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“No,” said Baldini. “I shall retire to my study for a few hours, and I do not wish to be disturbed under any circumstances.”
“Ah, I see! You are creating a new perfume.”
BALDSNI: Correct. With which to impregnate a Spanish hide for Count Verhamont. He wants something like… like… I think he said it’s called Amor and Psyche, and comes he says from that… that bungler in the rue Saint-Andre-des-Arts, that… that…
CHENIER: Pelissier.
BALDINI: Yes. Indeed. That’s the bungler’s name. Amor and Psyche, by Pelissier.-Do you know it?”
CHENIER: Yes, yes. I do indeed. You can smell it everywhere these days. Smell it on every street corner. But if you ask me-nothing special! It most certainly can’t be compared in any way with what you will create, Monsieur Baldini.
BALDSNI: Naturally not.
CHENIER: It’s a terribly common scent, this Amor and Psyche.
BALDINI: Vulgar?
CHENIER: Totally vulgar, like everything from Pelissier. I believe it contains lime oil.
BALDINI: Really? What else?
CHENIER: Essence of orange blossom perhaps. And maybe tincture of rosemary. But I can’t say for sure.
BALDINI: It’s of no consequence at all to me in any case.
CHENIER: Naturally not.
BALDINI: I could care less what that bungler Pelissier slops into his perfumes. I certainly would not take my inspiration from him, I assure you.
CHENIER: You’re absolutely right, monsieur.
BALDINI: As you know, I take my inspiration from no one. As you know,! create my own perfumes.
CHENIER: I do know, monsieur.
BALDINI: I alone give birth to them.
CHENIER: I know.
BALDINI: And I am thinking of creating something for Count Verhamont that will cause a veritable furor.
CHENIER: I am sure it will, Monsieur Baldini.
BALDINI: Take charge of the shop. I need peace and quiet. Don’t let anyone near me, Chenier.
And with that, he shuffled away-not at all like a statue, but as befitted his age, bent over, but so far that he looked almost as if he had been beaten-and slowly climbed the stairs to his study on the second floor.
Chenier took his place behind the counter, positioning himself exactly as his master had stood before, and stared fixedly at the door. He knew what would happen in the next few hours: absolutely nothing in the shop, and up in Baldini’s study, the usual catastrophe. Baldini would take off his blue coat drenched in frangipani, sit down at his desk, and wait for inspiration. The inspiration would not come. He would then hurry over to the cupboard with its hundreds of vials and start mixing them haphazardly. The mixture would be a failure. He would curse, fling open the window, and pour the stuff into the river. He would try something else, that too would be a failure, he would then rave and rant and throw a howling fit there in the stifling, odor-filled room. At about seven o’clock he would come back down, miserable, trembling and whining, and say: “Chenier, I’ve lost my nose, I cannot give birth to this perfume, I cannot deliver the Spanish hide to the count, all is lost, I am dead inside, I want to die, Chenier, please, help me die!” And Chenier would suggest that someone be sent to Pelissier’s for a bottle of Amor and Psyche, and Baldini would acquiesce, but only on condition that not a soul should learn of his shame. Chenier would swear himself to silence, and tonight they would perfume Count Verhamont’s leather with the other man’s product. That was how it would be, no doubt of it, and Chenier only wished that the whole circus were already over. Baldini was no longer a great perfumer. At one time, to be sure, in his youth, thirty, forty years ago, he had composed Rose of the South and Baldini’s Gallant Bouquet, the two truly great perfumes to which he owed his fortune. But now he was old and exhausted and did not know current fashions and modern tastes, and whenever he did manage to concoct a new perfume of his own, it was some totally old-fashioned, unmarketable stuff that within a year they had to dilute ten to one and peddle as an additive for fountains. What a shame, Chenier thought as he checked the sit of his wig in the mirror-a shame about old Baldini; a shame about his beautiful shop, because he’s sure to ruin it; and a shame about me, because by the time he has ruined it, I’ll be too old to take it over…
Eleven
Twelve
Thirteen
Fourteen
“Ah, I see! You are creating a new perfume.”
BALDSNI: Correct. With which to impregnate a Spanish hide for Count Verhamont. He wants something like… like… I think he said it’s called Amor and Psyche, and comes he says from that… that bungler in the rue Saint-Andre-des-Arts, that… that…
CHENIER: Pelissier.
BALDINI: Yes. Indeed. That’s the bungler’s name. Amor and Psyche, by Pelissier.-Do you know it?”
CHENIER: Yes, yes. I do indeed. You can smell it everywhere these days. Smell it on every street corner. But if you ask me-nothing special! It most certainly can’t be compared in any way with what you will create, Monsieur Baldini.
BALDSNI: Naturally not.
CHENIER: It’s a terribly common scent, this Amor and Psyche.
BALDINI: Vulgar?
CHENIER: Totally vulgar, like everything from Pelissier. I believe it contains lime oil.
BALDINI: Really? What else?
CHENIER: Essence of orange blossom perhaps. And maybe tincture of rosemary. But I can’t say for sure.
BALDINI: It’s of no consequence at all to me in any case.
CHENIER: Naturally not.
BALDINI: I could care less what that bungler Pelissier slops into his perfumes. I certainly would not take my inspiration from him, I assure you.
CHENIER: You’re absolutely right, monsieur.
BALDINI: As you know, I take my inspiration from no one. As you know,! create my own perfumes.
CHENIER: I do know, monsieur.
BALDINI: I alone give birth to them.
