Puzo Mario. The Godfather

   The union guy was Billy Goff. Johnny said to him, “I thought the union stuff was fixed by my friends. I was told not to worry about it. At all.”
   Goff said, “Who told you that?”
   Johnny said, “You know goddamn well who told me. I won’t say his name but if he tells me something that’s it.”
   Goff said, “Things have changed. Your friend is in trouble and his word don’t go this far west anymore.”
   Johnny shrugged. “See me in a couple of days. OK?”
   Goff smiled. “Sure, Johnny,” he said. “But calling in New York ain’t going to help you.”
   But calling New York did help. Johnny spoke to Hagen at his office. Hagen told him bluntly not to pay. “Your Godfather will be sore as hell if you pay that bastard a dime,” he told Johnny. “It will make the Don lose respect and right now he can’t afford that.”
   “Can I talk to the Don?” Johnny asked. “Will you talk to him? I gotta get the picture rolling.”
   “Nobody can talk to the Don right now,” Hagen said. “He’s too sick. I’ll talk to Sonny about fixing things up. But I’ll make the decision on this. Don’t pay that smart bastard a dime. If anything changes, I’ll let you know.”
   Annoyed, Johnny hung up. Union trouble could add a fortune to making the film and screw up the works generally. For a moment he debated slipping Goff the fifty grand on the quiet. After all, the Don telling him something and Hagen telling him something and giving him orders were two different things. But he decided to wait for a few days.
   By waiting he saved fifty thousand dollars. Two nights later, Goff was found shot to death in his home in Glendale. There was no more talk of union trouble. Johnny was a little shaken by the killing. It was the first time the long arm of the Don had struck such a lethal blow so close to him.
   As the weeks went by and he became busier and busier with getting the script ready, casting the movie and working out production details, Johnny Fontane forgot about his voice, his not being able to sing. Yet when the Academy Award nominations came out and he found himself one of the candidates, he was depressed because he was not asked to sing one of the songs nominated for the Oscar at the ceremony that would be televised nationally. But he shrugged it off and kept working. He had no hope of winning the Academy Award now that his Godfather was no longer able to put pressure on, but getting the nomination had some value.
   The record he and Nino had cut, the one of Italian songs, was selling much better than anything he had cut lately, but he knew that it was Nino’s success more than his. He resigned himself to never being able to again sing professionally.
   Once a week he had dinner with Ginny and the kids. No matter how hectic things got he never skipped that duty. But he didn’t sleep with Ginny. Meanwhile his second wife had finagled a Mexican divorce and so he was a bachelor again. Oddly enough he was not that frantic to bang starlets who would have been easy meat. He was too snobbish really. He was hurt that none of the young stars, the actresses who were still on top, ever gave him a tumble. But it was good to work hard. Most nights he would go home alone, put his old records on the player, have a drink and hum along with them for a few bars. He had been good, damn good. He hadn’t realized how good he was. Even aside from the special voice, which could have happened to anybody, he was good. He had been a real artist and never knew it, and never knew how much he loved it. He’d ruined his voice with booze and tobacco and broads just when he really knew what it was all about.
   Sometimes Nino came over for a drink and listened with him and Johnny would say to him scornfully, “You guinea bastard, you never sang like that in your life.” And Nino would give him that curiously charming smile and shake his head and say, “No, and I never will,” in a sympathetic voice, as if he knew what Johnny was thinking.
   Finally, a week before shooting the new picture, the Academy Award night rolled around. Johnny invited Nino to come along but Nino refused. Johnny said, “Buddy, I never asked you a favor, right? Do me a favor tonight and come with me. You’re the only guy who’ll really feel sorry for me if I don’t win.”
   For one moment Nino looked startled. Then he said, “Sure, old buddy, I can make it.” He paused for a moment and said, “if you don’t win, forget it. Just get as drunk as you can get and I’ll take care of you. Hell, I won’t even drink myself tonight. How about that for being a buddy?”
   “Man,” Johnny Fontane said, “that’s some buddy.”
   The Academy Award night came and Nino kept his promise. He came to Johnny’s house dead sober and they left for the presentation theater together. Nino wondered why Johnny hadn’t invited any of his girls or his ex-wives to the Award dinner. Especially Ginny. Didn’t he think Ginny would root for him? Nino wished he could have just one drink, it looked like a long bad night.
   Nino Valenti found the whole Academy Award affair a bore until the winner of the best male actor was announced. When he heard the words “Johnny Fontane,” he found himself jumping into the air and applauding. Johnny reached out a hand for him to shake and Nino shook it. He knew his buddy needed human contact with someone he trusted and Nino felt an enormous sadness that Johnny didn’t have anyone better than himself to touch in his moment of glory.
