and down with his goggles, then had him walk through the chromatograph twice. Art tried to breathe calmly, but it wasn't happening. He'd take two deep breaths, think about how he was yup, calming down, pretty good, especially since he was going to London to confront Fede about the fact that his friend had screwed him stabbed him in the back using his girlfriend to distract him and meanwhile she was in Los Angeles sleeping with her fucking ex who was going to steal his idea and sell it as his own that fucking prick boning his girl right then almost certainly laughing about poor old Art, dumbfuck stuck in Toronto with his thumb up his ass, oh Fede was going to pay, that's right, he was-and then he'd be huffing down his nose, hyperventilating, really losing his shit right there.
The security guard finally asked him if he needed a doctor.
"No," Art said. "That's fine. I'm just upset. A friend of mine died suddenly and I'm flying to London for the funeral." The guard seemed satisfied with this explanation and let him pass, finally.
He fought the urge to get plastered on the flight and vibrated in his seat instead, jiggling his leg until his seatmate-an elderly businessman who'd spent the flight thus far wrinkling his brow at a series of spreadsheets on his comm-actually put a hand on Art's knee and said, "Switch off the motor, son. You're gonna burn it out if you idle it that high all the way to Gatwick."
Art nearly leapt out of his seat when the flight attendant wheeled up the duty-free cart, bristling with novelty beakers of fantastically old whiskey shaped like jigging Scotchmen and drunken leprechauns swinging from lampposts.
By the time he hit UK customs he was supersonic, ready to hammer an entire packet of Player's filterless into his face and light them with a blowtorch. It wasn't even 0600h GMT, and the Sikh working the booth looked three-quarters asleep under his turban, but he woke right up when Art stepped past the red line and slapped both palms on the counter and used them as a lever to support him as he pogoed in place.
"Your business in England, sir?"
"I work for Virgin/Deutsche Telekom. Let me beam you my visa." His hands were shaking so badly he dropped his comm to the hard floor with an ominous clatter. He snatched it up and rubbed at the fresh dent in the cover, then flipped it open and stabbed at it with a filthy fingernail.
"Thank you, sir. Door number two, please."
Art took one step towards the baggage carousel when the words registered. Customs search! Godfuckingdammit! He jittered in the private interview room until another Customs officer showed up, overrode his comm and read in his ID and credentials, then stared at them for a long moment.
"Are you quite all right, sir?"
"Just a little wound up," Art said, trying desperately to sound normal. He thought about telling the dead friend story again, but unlike a lowly airport security drone, the Customs man had the ability and inclination to actually verify it. "Too much coffee on the plane. Need to have a slash like you wouldn't believe."
The Customs man grimaced slightly, then chewed a corner of his little moustache. "Everything else is all right, though?"
"Everything's fine. Back from a business trip to the States and Canada, all jetlagged. You know. Can you believe the bastards actually expect me at the office today?" This might work. Piss and moan about the office until he gets bored and lets him go. "I mean, you work your guts out, fly halfway around the world and do it some more, get strapped into a torture seat-you think Virgin springs for business-class tickets for its employees? Hell no!-for six hours, then they want you at the goddamned office."
"Virgin?" the Customs man said, eyebrows going up. "But you flew in on BA, sir."
Shit. Of course he hadn't booked a Virgin flight. That's what Fede'd be expecting him to do, he'd be watching for Art to use his employee discount and hop a flight back. "Yes, can you believe it?" Art thought furiously. "They called me back suddenly, wouldn't even let me wait around for one of their own damned planes. One minute I'm eating breakfast, the next I'm in a taxi heading for the airport. I forgot half of my damned underwear in the hotel room! You'd think they could cope with one little problem without crawling up my cock, wouldn't you?"
"Sir, please, calm down." The Customs man looked alarmed and Art realized that he'd begun to pace.
"Sorry, sorry. It just sucks. Bad job. Time to quit, I think."
"I should think so," the Customs man said. "Welcome to England."
Traffic was early-morning light and the cabbie drove like a madman. Art kept flinching away from the oncoming traffic, already unaccustomed to driving on the wrong side of the road. England seemed filthy and gray and shabby to him now, tiny little cars with tiny, anal-retentive drivers filled with self-loathing, vegetarian meat-substitutes and bad dentistry. In his rooms in Camden Town, Art took a hasty and vengeful census of his stupid belongings, sagging rental furniture and bad art prints hanging askew (not any more, not after he smashed them to the floor). Bad English clothes (toss 'em onto the floor, looking for one thing he'd be caught dead wearing in NYC, and guess what, not a single thing). Stupid keepsakes from the Camden market, funny novelty lighters, retro rave flyers preserved in glassine envelopes.
He was about to overturn his ugly little pressboard coffee table when he realized that there was something on it.
A small, leather-worked box with a simple brass catch. Inside, the axe-head. Two hundred thousand years old. Heavy with the weight of the ages. He hefted it in his hand. It felt ancient and lethal. He dropped it into his jacket pocket, instantly deforming the jacket into a stroke-y left-hanging slant. He kicked the coffee table over.
Time to go see Fede.