CHENIER: I know.
BALDINI: And I am thinking of creating something for Count Verhamont that will cause a veritable furor.
CHENIER: I am sure it will, Monsieur Baldini.
BALDINI: Take charge of the shop. I need peace and quiet. Don’t let anyone near me, Chenier.
And with that, he shuffled away-not at all like a statue, but as befitted his age, bent over, but so far that he looked almost as if he had been beaten-and slowly climbed the stairs to his study on the second floor.
Chenier took his place behind the counter, positioning himself exactly as his master had stood before, and stared fixedly at the door. He knew what would happen in the next few hours: absolutely nothing in the shop, and up in Baldini’s study, the usual catastrophe. Baldini would take off his blue coat drenched in frangipani, sit down at his desk, and wait for inspiration. The inspiration would not come. He would then hurry over to the cupboard with its hundreds of vials and start mixing them haphazardly. The mixture would be a failure. He would curse, fling open the window, and pour the stuff into the river. He would try something else, that too would be a failure, he would then rave and rant and throw a howling fit there in the stifling, odor-filled room. At about seven o’clock he would come back down, miserable, trembling and whining, and say: “Chenier, I’ve lost my nose, I cannot give birth to this perfume, I cannot deliver the Spanish hide to the count, all is lost, I am dead inside, I want to die, Chenier, please, help me die!” And Chenier would suggest that someone be sent to Pelissier’s for a bottle of Amor and Psyche, and Baldini would acquiesce, but only on condition that not a soul should learn of his shame. Chenier would swear himself to silence, and tonight they would perfume Count Verhamont’s leather with the other man’s product. That was how it would be, no doubt of it, and Chenier only wished that the whole circus were already over. Baldini was no longer a great perfumer. At one time, to be sure, in his youth, thirty, forty years ago, he had composed Rose of the South and Baldini’s Gallant Bouquet, the two truly great perfumes to which he owed his fortune. But now he was old and exhausted and did not know current fashions and modern tastes, and whenever he did manage to concoct a new perfume of his own, it was some totally old-fashioned, unmarketable stuff that within a year they had to dilute ten to one and peddle as an additive for fountains. What a shame, Chenier thought as he checked the sit of his wig in the mirror-a shame about old Baldini; a shame about his beautiful shop, because he’s sure to ruin it; and a shame about me, because by the time he has ruined it, I’ll be too old to take it over…
Eleven
GIUSEPPE BALDINI had indeed taken off his redolent coat, but only out of long-standing habit. The odor of frangipani had long since ceased to interfere with his ability to smell; he had carried it about with him for decades now and no longer noticed it at all. And although he had closed the doors to his study and asked for peace and quiet, he had not sat down at his desk to ponder and wait for inspiration, for he knew far better than Chenier that inspiration would not strike-after all, it never had before. He was old and exhausted, that much was true, and was no longer a great perfumer, but he knew that he had never in his life been one. He had inherited Rose of the South from his father, and the formula for Baidini’s Gallant Bouquet had been bought from a traveling Genoese spice salesman. The rest of his perfumes were old familiar blends. He had never invented anything. He was not an inventor. He was a careful producer of traditional scents; he was like a cook who runs a great kitchen with a routine and good recipes, but has never created a dish of his own. He staged this whole hocus-pocus with a study and experiments and inspiration and hush-hush secrecy only because that was part of the professional image of a perfumer and glover. A perfumer was fifty percent alchemist who created miracles-that’s what people wanted. Fine! That his art was a craft like any other, only he knew, and was proud of the fact. He didn’t want to be an inventor. He was very suspicious of inventions, for they always meant that some rule would have to be broken. And he had no intention of inventing some new perfume for Count Verhamont. Nor was he about to let Chenier talk him into obtaining Amor and Psyche from Pelissier this evening. He already had some. There it stood on his desk by the window, in a little glass flacon with a cut-glass stopper. He had bought it a couple of days before. Naturally not in person. He couldn’t go to Pelissier and buy perfume in person! But through a go-between, who had used yet another go-between… Caution was necessary. Because Baldini did not simply want to use the perfume to scent the Spanish hide-the small quantity he had bought was not sufficient for that in any case. He had something much nastier in mind: he wanted to copy it.
That was, moreover, not forbidden. It was merely highly improper. To create a clandestine imitation of a competitor’s perfume and sell it under one’s own name was terribly improper. But more improper still was to get caught at it, and that was why Chenier must know nothing about it, for Chenier was a gossip.
How awful, that an honest man should feel compelled to travel such crooked paths! How awful, that the most precious thing a man possesses, his own honor, should be sullied by such shabby dealings! But what was he to do? Count Verhamont was, after all, a customer he dared not lose. He had hardly a single customer left now. He would soon have to start chasing after customers as he had in his twenties at the start of his career, when he had wandered the streets with a boxful of wares dangling at his belly. God knew, he, Giuseppe Baldini-owner of the largest perfume establishment in Paris, with the best possible address-only managed to stay out of the red by making house calls, valise in hand. And that did not suit him at all, for he was well over sixty and hated waiting in cold antechambers and parading eau des millefleurs and four thieves’ vinegar before old marquises or foisting a migraine salve off on them. Besides which, there was such disgusting competition in those antechambers. There was that upstart Brouet from the rue Dauphine, who claimed to have the greatest line of pomades in Europe; or Calteau from the rue Mauconseil, who had managed to become purveyor to the household of the duchesse d’Artois; or this totally unpredictable Antoine Pelissier from the rue Saint-Andre-des-Arts, who every season launched a new scent that the whole world went crazy over.
