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Sound a flourish. [Enter Trumpets and Kettledrums. Danish
march. [Enter King, Queen, Polonius, Ophelia, Rosencrantz,
Guildenstern, and other Lords attendant, with the Guard
carrying torches.
Ham. They are coming to the play. I must be idle.
Get you a place.
King. How fares our cousin Hamlet?
Ham. Excellent, i' faith; of the chameleon's dish. I eat the air,
promise-cramm'd. You cannot feed capons so.
King. I have nothing with this answer, Hamlet. These words are not
mine.
Ham. No, nor mine now. [To Polonius] My lord, you play'd once
i' th' university, you say?
Pol. That did I, my lord, and was accounted a good actor.
Ham. What did you enact?
Pol. I did enact Julius Caesar; I was kill'd i' th' Capitol; Brutus
kill'd me.
Ham. It was a brute part of him to kill so capital a calf there. Be
the players ready.
Ros. Ay, my lord. They stay upon your patience.
Queen. Come hither, my dear Hamlet, sit by me.
Ham. No, good mother. Here's metal more attractive.
Pol. [to the King] O, ho! do you mark that?
Ham. Lady, shall I lie in your lap?
[Sits down at Ophelia's feet.]
Oph. No, my lord.
Ham. I mean, my head upon your lap?
Oph. Ay, my lord.
Ham. Do you think I meant country matters?
Oph. I think nothing, my lord.
Ham. That's a fair thought to lie between maids' legs.
Oph. What is, my lord?
Ham. Nothing.
Oph. You are merry, my lord.
Ham. Who, I?
Oph. Ay, my lord.
Ham. O God, your only jig-maker! What should a man do but be merry?
For look you how cheerfully my mother looks, and my father died
within 's two hours.
Oph. Nay 'tis twice two months, my lord.
Ham. So long? Nay then, let the devil wear black, for I'll have a
suit of sables. O heavens! die two months ago, and not forgotten
yet? Then there's hope a great man's memory may outlive his life
half a year. But, by'r Lady, he must build churches then; or else
shall he suffer not thinking on, with the hobby-horse, whose
epitaph is 'For O, for O, the hobby-horse is forgot!'
Hautboys play. The dumb show enters.
Enter a King and a Queen very lovingly; the Queen embracing
him and he her. She kneels, and makes show of protestation
unto him. He takes her up, and declines his head upon her
neck. He lays him down upon a bank of flowers. She, seeing
him asleep, leaves him. Anon comes in a fellow, takes off his
crown, kisses it, pours poison in the sleeper's ears, and
leaves him. The Queen returns, finds the King dead, and makes
passionate action. The Poisoner with some three or four Mutes,
comes in again, seem to condole with her. The dead body is
carried away. The Poisoner wooes the Queen with gifts; she
seems harsh and unwilling awhile, but in the end accepts
his love.
Exeunt.
Oph. What means this, my lord?
Ham. Marry, this is miching malhecho; it means mischief.
Oph. Belike this show imports the argument of the play.
Enter Prologue.
Ham. We shall know by this fellow. The players cannot keep counsel;
they'll tell all.
Oph. Will he tell us what this show meant?
Ham. Ay, or any show that you'll show him. Be not you asham'd to
show, he'll not shame to tell you what it means.
Oph. You are naught, you are naught! I'll mark the play.
Pro. For us, and for our tragedy,
Here stooping to your clemency,
We beg your hearing patiently. [Exit.]
Ham. Is this a prologue, or the posy of a ring?
Oph. 'Tis brief, my lord.
Ham. As woman's love.
Enter [two Players as] King and Queen.
King. Full thirty times hath Phoebus' cart gone round
Neptune's salt wash and Tellus' orbed ground,
And thirty dozed moons with borrowed sheen
About the world have times twelve thirties been,
Since love our hearts, and Hymen did our hands,
Unite comutual in most sacred bands.
Queen. So many journeys may the sun and moon
Make us again count o'er ere love be done!
But woe is me! you are so sick of late,
So far from cheer and from your former state.
That I distrust you. Yet, though I distrust,
Discomfort you, my lord, it nothing must;
For women's fear and love holds quantity,
In neither aught, or in extremity.
Now what my love is, proof hath made you know;
And as my love is siz'd, my fear is so.
Where love is great, the littlest doubts are fear;
Where little fears grow great, great love grows there.
King. Faith, I must leave thee, love, and shortly too;
My operant powers their functions leave to do.
And thou shalt live in this fair world behind,
Honour'd, belov'd, and haply one as kind
For husband shalt thou-
Queen. O, confound the rest!
Such love must needs be treason in my breast.
When second husband let me be accurst!
None wed the second but who killed the first.
Ham. [aside] Wormwood, wormwood!
Queen. The instances that second marriage move
Are base respects of thrift, but none of love.
A second time I kill my husband dead
When second husband kisses me in bed.
King. I do believe you think what now you speak;
But what we do determine oft we break.
Purpose is but the slave to memory,
Of violent birth, but poor validity;
Which now, like fruit unripe, sticks on the tree,
But fill unshaken when they mellow be.
Most necessary 'tis that we forget
To pay ourselves what to ourselves is debt.
What to ourselves in passion we propose,
The passion ending, doth the purpose lose.
The violence of either grief or joy
Their own enactures with themselves destroy.
Where joy most revels, grief doth most lament;
Grief joys, joy grieves, on slender accident.
This world is not for aye, nor 'tis not strange
That even our loves should with our fortunes change;
For 'tis a question left us yet to prove,
Whether love lead fortune, or else fortune love.
The great man down, you mark his favourite flies,
The poor advanc'd makes friends of enemies;
And hitherto doth love on fortune tend,
For who not needs shall never lack a friend,
And who in want a hollow friend doth try,
Directly seasons him his enemy.
But, orderly to end where I begun,
Our wills and fates do so contrary run
That our devices still are overthrown;
Our thoughts are ours, their ends none of our own.
So think thou wilt no second husband wed;
But die thy thoughts when thy first lord is dead.
Queen. Nor earth to me give food, nor heaven light,
Sport and repose lock from me day and night,
To desperation turn my trust and hope,
An anchor's cheer in prison be my scope,
Each opposite that blanks the face of joy
Meet what I would have well, and it destroy,
Both here and hence pursue me lasting strife,
If, once a widow, ever I be wife!
Ham. If she should break it now!
King. 'Tis deeply sworn. Sweet, leave me here awhile.
My spirits grow dull, and fain I would beguile
The tedious day with sleep.
Queen. Sleep rock thy brain,
[He] sleeps.
And never come mischance between us twain!
Exit.
Ham. Madam, how like you this play?
Queen. The lady doth protest too much, methinks.
Ham. O, but she'll keep her word.
King. Have you heard the argument? Is there no offence in't?
Ham. No, no! They do but jest, poison in jest; no offence i' th'
world.
King. What do you call the play?
Ham. 'The Mousetrap.' Marry, how? Tropically. This play is the
image of a murther done in Vienna. Gonzago is the duke's name;
his wife, Baptista. You shall see anon. 'Tis a knavish piece of
work; but what o' that? Your Majesty, and we that have free
souls, it touches us not. Let the gall'd jade winch; our withers
are unwrung.
Enter Lucianus.
This is one Lucianus, nephew to the King.
Oph. You are as good as a chorus, my lord.
Ham. I could interpret between you and your love, if I could see
the puppets dallying.
Oph. You are keen, my lord, you are keen.
Ham. It would cost you a groaning to take off my edge.
Oph. Still better, and worse.
Ham. So you must take your husbands.- Begin, murtherer. Pox, leave
thy damnable faces, and begin! Come, the croaking raven doth
bellow for revenge.
Luc. Thoughts black, hands apt, drugs fit, and time agreeing;
Confederate season, else no creature seeing;
Thou mixture rank, of midnight weeds collected,
With Hecate's ban thrice blasted, thrice infected,
Thy natural magic and dire property
On wholesome life usurp immediately.
Pours the poison in his ears.
Ham. He poisons him i' th' garden for's estate. His name's Gonzago.
The story is extant, and written in very choice Italian. You
shall see anon how the murtherer gets the love of Gonzago's wife.
Oph. The King rises.
Ham. What, frighted with false fire?
Queen. How fares my lord?
Pol. Give o'er the play.
King. Give me some light! Away!
All. Lights, lights, lights!
Exeunt all but Hamlet and Horatio.
Ham. Why, let the strucken deer go weep,
The hart ungalled play;
For some must watch, while some must sleep:
Thus runs the world away.
Would not this, sir, and a forest of feathers- if the rest of my
fortunes turn Turk with me-with two Provincial roses on my raz'd
shoes, get me a fellowship in a cry of players, sir?
Hor. Half a share.
Ham. A whole one I!
For thou dost know, O Damon dear,
This realm dismantled was
Of Jove himself; and now reigns here
A very, very- pajock.
Hor. You might have rhym'd.
Ham. O good Horatio, I'll take the ghost's word for a thousand
pound! Didst perceive?
Hor. Very well, my lord.
Ham. Upon the talk of the poisoning?
Hor. I did very well note him.
Ham. Aha! Come, some music! Come, the recorders!
For if the King like not the comedy,
Why then, belike he likes it not, perdy.
Come, some music!
Enter Rosencrantz and Guildenstern.
Guil. Good my lord, vouchsafe me a word with you.
Ham. Sir, a whole history.
Guil. The King, sir-
Ham. Ay, sir, what of him?
Guil. Is in his retirement, marvellous distemper'd.
Ham. With drink, sir?
Guil. No, my lord; rather with choler.
Ham. Your wisdom should show itself more richer to signify this to
the doctor; for me to put him to his purgation would perhaps
plunge him into far more choler.
Guil. Good my lord, put your discourse into some frame, and start
not so wildly from my affair.
Ham. I am tame, sir; pronounce.
Guil. The Queen, your mother, in most great affliction of spirit
hath sent me to you.
Ham. You are welcome.
Guil. Nay, good my lord, this courtesy is not of the right breed.