• ## Colonelonic (private): This guy's up to something. Flew to Boston twice this week. Put a down payment on a house in Orange County. _Big_ house. _Big_ down payment. A car, too: vintage T-bird convertible. A gas burner! Bought CO2 credits for an entire year to go with it.
• Trepan: /private Colonelonic Huh. Who's he working for?
• ## Colonelonic (private): Himself. He Federally incorporated last week, something called "TunePay, Inc." He's the Chairman, but he's only a minority shareholder. The rest of the common shares are held by a dummy corporation in London. Couldn't get any details on that without using a forensic accounting package, and that'd get me fired right quick.
• Trepan: /private Colonelonic It's OK. I get the picture. I owe you one, all right?
• ## Colonelonic (private): sweat.value==0 Are you going to tell me what this is all about someday? Not some bullshit about your girlfriend?
• Trepan: /private Colonelonic Heh. That part was true, actually. I'll tell you the rest, maybe, someday. Not today, though. I gotta go to London.
Art's vision throbbed with his pulse as he jammed his clothes back into his backpack with one hand while he booked a ticket to London on his comm with the other. Sweat beaded on his forehead as he ordered the taxi while scribbling a note to Gran on the smart-surface of her fridge.
He was verging on berserk by the time he hit airport security. The guard played the ultrasound flashlight over him and looked him up and down with his goggles, then had him walk through the chromatograph twice. Art tried to breathe calmly, but it wasn't happening. He'd take two deep breaths, think about how he was yup, calming down, pretty good, especially since he was going to London to confront Fede about the fact that his friend had screwed him stabbed him in the back using his girlfriend to distract him and meanwhile she was in Los Angeles sleeping with her fucking ex who was going to steal his idea and sell it as his own that fucking prick boning his girl right then almost certainly laughing about poor old Art, dumbfuck stuck in Toronto with his thumb up his ass, oh Fede was going to pay, that's right, he was-and then he'd be huffing down his nose, hyperventilating, really losing his shit right there.
The security guard finally asked him if he needed a doctor.
"No," Art said. "That's fine. I'm just upset. A friend of mine died suddenly and I'm flying to London for the funeral." The guard seemed satisfied with this explanation and let him pass, finally.
He fought the urge to get plastered on the flight and vibrated in his seat instead, jiggling his leg until his seatmate-an elderly businessman who'd spent the flight thus far wrinkling his brow at a series of spreadsheets on his comm-actually put a hand on Art's knee and said, "Switch off the motor, son. You're gonna burn it out if you idle it that high all the way to Gatwick."
Art nearly leapt out of his seat when the flight attendant wheeled up the duty-free cart, bristling with novelty beakers of fantastically old whiskey shaped like jigging Scotchmen and drunken leprechauns swinging from lampposts.
By the time he hit UK customs he was supersonic, ready to hammer an entire packet of Player's filterless into his face and light them with a blowtorch. It wasn't even 0600h GMT, and the Sikh working the booth looked three-quarters asleep under his turban, but he woke right up when Art stepped past the red line and slapped both palms on the counter and used them as a lever to support him as he pogoed in place.
"Your business in England, sir?"
"I work for Virgin/Deutsche Telekom. Let me beam you my visa." His hands were shaking so badly he dropped his comm to the hard floor with an ominous clatter. He snatched it up and rubbed at the fresh dent in the cover, then flipped it open and stabbed at it with a filthy fingernail.
"Thank you, sir. Door number two, please."
Art took one step towards the baggage carousel when the words registered. Customs search! Godfuckingdammit! He jittered in the private interview room until another Customs officer showed up, overrode his comm and read in his ID and credentials, then stared at them for a long moment.
"Are you quite all right, sir?"
"Just a little wound up," Art said, trying desperately to sound normal. He thought about telling the dead friend story again, but unlike a lowly airport security drone, the Customs man had the ability and inclination to actually verify it. "Too much coffee on the plane. Need to have a slash like you wouldn't believe."
The Customs man grimaced slightly, then chewed a corner of his little moustache. "Everything else is all right, though?"
"Everything's fine. Back from a business trip to the States and Canada, all jetlagged. You know. Can you believe the bastards actually expect me at the office today?" This might work. Piss and moan about the office until he gets bored and lets him go. "I mean, you work your guts out, fly halfway around the world and do it some more, get strapped into a torture seat-you think Virgin springs for business-class tickets for its employees? Hell no!-for six hours, then they want you at the goddamned office."
"Virgin?" the Customs man said, eyebrows going up. "But you flew in on BA, sir."
Shit. Of course he hadn't booked a Virgin flight. That's what Fede'd be expecting him to do, he'd be watching for Art to use his employee discount and hop a flight back. "Yes, can you believe it?" Art thought furiously. "They called me back suddenly, wouldn't even let me wait around for one of their own damned planes. One minute I'm eating breakfast, the next I'm in a taxi heading for the airport. I forgot half of my damned underwear in the hotel room! You'd think they could cope with one little problem without crawling up my cock, wouldn't you?"
"Sir, please, calm down." The Customs man looked alarmed and Art realized that he'd begun to pace.