   What followed was an absolute nightmare. Jack Woltz’s picture had swept all the major awards and so the studio’s party was swamped with newspaper people and all the on-the-make hustlers; male and female. Nino kept his promise to remain sober, and he tried to watch over Johnny. But the women of the party kept pulling Johnny Fontane into bedrooms for a little chat and Johnny kept getting drunker and drunker.
   Meanwhile the woman who had won the award for the best actress was suffering the same fate but loving it more and handling it better. Nino turned her down, the only man at the party to do so.
   Finally somebody had a great idea. The public mating of the two winners, everybody else at the party to be spectators in the stands. The actress was stripped down and the other women started to undress Johnny Fontane. It was then that Nino, the only sober person there, grabbed the half-clothed Johnny and slung him over his shoulder and fought his way out of the house and to their car. As he drove Johnny home, Nino thought that if that was success, he didn’t want it.

Book Three

Chapter 14

   The Don was a real man at the age of twelve. Short, dark, slender, living in the strange Moorish-looking village of Corleone in Sicily, he had been born Vito Andolini, but when strange men came to kill the son of the man they had murdered, his mother sent the young boy to America to stay with friends. And in the new land he changed his name to Corleone to preserve some tie with his native village. It was one of the few gestures of sentiment he was ever to make.
   In Sicily at the turn of the century the Mafia was the second government, far more powerful than the official one in Rome. Vito Corleone’s father became involved in a feud with another villager who took his case to the Mafia. The father refused to knuckle under and in a public quarrel killed the local Mafia chief. A week later he himself was found dead, his body torn apart by lupara blasts. A month after the funeral Mafia gunmen came inquiring after the young boy, Vito. They had decided that he was too close to manhood, that he might try, to avenge the death of his father in the years to come. The twelve-year-old Vito was hidden by relatives and shipped to America. There he was boarded with the Abbandandos, whose son Genco was later to become Consigliere to his Don.
   Young Vito went to work in the Abbandando grocery store on Ninth Avenue in New York’s Hell’s Kitchen. At the age of eighteen Vito married an Italian girl freshly arrived from Sicily, a girl of only sixteen but a skilled cook, a good housewife. They settled down in a tenement on Tenth Avenue, near 35th Street, only a few blocks from where Vito worked, and two years later were blessed with their first child, Santino, called by all his friends Sonny because of his devotion to his father.
   In the neighborhood lived a man called Fanucci. He was a heavy-set, fierce-looking Italian who wore expensive light-colored suits and a cream-colored fedora. This man was reputed to be of the “Black Hand,” an offshoot of the Mafia which extorted money from families and storekeepers by threat of physical violence. However, since most of the inhabitants of the neighborhood were violent themselves, Fanucci’s threats of bodily harm were effective only with elderly couples without male children to defend them. Some of the storekeepers paid him trifling sums as a matter of convenience. However, Fanucci was also a scavenger on fellow criminals, people who illegally sold Italian lottery or ran gambling games in their homes. The Abbandando grocery gave him a small tribute, this despite the protests of young Genco, who told his father he would settle the Fanucci hash. His father forbade him. Vito Corleone observed all this without feeling in any way involved.
   One day Fanucci was set upon by three young men who cut his throat from ear to ear, not deeply enough to kill him, but enough to frighten him and make him bleed a great deal. Vito saw Fanucci fleeing from his punishers, the circular slash flowing red. What he never forgot was Fanucci holding the cream-colored fedora under his chin to catch the dripping blood as he ran. As if he did not want his suit soiled or did not want to leave a shameful trail of carmine.
   But this attack proved a blessing in disguise for Fanucci. The three young men were not murderers, merely tough young boys determined to teach him a lesson and stop him from scavenging. Fannucci proved himself a murderer. A few weeks later the knife-wielder was shot to death and the families of the other two young men paid an indemnity to Fanucci to make him forswear his vengeance. After that the tributes became higher and Fanucci became a partner in the neighborhood gambling games. As for Vito Corleone, it was none of his affair. He forgot about it immediately.
   During World War I, when imported olive oil became scarce, Fanucci acquired a part-interest in the Abbandando grocery store by supplying it not only with oil, but imported Italian salami, hams and cheeses. He then moved a nephew into the store and Vito Corleone found himself out of a job.
   By this time, the second child, Frederioo, had arrived and Vito Corleone had four mouths to feed. Up to this time he had been a quiet, very contained young man who kept his thoughts to himself. The son of the grocery store owner, young Genco Abbandando, was his closest friend, and to the surprise of both of them, Vito reproached his friend for his father’s deed. Genco, flushed with shame, vowed to Vito that he would not have to worry about food. That he, Genco, would steal food from the grocery to supply his friend’s needs. This offer though was sternly refused by Vito as too shameful, a son stealing from his father.
