'What makes the rear-rank breathe so 'ard?' said Files-on-Parade.
'It's bitter cold, it's bitter cold,' the Colour-Sergeant said.
'What makes that front-rank man fall down?' says Files-on-Parade.
'A touch o' sun, a touch o' sun,' the Colour-Sergeant said.

They are hangin' Danny Deever, they are marchin' of 'im round,
They 'ave 'alted Danny Deever by 'is coffin on the ground;
An' 'e'll swing in 'arf a minute for a sneakin' shootin' hound--
0 they're hangin' Danny Deever in the mornin' !

''Is cot was right-'and cot to mine,' said Files-on-Parade.
''E's sleepin' out an' far to-night,' the Colour-Sergeant said.
'I've drunk 'is beer a score o' times,' said Files-on-Parade.
''E's drinkin' bitter beer alone,' the Colour-Sergeant said.

They are hangin' Danny Deever, you must mark 'im to 'is place,
For 'e shot a comrade sleepin'--you must look 'im in the face;
Nine 'undred of 'is county an' the regiment's disgrace,
While they're hangin' Danny Deever in the mornin'.

'What's that so black agin the sun?' said Files-on-Parade.
'It's Danny fightin' 'ard for life,' the Colour-Sergeant said.
'What's that that whimpers over'ead?' said Files-on-Parade.
'It's Danny's soul that's passin' now,' the Colour-Sergeant said.

For they're done with Danny Deever, you can 'ear the quick-step play,
The regiment's in column, an' they're marchin' us away;
Ho! the young recruits are shakin', an' they'll want their beer to-day,
After hangin' Danny Deever in the mornin'.

    Tommy


I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, 'We serve no red-coats here.'
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:

0 it's Tommy this, an' Tommy that, an' 'Tommy, go away';
But it's 'Thank you. Mister Atkins,' when the band begins to play,
The band begins to play, my boys, the band begins to play.
0 it's 'Thank you. Mister Atkins,' when the band begins to play

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!

For it's Tommy this, an' Tommy that, an' 'Tommy, wait outside';
But it's 'Special train for Atkins' when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
0 it's 'Special train for Atkins' when the trooper's on the tide.

Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.

Then it's Tommy this, an' Tommy that, an' 'Tommy, 'ow's yer soul?'
But it's 'Thin red line of 'eroes' when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
0 it's 'Thin red line of 'eroes' when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints:
Why, single men in barricks don't grow into plaster saints;

While it's Tommy this, an' Tommy that, an' 'Tommy, fall be'ind,'
But it's 'Please to walk in front, sir,' when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
0 it's 'Please to walk in front, sir,' when there's trouble in the wind.

You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.

For it's Tommy this, an' Tommy that, an' 'Chuck him out, the brute!'
But it's 'Saviour of 'is country,' when the guns begin to shoot;
Yes it's Tommy this, an' Tommy that, an' anything you please;
But Tommy ain't a bloomin' fool--you bet that Tommy sees!

    'Fuzzy-Wuzzy'


(SOUDAN EXPEDITIONARY FORCE)

We've fought with many men acrost the seas,
An' some of 'em was brave an' some was not
The Paythan an' the Zulu an' Burmese;
But the Fuzzy was the finest o' the lot.
We never got a ha'porth's change of 'im:
'E squatted in the scrub an' 'ocked our 'orses,
'E cut our sentries up at Suakim,
An' 'e played the cat an' banjo with our forces.

So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in the Soudan;
You're a pore benighted 'eathen but a first-class fightin' man;
We gives you your certificate, an' if you want it signed
We'll come an' 'ave a romp with you whenever you're inclined.

We took our chanst among the Kyber 'ills,
The Boers knocked us silly at a mile,
The Burman give us Irriwaddy chills,
An' a Zulu impi dished us up in style:
But all we ever got from such as they
Was pop to what the Fuzzy made us swaller;
We 'eld our bloomin' own, the papers say,
But man for man the Fuzzy knocked us 'oller.

Then 'ere's to you, Fuzzy-Wuzzy, an' the missis and the kid;
Our orders was to break you, an' of course we went an' did.
We sloshed you with Martinis, an' it wasn't 'ardly fair;
But for all the odds agin' you, Fuzzy-Wuz you broke the square.

'E 'asn't got no papers of 'is own,
'E 'asn't got no medals nor rewards,
So we must certify the skill 'e's shown
In usin' of 'is long two-'anded swords:
When 'e's 'oppin' in an' out among the bush
With 'is coffin-'eaded shield an' shovel-spear,
An 'appy day with Fuzzy on the rush
Will last an 'ealthy Tommy for a year.

So 'ere's to you, Fuzzy-Wuzzy, an' your friends which are no more,
If we 'adn't lost some messmates we would 'elp you to deplore;
But give an' take's the gospel, an' we'll call the bargain fair,
For if you 'ave lost more than us, you crumpled up the square!

'E rushes at the smoke when we let drive,
An', before we know, 'e's 'ackin' at our 'ead;
'E's all 'ot sand an' ginger when alive,
An' 'e's generally shammin' when 'e's dead.
'E's a daisy, 'e's a ducky, 'e's a lamb!
'E's a injia-rubber idiot on the spree,
'E's the on'y thing that doesn't give a damn
For a Regiment o' British Infantree!

So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in the Soudan;
You're a pore benighted 'eathen but a first-class fightin' man;
An' 'ere's to you, Fuzzy-Wuzzy, with your 'ayrick 'ead of 'air--
You big black boundin' beggar--for you broke a British square!