"Sorry, sorry. It just sucks. Bad job. Time to quit, I think."
"I should think so," the Customs man said. "Welcome to England."
Traffic was early-morning light and the cabbie drove like a madman. Art kept flinching away from the oncoming traffic, already unaccustomed to driving on the wrong side of the road. England seemed filthy and gray and shabby to him now, tiny little cars with tiny, anal-retentive drivers filled with self-loathing, vegetarian meat-substitutes and bad dentistry. In his rooms in Camden Town, Art took a hasty and vengeful census of his stupid belongings, sagging rental furniture and bad art prints hanging askew (not any more, not after he smashed them to the floor). Bad English clothes (toss 'em onto the floor, looking for one thing he'd be caught dead wearing in NYC, and guess what, not a single thing). Stupid keepsakes from the Camden market, funny novelty lighters, retro rave flyers preserved in glassine envelopes.
He was about to overturn his ugly little pressboard coffee table when he realized that there was something on it.
A small, leather-worked box with a simple brass catch. Inside, the axe-head. Two hundred thousand years old. Heavy with the weight of the ages. He hefted it in his hand. It felt ancient and lethal. He dropped it into his jacket pocket, instantly deforming the jacket into a stroke-y left-hanging slant. He kicked the coffee table over.
Time to go see Fede.
27.
I have wished for a comm a hundred thousand times an hour since they stuck me in this shithole, and now that I have one, I don't know who to call. Not smart. Not happy.
I run my fingers over the keypad, think about all the stupid, terrible decisions that I made on the way to this place in my life. I feel like I could burst into tears, like I could tear the hair out of my head, like I could pound my fists bloody on the floor. My fingers, splayed over the keypad, tap out the old nervous rhythms of the phone numbers I've know all my life, my first house, my Mom's comm, Gran's place.
Gran. I tap out her number and hit the commit button. I put the phone to my head.
"Gran?"
"Arthur?"
"Oh, Gran!"
"Arthur, I'm so worried about you. I spoke to your cousins yesterday, they tell me you're not doing so good there."
"No, no I'm not." The stitches in my jaw throb in counterpoint with my back.
"I tried to explain it all to Father Ferlenghetti, but I didn't have the details right. He said it didn't make any sense."
"It doesn't. They don't care. They've just put me here."
"He said that they should have let you put your own experts up when you had your hearing."
"Well, of course they should have."
"No, he said that they had to, that it was the law in Massachusetts. He used to live there, you know."
"I didn't know."
"Oh yes, he had a congregation in Newton. That was before he moved to Toronto. He seemed very sure of it."
"Why was he living in Newton?"
"Oh, he moved there after university. He's a Harvard man, you know."
"I think you've got that wrong. Harvard doesn't have a divinity school."
"No, this was after divinity school. He was doing a psychiatry degree at Harvard."
Oh, my.
"Oh, my."
"What is it, Arthur?"
"Do you have Father Ferlenghetti's number, Gran?"
I run my fingers over the keypad, think about all the stupid, terrible decisions that I made on the way to this place in my life. I feel like I could burst into tears, like I could tear the hair out of my head, like I could pound my fists bloody on the floor. My fingers, splayed over the keypad, tap out the old nervous rhythms of the phone numbers I've know all my life, my first house, my Mom's comm, Gran's place.
Gran. I tap out her number and hit the commit button. I put the phone to my head.
"Gran?"
"Arthur?"
"Oh, Gran!"
"Arthur, I'm so worried about you. I spoke to your cousins yesterday, they tell me you're not doing so good there."
"No, no I'm not." The stitches in my jaw throb in counterpoint with my back.
"I tried to explain it all to Father Ferlenghetti, but I didn't have the details right. He said it didn't make any sense."
"It doesn't. They don't care. They've just put me here."
"He said that they should have let you put your own experts up when you had your hearing."
"Well, of course they should have."
"No, he said that they had to, that it was the law in Massachusetts. He used to live there, you know."
"I didn't know."
"Oh yes, he had a congregation in Newton. That was before he moved to Toronto. He seemed very sure of it."
"Why was he living in Newton?"
"Oh, he moved there after university. He's a Harvard man, you know."
"I think you've got that wrong. Harvard doesn't have a divinity school."
"No, this was after divinity school. He was doing a psychiatry degree at Harvard."
Oh, my.
"Oh, my."
"What is it, Arthur?"
"Do you have Father Ferlenghetti's number, Gran?"
28.
Tonaishah's Kubrick-figure facepaint distorted into wild grimaces when Art banged into O'Malley House, raccoon-eyed with sleepdep, airline crud crusted at the corners of his lips, whole person quivering with righteous smitefulness. He commed the door savagely and yanked it so hard that the gas-lift snapped with a popping sound like a metal ruler being whacked on a desk. The door caromed back into his heel and nearly sent him sprawling, but he converted its momentum into a jog through the halls to his miniature office-the last three times he'd spoken to Fede, the bastard had been working out of his office-stealing his papers, no doubt, though that hadn't occurred to Art until his plane was somewhere over Ireland.