Perfumes like Pelissier’s could make a shambles of the whole market. If the rage one year was Hungary water and Baldini had accordingly stocked up on lavender, bergamot, and rosemary to cover the demand-here came Pelissier with his Air de Muse, an ultra-heavy musk scent. Suddenly everyone had to reek like an animal, and Baldini had to rework his rosemary into hair oil and sew the lavender into sachets. If, however, he then bought adequate supplies of musk, civet, and castor for the next year, Pelissier would take a notion to create a perfume called Forest Blossom, which would be an immediate success. And when, after long nights of experiment or costly bribes, Baldini had finally found out the ingredients in Forest Blossom-Pelissier would trump him again with Turkish Nights or Lisbon Spice or Bouquet de la Cour or some such damn thing. The man was indeed a danger to the whole trade with his reckless creativity. It made you wish for a return to the old rigid guild laws. Made you wish for draconian measures against this nonconformist, against this inflationist of scent. His license ought to be revoked and a juicy injunction issued against further exercise of his profession… and, just on principle, the fellow ought to be taught a lesson! Because this Pelissier wasn’t even a trained perfumer and glover. His father had been nothing but a vinegar maker, and Pelissier was a vinegar maker too, nothing else. But as a vinegar maker he was entitled to handle spirits, and only because of that had the skunk been able to crash the gates and wreak havoc in the park of the true perfumers. What did people need with a new perfume every season? Was that necessary? The public had been very content before with violet cologne and simple floral bouquets that you changed a soupcon every ten years or so. For thousands of years people had made do with incense and myrrh, a few balms, oils, and dried aromatic herbs. And even once they had learned to use retorts and alembics for distilling herbs, flowers, and woods and stealing the aromatic base of their vapors in the form of volatile oils, to crush seeds and pits and fruit rinds in oak presses, and to extract the scent from petals with carefully filtered oils-even then, the number of perfumes had been modest. In those days a figure like Pelissier would have been an impossibility, for back then just for the production of a simple pomade you needed abilities of which this vinegar mixer could not even dream. You had to be able not merely to distill, but also to act as maker of salves, apothecary, alchemist, and craftsman, merchant, humanist, and gardener all in one. You had to be able to distinguish sheep suet from calves’ suet, a victoria violet from a parma violet. You had to be fluent in Latin. You had to know when heliotrope is harvested and when pelargonium blooms, and that the jasmine blossom loses its scent at sunrise. Obviously Pelissier had not the vaguest notion of such matters. He had probably never left Paris, never in all his life seen jasmine in bloom. Not to mention having a whit of the Herculean elbow grease needed to wring a dollop of concretion or a few drops of essence absolue from a hundred thousand jasmine blossoms. Probably he knew such things-knew jasmine-only as a bottle of dark brown liquid concentrate that stood in his locked cabinet alongside the many other bottles from which he mixed his fashionable perfumes. No, in the good old days of true craftsmen, a man like this coxcomb Pelissier would never have got his foot in the door. He lacked everything: character, education, serenity, and a sense for the hierarchy within a guild. He owed his few successes at perfumery solely to the discovery made some two hundred years before by that genius Mauritius Frangipani-an Italian, let it be noted!-that odors are soluble in rectified spirit. By mixing his aromatic powder with alcohol and so transferring its odor to a volatile liquid, Frangipani had liberated scent from matter, had etherialized scent, had discovered scent as pure scent; in short, he had created perfume. What a feat! What an epoch-making achievement! Comparable really only to the greatest accomplishments of humankind, like the invention of writing by the Assyrians, Euclidean geometry, the ideas of Plato, or the metamorphosis of grapes into wine by the Greeks. A truly Promethean act! And yet, just as ail great accomplishments of the spirit cast both shadow and light, offering humankind vexation and misery along with their benefits, so, too, Frangipani’s marvelous invention had its unfortunate results. For now that people knew how to bind the essence of flowers and herbs, woods, resins, and animal secretions within tinctures and fill them into bottles, the art of perfumery was slipping bit by bit from the hands of the masters of the craft and becoming accessible to mountebanks, at least a mountebank with a passably discerning nose, like this skunk Pelissier. Without ever bothering to learn how the marvelous contents of these bottles had come to be, they could simply follow their olfactory whims and concoct whatever popped into their heads or struck the public’s momentary fancy.
So much was certain: at age thirty-five, this bastard Pelissier already possessed a larger fortune than he, Baldini, had finally accumulated after three generations of constant hard work. And Pelissier’s grew daily, while his, Baldini’s, daily shrank. That sort of thing would not have been even remotely possible before! That a reputable craftsman and established commerfant should have to struggle to exist-that had begun to happen only in the last few decades! And only since this hectic mania for novelty had broken out in every quarter, this desperate desire for action, this craze of experimentation, this rodomontade in commerce, in trade, and in the sciences!