If it shall please you to make me a wholesome answer, I will do
your mother's commandment; if not, your pardon and my return
shall be the end of my business.
Ham. Sir, I cannot.
Guil. What, my lord?
Ham. Make you a wholesome answer; my wit's diseas'd. But, sir, such
answer is I can make, you shall command; or rather, as you say,
my mother. Therefore no more, but to the matter! My mother, you
say-
Ros. Then thus she says: your behaviour hath struck her into
amazement and admiration.
Ham. O wonderful son, that can so stonish a mother! But is there no
sequel at the heels of this mother's admiration? Impart.
Ros. She desires to speak with you in her closet ere you go to bed.
Ham. We shall obey, were she ten times our mother. Have you any
further trade with us?
Ros. My lord, you once did love me.
Ham. And do still, by these pickers and stealers!
Ros. Good my lord, what is your cause of distemper? You do surely
bar the door upon your own liberty, if you deny your griefs to
your friend.
Ham. Sir, I lack advancement.
Ros. How can that be, when you have the voice of the King himself
for your succession in Denmark?
Ham. Ay, sir, but 'while the grass grows'- the proverb is something
musty.
Enter the Players with recorders.
O, the recorders! Let me see one. To withdraw with you- why do
you go about to recover the wind of me, as if you would drive me
into a toil?
Guil. O my lord, if my duty be too bold, my love is too unmannerly.
Ham. I do not well understand that. Will you play upon this pipe?
Guil. My lord, I cannot.
Ham. I pray you.
Guil. Believe me, I cannot.
Ham. I do beseech you.
Guil. I know, no touch of it, my lord.
Ham. It is as easy as lying. Govern these ventages with your
fingers and thumbs, give it breath with your mouth, and it will
discourse most eloquent music. Look you, these are the stops.
Guil. But these cannot I command to any utt'rance of harmony. I
have not the skill.
Ham. Why, look you now, how unworthy a thing you make of me! You
would play upon me; you would seem to know my stops; you would
pluck out the heart of my mystery; you would sound me from my
lowest note to the top of my compass; and there is much music,
excellent voice, in this little organ, yet cannot you make it
speak. 'Sblood, do you think I am easier to be play'd on than a
pipe? Call me what instrument you will, though you can fret me,
you cannot play upon me.
Enter Polonius.
God bless you, sir!
Pol. My lord, the Queen would speak with you, and presently.
Ham. Do you see yonder cloud that's almost in shape of a camel?
Pol. By th' mass, and 'tis like a camel indeed.
Ham. Methinks it is like a weasel.
Pol. It is back'd like a weasel.
Ham. Or like a whale.
Pol. Very like a whale.
Ham. Then will I come to my mother by-and-by.- They fool me to the
top of my bent.- I will come by-and-by.
Pol. I will say so. Exit.
Ham. 'By-and-by' is easily said.- Leave me, friends.
[Exeunt all but Hamlet.]
'Tis now the very witching time of night,
When churchyards yawn, and hell itself breathes out
Contagion to this world. Now could I drink hot blood
And do such bitter business as the day
Would quake to look on. Soft! now to my mother!
O heart, lose not thy nature; let not ever
The soul of Nero enter this firm bosom.
Let me be cruel, not unnatural;
I will speak daggers to her, but use none.
My tongue and soul in this be hypocrites-
How in my words somever she be shent,
To give them seals never, my soul, consent! Exit.
Scene III.
A room in the Castle.
Enter King, Rosencrantz, and Guildenstern.
King. I like him not, nor stands it safe with us
To let his madness range. Therefore prepare you;
I your commission will forthwith dispatch,
And he to England shall along with you.
The terms of our estate may not endure
Hazard so near us as doth hourly grow
Out of his lunacies.
Guil. We will ourselves provide.
Most holy and religious fear it is
To keep those many many bodies safe
That live and feed upon your Majesty.
Ros. The single and peculiar life is bound
With all the strength and armour of the mind
To keep itself from noyance; but much more
That spirit upon whose weal depends and rests
The lives of many. The cesse of majesty
Dies not alone, but like a gulf doth draw
What's near it with it. It is a massy wheel,
Fix'd on the summit of the highest mount,
To whose huge spokes ten thousand lesser things
Are mortis'd and adjoin'd; which when it falls,
Each small annexment, petty consequence,
Attends the boist'rous ruin. Never alone
Did the king sigh, but with a general groan.
King. Arm you, I pray you, to th', speedy voyage;
For we will fetters put upon this fear,
Which now goes too free-footed.
Both. We will haste us.
Exeunt Gentlemen.
Enter Polonius.
Pol. My lord, he's going to his mother's closet.
Behind the arras I'll convey myself
To hear the process. I'll warrant she'll tax him home;
And, as you said, and wisely was it said,
'Tis meet that some more audience than a mother,
Since nature makes them partial, should o'erhear
The speech, of vantage. Fare you well, my liege.
I'll call upon you ere you go to bed
And tell you what I know.
King. Thanks, dear my lord.
Exit [Polonius].
O, my offence is rank, it smells to heaven;
It hath the primal eldest curse upon't,
A brother's murther! Pray can I not,
Though inclination be as sharp as will.
My stronger guilt defeats my strong intent,
And, like a man to double business bound,
I stand in pause where I shall first begin,
And both neglect. What if this cursed hand
Were thicker than itself with brother's blood,
Is there not rain enough in the sweet heavens
To wash it white as snow? Whereto serves mercy
But to confront the visage of offence?
And what's in prayer but this twofold force,
To be forestalled ere we come to fall,
Or pardon'd being down? Then I'll look up;
My fault is past. But, O, what form of prayer
Can serve my turn? 'Forgive me my foul murther'?
That cannot be; since I am still possess'd
Of those effects for which I did the murther-
My crown, mine own ambition, and my queen.
May one be pardon'd and retain th' offence?
In the corrupted currents of this world
Offence's gilded hand may shove by justice,
And oft 'tis seen the wicked prize itself
Buys out the law; but 'tis not so above.
There is no shuffling; there the action lies
In his true nature, and we ourselves compell'd,
Even to the teeth and forehead of our faults,
To give in evidence. What then? What rests?
Try what repentance can. What can it not?
Yet what can it when one cannot repent?
O wretched state! O bosom black as death!
O limed soul, that, struggling to be free,
Art more engag'd! Help, angels! Make assay.
Bow, stubborn knees; and heart with strings of steel,
Be soft as sinews of the new-born babe!
All may be well. He kneels.
Enter Hamlet.
Ham. Now might I do it pat, now he is praying;
And now I'll do't. And so he goes to heaven,
And so am I reveng'd. That would be scann'd.
A villain kills my father; and for that,
I, his sole son, do this same villain send
To heaven.
Why, this is hire and salary, not revenge!
He took my father grossly, full of bread,
With all his crimes broad blown, as flush as May;
And how his audit stands, who knows save heaven?
But in our circumstance and course of thought,
'Tis heavy with him; and am I then reveng'd,
To take him in the purging of his soul,
When he is fit and seasoned for his passage?
No.
Up, sword, and know thou a more horrid hent.
When he is drunk asleep; or in his rage;
Or in th' incestuous pleasure of his bed;
At gaming, swearing, or about some act
That has no relish of salvation in't-
Then trip him, that his heels may kick at heaven,
And that his soul may be as damn'd and black
As hell, whereto it goes. My mother stays.
This physic but prolongs thy sickly days. Exit.
King. [rises] My words fly up, my thoughts remain below.
Words without thoughts never to heaven go. Exit.
Scene IV.
The Queen's closet.
Enter Queen and Polonius.
Pol. He will come straight. Look you lay home to him.
Tell him his pranks have been too broad to bear with,
And that your Grace hath screen'd and stood between
Much heat and him. I'll silence me even here.
Pray you be round with him.
Ham. (within) Mother, mother, mother!
Queen. I'll warrant you; fear me not. Withdraw; I hear him coming.
[Polonius hides behind the arras.]
Enter Hamlet.
Ham. Now, mother, what's the matter?
Queen. Hamlet, thou hast thy father much offended.
Ham. Mother, you have my father much offended.
Queen. Come, come, you answer with an idle tongue.
Ham. Go, go, you question with a wicked tongue.
Queen. Why, how now, Hamlet?
Ham. What's the matter now?
Queen. Have you forgot me?
Ham. No, by the rood, not so!
You are the Queen, your husband's brother's wife,
And (would it were not so!) you are my mother.
Queen. Nay, then I'll set those to you that can speak.
Ham. Come, come, and sit you down. You shall not budge I
You go not till I set you up a glass
Where you may see the inmost part of you.
Queen. What wilt thou do? Thou wilt not murther me?
Help, help, ho!
Pol. [behind] What, ho! help, help, help!
Ham. [draws] How now? a rat? Dead for a ducat, dead!
[Makes a pass through the arras and] kills Polonius.
Pol. [behind] O, I am slain!
Queen. O me, what hast thou done?
Ham. Nay, I know not. Is it the King?
Queen. O, what a rash and bloody deed is this!
Ham. A bloody deed- almost as bad, good mother,
As kill a king, and marry with his brother.
Queen. As kill a king?
Ham. Ay, lady, it was my word.
[Lifts up the arras and sees Polonius.]
Thou wretched, rash, intruding fool, farewell!
I took thee for thy better. Take thy fortune.
Thou find'st to be too busy is some danger.
Leave wringing of your hinds. Peace! sit you down
And let me wring your heart; for so I shall
If it be made of penetrable stuff;
If damned custom have not braz'd it so
That it is proof and bulwark against sense.
Queen. What have I done that thou dar'st wag thy tongue
In noise so rude against me?
Ham. Such an act
That blurs the grace and blush of modesty;
Calls virtue hypocrite; takes off the rose
From the fair forehead of an innocent love,
And sets a blister there; makes marriage vows
As false as dicers' oaths. O, such a deed
As from the body of contraction plucks
The very soul, and sweet religion makes
A rhapsody of words! Heaven's face doth glow;
Yea, this solidity and compound mass,
With tristful visage, as against the doom,
Is thought-sick at the act.