Fede was halfway out of Art's chair when Art bounded into the office. Fede's face was gratifyingly pale, his eyes thoroughly wide and scared. Art didn't bother to slow down, just slammed into Fede, bashing foreheads with him. Art smelled a puff of his own travel sweat and Fede's spicy Lilac Vegetal, saw blood welling from Fede's eyebrow.
"Hi, pal!" he said, kicking the door shut with a crash that resounded through the paper-thin walls.
"Art! Jesus fucking Christ, what the hell is wrong with you?" Fede backed away to the far corner of the office, sending Art's chair over backwards, wheels spinning, ergonomic adjustment knobs and rods sticking up in the air like the legs of an overturned beetle.
"TunePay, Inc.?" Art said, booting the chair into Fede's shins. "Is that the best fucking name you could come up with? Or did Toby and Linda cook it up?"
Fede held his hands out, palms first. "What are you talking about, buddy? What's wrong with you?"
Art shook his head slowly. "Come on, Fede, it's time to stop blowing smoke up my cock."
"I honestly have no idea-"
"Bullshit!" Art bellowed, closing up with Fede, getting close enough to see the flecks of spittle flying off his lips spatter Fede's face. "I've had enough bullshit, Fede!"
Abruptly, Fede lurched forward, sweeping Art's feet out from underneath him and landing on Art's chest seconds after Art slammed to the scratched and splintered hardwood floor. He pinned Art's arms under his knees, then leaned forward and crushed Art's windpipe with his forearm, bearing down.
"You dumb sack of shit," he hissed. "We were going to cut you in, after it was done. We knew you wouldn't go for it, but we were still going to cut you in-you think that was your little whore's idea? No, it was mine! I stuck up for you! But not anymore, you hear? Not anymore. You're through. Jesus, I gave you this fucking job! I set up the deal in Cali. Fuck-off heaps of money! I'm through with you, now. You're done. I'm ratting you out to V/DT, and I'm flying to California tonight. Enjoy your deportation hearing, you dumb Canuck boy-scout."
Art's vision had contracted to a fuzzy black vignette with Fede's florid face in the center of it. He gasped convulsively, fighting for air. He felt his bladder go, and hot urine stream down his groin and over his thighs.
An instant later, Fede sprang back from him, face twisted in disgust, hands brushing at his urine-stained pants. "Damn it," he said, as Art rolled onto his side and retched. Art got up on all fours, then lurched erect. As he did, the axe head in his pocket swung wildly and knocked against the glass pane beside his office's door, spiderwebbing it with cracks.
Moving with dreamlike slowness, Art reached into his pocket, clasped the axe head, turned it in his hand so that the edge was pointing outwards. He lifted it out of his pocket and held his hand behind his back. He staggered to Fede, who was glaring at him, daring him to do something, his chest heaving.
Art windmilled his arm over his head and brought the axe head down solidly on Fede's head. It hit with an impact that jarred his arm to the shoulder, and he dropped the axe head to the floor, where it fell with a thud, crusted with blood and hair for the first time in 200,000 years.
Fede crumpled back into the office's wall, slid down it into a sitting position. His eyes were open and staring. Blood streamed over his face.
Art looked at Fede in horrified fascination. He noticed that Fede was breathing shallowly, almost panting, and realized dimly that this meant he wasn't a murderer. He turned and fled the office, nearly bowling Tonaishah over in the corridor.
"Call an ambulance," he said, then shoved her aside and fled O'Malley House and disappeared into the Piccadilly lunchtime crowd.
Fede was halfway out of Art's chair when Art bounded into the office. Fede's face was gratifyingly pale, his eyes thoroughly wide and scared. Art didn't bother to slow down, just slammed into Fede, bashing foreheads with him. Art smelled a puff of his own travel sweat and Fede's spicy Lilac Vegetal, saw blood welling from Fede's eyebrow.
"Hi, pal!" he said, kicking the door shut with a crash that resounded through the paper-thin walls.
"Art! Jesus fucking Christ, what the hell is wrong with you?" Fede backed away to the far corner of the office, sending Art's chair over backwards, wheels spinning, ergonomic adjustment knobs and rods sticking up in the air like the legs of an overturned beetle.
"TunePay, Inc.?" Art said, booting the chair into Fede's shins. "Is that the best fucking name you could come up with? Or did Toby and Linda cook it up?"
Fede held his hands out, palms first. "What are you talking about, buddy? What's wrong with you?"
Art shook his head slowly. "Come on, Fede, it's time to stop blowing smoke up my cock."
"I honestly have no idea-"
"Bullshit!" Art bellowed, closing up with Fede, getting close enough to see the flecks of spittle flying off his lips spatter Fede's face. "I've had enough bullshit, Fede!"
Abruptly, Fede lurched forward, sweeping Art's feet out from underneath him and landing on Art's chest seconds after Art slammed to the scratched and splintered hardwood floor. He pinned Art's arms under his knees, then leaned forward and crushed Art's windpipe with his forearm, bearing down.