    Gunga Din


You may talk o' gin and beer
When you're quartered safe out 'ere,
An' you're sent to penny-fights an' Aldershot it;
But when it comes to slaughter
You will do your work on water,
An' you'll lick the bloomin' boots of 'im that's got it.
Now in Injia's sunny clime,
Where I used to spend my time
A-servin' of 'Er Majesty the Queen,
Of all them blackfaced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
He was 'Din! Din! Din!
You limping lump o' brick-dust, Gunga Din!
Hi! slippery hitherao!
Water, get it! Panee lao![1]
You squidgy-nosed old idol, Gunga Din.'

The uniform 'e wore
Was nothin' much before,
An' rather less than 'arfo' that be'ind,
For a piece o' twisty rag
An' a goatskin water-bag
Was all the field-equipment 'e could find.
When the sweatin' troop-train lay
In a sidin' through the day,
Where the 'eat would make your bloomin' eyebrows crawl,
We shouted 'Harry By!'[2]
Till our throats were bricky-dry,
Then we wopped 'im 'cause 'e couldn't serve us all.
It was 'Din! Din! Din!
You 'eathen, where the mischief 'ave you been?
You put some juldee[3] in it
Or I'll marrow you this minute[1]
If you don't fill up my helmet, Gunga Din!

'E would dot an' carry one
Till the longest day was done;
An' 'e didn't seem to know the use o' fear.
If we charged or broke or cut,
You could bet your bloomin' nut,
'E'd be waitin' fifty paces right flank rear.
With 'is mussick[2] on 'is back,
'E would skip with our attack,
An' watch us till the bugles made 'Retire,'
An' for all 'is dirty 'ide
'E was white, clear white, inside
When 'e went to tend the wounded under fire!
It was 'Din! Din! Din!'
With the bullets kickin' dust-spots on the green.
When the cartridges ran out,
You could hear the front-files shout,
'Hi! ammunition-mules an' Gunga Din!'

I sha'n't forgit the night
When I dropped be'ind the fight
With a bullet where my belt-plate should 'a' been.
I was chokin' mad with thirst,
An' the man that spied me first
Was our good old grinnin', gruntin' Gunga Din.
'E lifted up my 'ead,
An' he plugged me where I bled,
An' 'e guv me 'arf-a-pint o' water-green:
It was crawlin' and it stunk,
But of all the drinks I've drunk,
I'm gratefullest to one from Gunga Din.
It was 'Din! Din! Din!'
'Ere's a beggar with a bullet through 'is spleen;
'E's chawin' up the ground,
An' 'e's kickin' all around:
For Gawd's sake git the water, Gunga Din!

'E carried me away
To where a dooli lay,
An' a bullet come an' drilled the beggar clean.
'E put me safe inside,
An' just before 'e died:
'I 'ope you liked your drink,' sez Gunga Din.
So I'll meet 'im later on
At the place where 'e is gone--
Where it's always double drill and no canteen;
'E'll be squattin' on the coals,
Givin' drink to poor damned souls,
An' I'll get a swig in hell from Gunga Din!
Yes, Din! Din! Din!
You Lazarushian-leather Gunga Din!
Though I've belted you and flayed you,
By the living Gawd that made you,
You're a better man than I am, Gunga Din!

    Oonts


(NORTHERN INDIA TRANSPORT TRAIN)

Wot makes the soldier's 'eart to penk, wot makes him to perspire?
It isn't standin' up to charge nor lyin' down to fire;
But it's everlastin' waitin' on a everlastin' road
For the commissariat camel an' 'is commissariat load.
0 the oont,[1] 0 the oont, 0 the commissariat oont!
With 'is silly neck a-bobbin' like a basket full o' snakes;
We packs 'im like an idol, an' you ought to 'ear 'im grunt,
An' when we gets 'im loaded up 'is blessed girth-rope breaks.

Wot makes the rear-guard swear so 'ard when night is drorin' in,
An' every native follower is shiverin' for 'is skin?
It ain't the chanst o' being rushed by Paythans from the 'ills,
It's the commissariat camel puttin' on 'is bloomin' frills!
0 the oont, 0 the oont, 0 the hairy scary oont!
A-trippin' over tent-ropes when we've got the night alarm!
We socks 'im with a stretcher-pole an' 'eads 'im off in front,
An' when we've saved 'is bloomin' life 'e chaws our bloomin' arm.

The 'orse 'e knows above a bit, the bullock's but a fool,
The elephant's a gentleman, the battery-mule's a mule;
But the commissariat cam-u-el, when all is said an' done,
'E's a devil an' a ostrich an' a orphan-child in one.
0 the oont, 0 the oont, 0 the Gawd-forsaken oont!
The lumpy-'umpy 'ummin'-bird a-singin' where 'e lies,
'E's blocked the whole division from the rear-guard to the front,
An' when we get him up again--the beggar goes an' dies!

'E'll gall an' chafe an' lame an' fight--'e smells most awful vile;
'E'll lose 'isself for ever if you let 'im stray a mile;
'E's game to graze the 'ole day long an' 'owl the 'ole night through,
An' when 'e comes to greasy ground 'e splits 'isself in two.
0 the oont, 0 the oont, 0 the floppin', droppin' oont!
When 'is long legs give from under an' 'is meltin' eye is dim,
The tribes is up be'ind us, and the tribes is out in front--
It ain't no jam for Tommy, but it's kites an' crows for 'im.