Queen. Ay me, what act,
That roars so loud and thunders in the index?
Ham. Look here upon th's picture, and on this,
The counterfeit presentment of two brothers.
See what a grace was seated on this brow;
Hyperion's curls; the front of Jove himself;
An eye like Mars, to threaten and command;
A station like the herald Mercury
New lighted on a heaven-kissing hill:
A combination and a form indeed
Where every god did seem to set his seal
To give the world assurance of a man.
This was your husband. Look you now what follows.
Here is your husband, like a mildew'd ear
Blasting his wholesome brother. Have you eyes?
Could you on this fair mountain leave to feed,
And batten on this moor? Ha! have you eyes
You cannot call it love; for at your age
The heyday in the blood is tame, it's humble,
And waits upon the judgment; and what judgment
Would step from this to this? Sense sure you have,
Else could you not have motion; but sure that sense
Is apoplex'd; for madness would not err,
Nor sense to ecstacy was ne'er so thrall'd
But it reserv'd some quantity of choice
To serve in such a difference. What devil was't
That thus hath cozen'd you at hoodman-blind?
Eyes without feeling, feeling without sight,
Ears without hands or eyes, smelling sans all,
Or but a sickly part of one true sense
Could not so mope.
O shame! where is thy blush? Rebellious hell,
If thou canst mutine in a matron's bones,
To flaming youth let virtue be as wax
And melt in her own fire. Proclaim no shame
When the compulsive ardour gives the charge,
Since frost itself as actively doth burn,
And reason panders will.
Queen. O Hamlet, speak no more!
Thou turn'st mine eyes into my very soul,
And there I see such black and grained spots
As will not leave their tinct.
Ham. Nay, but to live
In the rank sweat of an enseamed bed,
Stew'd in corruption, honeying and making love
Over the nasty sty!
Queen. O, speak to me no more!
These words like daggers enter in mine ears.
No more, sweet Hamlet!
Ham. A murtherer and a villain!
A slave that is not twentieth part the tithe
Of your precedent lord; a vice of kings;
A cutpurse of the empire and the rule,
That from a shelf the precious diadem stole
And put it in his pocket!
Queen. No more!
Enter the Ghost in his nightgown.
Ham. A king of shreds and patches!-
Save me and hover o'er me with your wings,
You heavenly guards! What would your gracious figure?
Queen. Alas, he's mad!
Ham. Do you not come your tardy son to chide,
That, laps'd in time and passion, lets go by
Th' important acting of your dread command?
O, say!
Ghost. Do not forget. This visitation
Is but to whet thy almost blunted purpose.
But look, amazement on thy mother sits.
O, step between her and her fighting soul
Conceit in weakest bodies strongest works.
Speak to her, Hamlet.
Ham. How is it with you, lady?
Queen. Alas, how is't with you,
That you do bend your eye on vacancy,
And with th' encorporal air do hold discourse?
Forth at your eyes your spirits wildly peep;
And, as the sleeping soldiers in th' alarm,
Your bedded hairs, like life in excrements,
Start up and stand an end. O gentle son,
Upon the beat and flame of thy distemper
Sprinkle cool patience! Whereon do you look?
Ham. On him, on him! Look you how pale he glares!
His form and cause conjoin'd, preaching to stones,
Would make them capable.- Do not look upon me,
Lest with this piteous action you convert
My stern effects. Then what I have to do
Will want true colour- tears perchance for blood.
Queen. To whom do you speak this?
Ham. Do you see nothing there?
Queen. Nothing at all; yet all that is I see.
Ham. Nor did you nothing hear?
Queen. No, nothing but ourselves.
Ham. Why, look you there! Look how it steals away!
My father, in his habit as he liv'd!
Look where he goes even now out at the portal!
Exit Ghost.
Queen. This is the very coinage of your brain.
This bodiless creation ecstasy
Is very cunning in.
Ham. Ecstasy?
My pulse as yours doth temperately keep time
And makes as healthful music. It is not madness
That I have utt'red. Bring me to the test,
And I the matter will reword; which madness
Would gambol from. Mother, for love of grace,
Lay not that flattering unction to your soul
That not your trespass but my madness speaks.
It will but skin and film the ulcerous place,
Whiles rank corruption, mining all within,
Infects unseen. Confess yourself to heaven;
Repent what's past; avoid what is to come;
And do not spread the compost on the weeds
To make them ranker. Forgive me this my virtue;
For in the fatness of these pursy times
Virtue itself of vice must pardon beg-
Yea, curb and woo for leave to do him good.
Queen. O Hamlet, thou hast cleft my heart in twain.
Ham. O, throw away the worser part of it,
And live the purer with the other half,
Good night- but go not to my uncle's bed.
Assume a virtue, if you have it not.
That monster, custom, who all sense doth eat
Of habits evil, is angel yet in this,
That to the use of actions fair and good
He likewise gives a frock or livery,
That aptly is put on. Refrain to-night,
And that shall lend a kind of easiness
To the next abstinence; the next more easy;
For use almost can change the stamp of nature,
And either [master] the devil, or throw him out
With wondrous potency. Once more, good night;
And when you are desirous to be blest,
I'll blessing beg of you.- For this same lord,
I do repent; but heaven hath pleas'd it so,
To punish me with this, and this with me,
That I must be their scourge and minister.
I will bestow him, and will answer well
The death I gave him. So again, good night.
I must be cruel, only to be kind;
Thus bad begins, and worse remains behind.
One word more, good lady.
Queen. What shall I do?
Ham. Not this, by no means, that I bid you do:
Let the bloat King tempt you again to bed;
Pinch wanton on your cheek; call you his mouse;
And let him, for a pair of reechy kisses,
Or paddling in your neck with his damn'd fingers,
Make you to ravel all this matter out,
That I essentially am not in madness,
But mad in craft. 'Twere good you let him know;
For who that's but a queen, fair, sober, wise,
Would from a paddock, from a bat, a gib
Such dear concernings hide? Who would do so?
No, in despite of sense and secrecy,
Unpeg the basket on the house's top,
Let the birds fly, and like the famous ape,
To try conclusions, in the basket creep
And break your own neck down.
Queen. Be thou assur'd, if words be made of breath,
And breath of life, I have no life to breathe
What thou hast said to me.
Ham. I must to England; you know that?
Queen. Alack,
I had forgot! 'Tis so concluded on.
Ham. There's letters seal'd; and my two schoolfellows,
Whom I will trust as I will adders fang'd,
They bear the mandate; they must sweep my way
And marshal me to knavery. Let it work;
For 'tis the sport to have the enginer
Hoist with his own petar; and 't shall go hard
But I will delve one yard below their mines
And blow them at the moon. O, 'tis most sweet
When in one line two crafts directly meet.
This man shall set me packing.
I'll lug the guts into the neighbour room.-
Mother, good night.- Indeed, this counsellor
Is now most still, most secret, and most grave,
Who was in life a foolish peating knave.
Come, sir, to draw toward an end with you.
Good night, mother.
[Exit the Queen. Then] Exit Hamlet, tugging in
Polonius.
ACT IV. Scene I.
Elsinore. A room in the Castle.
Enter King and Queen, with Rosencrantz and Guildenstern.
King. There's matter in these sighs. These profound heaves
You must translate; 'tis fit we understand them.
Where is your son?
Queen. Bestow this place on us a little while.
[Exeunt Rosencrantz and Guildenstern.]
Ah, mine own lord, what have I seen to-night!
King. What, Gertrude? How does Hamlet?
Queen. Mad as the sea and wind when both contend
Which is the mightier. In his lawless fit
Behind the arras hearing something stir,
Whips out his rapier, cries 'A rat, a rat!'
And in this brainish apprehension kills
The unseen good old man.
King. O heavy deed!
It had been so with us, had we been there.
His liberty is full of threats to all-
To you yourself, to us, to every one.
Alas, how shall this bloody deed be answer'd?
It will be laid to us, whose providence
Should have kept short, restrain'd, and out of haunt
This mad young man. But so much was our love
We would not understand what was most fit,
But, like the owner of a foul disease,
To keep it from divulging, let it feed
Even on the pith of life. Where is he gone?
Queen. To draw apart the body he hath kill'd;
O'er whom his very madness, like some ore
Among a mineral of metals base,
Shows itself pure. He weeps for what is done.
King. O Gertrude, come away!
The sun no sooner shall the mountains touch
But we will ship him hence; and this vile deed
We must with all our majesty and skill
Both countenance and excuse. Ho, Guildenstern!
Enter Rosencrantz and Guildenstern.
Friends both, go join you with some further aid.
Hamlet in madness hath Polonius slain,
And from his mother's closet hath he dragg'd him.
Go seek him out; speak fair, and bring the body
Into the chapel. I pray you haste in this.
Exeunt [Rosencrantz and Guildenstern].
Come, Gertrude, we'll call up our wisest friends
And let them know both what we mean to do
And what's untimely done. [So haply slander-]
Whose whisper o'er the world's diameter,
As level as the cannon to his blank,
Transports his poisoned shot- may miss our name
And hit the woundless air.- O, come away!
My soul is full of discord and dismay.
Exeunt.
Scene II.
Elsinore. A passage in the Castle.
Enter Hamlet.
Ham. Safely stow'd.
Gentlemen. (within) Hamlet! Lord Hamlet!
Ham. But soft! What noise? Who calls on Hamlet? O, here they come.
Enter Rosencrantz and Guildenstern.
Ros. What have you done, my lord, with the dead body?
Ham. Compounded it with dust, whereto 'tis kin.
Ros. Tell us where 'tis, that we may take it thence
And bear it to the chapel.
Ham. Do not believe it.
Ros. Believe what?
Ham. That I can keep your counsel, and not mine own. Besides, to be
demanded of a sponge, what replication should be made by the son
of a king?
Ros. Take you me for a sponge, my lord?
Ham. Ay, sir; that soaks up the King's countenance, his rewards,
his authorities. But such officers do the King best service in
the end. He keeps them, like an ape, in the corner of his jaw;
first mouth'd, to be last Swallowed. When he needs what you have
glean'd, it is but squeezing you and, sponge, you shall be dry
again.