"You dumb sack of shit," he hissed. "We were going to cut you in, after it was done. We knew you wouldn't go for it, but we were still going to cut you in-you think that was your little whore's idea? No, it was mine! I stuck up for you! But not anymore, you hear? Not anymore. You're through. Jesus, I gave you this fucking job! I set up the deal in Cali. Fuck-off heaps of money! I'm through with you, now. You're done. I'm ratting you out to V/DT, and I'm flying to California tonight. Enjoy your deportation hearing, you dumb Canuck boy-scout."
Art's vision had contracted to a fuzzy black vignette with Fede's florid face in the center of it. He gasped convulsively, fighting for air. He felt his bladder go, and hot urine stream down his groin and over his thighs.
An instant later, Fede sprang back from him, face twisted in disgust, hands brushing at his urine-stained pants. "Damn it," he said, as Art rolled onto his side and retched. Art got up on all fours, then lurched erect. As he did, the axe head in his pocket swung wildly and knocked against the glass pane beside his office's door, spiderwebbing it with cracks.
Moving with dreamlike slowness, Art reached into his pocket, clasped the axe head, turned it in his hand so that the edge was pointing outwards. He lifted it out of his pocket and held his hand behind his back. He staggered to Fede, who was glaring at him, daring him to do something, his chest heaving.
Art windmilled his arm over his head and brought the axe head down solidly on Fede's head. It hit with an impact that jarred his arm to the shoulder, and he dropped the axe head to the floor, where it fell with a thud, crusted with blood and hair for the first time in 200,000 years.
Fede crumpled back into the office's wall, slid down it into a sitting position. His eyes were open and staring. Blood streamed over his face.
Art looked at Fede in horrified fascination. He noticed that Fede was breathing shallowly, almost panting, and realized dimly that this meant he wasn't a murderer. He turned and fled the office, nearly bowling Tonaishah over in the corridor.
"Call an ambulance," he said, then shoved her aside and fled O'Malley House and disappeared into the Piccadilly lunchtime crowd.
29.
I am: sprung.
Father Ferlenghetti hasn't been licensed to practice psychiatry in Massachusetts for forty years, but the court gave him standing. The judge actually winked at me when he took the stand, and stopped scritching on her comm as the priest said a lot of fantastically embarrassing things about my general fitness for human consumption.
The sanitarium sent a single junior doc to my hearing, a kid so young I'd mistaken him for a hospital driver when he climbed into the van with me and gunned the engine. But no, he was a doctor who'd apparently been briefed on my case, though not very well. When the judge asked him if he had any opinions on Father Ferlenghetti's testimony, he fumbled with his comm while the Father stared at him through eyebrows thick enough to hide a hamster in, then finally stammered a few verbatim notes from my intake interview, blushed, and sat down.
"Thank you," the judge said, shaking her head as she said it. Gran, seated beside me, put one hand on my knee and one hand on the knee of Doc Szandor's brother-in-law, a hotshot Harvard Law post-doc whom we'd retained as corporate counsel for a new Limited Liability Corporation. We'd signed the articles of incorporation the day before, after Group. It was the last thing Doc Szandor did before resigning his post at the sanitarium to take up the position of Chief Medical Officer at HumanCare, LLC, a corporation with no assets, no employees, and a sheaf of shitkicking ideas for redesigning mental hospitals using off-the-shelf tech and a little bit of UE mojo.
Father Ferlenghetti hasn't been licensed to practice psychiatry in Massachusetts for forty years, but the court gave him standing. The judge actually winked at me when he took the stand, and stopped scritching on her comm as the priest said a lot of fantastically embarrassing things about my general fitness for human consumption.
The sanitarium sent a single junior doc to my hearing, a kid so young I'd mistaken him for a hospital driver when he climbed into the van with me and gunned the engine. But no, he was a doctor who'd apparently been briefed on my case, though not very well. When the judge asked him if he had any opinions on Father Ferlenghetti's testimony, he fumbled with his comm while the Father stared at him through eyebrows thick enough to hide a hamster in, then finally stammered a few verbatim notes from my intake interview, blushed, and sat down.
"Thank you," the judge said, shaking her head as she said it. Gran, seated beside me, put one hand on my knee and one hand on the knee of Doc Szandor's brother-in-law, a hotshot Harvard Law post-doc whom we'd retained as corporate counsel for a new Limited Liability Corporation. We'd signed the articles of incorporation the day before, after Group. It was the last thing Doc Szandor did before resigning his post at the sanitarium to take up the position of Chief Medical Officer at HumanCare, LLC, a corporation with no assets, no employees, and a sheaf of shitkicking ideas for redesigning mental hospitals using off-the-shelf tech and a little bit of UE mojo.
30.
Art was most of the way to the Tube when he ran into Lester. Literally.
Lester must have seen him coming, because he stepped right into Art's path from out of the crowd. Art ploughed into him, bounced off of his dented armor, and would have fallen over had Lester not caught his arm and steadied him.
"Art, isn't it? How you doin', mate?"
Art gaped at him. He was thinner than he'd been when he tried to shake Art and Linda down in the doorway of the Boots, grimier and more desperate. His tone was just as bemused as ever, though. "Jesus Christ, Lester, not now, I'm in a hurry. You'll have to rob me later, all right?"