So when the cruel march is done, an' when the roads is blind,
An' when we sees the camp in front an' 'ears the shots be'ind,
Ho then we strips 'is saddle off, and all 'is woes is past:
'E thinks on us that used 'im so, and gets revenge at last.
0 the oont, 0 the oont, 0 the floatin', bloatin' oont!
The late lamented camel in the water-cut 'e lies;
We keeps a mile behind 'im an' we keeps a mile in front,
But 'e gets into the drinkin'-casks, and then o' course we dies.

    The Widow at Windsor


'Ave you 'eard o' the Widow at Windsor
With a hairy gold crown on 'er 'ead?
She 'as ships on the foam--she 'as millions at 'ome,
An' she pays us poor beggars in red.
(Ow, poor beggars in red!)
There's 'er nick on the cavalry 'orses,
There's 'er mark on the medical stores--
An' 'er troopers you'll find with a faif wind be'ind
That takes us to various wars.
(Poor beggars!--barbarious wars!)

Then 'ere's to the Widow at Windsor,
An' 'ere's to the stores an' the guns,
The men an' the 'orses what makes up the forces
0' Missis Victorier's sons.
(Poor beggars! Victorier's sons!)

Walk wide o' the Widow at Windsor,
For 'alf o Creation she owns:
We 'ave bought 'er the same with the sword an' the flame,
An' we've salted it down with our bones.
(Poor beggars!--it's blue with our bones!)
Hands off o' the sons of the Widow,
Hands off o' the goods in 'er shop,
For the Kings must come down an' the Emperors frown
When the Widow at Windsor says 'Stop'!
(Poor Beggars!--we're sent to say 'Stop'!)

Then 'ere's to the Lodge o' the Widow,
From the Pole to the Tropics it runs--
To the Lodge that we tile with the rank an' the file,
An' open in form with the guns.
(Poor beggars!--it's always they guns!)

We 'ave 'eard o' the Widow at Windsor,
It's safest to leave 'er alone:
For 'er sentries we stand by the sea an' the land
Wherever the bugles are blown.
(Poor beggars!--an' don't we get blown!)
Take 'old o' the Wings o' the Mornin',
An' flop round the earth till you're dead;
But you won't get away from the tune that they play
To the bloomin' old Rag over'ead.
(Poor beggars!--it's 'ot over'ead!)

Then 'ere's to the sons o' the Widow
Wherever, 'owever they roam.
'Ere's all they desire, an' if they require
A speedy return to their 'ome.
(Poor beggars!--they'll never see 'ome!)

    Mandalay


By the old Moulmein Pagoda, lookin' eastward to the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
'Come you back, you British soldier; come you back to Mandalay!'

Come you back to Mandalay,
Where the old Flotilla lay:
Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!

'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat--jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:

Bloomin' idol made o' mud--
What they called the Great Gawd Budd--
Plucky lot she cared for idols when I kissed 'er where she stud!
On the road to Mandalay, etc.

When the mist was on the rice-fields an' the sun was droppin' slow,
She'd git 'er little banjo an' she'd sing 'Kulla-lo-lo!'
With 'er arm upon my shoulder an' 'er cheek agin my cheek
We useter watch the steamers an' the hathis pilin' teak.

Elephints a-pilin' teak
In the sludgy, squdgy creek,
Where the silence 'ung that 'eavy you was 'arf afraid to speak!
On the road to Mandalay, etc.

But that's all shove be'ind me--long ago an' fur away,
An' there ain't no 'busses runnin' from the Bank to Mandalay;
An' I'm leamin' 'ere in London what the ten-year soldier tells:
'If you've 'eard the East a-callin', you won't never 'eed naught else.'

No! you won't 'eed nothin' else
But them spicy garlic smells,
An' the sunshine an' the palm-trees an' the tinkly temple-bells;
On the road to Mandalay, etc.

I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted Henglish drizzle wakes the fever in my bones;
Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin', but wot do they understand?

Beefy face an' grubby ''nd--
Law! wot do they understand?
I've a neater, sweeter maiden in a cleaner, greener land!
On the road to Mandalay, etc.

Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple-bells are callin', and it's there that I would be--
By the old Moulmein Pagoda, looking lazy at the sea;

On the road to Mandalay,
Where the old Flotilla lay,
With our sick beneath the awnings when we went to Mandalay!
Oh the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!

    Gentlemen-Rankers


To the legion of the lost ones, to the cohort of the damned,
To my brethren in their sorrow overseas,
Sings a gentleman of England cleanly bred, machinely crammed,
And a trooper of the Empress, if you please.
Yea, a trooper of the forces who has run his own six horses,
And faith he went the pace and went it blind,
And the world was more than kin while he held the ready tin,
But to-day the Sergeant's something less than kind.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!

Oh, its sweet to sweat through stables, sweet to empty kitchen slops,
And it's sweet to hear the tales the troopers tell,
To dance with blowzy housemaids at the regimental hops,
And thrash the cad who says you waltz too well.
Yes, it makes you cock-a-hoop to be 'Rider' to your troop,
And branded with a blasted worsted spur,
When you envy. Oh, how keenly, one poor Tommy being cleanly
Who blacks your boots and sometimes call you 'Sir.'

If the home we never write to, and the oaths we never keep,
And all we know most distant and most dear,
Across the snoring barrack-room return to break our sleep,
Can you blame us if we soak ourselves in beer?
When the drunken comrade mutters and the great guard-lantem gutters
And the horror of our fall is written plain,
Every secret, self-revealing on the aching white-washed ceiling,
Do you wonder that we drug ourselves from pain?
We have done with Hope and Honour, we are lost to Love and Truth,
We are dropping down the ladder rung by rung,
And the measure of our torment is the measure of our youth.
God help us, for we knew the worst too young!
Our shame is clean repentance for the crime that brought the sentence,
Our pride it is to know no spur of pride,
And the Curse of Reuben holds us till an alien turf enfolds us
And we die, and none can tell Them where we died.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!