Ros. I understand you not, my lord.
Ham. I am glad of it. A knavish speech sleeps in a foolish ear.
Ros. My lord, you must tell us where the body is and go with us to
the King.
Ham. The body is with the King, but the King is not with the body.
The King is a thing-
Guil. A thing, my lord?
Ham. Of nothing. Bring me to him. Hide fox, and all after.
Exeunt.
Scene III.
Elsinore. A room in the Castle.
Enter King.
King. I have sent to seek him and to find the body.
How dangerous is it that this man goes loose!
Yet must not we put the strong law on him.
He's lov'd of the distracted multitude,
Who like not in their judgment, but their eyes;
And where 'tis so, th' offender's scourge is weigh'd,
But never the offence. To bear all smooth and even,
This sudden sending him away must seem
Deliberate pause. Diseases desperate grown
By desperate appliance are reliev'd,
Or not at all.
Enter Rosencrantz.
How now O What hath befall'n?
Ros. Where the dead body is bestow'd, my lord,
We cannot get from him.
King. But where is he?
Ros. Without, my lord; guarded, to know your pleasure.
King. Bring him before us.
Ros. Ho, Guildenstern! Bring in my lord.
Enter Hamlet and Guildenstern [with Attendants].
King. Now, Hamlet, where's Polonius?
Ham. At supper.
King. At supper? Where?
Ham. Not where he eats, but where he is eaten. A certain
convocation of politic worms are e'en at him. Your worm is your
only emperor for diet. We fat all creatures else to fat us, and
we fat ourselves for maggots. Your fat king and your lean beggar
is but variable service- two dishes, but to one table. That's the
end.
King. Alas, alas!
Ham. A man may fish with the worm that hath eat of a king, and eat
of the fish that hath fed of that worm.
King. What dost thou mean by this?
Ham. Nothing but to show you how a king may go a progress through
the guts of a beggar.
King. Where is Polonius?
Ham. In heaven. Send thither to see. If your messenger find him not
there, seek him i' th' other place yourself. But indeed, if you
find him not within this month, you shall nose him as you go up
the stair, into the lobby.
King. Go seek him there. [To Attendants.]
Ham. He will stay till you come.
[Exeunt Attendants.]
King. Hamlet, this deed, for thine especial safety,-
Which we do tender as we dearly grieve
For that which thou hast done,- must send thee hence
With fiery quickness. Therefore prepare thyself.
The bark is ready and the wind at help,
Th' associates tend, and everything is bent
For England.
Ham. For England?
King. Ay, Hamlet.
Ham. Good.
King. So is it, if thou knew'st our purposes.
Ham. I see a cherub that sees them. But come, for England!
Farewell, dear mother.
King. Thy loving father, Hamlet.
Ham. My mother! Father and mother is man and wife; man and wife is
one flesh; and so, my mother. Come, for England!
Exit.
King. Follow him at foot; tempt him with speed aboard.
Delay it not; I'll have him hence to-night.
Away! for everything is seal'd and done
That else leans on th' affair. Pray you make haste.
Exeunt Rosencrantz and Guildenstern]
And, England, if my love thou hold'st at aught,-
As my great power thereof may give thee sense,
Since yet thy cicatrice looks raw and red
After the Danish sword, and thy free awe
Pays homage to us,- thou mayst not coldly set
Our sovereign process, which imports at full,
By letters congruing to that effect,
The present death of Hamlet. Do it, England;
For like the hectic in my blood he rages,
And thou must cure me. Till I know 'tis done,
Howe'er my haps, my joys were ne'er begun. Exit.
Scene IV.
Near Elsinore.
Enter Fortinbras with his Army over the stage.
For. Go, Captain, from me greet the Danish king.
Tell him that by his license Fortinbras
Craves the conveyance of a promis'd march
Over his kingdom. You know the rendezvous.
if that his Majesty would aught with us,
We shall express our duty in his eye;
And let him know so.
Capt. I will do't, my lord.
For. Go softly on.
Exeunt [all but the Captain].
Enter Hamlet, Rosencrantz, [Guildenstern,] and others.
Ham. Good sir, whose powers are these?
Capt. They are of Norway, sir.
Ham. How purpos'd, sir, I pray you?
Capt. Against some part of Poland.
Ham. Who commands them, sir?
Capt. The nephew to old Norway, Fortinbras.
Ham. Goes it against the main of Poland, sir,
Or for some frontier?
Capt. Truly to speak, and with no addition,
We go to gain a little patch of ground
That hath in it no profit but the name.
To pay five ducats, five, I would not farm it;
Nor will it yield to Norway or the Pole
A ranker rate, should it be sold in fee.
Ham. Why, then the Polack never will defend it.
Capt. Yes, it is already garrison'd.
Ham. Two thousand souls and twenty thousand ducats
Will not debate the question of this straw.
This is th' imposthume of much wealth and peace,
That inward breaks, and shows no cause without
Why the man dies.- I humbly thank you, sir.
Capt. God b' wi' you, sir. [Exit.]
Ros. Will't please you go, my lord?
Ham. I'll be with you straight. Go a little before.
[Exeunt all but Hamlet.]
How all occasions do inform against me
And spur my dull revenge! What is a man,
If his chief good and market of his time
Be but to sleep and feed? A beast, no more.
Sure he that made us with such large discourse,
Looking before and after, gave us not
That capability and godlike reason
To fust in us unus'd. Now, whether it be
Bestial oblivion, or some craven scruple
Of thinking too precisely on th' event,-
A thought which, quarter'd, hath but one part wisdom
And ever three parts coward,- I do not know
Why yet I live to say 'This thing's to do,'
Sith I have cause, and will, and strength, and means
To do't. Examples gross as earth exhort me.
Witness this army of such mass and charge,
Led by a delicate and tender prince,
Whose spirit, with divine ambition puff'd,
Makes mouths at the invisible event,
Exposing what is mortal and unsure
To all that fortune, death, and danger dare,
Even for an eggshell. Rightly to be great
Is not to stir without great argument,
But greatly to find quarrel in a straw
When honour's at the stake. How stand I then,
That have a father klll'd, a mother stain'd,
Excitements of my reason and my blood,
And let all sleep, while to my shame I see
The imminent death of twenty thousand men
That for a fantasy and trick of fame
Go to their graves like beds, fight for a plot
Whereon the numbers cannot try the cause,
Which is not tomb enough and continent
To hide the slain? O, from this time forth,
My thoughts be bloody, or be nothing worth! Exit.
Scene V.
Elsinore. A room in the Castle.
Enter Horatio, Queen, and a Gentleman.
Queen. I will not speak with her.
Gent. She is importunate, indeed distract.
Her mood will needs be pitied.
Queen. What would she have?
Gent. She speaks much of her father; says she hears
There's tricks i' th' world, and hems, and beats her heart;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense. Her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at it,
And botch the words up fit to their own thoughts;
Which, as her winks and nods and gestures yield them,
Indeed would make one think there might be thought,
Though nothing sure, yet much unhappily.
Hor. 'Twere good she were spoken with; for she may strew
Dangerous conjectures in ill-breeding minds.
Queen. Let her come in.
[Exit Gentleman.]
[Aside] To my sick soul (as sin's true nature is)
Each toy seems Prologue to some great amiss.
So full of artless jealousy is guilt
It spills itself in fearing to be spilt.
Enter Ophelia distracted.
Oph. Where is the beauteous Majesty of Denmark?
Queen. How now, Ophelia?
Oph. (sings)
How should I your true-love know
From another one?
By his cockle bat and' staff
And his sandal shoon.
Queen. Alas, sweet lady, what imports this song?
Oph. Say you? Nay, pray You mark.
(Sings) He is dead and gone, lady,
He is dead and gone;
At his head a grass-green turf,
At his heels a stone.
O, ho!
Queen. Nay, but Ophelia-
Oph. Pray you mark.
(Sings) White his shroud as the mountain snow-
Enter King.
Queen. Alas, look here, my lord!
Oph. (Sings)
Larded all with sweet flowers;
Which bewept to the grave did not go
With true-love showers.
King. How do you, pretty lady?
Oph. Well, God dild you! They say the owl was a baker's daughter.
Lord, we know what we are, but know not what we may be. God be at
your table!
King. Conceit upon her father.
Oph. Pray let's have no words of this; but when they ask, you what
it means, say you this:
(Sings) To-morrow is Saint Valentine's day,
All in the morning bedtime,
And I a maid at your window,
To be your Valentine.
Then up he rose and donn'd his clo'es
And dupp'd the chamber door,
Let in the maid, that out a maid
Never departed more.
King. Pretty Ophelia!
Oph. Indeed, la, without an oath, I'll make an end on't!
[Sings] By Gis and by Saint Charity,
Alack, and fie for shame!
Young men will do't if they come to't
By Cock, they are to blame.
Quoth she, 'Before you tumbled me,
You promis'd me to wed.'
He answers:
'So would I 'a' done, by yonder sun,
An thou hadst not come to my bed.'
King. How long hath she been thus?
Oph. I hope all will be well. We must be patient; but I cannot
choose but weep to think they would lay him i' th' cold ground.
My brother shall know of it; and so I thank you for your good
counsel. Come, my coach! Good night, ladies. Good night, sweet
ladies. Good night, good night. Exit
King. Follow her close; give her good watch, I pray you.
[Exit Horatio.]
O, this is the poison of deep grief; it springs
All from her father's death. O Gertrude, Gertrude,
When sorrows come, they come not single spies.
But in battalions! First, her father slain;
Next, Your son gone, and he most violent author
Of his own just remove; the people muddied,
Thick and and unwholesome in their thoughts and whispers
For good Polonius' death, and we have done but greenly
In hugger-mugger to inter him; Poor Ophelia
Divided from herself and her fair-judgment,
Without the which we are Pictures or mere beasts;
Last, and as such containing as all these,
Her brother is in secret come from France;
And wants not buzzers to infect his ear
Feeds on his wonder, keep, himself in clouds,
march. [Enter King, Queen, Polonius, Ophelia, Rosencrantz,
Guildenstern, and other Lords attendant, with the Guard
carrying torches.