Or this insanity about speed. What was the need for all these new roads being dug up everywhere, and these new bridges? What purpose did they serve? What was the advantage of being in Lyon within a week? Who set any store by that? Whom did it profit? Or crossing the Atlantic, racing to America in a month-as if people hadn’t got along without that continent for thousands of years. What had civilized man lost that he was looking for out there in jungles inhabited by Indians or Negroes. People even traveled to Lapland, up there in the north, with its eternal ice and savages who gorged themselves on raw fish. And now they hoped to discover yet another continent that was said to lie in the South Pacific, wherever that might be. And why all this insanity? Because the others were doing the same, the Spaniards, the damned English, the impertinent Dutch, whom you then had to go out and fight, which you couldn’t in the least afford. One of those battleships easily cost a good 300,000 livres, and a single cannon shot would sink it in five minutes, for good and all, paid for with our taxes. The minister of finance had recently demanded one-tenth of all income, and that was simply ruinous, even if you didn’t pay Monsieur his tithe. The very attitude was perverse.
Man’s misfortune stems from the fact that he does not want to stay in the room where he belongs. Pascal said that. And Pascal was a great man, a Frangipani of the intellect, a real craftsman, so to speak, and no one wants one of those anymore. People read incendiary books now by Huguenots or Englishmen. Or they write tracts or so-called scientific masterpieces that put anything and everything in question. Nothing is supposed to be right anymore, suddenly everything ought to be different. The latest is that little animals never before seen are swimming about in a glass of water; they say syphilis is a completely normal disease and no longer the punishment of God. God didn’t make the world in seven days, it’s said, but over millions of years, if it was He at all. Savages are human beings like us; we raise our children wrong; and the earth is no longer round like it was, but flat on the top and bottom like a melon-as if that made a damn bit of difference! In every field, people question and bore and scrutinize and pry and dabble with experiments. It’s no longer enough for a man to say that something is so or how it is so-everything now has to be proven besides, preferably with witnesses and numbers and one or another of these ridiculous experiments. These Diderots and d’Alemberts and Voltaires and Rousseaus or whatever names these scribblers have-there are even clerics among them and gentlemen of noble birth!-they’ve finally managed to infect the whole society with their perfidious fidgets, with their sheer delight in discontent and their unwillingness to be satisfied with anything in this world, in short, with the boundless chaos that reigns inside their own heads!
Wherever you looked, hectic excitement. People reading books, even women. Priests dawdling in coffeehouses. And if the police intervened and stuck one of the chief scoundrels in prison, publishers howled and submitted petitions, ladies and gentlemen of the highest rank used their influence, and within a couple of weeks he was set free or allowed out of the country, from where he went right on with his unconscionable pamphleteering. In the salons people chattered about nothing but the orbits of comets and expeditions, about leverage and Newton, about building canals, the circulation of the blood, and the diameter of the earth.
The king himself had had them demonstrate some sort of newfangled nonsense, a kind of artificial thunderstorm they called electricity. With the whole court looking on, some fellow rubbed a bottle, and it gave off a spark, and His Majesty, so it was said, appeared deeply impressed. Unthinkable! that his great-grandfather, the truly great Louis, under whose beneficent reign Baldini had been lucky enough to have lived for many years, would have allowed such a ridiculous demonstration in his presence. But that was the temper of the times, and it would all come to a bad end.
When, without the least embarrassment, people could brazenly call into question the authority of God’s Church; when they could speak of the monarchy-equally a creature of God’s grace-and the sacred person of the king himself as if they were both simply interchangeable items in a catalog of various forms of government to be selected on a whim; when they had the ultimate audacity-and have it they did-to describe God Himself, the Almighty, Very God of Very God, as dispensable and to maintain in all earnestness that order, morals, and happiness on this earth could be conceived of without Him, purely as matters of man’s inherent morality and reason… God, good God!-then you needn’t wonder that everything was turned upside down, that morals had degenerated, and that humankind had brought down upon itself the judgment of Him whom it denied. It would come to a bad end. The great comet of 1681-they had mocked it, calling it a mere clump of stars, while in truth it was an omen sent by God in warning, for it had portended, as was clear by now, a century of decline and disintegration, ending in the spiritual, political, and religious quagmire that man had created for himself, into which he would one day sink and where only glossy, stinking swamp flowers flourished, like Pelissier himself!
Baidini stood at the window, an old man, and gazed malevolently at the sun angled above the river. Barges emerged beneath him and slid slowly to the west, toward the Pont-Neuf and the quay below the galleries of the Louvre. No one poled barges against the current here, for that they used the channel on the other side of the island. Here everything flowed away from you-the empty and the heavily laden ships, the rowboats, and the flat-bottomed punts of the fishermen, the dirty brown and the golden-curled water— everything flowed away, slowly, broadly, and inevitably. And if Baldini looked directly below him, straight down the wall, it seemed to him as if the flowing water were sucking the foundations of the bridge with it, and he grew dizzy.
He had made a mistake buying a house on the bridge, and a second when he selected one on the western side. Because constantly before his eyes now was a river flowing from him; and it was as if he himself and his house and the wealth he had accumulated over many decades were flowing away like the river, while he was too old and too weak to oppose the powerful current. Sometimes when he had business on the left bank, in the quarter of the Sorbonne or around Saint-Sulpice, he would not walk across the island and the Pont-Saint-Michel, but would take the longer way across the Pont-Neuf, for it was a bridge without buildings. And then he would stand at the eastern parapet and gaze up the river, just for once to see everything flowing toward him; and for a few moments he basked in the notion that his life had been turned around, that his business was prospering, his family thriving, that women threw themselves at him, that his own life, instead of dwindling away, was growing and growing.
But then, if he lifted his gaze the least bit, he could see his own house, tall and spindly and fragile, several hundred yards away on the Pont-au-Change, and he saw the window of his study on the second floor and saw himself standing there at the window, saw himself looking out at the river and watching the water flow away, just as now. And then the beautiful dream would vanish, and Baldini would turn away from where he had stood on the Pont-Neuf, more despondent than before-as despondent as he was now, turning away from the window and taking his seat at his desk.