    L'Envoi


(TO 'BARRACK-ROOM BALLADS')

There's a whisper down the field where the year has shot her yield,
And the ricks stand grey to the sun,
Singing:--'Over then, come over, for the bee has quit the clover,
And your English summer's done.'

You have heard the beat of the off-shore wind,
And the thresh of the deep-sea rain;
You have heard the song--how long! how long?
Pull out on the trail again!

Ha' done with the Tents of Shem, dear lass,
We've seen the seasons through,
And it's time to turn on the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail--the trail that is always new.

It's North you may mn to the rime-ringed sun
Or South to the blind Horn's hate;
Or East all the way into Mississippi Bay,
Or West to the Golden Gate;

Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big oh the old trail, our own trail, the out trail,
And life runs large on the Long Trail--the trail that is always new.

The days are sick and cold, and the skies are grey and old,
And the twice-breathed airs blow damp;
And I'd sell my tired soul for the bucking beam-sea roll
Of a black Bilbao tramp;

With her load-line over her hatch, dear lass,
And a drunken Dago crew,
And her nose held down on the old trail, our own trail, the out trail
From Cadiz Bar on the Long Trail--the trail that is always new.

There be triple ways to take, of the eagle or the snake,
Or the way of a man with a maid;
But the sweetest way to me is a ship's upon the sea
In the heel of the North-East Trade.

Can you hear the crash on her bows, dear lass,
And the drum of the racing screw,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and 'scends on the Long Trail--the trail that is always new?

See the shaking funnels roar, with the Peter at the fore,
And the fenders grind and heave,
And the derricks clack and grate as the tackle hooks the crate,
And the fall-rope whines through the sheave;

It's 'Gang-plank up and in,' dear lass,
It's 'Hawsers warp her through!'
And it's 'All clear aft' on the old trail, our own trail, the out trail,
We're backing down on the Long Trail--the trail that is always new.

Oh, the mutter overside, when the port-fog holds us tied,
And the syrens hoot their dread!
When foot by foot we creep o'er the hueless viewless deep
To the sob of the questing lead!

It's down by the Lower Hope, dear lass,
With the Gunfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail--the trail that is always new.

Oh, the blazing tropic night, when the wake's a welt of light
That holds the hot sky tame,
And the steady fore-foot snores through the planet-powdered floors
Where the scared whale flukes in flame!

Her plates are scarred by the sun, dear lass,
Her ropes are taunt with the dew,
For we're booming down on the old trail, our own trail, the out trail,
We're sagging south on the Long Trail--the trail that is always new.

Then home, get her home where the drunken rollers comb,
And the shouting seas drive by,
And the engines stamp and ring and the wet bows reel and swing,
And the Southern Cross rides high!

Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They're all old friends on the old trail, our own trail, the out trail,
They're God's own guides on the Long Trail--the trail that is always new.

Fly forward, 0 my heart, from the Foreland to the Start--
We're steaming all too slow,
And it's twenty thousand miles to our little lazy isle
Where the trumpet-orchids blow!

You have heard the call of the off-shore wind
And the voice of the deep-sea rain--
You have heard the song--how long! how long?
Pull out on the trail again!

The Lord knows what we may find, dear lass,
And the Deuce knows what we may do--
But we're back once more on the old trail, our own trail, the out trail,
We're down, hull-down on the Long Trail--the trail that is always new.