Ham. They are coming to the play. I must be idle.
Get you a place.
King. How fares our cousin Hamlet?
Ham. Excellent, i' faith; of the chameleon's dish. I eat the air,
promise-cramm'd. You cannot feed capons so.
King. I have nothing with this answer, Hamlet. These words are not
mine.
Ham. No, nor mine now. [To Polonius] My lord, you play'd once
i' th' university, you say?
Pol. That did I, my lord, and was accounted a good actor.
Ham. What did you enact?
Pol. I did enact Julius Caesar; I was kill'd i' th' Capitol; Brutus
kill'd me.
Ham. It was a brute part of him to kill so capital a calf there. Be
the players ready.
Ros. Ay, my lord. They stay upon your patience.
Queen. Come hither, my dear Hamlet, sit by me.
Ham. No, good mother. Here's metal more attractive.
Pol. [to the King] O, ho! do you mark that?
Ham. Lady, shall I lie in your lap?
[Sits down at Ophelia's feet.]
Oph. No, my lord.
Ham. I mean, my head upon your lap?
Oph. Ay, my lord.
Ham. Do you think I meant country matters?
Oph. I think nothing, my lord.
Ham. That's a fair thought to lie between maids' legs.
Oph. What is, my lord?
Ham. Nothing.
Oph. You are merry, my lord.
Ham. Who, I?
Oph. Ay, my lord.
Ham. O God, your only jig-maker! What should a man do but be merry?
For look you how cheerfully my mother looks, and my father died
within 's two hours.
Oph. Nay 'tis twice two months, my lord.
Ham. So long? Nay then, let the devil wear black, for I'll have a
suit of sables. O heavens! die two months ago, and not forgotten
yet? Then there's hope a great man's memory may outlive his life
half a year. But, by'r Lady, he must build churches then; or else
shall he suffer not thinking on, with the hobby-horse, whose
epitaph is 'For O, for O, the hobby-horse is forgot!'
Hautboys play. The dumb show enters.
Enter a King and a Queen very lovingly; the Queen embracing
him and he her. She kneels, and makes show of protestation
unto him. He takes her up, and declines his head upon her
neck. He lays him down upon a bank of flowers. She, seeing
him asleep, leaves him. Anon comes in a fellow, takes off his
crown, kisses it, pours poison in the sleeper's ears, and
leaves him. The Queen returns, finds the King dead, and makes
passionate action. The Poisoner with some three or four Mutes,
comes in again, seem to condole with her. The dead body is
carried away. The Poisoner wooes the Queen with gifts; she
seems harsh and unwilling awhile, but in the end accepts
his love.
Exeunt.
Oph. What means this, my lord?
Ham. Marry, this is miching malhecho; it means mischief.
Oph. Belike this show imports the argument of the play.
Enter Prologue.
Ham. We shall know by this fellow. The players cannot keep counsel;
they'll tell all.
Oph. Will he tell us what this show meant?
Ham. Ay, or any show that you'll show him. Be not you asham'd to
show, he'll not shame to tell you what it means.
Oph. You are naught, you are naught! I'll mark the play.
Pro. For us, and for our tragedy,
Here stooping to your clemency,
We beg your hearing patiently. [Exit.]
Ham. Is this a prologue, or the posy of a ring?
Oph. 'Tis brief, my lord.
Ham. As woman's love.
Enter [two Players as] King and Queen.
King. Full thirty times hath Phoebus' cart gone round
Neptune's salt wash and Tellus' orbed ground,
And thirty dozed moons with borrowed sheen
About the world have times twelve thirties been,
Since love our hearts, and Hymen did our hands,
Unite comutual in most sacred bands.
Queen. So many journeys may the sun and moon
Make us again count o'er ere love be done!
But woe is me! you are so sick of late,
So far from cheer and from your former state.
That I distrust you. Yet, though I distrust,
Discomfort you, my lord, it nothing must;
For women's fear and love holds quantity,
In neither aught, or in extremity.
Now what my love is, proof hath made you know;
And as my love is siz'd, my fear is so.
Where love is great, the littlest doubts are fear;
Where little fears grow great, great love grows there.
King. Faith, I must leave thee, love, and shortly too;
My operant powers their functions leave to do.
And thou shalt live in this fair world behind,
Honour'd, belov'd, and haply one as kind
For husband shalt thou-
Queen. O, confound the rest!
Such love must needs be treason in my breast.
When second husband let me be accurst!
None wed the second but who killed the first.
Ham. [aside] Wormwood, wormwood!
Queen. The instances that second marriage move
Are base respects of thrift, but none of love.
A second time I kill my husband dead
When second husband kisses me in bed.
King. I do believe you think what now you speak;
But what we do determine oft we break.
Purpose is but the slave to memory,
Of violent birth, but poor validity;
Which now, like fruit unripe, sticks on the tree,
But fill unshaken when they mellow be.
Most necessary 'tis that we forget
To pay ourselves what to ourselves is debt.
What to ourselves in passion we propose,
The passion ending, doth the purpose lose.
The violence of either grief or joy
Their own enactures with themselves destroy.
Where joy most revels, grief doth most lament;
Grief joys, joy grieves, on slender accident.
This world is not for aye, nor 'tis not strange
That even our loves should with our fortunes change;
For 'tis a question left us yet to prove,
Whether love lead fortune, or else fortune love.
The great man down, you mark his favourite flies,
The poor advanc'd makes friends of enemies;
And hitherto doth love on fortune tend,
For who not needs shall never lack a friend,
And who in want a hollow friend doth try,
Directly seasons him his enemy.
But, orderly to end where I begun,
Our wills and fates do so contrary run
That our devices still are overthrown;
Our thoughts are ours, their ends none of our own.
So think thou wilt no second husband wed;
But die thy thoughts when thy first lord is dead.
Queen. Nor earth to me give food, nor heaven light,
Sport and repose lock from me day and night,
To desperation turn my trust and hope,
An anchor's cheer in prison be my scope,
Each opposite that blanks the face of joy
Meet what I would have well, and it destroy,
Both here and hence pursue me lasting strife,
If, once a widow, ever I be wife!
Ham. If she should break it now!
King. 'Tis deeply sworn. Sweet, leave me here awhile.
My spirits grow dull, and fain I would beguile
The tedious day with sleep.
Queen. Sleep rock thy brain,
[He] sleeps.
And never come mischance between us twain!
Exit.
Ham. Madam, how like you this play?
Queen. The lady doth protest too much, methinks.
Ham. O, but she'll keep her word.
King. Have you heard the argument? Is there no offence in't?
Ham. No, no! They do but jest, poison in jest; no offence i' th'
world.
King. What do you call the play?
Ham. 'The Mousetrap.' Marry, how? Tropically. This play is the
image of a murther done in Vienna. Gonzago is the duke's name;
his wife, Baptista. You shall see anon. 'Tis a knavish piece of
work; but what o' that? Your Majesty, and we that have free
souls, it touches us not. Let the gall'd jade winch; our withers
are unwrung.
Enter Lucianus.
This is one Lucianus, nephew to the King.
Oph. You are as good as a chorus, my lord.
Ham. I could interpret between you and your love, if I could see
the puppets dallying.
Oph. You are keen, my lord, you are keen.
Ham. It would cost you a groaning to take off my edge.
Oph. Still better, and worse.
Ham. So you must take your husbands.- Begin, murtherer. Pox, leave
thy damnable faces, and begin! Come, the croaking raven doth
bellow for revenge.
Luc. Thoughts black, hands apt, drugs fit, and time agreeing;
Confederate season, else no creature seeing;
Thou mixture rank, of midnight weeds collected,
With Hecate's ban thrice blasted, thrice infected,
Thy natural magic and dire property
On wholesome life usurp immediately.
Pours the poison in his ears.
Ham. He poisons him i' th' garden for's estate. His name's Gonzago.
The story is extant, and written in very choice Italian. You
shall see anon how the murtherer gets the love of Gonzago's wife.
Oph. The King rises.
Ham. What, frighted with false fire?
Queen. How fares my lord?
Pol. Give o'er the play.
King. Give me some light! Away!
All. Lights, lights, lights!
Exeunt all but Hamlet and Horatio.
Ham. Why, let the strucken deer go weep,
The hart ungalled play;
For some must watch, while some must sleep:
Thus runs the world away.
Would not this, sir, and a forest of feathers- if the rest of my
fortunes turn Turk with me-with two Provincial roses on my raz'd
shoes, get me a fellowship in a cry of players, sir?
Hor. Half a share.
Ham. A whole one I!
For thou dost know, O Damon dear,
This realm dismantled was
Of Jove himself; and now reigns here
A very, very- pajock.
Hor. You might have rhym'd.
Ham. O good Horatio, I'll take the ghost's word for a thousand
pound! Didst perceive?
Hor. Very well, my lord.
Ham. Upon the talk of the poisoning?
Hor. I did very well note him.
Ham. Aha! Come, some music! Come, the recorders!
For if the King like not the comedy,
Why then, belike he likes it not, perdy.
Come, some music!
Enter Rosencrantz and Guildenstern.
Guil. Good my lord, vouchsafe me a word with you.
Ham. Sir, a whole history.
Guil. The King, sir-
Ham. Ay, sir, what of him?
Guil. Is in his retirement, marvellous distemper'd.
Ham. With drink, sir?
Guil. No, my lord; rather with choler.
Ham. Your wisdom should show itself more richer to signify this to
the doctor; for me to put him to his purgation would perhaps
plunge him into far more choler.
Guil. Good my lord, put your discourse into some frame, and start
not so wildly from my affair.
Ham. I am tame, sir; pronounce.
Guil. The Queen, your mother, in most great affliction of spirit
hath sent me to you.
Ham. You are welcome.
Guil. Nay, good my lord, this courtesy is not of the right breed.
If it shall please you to make me a wholesome answer, I will do
your mother's commandment; if not, your pardon and my return
shall be the end of my business.