Lester chuckled wryly. "Still a clever bastard. You look like you're having some hard times, my old son. Maybe that you're not even worth robbing, eh?"
"Right. I'm skint. Sorry. Nice running into you, now I must be going." He tried to pull away, but Lester's fingers dug into his biceps, emphatically, painfully.
"Hear you ran into Tom, led him a merry chase. You know, I spent a whole week in the nick on account of you."
Art jerked his arm again, without effect. "You tried to rob me, Les. You knew the job was dangerous when you took it, all right? Now let me go-I've got a train to catch."
"Holidays? How sweet. Thought you were broke, though?"
A motorized scooter pulled up in the kerb lane beside them. It was piloted by a smart young policewoman with a silly foam helmet and outsized pads on her knees and elbows. She looked like the kid with the safety-obsessed mom who inflicts criminally dorky fashions on her daughter, making her the neighborhood laughingstock.
"Everything all right, gentlemen?"
Lester's eyes closed, and he sighed a put-upon sigh that was halfway to a groan.
"Oh, yes, officer," Art said. "Peter and I were just making some plans to see our auntie for supper tonight."
Lester opened his eyes, then the corners of his mouth incremented upwards. "Yeah," he said. "'Sright. Cousin Alphonse is here all the way from Canada and Auntie's mad to cook him a proper English meal."
The policewoman sized them up, then shook her head. "Sir, begging your pardon, but I must tell you that we have clubs in London where a gentleman such as yourself can find a young companion, legally. We thoroughly discourage making such arrangements on the High Street. Just a word to the wise, all right?"
Art blushed to his eartips. "Thank you, Officer," he said with a weak smile. "I'll keep that in mind."
The constable gave Lester a hard look, then revved her scooter and pulled into traffic, her arm slicing the air in a sharp turn signal.
"Well," Lester said, once she was on the roundabout, "Alphonse, seems like you've got reason to avoid the law, too."
"Can't we just call it even? I did you a favor with the law, you leave me be?"
"Oh, I don't know. P'raps I should put in a call to our friend PC McGivens. He already thinks you're a dreadful tosser-if you've reason to avoid the law, McGivens'd be bad news indeed. And the police pay very well for the right information. I'm a little financially embarrassed, me, just at this moment."
"All right," Art said. "Fine. How about this: I will pay you 800 Euros, which I will withdraw from an InstaBank once I've got my ticket for the Chunnel train to Calais in hand and am ready to get onto the platform. I've got all of fifteen quid in my pocket right now. Take my wallet and you'll have cabfare home. Accompany me to the train and you'll get a month's rent, which is more than the police'll give you."
"Oh, you're a villain, you are. What is it that the police will want to talk to you about, then? I wouldn't want to be aiding and abetting a real criminal-could mean trouble."
"I beat the piss out of my coworker, Lester. Now, can we go? There's a plane in Paris I'm hoping to catch."
Lester must have seen him coming, because he stepped right into Art's path from out of the crowd. Art ploughed into him, bounced off of his dented armor, and would have fallen over had Lester not caught his arm and steadied him.
"Art, isn't it? How you doin', mate?"
Art gaped at him. He was thinner than he'd been when he tried to shake Art and Linda down in the doorway of the Boots, grimier and more desperate. His tone was just as bemused as ever, though. "Jesus Christ, Lester, not now, I'm in a hurry. You'll have to rob me later, all right?"
Lester chuckled wryly. "Still a clever bastard. You look like you're having some hard times, my old son. Maybe that you're not even worth robbing, eh?"
"Right. I'm skint. Sorry. Nice running into you, now I must be going." He tried to pull away, but Lester's fingers dug into his biceps, emphatically, painfully.
"Hear you ran into Tom, led him a merry chase. You know, I spent a whole week in the nick on account of you."
Art jerked his arm again, without effect. "You tried to rob me, Les. You knew the job was dangerous when you took it, all right? Now let me go-I've got a train to catch."
"Holidays? How sweet. Thought you were broke, though?"
A motorized scooter pulled up in the kerb lane beside them. It was piloted by a smart young policewoman with a silly foam helmet and outsized pads on her knees and elbows. She looked like the kid with the safety-obsessed mom who inflicts criminally dorky fashions on her daughter, making her the neighborhood laughingstock.
"Everything all right, gentlemen?"
Lester's eyes closed, and he sighed a put-upon sigh that was halfway to a groan.
"Oh, yes, officer," Art said. "Peter and I were just making some plans to see our auntie for supper tonight."
Lester opened his eyes, then the corners of his mouth incremented upwards. "Yeah," he said. "'Sright. Cousin Alphonse is here all the way from Canada and Auntie's mad to cook him a proper English meal."
The policewoman sized them up, then shook her head. "Sir, begging your pardon, but I must tell you that we have clubs in London where a gentleman such as yourself can find a young companion, legally. We thoroughly discourage making such arrangements on the High Street. Just a word to the wise, all right?"
Art blushed to his eartips. "Thank you, Officer," he said with a weak smile. "I'll keep that in mind."
The constable gave Lester a hard look, then revved her scooter and pulled into traffic, her arm slicing the air in a sharp turn signal.