    * From The Seven Seas (1896) *




    McAndrew's Hymn


Lord, Thou hast made this world below the shadow of a dream,
An', taught by time, I tak' it so--exceptin' always Steam.
From coupler-flange to spindle-guide I see Thy Hand, 0 God--
Predestination in the stride o' yon connectin'-rod.
John Calvin might ha' forged the same--enorrmous, certain, slow--
Ay, wrought it in the fumace-flame--my "Institutio."
I cannot get my sleep to-night; old bones are hard to please;
I'll stand the middle watch up here--alone wi' God an' these
My engines, after ninety days o' race an' rack an' strain
Through all the seas of all Thy world, slam-bangin' home again.
Slam-bang too much--they knock a wee--the crosshead-gibs are loose;
But thirty thousand mile o' sea has gied them fair excuse....
Fine, clear an' dark--a full-draught breeze, wi' Ushant out o' sight,
An' Ferguson relievin' Hay. Old girl, ye'll walk to-night!
His wife's at Plymouth.... Seventy--One--Two--Three since he began--
Three turns for Mistress Ferguson.... an' who's to blame the man?
There's none at any port for me, by drivin' fast or slow,
Since Elsie Campbell went to Thee, Lord, thirty years ago.
(The year the Sarah Sands was burned. Oh roads we used to tread,
Fra' Maryhill to Pollokshaws--fra' Govan to Parkhead!)
Not but they're ceevil on the Board. Ye'll hear Sir Kenneth say:
"Good morrn, McAndrews! Back again? An' how's your bilge today?"
Miscallin' technicalities but handin' me my chair
To drink Madeira wi' three Earls--the auld Fleet Engineer,
That started as a boiler-whelp--when steam and he were low.
I mind the time we used to serve a broken pipe wi' tow.
Ten pound was all the pressure then--Eh! Eh!--a man wad drive;
An' here, our workin' gauges give one hunder' fifty-five!
We're creepin' on wi' each new rig--less weight an' larger power:
There'll be the loco-boiler next an' thirty knots an hour!
Thirty an' more. What I ha' seen since ocean-steam began
Leaves me no doot for the machine: but what about the man?
The man that counts, wi' all his runs, one million mile o' sea:
Four time the span from earth to moon.... How far, 0 Lord, from Thee?
That wast beside him night an' day. Ye mind my first typhoon?
It scoughed the skipper on his way to jock wi' the saloon.
Three feet were on the stokehold floor--just slappin' to an' fro--
An' cast me on a furnace-door. I have the marks to show.
Marks! I ha' marks o' more than burns--deep in my soul an' black,
An' times like this, when things go smooth, my wickudness comes back.
The sins o' four and forty years, all up an' down the seas,
Clack an' repeat like valves half-fed.... Forgie's our trespasses.
Nights when I'd come on deck to mark, wi' envy in my gaze,
The couples kittlin' in the dark between the funnel stays;
Years when I raked the ports wi' pride to fill my cup o' wrong--
Judge not, 0 Lord, my steps aside at Gay Street in Hong-Kong!
Blot out the wastrel hours of mine in sin when I abode--
Jane Harrigan's an' Number Nine, The Reddick an' Grant Road!
An' waur than all--my crownin' sin--rank blasphemy an' wild.
I was not four and twenty then--Ye wadna judge a child?
I'd seen the Tropics first that run--new fruit, new smells, new air--
How could I tell--blind-fou wi' sun--the Deil was lurkin' there?
By day like playhouse-scenes the shore slid past our sleepy eyes;
By night those soft, lasceevious stars leered from those velvet skies,
In port (we used no cargo-steam) I'd daunder down the streets--
An ijjit grinnin' in a dream--for shells an' parrakeets,
An' walkin'-sticks o' carved bamboo an' blowfish stuffed an' dried--
Fillin' my bunk wi' rubbishry the Chief put overside.
Till, off Sumbawa Head, Ye mind, I heard a landbreeze ca'
Milk-warm wi' breath o' spice an' bloom: "McAndrews, come awa'!"
Firm, clear an' low--no haste, no hate--the ghostly whisper went,
Just statin' eevidential facts beyon' all argument:
"Your mither's God's a graspin' deil, the shadow o' yoursel',
"Got out o' books by meenisters clean daft on Heaven an' Hell.
"They mak' him in the Broomielaw, o' Glasgie cold an' dirt,
"A jealous, pridefu' fetich, lad, that's only strong to hurt,
"Ye'll not go back to Him again an' kiss His red-hot rod,
"But come wi' Us" (Now, who were They?) "an' know the Leevin' God,
"That does not kipper souls for sport or break a life in jest,
"But swells the ripenin' cocoanuts an' ripes the woman's breast."
An' there it stopped: cut off: no more; that quiet, certain voice--
For me, six months o' twenty-four, to leave or take at choice.
'Twas on me like a thunderclap--it racked me through an' through--
Temptation past the show o' speech, unnamable an' new--
The Sin against the Holy Ghost?... An' under all, our screw.
That storm blew by but left behind her anchor-shiftin' swell,
Thou knowest all my heart an' mind, Thou knowest, Lord, I fell.
Third on the Mary Gloster then, and first that night in Hell!
Yet was Thy hand beneath my head: about my feet Thy care--
Fra' Deli clear to Torres Strait, the trial o' despair,
But when we touched the Barrier Reef Thy answer to my prayer!
We dared na run that sea by night but lay an' held our fire,
An' I was drowzin' on the hatch--sick--sick wi' doubt an' tire:
"Better the sight of eyes that see than wanderin o' desire!"
Ye mind that word? Clear as our gongs--again, an' once again,
When rippin' down through coral-trash ran out our moorin'-chain;
An' by Thy Grace I had the Light to see my duty plain.
Light on the engine-room--no more--clear as our carbons burn.
I've lost it since a thousand times, but never past return.

    x x x



Obsairve! Per annum we'll have here two thousand souls aboard--
Think not I dare to justify myself before the Lord,
But--average fifteen hunder' souls safe-bome fra port to port--
I am o' service to my kind. Ye wadna' blame the thought?
Maybe they steam from grace to wrath--to sin by folly led,--
It isna mine to judge their path--their lives are on my head.
Mine at the last--when all is done it all comes back to me,
The fault that leaves six thousand ton a log upon the sea.
We'll tak' one stretch--three weeks an' odd by any road ye steer--
Fra' Cape Town east to Wellington--ye need an engineer.
Fail there--ye've time to weld your shaft--ay, eat it, ere ye're spoke,
Or make Kerguelen under sail--three jiggers burned wi' smoke!
An' home again, the Rio run: it's no child's play to go
Steamin' to bell for fourteen days o' snow an' floe an' blow--
The bergs like kelpies overside that gim an' turn an' shift
Whaur, grindin' like the Mills o' God, goes by the big South drift.
(Hail, snow an' ice that praise the Lord: I've met them at their work,
An' wished we had anither route or they anither kirk.)
Yon's strain, hard strain, o' head an' hand, for though Thy Power brings
All skill to naught, Ye'll understand a man must think o' things.
Then, at the last, we'll get to port an' hoist their baggage clear--
The passengers, wi' gloves an' canes--an' this is what I'll hear:
"Well, thank ye for a pleasant voyage. The tender's comin' now."
While I go testin' follower-bolts an' watch the skipper bow.
They've words for everyone but me--shake hands wi' half the crew,
Except the dour Scots engineer, the man they never knew.
An' yet I like the wark for all we've dam' few pickin's here--
No pension, an' the most we cam's four hunder' pound a year.
Better myself abroad? Maybe. I'd sooner starve than sail
Wi' such as call a snifter-rod ross.... French for nightingale.
Commeesion on my stores? Some do; but I can not afford
To lie like stewards wi' patty-pans. I'm older than the Board.
A bonus on the coal I save? Ou ay, the Scots are close,
But when I grudge the strength Ye gave I'll grudge their food to those.
(There's bricks that I might recommend--an' clink the fire-bars cruel.
No! Welsh--Wangarti at the worst--an' damn all patent fuel!)
Inventions? Ye must stay in port to mak' a patent pay.
My Deeferential Valve-Gear taught me how that business lay,
I blame no chaps wi' clearer head for aught they make or sell.
I found that I could not invent an' look to these--as well.
So, wrestled wi' Apollyon--Nah!--fretted like a bairn--
But burned the workin'-plans last run wi' all I hoped to earn.
Ye know how hard an Idol dies, an' what that meant to me--
E'en tak' it for a sacrifice acceptable to Thee....
Below there! Oiler! What's your wark? Ye find her runnin' hard?
Ye needn't swill the cap wi' oil--this isn't the Cunard.
Ye thought? Ye are not paid to think. Go, sweat that off again!