That was, moreover, not forbidden. It was merely highly improper. To create a clandestine imitation of a competitor’s perfume and sell it under one’s own name was terribly improper. But more improper still was to get caught at it, and that was why Chenier must know nothing about it, for Chenier was a gossip.
How awful, that an honest man should feel compelled to travel such crooked paths! How awful, that the most precious thing a man possesses, his own honor, should be sullied by such shabby dealings! But what was he to do? Count Verhamont was, after all, a customer he dared not lose. He had hardly a single customer left now. He would soon have to start chasing after customers as he had in his twenties at the start of his career, when he had wandered the streets with a boxful of wares dangling at his belly. God knew, he, Giuseppe Baldini-owner of the largest perfume establishment in Paris, with the best possible address-only managed to stay out of the red by making house calls, valise in hand. And that did not suit him at all, for he was well over sixty and hated waiting in cold antechambers and parading eau des millefleurs and four thieves’ vinegar before old marquises or foisting a migraine salve off on them. Besides which, there was such disgusting competition in those antechambers. There was that upstart Brouet from the rue Dauphine, who claimed to have the greatest line of pomades in Europe; or Calteau from the rue Mauconseil, who had managed to become purveyor to the household of the duchesse d’Artois; or this totally unpredictable Antoine Pelissier from the rue Saint-Andre-des-Arts, who every season launched a new scent that the whole world went crazy over.
Perfumes like Pelissier’s could make a shambles of the whole market. If the rage one year was Hungary water and Baldini had accordingly stocked up on lavender, bergamot, and rosemary to cover the demand-here came Pelissier with his Air de Muse, an ultra-heavy musk scent. Suddenly everyone had to reek like an animal, and Baldini had to rework his rosemary into hair oil and sew the lavender into sachets. If, however, he then bought adequate supplies of musk, civet, and castor for the next year, Pelissier would take a notion to create a perfume called Forest Blossom, which would be an immediate success. And when, after long nights of experiment or costly bribes, Baldini had finally found out the ingredients in Forest Blossom-Pelissier would trump him again with Turkish Nights or Lisbon Spice or Bouquet de la Cour or some such damn thing. The man was indeed a danger to the whole trade with his reckless creativity. It made you wish for a return to the old rigid guild laws. Made you wish for draconian measures against this nonconformist, against this inflationist of scent. His license ought to be revoked and a juicy injunction issued against further exercise of his profession… and, just on principle, the fellow ought to be taught a lesson! Because this Pelissier wasn’t even a trained perfumer and glover. His father had been nothing but a vinegar maker, and Pelissier was a vinegar maker too, nothing else. But as a vinegar maker he was entitled to handle spirits, and only because of that had the skunk been able to crash the gates and wreak havoc in the park of the true perfumers. What did people need with a new perfume every season? Was that necessary? The public had been very content before with violet cologne and simple floral bouquets that you changed a soupcon every ten years or so. For thousands of years people had made do with incense and myrrh, a few balms, oils, and dried aromatic herbs. And even once they had learned to use retorts and alembics for distilling herbs, flowers, and woods and stealing the aromatic base of their vapors in the form of volatile oils, to crush seeds and pits and fruit rinds in oak presses, and to extract the scent from petals with carefully filtered oils-even then, the number of perfumes had been modest. In those days a figure like Pelissier would have been an impossibility, for back then just for the production of a simple pomade you needed abilities of which this vinegar mixer could not even dream. You had to be able not merely to distill, but also to act as maker of salves, apothecary, alchemist, and craftsman, merchant, humanist, and gardener all in one. You had to be able to distinguish sheep suet from calves’ suet, a victoria violet from a parma violet. You had to be fluent in Latin. You had to know when heliotrope is harvested and when pelargonium blooms, and that the jasmine blossom loses its scent at sunrise. Obviously Pelissier had not the vaguest notion of such matters. He had probably never left Paris, never in all his life seen jasmine in bloom. Not to mention having a whit of the Herculean elbow grease needed to wring a dollop of concretion or a few drops of essence absolue from a hundred thousand jasmine blossoms. Probably he knew such things-knew jasmine-only as a bottle of dark brown liquid concentrate that stood in his locked cabinet alongside the many other bottles from which he mixed his fashionable perfumes. No, in the good old days of true craftsmen, a man like this coxcomb Pelissier would never have got his foot in the door. He lacked everything: character, education, serenity, and a sense for the hierarchy within a guild. He owed his few successes at perfumery solely to the discovery made some two hundred years before by that genius Mauritius Frangipani-an Italian, let it be noted!-that odors are soluble in rectified spirit. By mixing his aromatic powder with alcohol and so transferring its odor to a volatile liquid, Frangipani had liberated scent from matter, had etherialized scent, had discovered scent as pure scent; in short, he had created perfume. What a feat! What an epoch-making achievement! Comparable really only to the greatest accomplishments of humankind, like the invention of writing by the Assyrians, Euclidean geometry, the ideas of Plato, or the metamorphosis of grapes into wine by the Greeks. A truly Promethean act! And yet, just as ail great accomplishments of the spirit cast both shadow and light, offering humankind vexation and misery along with their benefits, so, too, Frangipani’s marvelous invention had its unfortunate results. For now that people knew how to bind the essence of flowers and herbs, woods, resins, and animal secretions within tinctures and fill them into bottles, the art of perfumery was slipping bit by bit from the hands of the masters of the craft and becoming accessible to mountebanks, at least a mountebank with a passably discerning nose, like this skunk Pelissier. Without ever bothering to learn how the marvelous contents of these bottles had come to be, they could simply follow their olfactory whims and concoct whatever popped into their heads or struck the public’s momentary fancy.