"Well," Lester said, once she was on the roundabout, "Alphonse, seems like you've got reason to avoid the law, too."
"Can't we just call it even? I did you a favor with the law, you leave me be?"
"Oh, I don't know. P'raps I should put in a call to our friend PC McGivens. He already thinks you're a dreadful tosser-if you've reason to avoid the law, McGivens'd be bad news indeed. And the police pay very well for the right information. I'm a little financially embarrassed, me, just at this moment."
"All right," Art said. "Fine. How about this: I will pay you 800 Euros, which I will withdraw from an InstaBank once I've got my ticket for the Chunnel train to Calais in hand and am ready to get onto the platform. I've got all of fifteen quid in my pocket right now. Take my wallet and you'll have cabfare home. Accompany me to the train and you'll get a month's rent, which is more than the police'll give you."
"Oh, you're a villain, you are. What is it that the police will want to talk to you about, then? I wouldn't want to be aiding and abetting a real criminal-could mean trouble."
"I beat the piss out of my coworker, Lester. Now, can we go? There's a plane in Paris I'm hoping to catch."
31.
I have a brand-new translucent Sony Veddic, a series 12. I bought it on credit-not mine, mine's sunk; six months of living on plastic and kiting balance-payments with new cards while getting the patents filed on the eight new gizmos that constitute HumanCare's sole asset has blackened my good name with the credit bureaus.
I bought it with the company credit card. The company credit card. Our local Baby Amex rep dropped it off himself after Doc Szandor faxed over the signed contract from the Bureau of Health. Half a million bucks for a proof-of-concept install at the very same Route 128 nuthatch where I'd been "treated." If that works, we'll be rolling out a dozen more installs over the next year: smart doors, public drug-prescription stats, locator bracelets that let "clients"-I've been learning the nuthouse jargon, and have forcibly removed "patient" from my vocabulary-discover other clients with similar treatment regimens on the ward, bells and whistles galore.
I am cruising the MassPike with HumanCare's first-ever employee, who is, in turn, holding onto HumanCare's first-ever paycheck. Caitlin's husband has been very patient over the past six months as she worked days fixing the ailing machinery at the sanitarium and nights prototyping my designs. He's been likewise patient with my presence on his sagging living-room sofa, where I've had my nightly ten-hour repose faithfully since my release. Caitlin and I have actually seen precious little of each other considering that I've been living under her roof. (Doc Szandor's Cambridge apartment is hardly bigger than my room at the hospital, and between his snoring and the hard floor, I didn't even last a whole night there.) We've communicated mostly by notes commed to her fridge and prototypes left atop my suitcase of day-clothes and sharp-edged toiletries at the foot of my makeshift bed when she staggered in from her workbench while I snored away the nights. Come to think of it, I haven't really seen much of Doc Szandor, either-he's been holed up in his rooms, chatting away on the EST channels.
I am well rested. I am happy. My back is loose and my Chi is flowing. I am driving my few belongings to a lovely two-bedroom-one to sleep in, one to work in-flat overlooking Harvard Square, where the pretty co-eds and their shaggy boyfriends tease one another in the technical argot of a dozen abstruse disciplines. I'm looking forward to picking up a basic physics, law, medicine and business vocabulary just by sitting in my window with my comm, tapping away at new designs.
We drive up to a toll plaza and I crank the yielding, human-centric steering wheel toward the EZPass lane. The dealer installed the transponder and gave me a brochure explaining the Sony Family's approach to maximum driving convenience. But as I approach the toll gate, it stays steadfastly down.
The Veddic's HUD flashes an instruction to pull over to the booth. A bored attendant leans out of the toll booth and squirts his comm at me, and the HUD comes to life with an animated commercial for the new, improved TunePay service, now under direct MassPike management.
The TunePay scandal's been hot news for weeks now. Bribery, corruption, patent disputes-I'd been gratified to discover that my name had been removed from the patent applications, sparing me the nightly hounding Fede and Linda and her fucking ex had been subjected to on my comm as the legal net tightened around them.
I end up laughing so hard that Caitlin gets out of the car and walks around to my side, opens the door, and pulls me bodily to the passenger side. She serenely ignores the blaring of the horns from the aggravated, psychotic Boston drivers stacked up behind us, walks back to the driver's side and takes the wheel.
"Thanks," I tell her, and lay a hand on her pudgy, freckled arm.
"You belong in a loony bin, you know that?" she says, punching me in the thigh harder than is strictly necessary.
"Oh, I know," I say, and dial up some music on the car stereo.
I bought it with the company credit card. The company credit card. Our local Baby Amex rep dropped it off himself after Doc Szandor faxed over the signed contract from the Bureau of Health. Half a million bucks for a proof-of-concept install at the very same Route 128 nuthatch where I'd been "treated." If that works, we'll be rolling out a dozen more installs over the next year: smart doors, public drug-prescription stats, locator bracelets that let "clients"-I've been learning the nuthouse jargon, and have forcibly removed "patient" from my vocabulary-discover other clients with similar treatment regimens on the ward, bells and whistles galore.