Tck! Tck! It's deeficult to sweer nor tak' The Name in vain!
Men, ay an' women, call me stern. Wi' these to oversee
Ye'll note I've little time to burn on social repartee.
The bairns see what their elders miss; they'll hunt me to an' fro,
Till for the sake of--well, a kiss--I tak' 'em down below.
That minds me of our Viscount loon--Sir Kenneth's kin--the chap
Wi' russia leather tennis-shoon an' spar-decked yachtin'-cap.
I showed him round last week, o'er all--an' at the last says he:
"Mister McAndrews, don't you think steam spoils romance at sea?"
Damned ijjit! I'd been doon that morn to see what ailed the throws,
Manholin', on my back--the cranks three inches from my nose.
Romance! Those first-class passengers they like it very well,
Printed an' bound in little books; but why don't poets tell?
I'm sick of all their quirks an' turns--the loves an' doves they dream--
Lord, send a man like Robbie Burns to sing the Song o' Steam!
To match wi' Scotia's noblest speech yon orchestra sublime
Whaurto--uplifted like the Just--the tail-rods mark the time.
The crank-throws give the double-bass; the feed-pump sobs an' heaves:
An' now the main eccentrics start their quarrel on the sheaves.
Her time, her own appointed time, the rocking link-head bides,
Till--hear that note?--the rod's return whings glimmerin' through the guides.
They're all awa! True beat, full power, the clangin' chorus goes
Clear to the tunnel where they sit, my pun-in' dynamoes.
Interdependence absolute, foreseen, ordained, decreed,
To work, Ye'll note, at any tilt an' every rate o' speed.
Fra skylight-lift to furnace-bars, backed, bolted, braced an' stayed,
An' singin' like the Mornin' Stars for joy that they are made;
While, out o' touch o' vanity, the sweatin' thrust-block says:
"Not unto us the praise, or man--not unto us the praise!"
Now, a' together, hear them lift their lesson--theirs an' mine:
"Law, Orrder, Duty an' Restraint, Obedience, Discipline!"
Mill, forge an' try-pit taught them that when roarin' they arose,
An' whiles I wonder if a soul was gied them wi' the blows.
Oh for a man to weld it then, in one trip-hammer strain,
Till even first-class passengers could tell the meanin' plain!
But no one cares except mysel' that serve an' understand
My seven thousand horse-power here. Eh, Lord! They're grand--they're grand!
Uplift am I? When first in store the new-made beasties stood,
Were Ye cast down that breathed the Word declarin' all things good?
Not so! 0' that warld-liftin' joy no after-fall could vex,
Ye've left a glimmer still to cheer the Man--the Arrtifex!
That holds, in spite o' knock and scale, o' friction, waste an' slip,
An' by that light--now, mark my word--we'll build the Perfect Ship.
I'll never last to judge her lines or take her curve--not I.
But I ha' lived an' I ha' worked. All thanks to Thee, Most High!
An' I ha' done what I ha' done--judge Thou if ill or well--
Always Thy Grace preventin' me....
Losh! Yon's the "Stand by" bell.
Pilot so soon? His flare it is. The mornin'-watch is set.
Well, God be thanked, as I was sayin', I'm no Pelagian yet.
Now I'll tak' on....
'Morrn, Ferguson. Man, have ye ever thought
What your good leddy costs in coal?... I'll burn em down to port.


    Sestina of the Tramp-Royal


Speakin' in general, I 'ave tried 'em all,
The 'appy roads that take you o'er the world.
Speakin' in general, I 'ave found them good
For such as cannot use one bed too long,
But must get 'ence, the same as I 'ave done,
An' go observin' matters till they die.

What do it matter where or 'ow we die,
So long as we've our 'ealth to watch it all--
The different ways that different things are done,
An' men an' women lovin' in this world--
Takin' our chances as they come along,
An' when they ain't, pretendin' they are good?

In cash or credit--no, it ain't no good;
You 'ave to 'ave the 'abit or you'd die,
Unless you lived your life but one day long,
Nor didn't prophesy nor fret at all,
But drew your tucker some'ow from the world,
An' never bothered what you might ha' done.