So much was certain: at age thirty-five, this bastard Pelissier already possessed a larger fortune than he, Baldini, had finally accumulated after three generations of constant hard work. And Pelissier’s grew daily, while his, Baldini’s, daily shrank. That sort of thing would not have been even remotely possible before! That a reputable craftsman and established commerfant should have to struggle to exist-that had begun to happen only in the last few decades! And only since this hectic mania for novelty had broken out in every quarter, this desperate desire for action, this craze of experimentation, this rodomontade in commerce, in trade, and in the sciences!
Or this insanity about speed. What was the need for all these new roads being dug up everywhere, and these new bridges? What purpose did they serve? What was the advantage of being in Lyon within a week? Who set any store by that? Whom did it profit? Or crossing the Atlantic, racing to America in a month-as if people hadn’t got along without that continent for thousands of years. What had civilized man lost that he was looking for out there in jungles inhabited by Indians or Negroes. People even traveled to Lapland, up there in the north, with its eternal ice and savages who gorged themselves on raw fish. And now they hoped to discover yet another continent that was said to lie in the South Pacific, wherever that might be. And why all this insanity? Because the others were doing the same, the Spaniards, the damned English, the impertinent Dutch, whom you then had to go out and fight, which you couldn’t in the least afford. One of those battleships easily cost a good 300,000 livres, and a single cannon shot would sink it in five minutes, for good and all, paid for with our taxes. The minister of finance had recently demanded one-tenth of all income, and that was simply ruinous, even if you didn’t pay Monsieur his tithe. The very attitude was perverse.
Man’s misfortune stems from the fact that he does not want to stay in the room where he belongs. Pascal said that. And Pascal was a great man, a Frangipani of the intellect, a real craftsman, so to speak, and no one wants one of those anymore. People read incendiary books now by Huguenots or Englishmen. Or they write tracts or so-called scientific masterpieces that put anything and everything in question. Nothing is supposed to be right anymore, suddenly everything ought to be different. The latest is that little animals never before seen are swimming about in a glass of water; they say syphilis is a completely normal disease and no longer the punishment of God. God didn’t make the world in seven days, it’s said, but over millions of years, if it was He at all. Savages are human beings like us; we raise our children wrong; and the earth is no longer round like it was, but flat on the top and bottom like a melon-as if that made a damn bit of difference! In every field, people question and bore and scrutinize and pry and dabble with experiments. It’s no longer enough for a man to say that something is so or how it is so-everything now has to be proven besides, preferably with witnesses and numbers and one or another of these ridiculous experiments. These Diderots and d’Alemberts and Voltaires and Rousseaus or whatever names these scribblers have-there are even clerics among them and gentlemen of noble birth!-they’ve finally managed to infect the whole society with their perfidious fidgets, with their sheer delight in discontent and their unwillingness to be satisfied with anything in this world, in short, with the boundless chaos that reigns inside their own heads!
Wherever you looked, hectic excitement. People reading books, even women. Priests dawdling in coffeehouses. And if the police intervened and stuck one of the chief scoundrels in prison, publishers howled and submitted petitions, ladies and gentlemen of the highest rank used their influence, and within a couple of weeks he was set free or allowed out of the country, from where he went right on with his unconscionable pamphleteering. In the salons people chattered about nothing but the orbits of comets and expeditions, about leverage and Newton, about building canals, the circulation of the blood, and the diameter of the earth.
The king himself had had them demonstrate some sort of newfangled nonsense, a kind of artificial thunderstorm they called electricity. With the whole court looking on, some fellow rubbed a bottle, and it gave off a spark, and His Majesty, so it was said, appeared deeply impressed. Unthinkable! that his great-grandfather, the truly great Louis, under whose beneficent reign Baldini had been lucky enough to have lived for many years, would have allowed such a ridiculous demonstration in his presence. But that was the temper of the times, and it would all come to a bad end.
When, without the least embarrassment, people could brazenly call into question the authority of God’s Church; when they could speak of the monarchy-equally a creature of God’s grace-and the sacred person of the king himself as if they were both simply interchangeable items in a catalog of various forms of government to be selected on a whim; when they had the ultimate audacity-and have it they did-to describe God Himself, the Almighty, Very God of Very God, as dispensable and to maintain in all earnestness that order, morals, and happiness on this earth could be conceived of without Him, purely as matters of man’s inherent morality and reason… God, good God!-then you needn’t wonder that everything was turned upside down, that morals had degenerated, and that humankind had brought down upon itself the judgment of Him whom it denied. It would come to a bad end. The great comet of 1681-they had mocked it, calling it a mere clump of stars, while in truth it was an omen sent by God in warning, for it had portended, as was clear by now, a century of decline and disintegration, ending in the spiritual, political, and religious quagmire that man had created for himself, into which he would one day sink and where only glossy, stinking swamp flowers flourished, like Pelissier himself!