Ham. Sir, I cannot.
Guil. What, my lord?
Ham. Make you a wholesome answer; my wit's diseas'd. But, sir, such
answer is I can make, you shall command; or rather, as you say,
my mother. Therefore no more, but to the matter! My mother, you
say-
Ros. Then thus she says: your behaviour hath struck her into
amazement and admiration.
Ham. O wonderful son, that can so stonish a mother! But is there no
sequel at the heels of this mother's admiration? Impart.
Ros. She desires to speak with you in her closet ere you go to bed.
Ham. We shall obey, were she ten times our mother. Have you any
further trade with us?
Ros. My lord, you once did love me.
Ham. And do still, by these pickers and stealers!
Ros. Good my lord, what is your cause of distemper? You do surely
bar the door upon your own liberty, if you deny your griefs to
your friend.
Ham. Sir, I lack advancement.
Ros. How can that be, when you have the voice of the King himself
for your succession in Denmark?
Ham. Ay, sir, but 'while the grass grows'- the proverb is something
musty.
Enter the Players with recorders.
O, the recorders! Let me see one. To withdraw with you- why do
you go about to recover the wind of me, as if you would drive me
into a toil?
Guil. O my lord, if my duty be too bold, my love is too unmannerly.
Ham. I do not well understand that. Will you play upon this pipe?
Guil. My lord, I cannot.
Ham. I pray you.
Guil. Believe me, I cannot.
Ham. I do beseech you.
Guil. I know, no touch of it, my lord.
Ham. It is as easy as lying. Govern these ventages with your
fingers and thumbs, give it breath with your mouth, and it will
discourse most eloquent music. Look you, these are the stops.
Guil. But these cannot I command to any utt'rance of harmony. I
have not the skill.
Ham. Why, look you now, how unworthy a thing you make of me! You
would play upon me; you would seem to know my stops; you would
pluck out the heart of my mystery; you would sound me from my
lowest note to the top of my compass; and there is much music,
excellent voice, in this little organ, yet cannot you make it
speak. 'Sblood, do you think I am easier to be play'd on than a
pipe? Call me what instrument you will, though you can fret me,
you cannot play upon me.
Enter Polonius.
God bless you, sir!
Pol. My lord, the Queen would speak with you, and presently.
Ham. Do you see yonder cloud that's almost in shape of a camel?
Pol. By th' mass, and 'tis like a camel indeed.
Ham. Methinks it is like a weasel.
Pol. It is back'd like a weasel.
Ham. Or like a whale.
Pol. Very like a whale.
Ham. Then will I come to my mother by-and-by.- They fool me to the
top of my bent.- I will come by-and-by.
Pol. I will say so. Exit.
Ham. 'By-and-by' is easily said.- Leave me, friends.
[Exeunt all but Hamlet.]
'Tis now the very witching time of night,
When churchyards yawn, and hell itself breathes out
Contagion to this world. Now could I drink hot blood
And do such bitter business as the day
Would quake to look on. Soft! now to my mother!
O heart, lose not thy nature; let not ever
The soul of Nero enter this firm bosom.
Let me be cruel, not unnatural;
I will speak daggers to her, but use none.
My tongue and soul in this be hypocrites-
How in my words somever she be shent,
To give them seals never, my soul, consent! Exit.
Scene III.
A room in the Castle.
Enter King, Rosencrantz, and Guildenstern.
King. I like him not, nor stands it safe with us
To let his madness range. Therefore prepare you;
I your commission will forthwith dispatch,
And he to England shall along with you.
The terms of our estate may not endure
Hazard so near us as doth hourly grow
Out of his lunacies.
Guil. We will ourselves provide.
Most holy and religious fear it is
To keep those many many bodies safe
That live and feed upon your Majesty.
Ros. The single and peculiar life is bound
With all the strength and armour of the mind
To keep itself from noyance; but much more
That spirit upon whose weal depends and rests
The lives of many. The cesse of majesty
Dies not alone, but like a gulf doth draw
What's near it with it. It is a massy wheel,
Fix'd on the summit of the highest mount,
To whose huge spokes ten thousand lesser things
Are mortis'd and adjoin'd; which when it falls,
Each small annexment, petty consequence,
Attends the boist'rous ruin. Never alone
Did the king sigh, but with a general groan.
King. Arm you, I pray you, to th', speedy voyage;
For we will fetters put upon this fear,
Which now goes too free-footed.
Both. We will haste us.
Exeunt Gentlemen.
Enter Polonius.
Pol. My lord, he's going to his mother's closet.
Behind the arras I'll convey myself
To hear the process. I'll warrant she'll tax him home;
And, as you said, and wisely was it said,
'Tis meet that some more audience than a mother,
Since nature makes them partial, should o'erhear
The speech, of vantage. Fare you well, my liege.
I'll call upon you ere you go to bed
And tell you what I know.
King. Thanks, dear my lord.
Exit [Polonius].
O, my offence is rank, it smells to heaven;
It hath the primal eldest curse upon't,
A brother's murther! Pray can I not,
Though inclination be as sharp as will.
My stronger guilt defeats my strong intent,
And, like a man to double business bound,
I stand in pause where I shall first begin,
And both neglect. What if this cursed hand
Were thicker than itself with brother's blood,
Is there not rain enough in the sweet heavens
To wash it white as snow? Whereto serves mercy
But to confront the visage of offence?
And what's in prayer but this twofold force,
To be forestalled ere we come to fall,
Or pardon'd being down? Then I'll look up;
My fault is past. But, O, what form of prayer
Can serve my turn? 'Forgive me my foul murther'?
That cannot be; since I am still possess'd
Of those effects for which I did the murther-
My crown, mine own ambition, and my queen.
May one be pardon'd and retain th' offence?
In the corrupted currents of this world
Offence's gilded hand may shove by justice,
And oft 'tis seen the wicked prize itself
Buys out the law; but 'tis not so above.
There is no shuffling; there the action lies
In his true nature, and we ourselves compell'd,
Even to the teeth and forehead of our faults,
To give in evidence. What then? What rests?
Try what repentance can. What can it not?
Yet what can it when one cannot repent?
O wretched state! O bosom black as death!
O limed soul, that, struggling to be free,
Art more engag'd! Help, angels! Make assay.
Bow, stubborn knees; and heart with strings of steel,
Be soft as sinews of the new-born babe!
All may be well. He kneels.
Enter Hamlet.
Ham. Now might I do it pat, now he is praying;
And now I'll do't. And so he goes to heaven,
And so am I reveng'd. That would be scann'd.
A villain kills my father; and for that,
I, his sole son, do this same villain send
To heaven.
Why, this is hire and salary, not revenge!
He took my father grossly, full of bread,
With all his crimes broad blown, as flush as May;
And how his audit stands, who knows save heaven?
But in our circumstance and course of thought,
'Tis heavy with him; and am I then reveng'd,
To take him in the purging of his soul,
When he is fit and seasoned for his passage?
No.
Up, sword, and know thou a more horrid hent.
When he is drunk asleep; or in his rage;
Or in th' incestuous pleasure of his bed;
At gaming, swearing, or about some act
That has no relish of salvation in't-
Then trip him, that his heels may kick at heaven,
And that his soul may be as damn'd and black
As hell, whereto it goes. My mother stays.
This physic but prolongs thy sickly days. Exit.
King. [rises] My words fly up, my thoughts remain below.
Words without thoughts never to heaven go. Exit.
Scene IV.
The Queen's closet.
Enter Queen and Polonius.
Pol. He will come straight. Look you lay home to him.
Tell him his pranks have been too broad to bear with,
And that your Grace hath screen'd and stood between
Much heat and him. I'll silence me even here.
Pray you be round with him.
Ham. (within) Mother, mother, mother!
Queen. I'll warrant you; fear me not. Withdraw; I hear him coming.
[Polonius hides behind the arras.]
Enter Hamlet.
Ham. Now, mother, what's the matter?
Queen. Hamlet, thou hast thy father much offended.
Ham. Mother, you have my father much offended.
Queen. Come, come, you answer with an idle tongue.
Ham. Go, go, you question with a wicked tongue.
Queen. Why, how now, Hamlet?
Ham. What's the matter now?
Queen. Have you forgot me?
Ham. No, by the rood, not so!
You are the Queen, your husband's brother's wife,
And (would it were not so!) you are my mother.
Queen. Nay, then I'll set those to you that can speak.
Ham. Come, come, and sit you down. You shall not budge I
You go not till I set you up a glass
Where you may see the inmost part of you.
Queen. What wilt thou do? Thou wilt not murther me?
Help, help, ho!
Pol. [behind] What, ho! help, help, help!
Ham. [draws] How now? a rat? Dead for a ducat, dead!
[Makes a pass through the arras and] kills Polonius.
Pol. [behind] O, I am slain!
Queen. O me, what hast thou done?
Ham. Nay, I know not. Is it the King?
Queen. O, what a rash and bloody deed is this!
Ham. A bloody deed- almost as bad, good mother,
As kill a king, and marry with his brother.
Queen. As kill a king?
Ham. Ay, lady, it was my word.
[Lifts up the arras and sees Polonius.]
Thou wretched, rash, intruding fool, farewell!
I took thee for thy better. Take thy fortune.
Thou find'st to be too busy is some danger.
Leave wringing of your hinds. Peace! sit you down
And let me wring your heart; for so I shall
If it be made of penetrable stuff;
If damned custom have not braz'd it so
That it is proof and bulwark against sense.
Queen. What have I done that thou dar'st wag thy tongue
In noise so rude against me?
Ham. Such an act
That blurs the grace and blush of modesty;
Calls virtue hypocrite; takes off the rose
From the fair forehead of an innocent love,
And sets a blister there; makes marriage vows
As false as dicers' oaths. O, such a deed
As from the body of contraction plucks
The very soul, and sweet religion makes
A rhapsody of words! Heaven's face doth glow;
Yea, this solidity and compound mass,
With tristful visage, as against the doom,
Is thought-sick at the act.