   The young Vito, however, felt a cold anger for the dreaded Fanucci. He never showed this anger in any way but bided his time. He worked in the railroad for a few months and then, when the war ended, work became slow and he could earn only a few days’ pay a month. Also, most of the foremen were Irish and American and abused the workmen in the foulest language, which Vito always bore stone-faced as if he did not comprehend, though he understood English very well despite his accent.
   One evening as Vito was having supper with his family there was a knock on the window that led to the open sir shaft that separated them from the next building. When Vito pulled aside the curtain he saw to his astonishment one of the young men in the neighborhood, Peter Clemenza, leaning out from a window on the other side of the air shaft. He was extending a white-sheeted bundle.
   “Hey, paisan,” Clemenza said. “Hold these for me until I ask for them. Hurry up.” Automatically Vito reached over the empty space of the air shaft and took the bundle. Clemenza’s face was strained and urgent. He was in some sort of trouble and Vito’s helping action was instinctive. But when he untied the bundle in his kitchen, there were five oily guns staining the white cloth. He put them in his bedroom closet and waited. He learned that Clemenza had been taken away by the police. They must have been knocking on his door when he handed the guns over the air shaft.
   Vito never said a word to anyone and of course his terrified wife dared not open her lips even in gossip for fear her own husband would be sent to prison. Two days later Peter Clemenza reappeared in the neighborhood and asked Vito casually, “Do you have my goods still?”
   Vito nodded. He was in the habit of talking little. Clemenza came up to his tenement flat and was given a glass of wine while Vito dug the bundle out of his bedroom closet.
   Clemenza drank his wine, his heavy good-natured face alertly watching Vito. “Did you look inside?”
   Vito, his face impassive, shook his head. “I’m not interested in things that don’t concern me,” he said.
   They drank wine together the rest of the evening. They found each other congenial. Clemenza was a storyteller; Vito Corleone was a listener to storytellers. They became casual friends.
   A few days later Clemenza asked the wife of Vito Corleone if she would like a fine rug for her living room floor. He took Vito with him to help carry the rug.
   Clemenza led Vito to an apartment house with two marble pillars and a white marble stoop. He used a key to open the door and they were inside a plush apartment. Clemenza grunted, “Go on the other side of the room and help me roll it up.”
   The rug was a rich red wool. Vito Corleone was astonished by Clemenza’s generosity. Together they rolled the rug into a pile and Clemenza took one end while Vito took the other. They lifted it and started carrying it toward the door.
   At that moment the apartment bell rang. Clemenza immediately dropped the rug and strode to the window. He pulled the drape aside slightly and what he saw made him draw a gun from inside his jacket. It was only at that moment the astonished Vito Corleone realized that they were stealing the rug from some stranger’s apartment.
   The apartment bell rang again. Vito went up alongside Clemenza so that he too could see what was happening. At’ the door was a uniformed policeman. As they watched, the policeman gave the doorbell a final push, then shrugged and walked away down the marble steps and down the street.
   Clemenza grunted in a satisfied way and said, “Come on, let’s go.” He picked up his end of the rug and Vito picked up the other end. The policeman had barely turned the corner before they were edging out the heavy oaken door and into the street with the rug between them. Thirty minutes later they were cutting the rug to fit the living rooms of Vito Corleone’s apartment. They had enough left over for the bedroom. Clemenza was an expert workman and from the pockets of his wide, ill-fitting jacket (even then he liked to wear loose clothes though he was not so fat), he had the necessary carpet-cutting tools.
   Time went on, things did not improve. The Corleone family could not eat the beautiful rug. Very well, there was no work, his wife and children must starve. Vito took some parcels of food from his friend Genco while he thought things out. Finally he was approached by Clemenza and Tessio, another young tough of the neighborhood. They were men who thought well of him, the way he carried himself, and they knew he was desperate. They proposed to him that he become one of their gang which specialized in hijacking trucks of silk dresses after those trucks were loaded up at the factory on 31st Street. There was no risk. The truck drivers were sensible workingmen who at the sight of a gun flopped on the sidewalk like angels while the hijackers drove the truck away to be unloaded at a friend’s warehouse. Some of the merchandise would be sold to an Italian wholesaler, part of the loot would be sold door-to-door in the Italian neighborhoods— Arthur Avenue in the Bronx, Mulberry Street, and the Chelsea district in Manhattan— all to poor Italian families looking for a bargain, whose daughters could never be able to afford such fine apparel. Clemenza and Tessio needed Vito to drive since they knew he chauffeured the Abbandando grocery store delivery truck. In 1919, skilled automobile drivers were at a premium.