Baidini stood at the window, an old man, and gazed malevolently at the sun angled above the river. Barges emerged beneath him and slid slowly to the west, toward the Pont-Neuf and the quay below the galleries of the Louvre. No one poled barges against the current here, for that they used the channel on the other side of the island. Here everything flowed away from you-the empty and the heavily laden ships, the rowboats, and the flat-bottomed punts of the fishermen, the dirty brown and the golden-curled water— everything flowed away, slowly, broadly, and inevitably. And if Baldini looked directly below him, straight down the wall, it seemed to him as if the flowing water were sucking the foundations of the bridge with it, and he grew dizzy.
He had made a mistake buying a house on the bridge, and a second when he selected one on the western side. Because constantly before his eyes now was a river flowing from him; and it was as if he himself and his house and the wealth he had accumulated over many decades were flowing away like the river, while he was too old and too weak to oppose the powerful current. Sometimes when he had business on the left bank, in the quarter of the Sorbonne or around Saint-Sulpice, he would not walk across the island and the Pont-Saint-Michel, but would take the longer way across the Pont-Neuf, for it was a bridge without buildings. And then he would stand at the eastern parapet and gaze up the river, just for once to see everything flowing toward him; and for a few moments he basked in the notion that his life had been turned around, that his business was prospering, his family thriving, that women threw themselves at him, that his own life, instead of dwindling away, was growing and growing.
But then, if he lifted his gaze the least bit, he could see his own house, tall and spindly and fragile, several hundred yards away on the Pont-au-Change, and he saw the window of his study on the second floor and saw himself standing there at the window, saw himself looking out at the river and watching the water flow away, just as now. And then the beautiful dream would vanish, and Baldini would turn away from where he had stood on the Pont-Neuf, more despondent than before-as despondent as he was now, turning away from the window and taking his seat at his desk.
Twelve
BEFORE HIM stood the flacon with Peiissier’s perfume. Glistening golden brown in the sunlight, the liquid was clear, not clouded in the least. It looked totally innocent, like a light tea-and yet contained, in addition to four-fifths alcohol, one-fifth of a mysterious mixture that could set a whole city trembling with excitement. The mixture, moreover, might consist of three or thirty different ingredients, prepared from among countless possibilities in very precise proportions to one another. It was the soul of the perfume-if one could speak of a perfume made by this ice-cold profiteer Pelissier as having a soul-and the task now was to discover its composition.
Baldini blew his nose carefully and pulled down the blind at the window, since direct sunlight was harmful to every artificial scent or refined concentration of odors. He pulled a fresh white lace handkerchief out of a desk drawer and unfolded it. Then, holding his head far back and pinching his nostrils together, he opened the flacon with a gentle turn of the stopper. He did not want, for God’s sake, to get a premature olfactory sensation directly from the bottle. Perfume must be smelled in its efflorescent, gaseous state, never as a concentrate. He sprinkled a few drops onto the handkerchief, waved it in the air to drive off the alcohol, and then held it to his nose. In three short, jerky tugs, he snatched up the scent as if it were a powder, immediately blew it out again, fanned himself, took another sniff in waltz time, and finally drew one long, deep breath, which he then exhaled slowly with several pauses, as if letting it slide down a long, gently sloping staircase. He tossed the handkerchief onto his desk and fell back into his armchair.
The perfume was disgustingly good. That miserable Pelissier was unfortunately a virtuoso. A master, to heaven’s shame, even if he had never learned one thing a thousand times overt Baldini wished he had created it himself, this Amor and Psyche. There was nothing common about it. An absolute classic-full and harmonious. And for all that, fascinatingly new. It was fresh, but not frenetic. It was floral, without being unctuous. It possessed depth, a splendid, abiding, voluptuous, rich brown depth-and yet was not in the least excessive or bombastic.
Baldini stood up almost in reverence and held the handkerchief under his nose once again. “Wonderful, wonderful…” he murmured, sniffing greedily. “It has a cheerful character, it’s charming, it’s like a melody, puts you in a good mood at once… What nonsense, a good mood!” And he flung the handkerchief back onto his desk in anger, turned away, and walked to the farthest corner of the room, as if ashamed of his enthusiasm.
Ridiculous! Letting himself be swept up in such eulogies-”like a melody, cheerful, wonderful, good mood.” How idiotic. Childishly idiotic. A moment’s impression. An old weakness. A matter of temperament. Most likely his Italian blood. Judge not as long as you’re smelling! That is rule number one, Baldini, you muttonhead! Smell when you’re smelling and judge after you have smelled! Amor and Psyche is not half bad as a perfume. A thoroughly successful product. A cleverly managed bit of concocting. If not to say conjuring. And you could expect nothing but conjuring from a man like Pelissier. Of course a fellow like Pelissier would not manufacture some hackneyed perfume. The scoundrel conjured with complete mastery of his art, confusing your sense of smell with its perfect harmony. In the classical arts of scent, the man was a wolf in sheep’s clothing. In short, he was a monster with talent. And what was worse, a perverter of the true faith.
But you, Baldini, are not going to be fooled. You were surprised for a moment by your first impression of this concoction. But do you know how it will smell an hour from now when its volatile ingredients have fled and the central structure emerges? Or how it will smell this evening when all that is still perceptible are the heavy, dark components that now lie in odorous twilight beneath a veil of flowers? Wait and see, Baldini!
The second rule is: perfume lives in time; it has its youth, its maturity, and its old age. And only if it gives off a scent equally pleasant at all three different stages of its life, can it be called successful. How often have we not discovered that a mixture that smelled delightfully fresh when first tested, after a brief interval was more like rotten fruit, and finally reeked of nothing but the pure civet we had used too much of. Utmost caution with the civet! One drop too much brings catastrophe. An old source of error. Who knows— perhaps Pelissier got carried away with the civet. Perhaps by this evening all that’s left of his ambitious Amor and Psyche will be just a whiff of cat piss. We shall see.