I am cruising the MassPike with HumanCare's first-ever employee, who is, in turn, holding onto HumanCare's first-ever paycheck. Caitlin's husband has been very patient over the past six months as she worked days fixing the ailing machinery at the sanitarium and nights prototyping my designs. He's been likewise patient with my presence on his sagging living-room sofa, where I've had my nightly ten-hour repose faithfully since my release. Caitlin and I have actually seen precious little of each other considering that I've been living under her roof. (Doc Szandor's Cambridge apartment is hardly bigger than my room at the hospital, and between his snoring and the hard floor, I didn't even last a whole night there.) We've communicated mostly by notes commed to her fridge and prototypes left atop my suitcase of day-clothes and sharp-edged toiletries at the foot of my makeshift bed when she staggered in from her workbench while I snored away the nights. Come to think of it, I haven't really seen much of Doc Szandor, either-he's been holed up in his rooms, chatting away on the EST channels.
I am well rested. I am happy. My back is loose and my Chi is flowing. I am driving my few belongings to a lovely two-bedroom-one to sleep in, one to work in-flat overlooking Harvard Square, where the pretty co-eds and their shaggy boyfriends tease one another in the technical argot of a dozen abstruse disciplines. I'm looking forward to picking up a basic physics, law, medicine and business vocabulary just by sitting in my window with my comm, tapping away at new designs.
We drive up to a toll plaza and I crank the yielding, human-centric steering wheel toward the EZPass lane. The dealer installed the transponder and gave me a brochure explaining the Sony Family's approach to maximum driving convenience. But as I approach the toll gate, it stays steadfastly down.
The Veddic's HUD flashes an instruction to pull over to the booth. A bored attendant leans out of the toll booth and squirts his comm at me, and the HUD comes to life with an animated commercial for the new, improved TunePay service, now under direct MassPike management.
The TunePay scandal's been hot news for weeks now. Bribery, corruption, patent disputes-I'd been gratified to discover that my name had been removed from the patent applications, sparing me the nightly hounding Fede and Linda and her fucking ex had been subjected to on my comm as the legal net tightened around them.
I end up laughing so hard that Caitlin gets out of the car and walks around to my side, opens the door, and pulls me bodily to the passenger side. She serenely ignores the blaring of the horns from the aggravated, psychotic Boston drivers stacked up behind us, walks back to the driver's side and takes the wheel.
"Thanks," I tell her, and lay a hand on her pudgy, freckled arm.
"You belong in a loony bin, you know that?" she says, punching me in the thigh harder than is strictly necessary.
"Oh, I know," I say, and dial up some music on the car stereo.
Acknowledgements
This novel was workshopped by the Cecil Street Irregulars, the Novelettes and the Gibraltar Point gang, and received excellent feedback from the first readers on the est-preview list (especially Pat York). Likewise, I'm indebted to all the people who read and commented on this book along the way.
Thanks go to my editor, Patrick Nielsen Hayden, for reading this so quickly-minutes after I finished it! Likewise to my agent, Don Maass, thank you.
Thanks to Irene Gallo and Shelley Eshkar for knocking two out of the park with their cover-designs for my books.
Thanks to my co-editors at Boing Boing and all the collaborators I've written with, who've made me a better writer.
Thanks, I suppose, to the villains in my life, who inspired me to write this book rather than do something ugly that I'd regret.
Thanks to Paul Boutin for commissioning the Wired article of the same name.
Thanks to the readers and bloggers and Tribespeople who cared enough to check out my first book and liked it enough to check out this one.
Thanks to Creative Commons for the licenses that give me the freedom to say "Some Rights Reserved."
Thanks go to my editor, Patrick Nielsen Hayden, for reading this so quickly-minutes after I finished it! Likewise to my agent, Don Maass, thank you.
Thanks to Irene Gallo and Shelley Eshkar for knocking two out of the park with their cover-designs for my books.
Thanks to my co-editors at Boing Boing and all the collaborators I've written with, who've made me a better writer.
Thanks, I suppose, to the villains in my life, who inspired me to write this book rather than do something ugly that I'd regret.
Thanks to Paul Boutin for commissioning the Wired article of the same name.
Thanks to the readers and bloggers and Tribespeople who cared enough to check out my first book and liked it enough to check out this one.
Thanks to Creative Commons for the licenses that give me the freedom to say "Some Rights Reserved."
Bio
Cory Doctorow (http://craphound.com/) is the author of Down and Out in the Magic Kingdom (http://craphound.com/down), A Place So Foreign and Eight More (http://craphound.com/place), and The Complete Idiot's Guide to Publishing Science Fiction (http://craphound.com/nonfic/cigpsf.html) (with Karl Schroeder). He was raised in Toronto and lives in San Francisco, where he works for the Electronic Frontier Foundation (http://www.eff.org/), a civil liberties group. He's a journalist, editorialist and blogger. Boing Boing (http://boingboing.net/), the weblog he co-edits, is the most linked-to blog on the Net, according to Technorati (http://technorati.com/). He won the John W. Campbell Award for Best New Writer at the 2000 Hugos. You can download this book for free from (http://craphound.com/est).