   Against his better judgment, Vito Corleone accepted their offer. The clinching argument was that he would clear at least a thousand dollars for his share of the job. But his young companions struck him as rash, the planning of the job haphazard, the distribution of the loot foolhardy. Their whole approach was too careless for his taste. But he thought them of good, sound character. Peter Clemenza, already burly, inspired a certain trust, and the lean saturnine Tessio inspired confidence.
   The job itself went off without a hitch. Vito Corleone felt no fear, much to his astonishment, when his two comrades flashed guns and made the driver get out of the silk truck. He was also impressed with the coolness of Clemenza and Tessio. They didn’t get excited but joked with the driver, told him if he was a good lad they’d send his wife a few dresses. Because Vito thought it stupid to peddle dresses himself and so gave his whole share of stock to the fence, he made only seven hundred dollars. But this was a considerable sum of money in 1919.
   The next day on the street, Vito Corleoue was stopped by the cream-suited, white-fedoraed Fanucci. Fanucci was a brutal-looking man and he had done nothing to disguise the circular scar that stretched in a white semicircle from ear to ear, looping under his chin. He had heavy black brows and coarse features which, when he smiled, were in some odd way amiable.
   He spoke with a very thick Sicilian accent. “Ah, young fellow,” he said to Vito. “People tell me you’re rich. You and your two friends. But don’t you think you’ve treated me a little shabbily? After all, this is my neighborhood and yon should let me wet my beak.” He used the Sicilian phrase of the Mafia, “Fari vagnari a pizzu.” Pizzu means the beak of any small bird such as a canary. The phrase itself was a demand for part of the loot.
   As was his habit, Vito Corleone did not answer. He understood the implication immediately and was waiting for a definite demand.
   Fanucci smiled at him, showing gold teeth and stretching his nooses-like scar tight around his face. He mopped his face with a handkerchief and unbuttoned his jacket for a moment as if to cool himself but really to show the gun he carried stuck in the waistband of his comfortably wide trousers. Then he sighed and said, “Give me five hundred dollars and I’ll forget the insult. After all, young people don’t know the courtesies due a man like myself.”
   Vito Corleone smiled at him and even as a young man still unblooded, there was something so chilling in his smile that Fanucci hesitated a moment before going on. “Otherwise the police will come to see you, your wife and children will be shamed and destitute. Of course if my information as to your gains is incorrect I’ll dip my beak just a little. But no less than three hundred dollars. And don’t try to deceive me.”
   For the first time Vito Corleone spoke. His voice was reasonable, showed no anger. It was courteous, as befitted a young man speaking to an older man of Fanucci’s eminence. He said softly, “My two friend have my share of the money, rll have to speak to them.”
   Fanucci was reassured. “You can tell your two friends that I expect them to let me wet my beak in the same manner. Don’t be afraid to tell them,” he added reassuringly. “Clemenza and I know each other well, he understands these things. Let yourself be guided by him. He has more experience in these matters.”
   Vito Corleone shrugged. He tried to look a little embarrassed. “Of course,” he said. “You understand this is all new to me. Thank you for speaking to me as a godfather.”
   Fanucci was impressed. “You’re a good fellow,” he said. He took Vito’s hand and clasped it in both of his hairy ones. “You have respect,” he said. “A fine thing in the young. Next time speak to me first, eh? Perhaps I can help you in your plans.”
   In later years Vito Corleone understood that what had made him act in such a perfect, tactical way with Fanucci was the death of his own hot-tempered father who had been killed by the Mafia in Sicily. But at that time all he felt was an icy rage that this man planned to rob him of the money he had risked his life and freedom to earn. He had not been afraid. Indeed he thought, at that moment, that Fanucci was a crazy fool. From what he had seen of Clemenza, that burly Sicilian would sooner give up his life than a penny of his loot. After all, Clemenza had been ready to kill a policeman merely to steal a rug. And the slender Tessio had the deadly air of a viper.
   But later that night, in Clemenza’s tenement apartment across the air shaft, Vito Corleone received another lesson in the education he had just begun. Clemenza cursed, Tessio scowled, but then both men started talking about whether Fanucci would be satisfied with two hundred dollars. Tessio thought he might.
   Clemenza was positive. “No, that scarface bastard must have found out what we made from the wholesaler who bought the dresses. Fanucci won’t take a dime less than three hundred dollars. We’ll have to pay.”
   Vito was astonished but was careful not to show his astonishment. “Why do we have to pay him? What can he do to the three of us? We’re stronger than him. We have guns. Why do we have to hand over the money we earned?”