Queen. Ay me, what act,
That roars so loud and thunders in the index?
Ham. Look here upon th's picture, and on this,
The counterfeit presentment of two brothers.
See what a grace was seated on this brow;
Hyperion's curls; the front of Jove himself;
An eye like Mars, to threaten and command;
A station like the herald Mercury
New lighted on a heaven-kissing hill:
A combination and a form indeed
Where every god did seem to set his seal
To give the world assurance of a man.
This was your husband. Look you now what follows.
Here is your husband, like a mildew'd ear
Blasting his wholesome brother. Have you eyes?
Could you on this fair mountain leave to feed,
And batten on this moor? Ha! have you eyes
You cannot call it love; for at your age
The heyday in the blood is tame, it's humble,
And waits upon the judgment; and what judgment
Would step from this to this? Sense sure you have,
Else could you not have motion; but sure that sense
Is apoplex'd; for madness would not err,
Nor sense to ecstacy was ne'er so thrall'd
But it reserv'd some quantity of choice
To serve in such a difference. What devil was't
That thus hath cozen'd you at hoodman-blind?
Eyes without feeling, feeling without sight,
Ears without hands or eyes, smelling sans all,
Or but a sickly part of one true sense
Could not so mope.
O shame! where is thy blush? Rebellious hell,
If thou canst mutine in a matron's bones,
To flaming youth let virtue be as wax
And melt in her own fire. Proclaim no shame
When the compulsive ardour gives the charge,
Since frost itself as actively doth burn,
And reason panders will.
Queen. O Hamlet, speak no more!
Thou turn'st mine eyes into my very soul,
And there I see such black and grained spots
As will not leave their tinct.
Ham. Nay, but to live
In the rank sweat of an enseamed bed,
Stew'd in corruption, honeying and making love
Over the nasty sty!
Queen. O, speak to me no more!
These words like daggers enter in mine ears.
No more, sweet Hamlet!
Ham. A murtherer and a villain!
A slave that is not twentieth part the tithe
Of your precedent lord; a vice of kings;
A cutpurse of the empire and the rule,
That from a shelf the precious diadem stole
And put it in his pocket!
Queen. No more!
Enter the Ghost in his nightgown.
Ham. A king of shreds and patches!-
Save me and hover o'er me with your wings,
You heavenly guards! What would your gracious figure?
Queen. Alas, he's mad!
Ham. Do you not come your tardy son to chide,
That, laps'd in time and passion, lets go by
Th' important acting of your dread command?
O, say!
Ghost. Do not forget. This visitation
Is but to whet thy almost blunted purpose.
But look, amazement on thy mother sits.
O, step between her and her fighting soul
Conceit in weakest bodies strongest works.
Speak to her, Hamlet.
Ham. How is it with you, lady?
Queen. Alas, how is't with you,
That you do bend your eye on vacancy,
And with th' encorporal air do hold discourse?
Forth at your eyes your spirits wildly peep;
And, as the sleeping soldiers in th' alarm,
Your bedded hairs, like life in excrements,
Start up and stand an end. O gentle son,
Upon the beat and flame of thy distemper
Sprinkle cool patience! Whereon do you look?
Ham. On him, on him! Look you how pale he glares!
His form and cause conjoin'd, preaching to stones,
Would make them capable.- Do not look upon me,
Lest with this piteous action you convert
My stern effects. Then what I have to do
Will want true colour- tears perchance for blood.
Queen. To whom do you speak this?
Ham. Do you see nothing there?
Queen. Nothing at all; yet all that is I see.
Ham. Nor did you nothing hear?
Queen. No, nothing but ourselves.
Ham. Why, look you there! Look how it steals away!
My father, in his habit as he liv'd!
Look where he goes even now out at the portal!
Exit Ghost.
Queen. This is the very coinage of your brain.
This bodiless creation ecstasy
Is very cunning in.
Ham. Ecstasy?
My pulse as yours doth temperately keep time
And makes as healthful music. It is not madness
That I have utt'red. Bring me to the test,
And I the matter will reword; which madness
Would gambol from. Mother, for love of grace,
Lay not that flattering unction to your soul
That not your trespass but my madness speaks.
It will but skin and film the ulcerous place,
Whiles rank corruption, mining all within,
Infects unseen. Confess yourself to heaven;
Repent what's past; avoid what is to come;
And do not spread the compost on the weeds
To make them ranker. Forgive me this my virtue;
For in the fatness of these pursy times
Virtue itself of vice must pardon beg-
Yea, curb and woo for leave to do him good.
Queen. O Hamlet, thou hast cleft my heart in twain.
Ham. O, throw away the worser part of it,
And live the purer with the other half,
Good night- but go not to my uncle's bed.
Assume a virtue, if you have it not.
That monster, custom, who all sense doth eat
Of habits evil, is angel yet in this,
That to the use of actions fair and good
He likewise gives a frock or livery,
That aptly is put on. Refrain to-night,
And that shall lend a kind of easiness
To the next abstinence; the next more easy;
For use almost can change the stamp of nature,
And either [master] the devil, or throw him out
With wondrous potency. Once more, good night;
And when you are desirous to be blest,
I'll blessing beg of you.- For this same lord,
I do repent; but heaven hath pleas'd it so,
To punish me with this, and this with me,
That I must be their scourge and minister.
I will bestow him, and will answer well
The death I gave him. So again, good night.
I must be cruel, only to be kind;
Thus bad begins, and worse remains behind.
One word more, good lady.
Queen. What shall I do?
Ham. Not this, by no means, that I bid you do:
Let the bloat King tempt you again to bed;
Pinch wanton on your cheek; call you his mouse;
And let him, for a pair of reechy kisses,
Or paddling in your neck with his damn'd fingers,
Make you to ravel all this matter out,
That I essentially am not in madness,
But mad in craft. 'Twere good you let him know;
For who that's but a queen, fair, sober, wise,
Would from a paddock, from a bat, a gib
Such dear concernings hide? Who would do so?
No, in despite of sense and secrecy,
Unpeg the basket on the house's top,
Let the birds fly, and like the famous ape,
To try conclusions, in the basket creep
And break your own neck down.
Queen. Be thou assur'd, if words be made of breath,
And breath of life, I have no life to breathe
What thou hast said to me.
Ham. I must to England; you know that?
Queen. Alack,
I had forgot! 'Tis so concluded on.
Ham. There's letters seal'd; and my two schoolfellows,
Whom I will trust as I will adders fang'd,
They bear the mandate; they must sweep my way
And marshal me to knavery. Let it work;
For 'tis the sport to have the enginer
Hoist with his own petar; and 't shall go hard
But I will delve one yard below their mines
And blow them at the moon. O, 'tis most sweet
When in one line two crafts directly meet.
This man shall set me packing.
I'll lug the guts into the neighbour room.-
Mother, good night.- Indeed, this counsellor
Is now most still, most secret, and most grave,
Who was in life a foolish peating knave.
Come, sir, to draw toward an end with you.
Good night, mother.
[Exit the Queen. Then] Exit Hamlet, tugging in
Polonius.
ACT IV. Scene I.
Elsinore. A room in the Castle.
Enter King and Queen, with Rosencrantz and Guildenstern.
King. There's matter in these sighs. These profound heaves
You must translate; 'tis fit we understand them.
Where is your son?
Queen. Bestow this place on us a little while.
[Exeunt Rosencrantz and Guildenstern.]
Ah, mine own lord, what have I seen to-night!
King. What, Gertrude? How does Hamlet?
Queen. Mad as the sea and wind when both contend
Which is the mightier. In his lawless fit
Behind the arras hearing something stir,
Whips out his rapier, cries 'A rat, a rat!'
And in this brainish apprehension kills
The unseen good old man.
King. O heavy deed!
It had been so with us, had we been there.
His liberty is full of threats to all-
To you yourself, to us, to every one.
Alas, how shall this bloody deed be answer'd?
It will be laid to us, whose providence
Should have kept short, restrain'd, and out of haunt
This mad young man. But so much was our love
We would not understand what was most fit,
But, like the owner of a foul disease,
To keep it from divulging, let it feed
Even on the pith of life. Where is he gone?
Queen. To draw apart the body he hath kill'd;
O'er whom his very madness, like some ore
Among a mineral of metals base,
Shows itself pure. He weeps for what is done.
King. O Gertrude, come away!
The sun no sooner shall the mountains touch
But we will ship him hence; and this vile deed
We must with all our majesty and skill
Both countenance and excuse. Ho, Guildenstern!
Enter Rosencrantz and Guildenstern.
Friends both, go join you with some further aid.
Hamlet in madness hath Polonius slain,
And from his mother's closet hath he dragg'd him.
Go seek him out; speak fair, and bring the body
Into the chapel. I pray you haste in this.
Exeunt [Rosencrantz and Guildenstern].
Come, Gertrude, we'll call up our wisest friends
And let them know both what we mean to do
And what's untimely done. [So haply slander-]
Whose whisper o'er the world's diameter,
As level as the cannon to his blank,
Transports his poisoned shot- may miss our name
And hit the woundless air.- O, come away!
My soul is full of discord and dismay.
Exeunt.
Scene II.
Elsinore. A passage in the Castle.
Enter Hamlet.
Ham. Safely stow'd.
Gentlemen. (within) Hamlet! Lord Hamlet!
Ham. But soft! What noise? Who calls on Hamlet? O, here they come.
Enter Rosencrantz and Guildenstern.
Ros. What have you done, my lord, with the dead body?
Ham. Compounded it with dust, whereto 'tis kin.
Ros. Tell us where 'tis, that we may take it thence
And bear it to the chapel.
Ham. Do not believe it.
Ros. Believe what?
Ham. That I can keep your counsel, and not mine own. Besides, to be
demanded of a sponge, what replication should be made by the son
of a king?
Ros. Take you me for a sponge, my lord?
Ham. Ay, sir; that soaks up the King's countenance, his rewards,
his authorities. But such officers do the King best service in
the end. He keeps them, like an ape, in the corner of his jaw;
first mouth'd, to be last Swallowed. When he needs what you have
glean'd, it is but squeezing you and, sponge, you shall be dry
again.