But, Gawd, what things are they I 'aven't done?
I've turned my 'and to most, an' turned it good,
In various situations round the world--
For 'im that doth not work must surely die;
But that's no reason man should labour all
'Is life on one same shift; life's none so long.

Therfore, from job to job I've moved along.
Pay couldn't 'old me when my time was done,
For something in my 'ead upset me all,
Till I 'ad dropped whatever 'twas for good,
An', out at sea, be'eld the dock-lights die,
An' met my mate--the wind that tramps the world.

It's like a book, I think, this bloomin' world,
Which you can read and care for just so long,
But presently you feel that you will die
Unless you get the page you're readin' done,
An' turn another--likely not so good;
But what you're after is to turn 'em all.

Gawd bless this world! Whatever she 'ath done--
Excep' when awful long--I've found it good.
So write, before I die, "'E liked it all!"
(
When 'Omer smote 'is bloomin' lyre,
He'd 'eard men sing by land an' sea;
An what he thought 'e might require,
'E went an took--the same as me!

The market-girls an' fishermen,
The shepherds an' the sailors, too,
They 'eard old songs turn up again,
But kep' it quiet--same as you!

They knew 'e stole; 'e knew they knowed.
They didn't tell, nor make a fuss,
But winked at 'Omer down the road,
An 'e winked back--the same as us!


    The Ladies


I've taken my fun where I've found it;
I've rogued an' I've ranged in my time;
I've 'ad my pickin' o' sweet'earts,
An' four o' the lot was prime.
One was an 'arf-caste widow,
One was a woman at Prome,
One was the wife of a jemadar-sais,[(]
An' one is a girl at 'ome.

Now I aren't no 'and with the ladies,
For, takin 'em all along,
You never can say till you ve tried 'em,
An then you are like to be wrong.
There's times when you'll think that you mightn't,
There's times when you'll know that you might;
But the things you will learn from the Yellow an' Brown,
They'll 'elp you an 'eap with the White!


I was a young un at 'Oogli,
Shy as a girl to begin;
Aggie de Castrer she made me,
An' Aggie was clever as sin;
Older than me, but my first un--
More like a mother she were--
Showed me the way to promotion an' pay,
An' I learned about women from 'er.

Then I was ordered to Burma,
Actin' in charge o' Bazar,
An' I got me a tiddy live 'eathen
Through buyin' supplies off 'er pa.
Funny an' yellow an' faithful--
Doll in a teacup she were,
But we lived on the square, like a true-married pair,
An' I learned about women from 'er.

Then we was shifted to Neemuch
(Or I might ha' been keepin' 'er now),
An' I took with a shiny she-devil,
The wife of a nigger at Mhow;
'Taught me the gipsy-folks' bolee;[(]
Kind o' volcano she were,
For she knifed me one night 'cause I wished she was white,
And I learned about women from 'er.

Then I come 'ome in the trooper,
'Long of a kid o' sixteen--
Girl from a convent at Meerut,
The straightest I ever 'ave seen.
Love at first sight was 'er trouble,
She didn't know what it were;
An' I wouldn't do such, 'cause I liked 'er too much,
But--I learned about women from 'er!

I've taken my fun where I've found it,
An' now I must pay for my fun,
For the more you 'ave known o' the others
The less will you settle to one;
An' the end of it's sittin' and thinkin',
An' dreamin' Hell-fires to see;
So be warned by my lot (which I know you will not),
An' learn about women from me!

What did the colonel's lady think?
Nobody never knew.
Somebody asked the sergeant's wife,
An' she told 'em true.
When you get to a man in the case,
They're like as a row of pins--
For the colonel's lady an' Judy O'Grady
Are sisters under their skins!


    The Sergeant's Weddin'


'E was warned agin 'er--
That's what made 'im look;
She was warned agin 'im--
That is why she took.
'Wouldn't 'ear no reason,
'Went an' done it blind;
We know all about 'em,
They've got all to find!

Cheer for the Sergeant's weddin'--
Give 'em one cheer more!
Cray gun-'orses in the lando,
An' a rogue is married to, etc.


What's the use o' tellin'
'Arf the lot she's been?
'E's a bloomin' robber,
An' 'e keeps canteen.
'Ow did 'e get 'is buggy?
Gawd, you needn't ask!
Made 'is forty gallon
Out of every cask!

Watch 'im, with 'is 'air cut,
Count us filin' by--
Won't the Colonel praise 'is
Pop--u--lar---i--ty!
We 'ave scores to settle--
Scores for more than beer;
She's the girl to pay 'em--
That is why we're 'ere!

See the chaplain thinkin'?
See the women smile?
Twig the married winkin'
As they take the aisle?
Keep your side-arms quiet,
Dressin' by the Band.
Ho! You 'oly beggars,
Cough be'ind your 'and!

Now it's done an' over,
'Ear the organ squeak,
"Voice that breathed o'er Eden"--
Ain't she got the cheek!
White an' laylock ribbons,
Think yourself so fine!
I'd pray Gawd to take yer
'Fore I made yer mine!

Escort to the kerridge,
Wish 'im luck, the brute!
Chuck the slippers after--
[Pity 'taint a boot!]
Bowin' like a lady,
Blushin' like a lad--
'Oo would say to see 'em--
Both are rotten bad!

Cheer for the Sergeant's weddin'-
Give 'em one cheer more!
Gray gun-'orses in the lando,
An' a rogue is married to, etc.


    The 'Eathen


The 'eathen in 'is blindness bows down to wood an' stone;
'E don't obey no orders unless they is 'is own;
'E keeps 'is side-arms awful: 'e leaves 'em all about,
An' then comes up the regiment an' pokes the 'eathen out.