   Clemenza explained patiently. “Fanucci has friends, real brutes. He has connections with the police. He’d like us to tell him our plans because he could set us up for the gyps and earn their gratitude. Then they would owe him a favor. That’s how he operates. And he has a license from Maranzalla himself to work this neighborhood.” Maranzalla was a gangster often in the newspapers, reputed to be the leader of a criminal ring specializing in extortion, gambling and armed robbery.
   Clemenza served wine that he had made himself. His wife, after putting a plate of salami, olives and a loaf of Italian bread on the table, went down to sit with her women cronies in front of the building, carrying her chair with her. She was a young Italian girl only a few years in the country and did not yet understand English.
   Vito Corleone sat with his two friends and drank wine. He had never used his intelligence before as he was using it now. He was surprised at how clearly he could think. He recalled everything he knew about Fanucci. He remembered the day the man had had his throat cut and had run down the street holding his fedora under his chin to catch the dripping blood. He remembered the murder of the man who had wield the knife and the other two having their sentences removed by paying an indemnity. And suddenly he was sure that Fanucci had no great connections, could not possibly have. Not a man who informed to the police. Not a man who allowed his vengeance to be bought off. A real Mafioso chief would have had the other two men killed also. No. Fanucci had got lucky and killed one man but had known he could not kill the other two after they were alerted. And so he had allowed himself to be paid. It was the personal brutal force of the man that allowed him to levy tribute on the shopkeepers, the gambling games that ran in the tenement apartments. But Vito Corleone knew of at least one gambling game that had never paid Fanucci tributes and nothing had ever happened to the men running it.
   And so it was Fanucci alone. Or Fanucci with some gunmen hired for special jobs on a strictly cash basis. Which left Vito Corleone with another decision. The course his own life must take.
   It was from this experience came his oft-repeated belief that every man has but one destiny. On that night he could have paid Fanucci the tribute and have become again a grocery clerk with perhaps his own grocery store in the years to come. But destiny had decided that he was to become a Don and had brought Fanucci to him to set him on his destined path.
   When they finished the bottle of wine, Vito said cautiously to Clemenza and Tessio, “If you like, why not give me two hundred dollars each to pay to Fanucci? I guarantee he will accept that amount from me. Then leave everything in my hands. I’ll settle this problem to your satisfaction.”
   At once Clemenza’s eyes gleamed with suspicion. Vito said to him coldly, “I never lie to people I have accepted as my friends. Speak to Fanucci yourself tomorrow. Let him ask you for the money. But don’t pay him. And don’t in any way quarrel with him. Tell him you have to get the money and will give it to me to give him. Let him understand that you are willing to pay what he asks. Don’t bargain. I’ll quarrel over the price with him. There’s no point making him angry with us if he’s as dangerous a man as you say he is.”
   They left it at that. The next day Clemenza spoke with Fanucci to make sure that Vito was not making up the story. Then Clemenza came to Vito’s apartment and gave him the two hundred dollars. He peered at Vito Corleone and said, “Fanucci told me nothing below three hundred dollars, how will you make him take less?”
   Vito Corleone said reasonably, “Surely that’s no concern of yours. Just remember that I’ve done you a service.”
   Tessio came later. Tessio was more reserved than Clemenza, sharper, more clever but with less force. He sensed something amiss, something not quite right. He was a little worried. He said to Vito Corleone, “Watch yourself with that bastard of a Black Hand, he’s tricky as a priest. Do you want me to be here when you hand him the money, as a witness?”
   Vito Corleone shook his head. He didn’t even bother to answer. He merely said to Tessio, “Tell Fanucci I’ll pay him the money here, in my house at nine o’clock tonight. I’ll have to give him a glass of wine and talk, reason with him to take the lesser sum.”
   Tessio shook his head. “You won’t have much luck. Fanucci never retreats.”
   “I’ll reason with him,” Vito Corleone said. It was to become a famous phrase in the years to come. It was to become the warning rattle before a deadly strike. When he became a Don and asked opponents to sit down and reason with him, they understood it was the last chance to resolve an affair without bloodshed and murder.
   Vito Corleone told his wife to take the two children, Sonny and Fredo, down into the street after supper and on no account to let them come up to the house until he gave her permission. She was to sit on guard at the tenement door. He had some private business with Fanucci that could not be interrupted. He saw the look of fear on her face and was angry. He said to her quietly, “Do you think you’ve married a fool?” She didn’t answer. She did not answer because she was frightened, not of Fanucci now, but of her husband. He was changing visibly before her eyes, hour by hour, into a man who radiated some dangerous force. He had always been quiet, speaking little, but always gentle, always reasonable, which was extraordinary in a young Sicilian male. What she was seeing was the shedding of his protective coloration of a harmless nobody now that he was ready to start on his destiny. He had started late, he was twenty-five years old, but he was to start with a flourish.