Ros. I understand you not, my lord.
Ham. I am glad of it. A knavish speech sleeps in a foolish ear.
Ros. My lord, you must tell us where the body is and go with us to
the King.
Ham. The body is with the King, but the King is not with the body.
The King is a thing-
Guil. A thing, my lord?
Ham. Of nothing. Bring me to him. Hide fox, and all after.
Exeunt.
Scene III.
Elsinore. A room in the Castle.
Enter King.
King. I have sent to seek him and to find the body.
How dangerous is it that this man goes loose!
Yet must not we put the strong law on him.
He's lov'd of the distracted multitude,
Who like not in their judgment, but their eyes;
And where 'tis so, th' offender's scourge is weigh'd,
But never the offence. To bear all smooth and even,
This sudden sending him away must seem
Deliberate pause. Diseases desperate grown
By desperate appliance are reliev'd,
Or not at all.
Enter Rosencrantz.
How now O What hath befall'n?
Ros. Where the dead body is bestow'd, my lord,
We cannot get from him.
King. But where is he?
Ros. Without, my lord; guarded, to know your pleasure.
King. Bring him before us.
Ros. Ho, Guildenstern! Bring in my lord.
Enter Hamlet and Guildenstern [with Attendants].
King. Now, Hamlet, where's Polonius?
Ham. At supper.
King. At supper? Where?
Ham. Not where he eats, but where he is eaten. A certain
convocation of politic worms are e'en at him. Your worm is your
only emperor for diet. We fat all creatures else to fat us, and
we fat ourselves for maggots. Your fat king and your lean beggar
is but variable service- two dishes, but to one table. That's the
end.
King. Alas, alas!
Ham. A man may fish with the worm that hath eat of a king, and eat
of the fish that hath fed of that worm.
King. What dost thou mean by this?
Ham. Nothing but to show you how a king may go a progress through
the guts of a beggar.
King. Where is Polonius?
Ham. In heaven. Send thither to see. If your messenger find him not
there, seek him i' th' other place yourself. But indeed, if you
find him not within this month, you shall nose him as you go up
the stair, into the lobby.
King. Go seek him there. [To Attendants.]
Ham. He will stay till you come.
[Exeunt Attendants.]
King. Hamlet, this deed, for thine especial safety,-
Which we do tender as we dearly grieve
For that which thou hast done,- must send thee hence
With fiery quickness. Therefore prepare thyself.
The bark is ready and the wind at help,
Th' associates tend, and everything is bent
For England.
Ham. For England?
King. Ay, Hamlet.
Ham. Good.
King. So is it, if thou knew'st our purposes.
Ham. I see a cherub that sees them. But come, for England!
Farewell, dear mother.
King. Thy loving father, Hamlet.
Ham. My mother! Father and mother is man and wife; man and wife is
one flesh; and so, my mother. Come, for England!
Exit.
King. Follow him at foot; tempt him with speed aboard.
Delay it not; I'll have him hence to-night.
Away! for everything is seal'd and done
That else leans on th' affair. Pray you make haste.
Exeunt Rosencrantz and Guildenstern]
And, England, if my love thou hold'st at aught,-
As my great power thereof may give thee sense,
Since yet thy cicatrice looks raw and red
After the Danish sword, and thy free awe
Pays homage to us,- thou mayst not coldly set
Our sovereign process, which imports at full,
By letters congruing to that effect,
The present death of Hamlet. Do it, England;
For like the hectic in my blood he rages,
And thou must cure me. Till I know 'tis done,
Howe'er my haps, my joys were ne'er begun. Exit.
Scene IV.
Near Elsinore.
Enter Fortinbras with his Army over the stage.
For. Go, Captain, from me greet the Danish king.
Tell him that by his license Fortinbras
Craves the conveyance of a promis'd march
Over his kingdom. You know the rendezvous.
if that his Majesty would aught with us,
We shall express our duty in his eye;
And let him know so.
Capt. I will do't, my lord.
For. Go softly on.
Exeunt [all but the Captain].
Enter Hamlet, Rosencrantz, [Guildenstern,] and others.
Ham. Good sir, whose powers are these?
Capt. They are of Norway, sir.
Ham. How purpos'd, sir, I pray you?
Capt. Against some part of Poland.
Ham. Who commands them, sir?
Capt. The nephew to old Norway, Fortinbras.
Ham. Goes it against the main of Poland, sir,
Or for some frontier?
Capt. Truly to speak, and with no addition,
We go to gain a little patch of ground
That hath in it no profit but the name.
To pay five ducats, five, I would not farm it;
Nor will it yield to Norway or the Pole
A ranker rate, should it be sold in fee.
Ham. Why, then the Polack never will defend it.
Capt. Yes, it is already garrison'd.
Ham. Two thousand souls and twenty thousand ducats
Will not debate the question of this straw.
This is th' imposthume of much wealth and peace,
That inward breaks, and shows no cause without
Why the man dies.- I humbly thank you, sir.
Capt. God b' wi' you, sir. [Exit.]
Ros. Will't please you go, my lord?
Ham. I'll be with you straight. Go a little before.
[Exeunt all but Hamlet.]
How all occasions do inform against me
And spur my dull revenge! What is a man,
If his chief good and market of his time
Be but to sleep and feed? A beast, no more.
Sure he that made us with such large discourse,
Looking before and after, gave us not
That capability and godlike reason
To fust in us unus'd. Now, whether it be
Bestial oblivion, or some craven scruple
Of thinking too precisely on th' event,-
A thought which, quarter'd, hath but one part wisdom
And ever three parts coward,- I do not know
Why yet I live to say 'This thing's to do,'
Sith I have cause, and will, and strength, and means
To do't. Examples gross as earth exhort me.
Witness this army of such mass and charge,
Led by a delicate and tender prince,
Whose spirit, with divine ambition puff'd,
Makes mouths at the invisible event,
Exposing what is mortal and unsure
To all that fortune, death, and danger dare,
Even for an eggshell. Rightly to be great
Is not to stir without great argument,
But greatly to find quarrel in a straw
When honour's at the stake. How stand I then,
That have a father klll'd, a mother stain'd,
Excitements of my reason and my blood,
And let all sleep, while to my shame I see
The imminent death of twenty thousand men
That for a fantasy and trick of fame
Go to their graves like beds, fight for a plot
Whereon the numbers cannot try the cause,
Which is not tomb enough and continent
To hide the slain? O, from this time forth,
My thoughts be bloody, or be nothing worth! Exit.
Scene V.
Elsinore. A room in the Castle.
Enter Horatio, Queen, and a Gentleman.
Queen. I will not speak with her.
Gent. She is importunate, indeed distract.
Her mood will needs be pitied.
Queen. What would she have?
Gent. She speaks much of her father; says she hears
There's tricks i' th' world, and hems, and beats her heart;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense. Her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at it,
And botch the words up fit to their own thoughts;
Which, as her winks and nods and gestures yield them,
Indeed would make one think there might be thought,
Though nothing sure, yet much unhappily.
Hor. 'Twere good she were spoken with; for she may strew
Dangerous conjectures in ill-breeding minds.
Queen. Let her come in.
[Exit Gentleman.]
[Aside] To my sick soul (as sin's true nature is)
Each toy seems Prologue to some great amiss.
So full of artless jealousy is guilt
It spills itself in fearing to be spilt.
Enter Ophelia distracted.
Oph. Where is the beauteous Majesty of Denmark?
Queen. How now, Ophelia?
Oph. (sings)
How should I your true-love know
From another one?
By his cockle bat and' staff
And his sandal shoon.
Queen. Alas, sweet lady, what imports this song?
Oph. Say you? Nay, pray You mark.
(Sings) He is dead and gone, lady,
He is dead and gone;
At his head a grass-green turf,
At his heels a stone.
O, ho!
Queen. Nay, but Ophelia-
Oph. Pray you mark.
(Sings) White his shroud as the mountain snow-
Enter King.
Queen. Alas, look here, my lord!
Oph. (Sings)
Larded all with sweet flowers;
Which bewept to the grave did not go
With true-love showers.
King. How do you, pretty lady?
Oph. Well, God dild you! They say the owl was a baker's daughter.
Lord, we know what we are, but know not what we may be. God be at
your table!
King. Conceit upon her father.
Oph. Pray let's have no words of this; but when they ask, you what
it means, say you this:
(Sings) To-morrow is Saint Valentine's day,
All in the morning bedtime,
And I a maid at your window,
To be your Valentine.
Then up he rose and donn'd his clo'es
And dupp'd the chamber door,
Let in the maid, that out a maid
Never departed more.
King. Pretty Ophelia!
Oph. Indeed, la, without an oath, I'll make an end on't!
[Sings] By Gis and by Saint Charity,
Alack, and fie for shame!
Young men will do't if they come to't
By Cock, they are to blame.
Quoth she, 'Before you tumbled me,
You promis'd me to wed.'
He answers:
'So would I 'a' done, by yonder sun,
An thou hadst not come to my bed.'
King. How long hath she been thus?
Oph. I hope all will be well. We must be patient; but I cannot
choose but weep to think they would lay him i' th' cold ground.
My brother shall know of it; and so I thank you for your good
counsel. Come, my coach! Good night, ladies. Good night, sweet
ladies. Good night, good night. Exit
King. Follow her close; give her good watch, I pray you.
[Exit Horatio.]
O, this is the poison of deep grief; it springs
All from her father's death. O Gertrude, Gertrude,
When sorrows come, they come not single spies.
But in battalions! First, her father slain;
Next, Your son gone, and he most violent author
Of his own just remove; the people muddied,
Thick and and unwholesome in their thoughts and whispers
For good Polonius' death, and we have done but greenly
In hugger-mugger to inter him; Poor Ophelia
Divided from herself and her fair-judgment,
Without the which we are Pictures or mere beasts;
Last, and as such containing as all these,
Her brother is in secret come from France;
And wants not buzzers to infect his ear
Feeds on his wonder, keep, himself in clouds,