All along o' dirtiness, all along o' mess,
All along o' doin things rather-more-or-less,
All along of abby-nay,[(] kul,[(] and hazar-ho,[(]
Mind you keep your rifle an yourself jus' so!


The young recruit is 'aughty--'e draf's from Gawd knows where;
They bid 'im show 'is stockin's an' lay 'is mattress square;
'E calls it bloomin' nonsense--'e doesn't know, no more--
An' then up comes 'is company an' kicks 'em round the floor!

The young recruit is 'ammered--'e takes it very 'ard;
'E 'angs 'is 'ead an' mutters--'e sulks about the yard;
'E talks o' "cruel tyrants" 'e'll swing for by-an'-bye,
An' the others 'ears an' mocks 'im, an' the boy goes orf to cry.

The young recruit is silly--'e thinks o' suicide;
'E's lost 'is gutter-devil; 'e 'asn't got 'is pride;
But day by day they kicks 'im, which 'elps 'im on a bit,
Till 'e finds 'isself one mornin' with a full an' proper kit.

Gettin clear o' dirtiness, gettin done with mess,
Gettin shut o' doin things rather-more-or-less;
Not so fond of abby-nay, kul, nor bazar-ho,
Learns to keep 'is rifle an 'isself jus' so!


The young recruit is 'appy--'e throws a chest to suit;
You see 'im grow mustaches; you 'ear 'im slap 'is boot;
'E learns to drop the "bloodies" from every word he slings,
An' 'e shows an 'ealthy brisket when 'e strips for bars an' rings.

The cruel tyrant sergeants they watch 'im 'art a year;
They watch 'im with 'is comrades, they watch 'im with 'is beer;
They watch 'im with the women, at the regimental dance,
And the cruel tyrant sergeants send 'is name along for "Lance."

An' now 'e's 'arf o' nothin', an' all a private yet,
'Is room they up an' rags 'im to see what they will get;
They rags 'im low an' cunnin', each dirty trick they can,
But 'e learns to sweat 'is temper an' 'e learns to know 'is man.

An', last, a Colour-Sergeant, as such to be obeyed,
'E leads 'is men at cricket, 'e leads 'em on parade;
They sees 'em quick an' 'andy, uncommon set an' smart,
An' so 'e talks to orficers which 'ave the Core at 'eart.

'E learns to do 'is watchin' without it showin' plain;
'E learns to save a dummy, an' shove 'im straight again;
'E learns to check a ranker that's buyin' leave to shirk;
An' 'e learns to make men like 'im so they'll learn to like their work.

An' when it comes to marchin' he'll see their socks are right,
An' when it comes to action 'e shows 'em 'ow to sight;
'E knows their ways of thinkin' and just what's in their mind;
'E feels when they are comin' on an' when they've fell be'ind.

'E knows each talkin' corpril that leads a squad astray;
'E feels 'is innards 'eavin', 'is bowels givin' way;
'E sees the blue-white faces all tryin' 'ard to grin,
An' 'e stands an' waits an' suffers till it's time to cap 'em in.

An' now the hugly bullets come peckin' through the dust,
An' no one wants to face 'em, but every beggar must;
So, like a man in irons which isn't glad to go,
They moves 'em off by companies uncommon stiff an' slow.

Of all 'is five years' schoolin' they don't remember much
Excep' the not retreatin', the step an' keepin' touch.
It looks like teachin' wasted when they duck an' spread an' 'op,
But if 'e 'adn't learned 'em they'd be all about the shop!

An' now it's "'Oo goes backward?" an' now it's "'Oo comes on?"
An' now it's "Get the doolies," an' now the captain's gone;
An' now it's bloody murder, but all the while they 'ear
'Is voice, the same as barrick drill, a-shepherdin' the rear.

'E's just as sick as they are, 'is 'eart is like to split,
But 'e works 'em, works 'em, works 'em till 'e feels 'em take the bit;
The rest is 'oldin' steady till the watchful bugles play,
An' 'e lifts 'em, lifts 'em, lifts 'em through the charge that wins the day!

The 'eathen in 'is blindness bows down to wood an' stone;
'E don't obey no orders unless they is 'is own;
The 'eathen in 'is blindness must end where 'e began,
But the backbone of the Army is the noncommissioned man!

Keep away from dirtiness--keep away from mess.
Don't get into doin things rather-more-or-less!
Let's ha' done with abby-nay, kul, an' hazar-ho;
Mind you keep your rifle an' yourself jus' so!


    L'Envoi


(TO 'THE SEVEN SEAS')

When Earth's last picture is painted, and the tubes are twisted and dried,
When the oldest colours have faded, and the youngest critic has died,
We shall rest, and, faith, we shall need it--lie down for an жon or two,
Till the Master of All Good Workmen shall set us to work anew!

And those that were good shall be happy: they shall sit in a golden chair;
They shall splash at a ten-league canvas with brushes of comets' hair;
They shall find real saints to draw from--Magdalene, Peter, and Paul,
They shall work for an age at a sitting and never be tired at all!

And only the Master shall praise us, and only the Master shall blame;
And no one shall work for money, and no one shall work for fame;
But each for the joy of the working, and each, in his separate star,
Shall draw the Thing as he sees It for the God of Things as They Are!

    * From The Five Nations (1903) *



    The Sea and the Hills


Who hath desired the Sea?--the sight of salt water unbounded--
The heave and the halt and the hurl and the crash of the comber wind-hounded?