   Vito Corleone had decided to murder Fanucci. By doing so he would have an extra seven hundred dollars in his bankroll. The three hundred dollars he himself would have to pay the Black Hand terrorist and the two hundred dollars from Tessio and the two hundred dollars from Clemenza. If he did not kill Fanucci, he would have to pay the man seven hundred dollars cold cash. Fanucci alive was not worth seven hundred dollars to him. He would not pay seven hundred dollars to keep Fanucci alive. If Fanucci needed seven hundred dollars for an operation to save his life, he would not give Fanucci seven hundred dollars for the surgeon. He owed Fanucci no personal debt of gratitude, they were not blood relatives, he did not love Fanucci. Why, then, should he give Fanucci seven hundred dollars?
   And it followed inevitably, that since Fanucci wished to take seven hundred dollars from him by force, why should he not kill Fanucci? Surely the world could do without such a person.
   There were of course some practical reasons. Fanucci might indeed have powerful friends who would seek vengeance. Fanucci himself was a dangerous man, not so easily killed. There were the police and the electric chair. But Vito Corleone had lived under a sentence of death since the murder of his father. As a boy of twelve he had fled his executioners and crossed the ocean into a strange land, taking a strange name. And years of quiet observation had convinced him that he had more intelligence and more courage than other men, though he had never had the opportunity to use that intelligence and courage.
   And yet he hesitated before taking the first step toward his destiny. He even packed the seven hundred dollars in a single fold of bills and put the money in a convenient sick pocket of his trousers. But he put the money in the left side of his trousers. In the right-hand pocket he put the gun Clemenza had given him to use in the hijacking of the silk truck.
   Fanucci came promptly at nine in the evening. Vito Corleone set out a jug of homemade wine that Clemenza had given him.
   Fanucci put his white fedora on the table beside the jug of wine. He loosened his broad multiflowered tie, its tomato stains camouflaged by the bright patterns. The summer night was hot, the gaslight feeble. It was very quiet in the apartment. But Vito Corleone was icy. To show his good faith he handed over the roll of bills and watched carefully as Fanucci, after counting it, took out a wide leather wallet and stuffed the money inside. Fanucci sipped his glass of wine and said, “You still owe me two hundred dollars.” His heavy-browed face was expressionless.
   Vito Corleone said in his cool reasonable voice, “I’m a little short, I’ve been out of work. Let me owe you the money for a few weeks.”
   This was a permissible gambit. Fanucci had the bulk of the money and would wait. He might even be persuaded to take nothing more or to wait a little longer. He chuckled over his wine and said, “Ah, you’re a sharp young fellow. How is it I’ve never noticed you before? You’re too quiet a chap for your own interest. I could find some work for you to do that would be very profitable.”
   Vito Corleone showed his interest with a polite nod and filled up the man’s glass from the purple jug. But Fanucci thought better of what he was going to say and rose from his chair and shook Vito’s hand. “Good night, young fellow,” he said. “No hard feelings, eh? If I can ever do you a service let me know. You’ve done a good job for yourself tonight.”
   Vito let Fanucci go down the stairs and out the building. The street was thronged with witnesses to show that he had left the Corleone home safely. Vito watched from the window. He saw Fanucci turn the corner toward 11th Avenue and knew he was headed toward his apartment, probably to put away his loot before coming out on the streets again. Perhaps to put away his gun. Vito Corleone left his apartment and ran up the stairs to the roof. He traveled over the square block of roofs and descended down the steps of an empty loft building fire escape that left him in the back yard. He kicked the back door open and went through the front door. Across the street was Fanucci’s tenement apartment house.
   The village of tenements extended only as far west as Tenth Avenue. Eleventh Avenue was mostly warehouses and lofts rented by firms who shipped by New York Central Railroad and wanted access to the freight yards that honeycombed the area from Eleventh Avenue to the Hudson River. Fanucci’s apartment house was one of the few left standing in this wilderness and was occupied mostly by bachelor trainmen, yard workers, and the cheapest prostitutes. These people did not sit in the street and gossip like honest Italians, they sat in beer taverns guzzling their pay. So Vito Corleone found it an easy matter to slip across the deserted Eleventh Avenue and into the vestibule of Fanucci’s apartment house. There he drew the gun he had never fired and waited for Fanucci.
   He watched through the glass door of the vestibule, knowing Fanucci would come down from Tenth Avenue. Clemenza had showed him the safety on the gun and he had triggered it empty. But as a young boy in Sicily at the early age of nine, he had often gone hunting with’his father, had often fired the heavy shotgun called the lupara. It was his skill with the lupara even as a small boy that had brought the sentence of death upon him by his father’s murderers.
   Now waiting in the darkened hallway, he saw the white blob of Fanucci crossing the street toward the doorway. Vito stepped back, shoulders pressed against the inner door that led to the stairs. He held his gun out to fire. His extended hand was only two paces from the outside door. The door swung in. Fanucci, white, broad, smelly, filled the square of light. Vito Corleone fired.
   The opened door let some of the sound escape into the street, the rest of the gun’s explosion shook the building. Fanucci was holding on to the sides of the door, trying to stand erect, trying to reach for his gun. The force of his struggle had torn the buttons off his jacket and made it swing loose. His gun was exposed but so was a spidery vein of red on the white shirtfront of his stomach. Very carefully, as if he were plunging a needle into a vein, Vito Corleone fired his second bullet into that red web.
   Fanucci fell to his knees, propping the door open. He let out a terrible groan, the groan of a man in great physical distress that was almost comical. He kept giving these groans; Vito remembered hearing at least three of them before he put the gun against Fanucci’s sweaty, suety cheek and fired into his brain. No more than five seconds had passed when Fanucci slumped into death, jamming the door open with his body.
   Very carefully Vito took the wide wallet out of the dead man’s jacket pocket and put it inside his shirt. Then he walked across the street into the loft building, through that into the yard and climbed the fire escape to the roof. From there he surveyed the street. Fanucci’s body was still lying in the doorway but there was no sign of any other person. Two windows had gone up in the tenement and he could see dark heads poked out but since he could not see their features they had certainly not seen his. And such men would not give information to the police. Fanucci might lie there until dawn or until a patrolman making the rounds stumbled on his body. No person in that house would deliberately expose himself to police suspicion or questioning. They would lock their doors and pretend they had heard nothing.
   He could take his time. He traveled over the rooftops to his own roof door and down to his own flat. He unlocked the door, went inside and then locked the door behind him. He rifled the dead man’s wallet. Besides the seven hundred dollars he had given Fanucci there were only some singles and a five-dollar note.
   Tucked inside the flap was an old five-dollar gold piece, probably a luck token. If Fanucci was a rich gangster, he certainly did not carry his wealth with him. This confirmed some of Vito’s suspicions.
   He knew he had to get rid of the wallet and the gun (knowing enough even then that he must leave the gold piece in the wallet). He went up on the roof again and traveled over a few ledges. He threw the wallet down one air shaft and then he emptied the gun of bullets and smashed its barrel against the roof ledge. The barrel wouldn’t break. He reversed it in his hand and smashed the butt against the side of a chimney. The butt split into two halves. He smashed it again and the pistol broke into barrel and handle, two separate pieces. He used a separate air shaft for each. They made no sound when they struck the earth five stories below, but sank into the soft hill of garbage that had accumulated there. In the morning more garbage would be thrown out of the windows and, with luck, would cover everything. Vito returned to his apartment.
   He was trembling a little but was absolutely under control. He changed his clothes and fearful that some blood might have splattered on them, he threw them into a metal tub his wife used for washing. He took lye and heavy brown laundry soap to soak the clothes and scrubbed them with the metal wash board beneath the sink. Then he scoured tub and sink with lye and soap. He found a bundle of newly washed clothes in the corner of the bedroom and mingled his own clothes with these. Then he put on a fresh shirt and trousers and went down to join his wife and children and neighbors in front of the tenement.
   All these precautions proved to be unnecessary. The police, after discovering the dead body at dawn, never questioned Vito Corleone. Indeed he was astonished that they never learned about Fanucci’s visit to his home on the night he was shot to death. He had counted on that for an alibi, Fanucci leaving the tenement alive. He only learned later that the police had been delighted with the murder of Fanucci and not too anxious to pursue his killers. They had assumed it was another gang execution, and had questioned hoodlums with records in the rackets and a history of strongarm. Since Vito had never been in trouble he never came into the picture.
   But if he had outwitted the police, his partners were another matter. Pete Clemenza and Tessio avoided him for the next week, for the next two weeks, then they came to call on him one evening. They came with obvious respect. Vito Corleone greeted them with impassive courtesy and served them wine.
   Clemenza spoke first. He said softly, “Nobody is collecting from the store owners on Ninth Avenue. Nobody is collecting from the card games and gambling in the neighborhood.”
   Vito Corleone gazed at both men steadily but did not reply. Tessio spoke. “We could take over Fanucci’s customers. They would pay us.”
   Vito Corleone shrugged. “Why come to me? I have no interest in such things.”
   Clemenza laughed. Even in his youth, before growing his enormous belly, he had a fat man’s laugh. He said now to Vito Corleone, “How about that gun I gave you for the truck job? Since you won’t need it any more you can give it back to me.”
   Very slowly and deliberately Vito Corleone took a wad of bills out of his side pocket and peeled off five tens. “Here, I’ll pay you. I threw the gun away after the truck job.” He smiled at the two men.
   At that time Vito Corleone did not know the effect of this smile. It was chilling because it attempted no menace. He smiled as if it was some private joke only he himself could appreciate. But since he smiled in that fashion only in affairs that were lethal, and since the joke was not really private and since his eyes did not smile, and since his outward character was usually so reasonable and quiet, the sudden unmasking of his true self was frightening.
   Clemenza shook his head. “I don’t want the money,” he said. Vito pocketed the bills. He waited. They all understood each other. They knew he had killed Fanucci and though they never spoke about it to anyone the whole neighborhood, within a few weeks, also knew. Vito Corleone was treated as a “man of respect” by everyone. But he made no attempt to take over the Fanucci rackets and tributes.
   What followed then was inevitable. One night Vito’s wife brought a neighbor, a widow, to the flat. The woman was Italian and of unimpeachable character. She worked hard to keep a home for her fatherless children. Her sixteen-year-old son brought home his pay envelope sealed, to hand over to her in the old-country style; her seventeen-year-old daughter, a dressmaker, did the same. The whole family sewed buttons on cards at night at slave labor piece rates. The woman’s name was Signora Colombo.
   Vito Corleone’s wife said, “The Signora has a favor to ask of you. She is having some trouble.”
   Vito Corleone expected to be asked for money, which he was ready to give. But it seemed that Mrs. Colombo owned a dog which her youngest son adored. The landlord had received complaints on the dog barking at night and had told Mrs. Colombo to get rid of it. She had pretended to do so: The landlord had found out that she had deceived him and had ordered her to vacate her apartment. She had promised this time to truly get rid of the dog and she had done so. But the landlord was so angry that he would not revoke his order. She had to get out or the police would be summoned to put her out. And her poor little boy had cried so when they had given the dog away to relatives who lived in Long Island. All for nothing, they would lose their home.
   Vito Corleone asked her gently, “Why do you ask me to help you?”
   Mrs. Colombo nodded toward his wife. “She told me to ask you.”
   He was surprised. His wife had never questioned him about the clothes he had washed the night he had murdered Fanucci. Had never asked him where all the money came from when he was not working. Even now her face was impassive. Vito said to Mrs. Colombo, “I can give you some money to help you move, is that what you want?”
   The woman shook her head, she was in tears. “All my friends are here, all the girls I grew up with in Italy. How can I move to another neighborhood with strangers? I want you to speak to the landlord to let me stay.”
   Vito nodded. “It’s done then. You won’t have to move. I’ll speak to him tomorrow morning.”
   His wife gave him a smile which he did not acknowledge, but he felt pleased. Mrs. Colombo looked a little uncertain. “You’re sure he’ll say yes, the landlord?” she asked.
   “Signor Roberto?” Vito said in a surprised voice. “Of course he will. He’s a good-hearted fellow. Once I explain how things are with you he’ll take pity on your misfortunes. Now don’t let it trouble you any more. Don’t get so upset. Guard your health, for the sake of your children.”
 

* * *

 
   The landlord, Mr. Roberto, came to the neighborhood every day to check on the row of five tenements that he owned. He was a padrone, a man who sold Italian laborers just off the boat to the big corporations. With his profits he had bought the tenements one by one. An educated man from the North of Italy, he felt only contempt for these illiterate Southerners from Sicily and Naples, who swarmed like vermin through his buildings, who threw garbage down the air shafts, who let cockroaches and rats eat away his walls without lifting a hand to preserve his property. He was not a bad man, he was a good husband and father, but constant worry about his investments, about the money he earned, about the inevitable expenses that came with being a man of property had worn his nerves to a frazzle so that he was in a constant state of irritation. When Vito Corleone stopped him on the street to ask for a word, Mr. Roberto was brusque. Not rude, since any one of these Southerners might stick a knife into you if rubbed the wrong way, though this young man looked like a quiet fellow.
   “Signor Roberto,” said Vito Corleone, “the friend of my wife, a poor widow with no man to protect her, tells me that for some reason she has been ordered to move from her apartment in your building. She is in despair. She has no money, she has no friends except those that live here. I told her that I would speak to you, that you are a reasonable man who acted out of some misunderstanding. She has gotten rid of the animal that caused all the trouble and so why shouldn’t she stay? As one Italian to another, I ask you the favor.”
   Signor Roberto studied the young man in front of him. He saw a man of medium stature but strongly built, a peasant but not a bandit, though he so laughably dared to call himself an Italian. Roberto shrugged. “I have already rented the apartment to another family for higher rent,” he said. “I cannot disappoint them for the sake of your friend.”