We shall smell it. Just as a sharp ax can split a log into tiny splinters, our nose will fragment every detail of this perfume. And then it will be only too apparent that this ostensibly magical scent was created by the most ordinary, familiar methods. We, Baldini, perfumer, shall catch Pelissier, the vinegar man, at his tricks. We shall rip the mask from his ugly face and show the innovator just what the old craft is capable of. We’ll scrupulously imitate his mixture, his fashionable perfume. It will be born anew in our hands, so perfectly copied that the humbug himself won’t be able to tell it from his own. No! That’s not enough! We shall improve on it! We’ll show up his mistakes and rinse them away, and then rub his nose in it. You’re a bungler, Pelissier! An old stinker is what you are! An upstart in the craft of perfumery, and nothing more.
And now to work, Baldini! Sharpen your nose and smell without sentimentality! Dissect the scent by the rules of the art! You must have the formula by this evening!
And he made a dive for his desk, grabbing paper, ink, and a fresh handkerchief, laid it all out properly, and began his analysis. The procedure was this: to dip the handkerchief in perfume, pass it rapidly under his nose, and extract from the fleeting cloud of scent one or another of its ingredients without being significantly distracted by the complex blending of its other parts; then, holding the handkerchief at the end of his outstretched arm, to jot down the name of the ingredient he had discovered, and repeat the process at once, letting the handkerchief flit by his nose, snatching at the next fragment of scent, and so on…
Baldini blew his nose carefully and pulled down the blind at the window, since direct sunlight was harmful to every artificial scent or refined concentration of odors. He pulled a fresh white lace handkerchief out of a desk drawer and unfolded it. Then, holding his head far back and pinching his nostrils together, he opened the flacon with a gentle turn of the stopper. He did not want, for God’s sake, to get a premature olfactory sensation directly from the bottle. Perfume must be smelled in its efflorescent, gaseous state, never as a concentrate. He sprinkled a few drops onto the handkerchief, waved it in the air to drive off the alcohol, and then held it to his nose. In three short, jerky tugs, he snatched up the scent as if it were a powder, immediately blew it out again, fanned himself, took another sniff in waltz time, and finally drew one long, deep breath, which he then exhaled slowly with several pauses, as if letting it slide down a long, gently sloping staircase. He tossed the handkerchief onto his desk and fell back into his armchair.
The perfume was disgustingly good. That miserable Pelissier was unfortunately a virtuoso. A master, to heaven’s shame, even if he had never learned one thing a thousand times overt Baldini wished he had created it himself, this Amor and Psyche. There was nothing common about it. An absolute classic-full and harmonious. And for all that, fascinatingly new. It was fresh, but not frenetic. It was floral, without being unctuous. It possessed depth, a splendid, abiding, voluptuous, rich brown depth-and yet was not in the least excessive or bombastic.
Baldini stood up almost in reverence and held the handkerchief under his nose once again. “Wonderful, wonderful…” he murmured, sniffing greedily. “It has a cheerful character, it’s charming, it’s like a melody, puts you in a good mood at once… What nonsense, a good mood!” And he flung the handkerchief back onto his desk in anger, turned away, and walked to the farthest corner of the room, as if ashamed of his enthusiasm.
Ridiculous! Letting himself be swept up in such eulogies-”like a melody, cheerful, wonderful, good mood.” How idiotic. Childishly idiotic. A moment’s impression. An old weakness. A matter of temperament. Most likely his Italian blood. Judge not as long as you’re smelling! That is rule number one, Baldini, you muttonhead! Smell when you’re smelling and judge after you have smelled! Amor and Psyche is not half bad as a perfume. A thoroughly successful product. A cleverly managed bit of concocting. If not to say conjuring. And you could expect nothing but conjuring from a man like Pelissier. Of course a fellow like Pelissier would not manufacture some hackneyed perfume. The scoundrel conjured with complete mastery of his art, confusing your sense of smell with its perfect harmony. In the classical arts of scent, the man was a wolf in sheep’s clothing. In short, he was a monster with talent. And what was worse, a perverter of the true faith.
But you, Baldini, are not going to be fooled. You were surprised for a moment by your first impression of this concoction. But do you know how it will smell an hour from now when its volatile ingredients have fled and the central structure emerges? Or how it will smell this evening when all that is still perceptible are the heavy, dark components that now lie in odorous twilight beneath a veil of flowers? Wait and see, Baldini!
The second rule is: perfume lives in time; it has its youth, its maturity, and its old age. And only if it gives off a scent equally pleasant at all three different stages of its life, can it be called successful. How often have we not discovered that a mixture that smelled delightfully fresh when first tested, after a brief interval was more like rotten fruit, and finally reeked of nothing but the pure civet we had used too much of. Utmost caution with the civet! One drop too much brings catastrophe. An old source of error. Who knows— perhaps Pelissier got carried away with the civet. Perhaps by this evening all that’s left of his ambitious Amor and Psyche will be just a whiff of cat piss. We shall see.
We shall smell it. Just as a sharp ax can split a log into tiny splinters, our nose will fragment every detail of this perfume. And then it will be only too apparent that this ostensibly magical scent was created by the most ordinary, familiar methods. We, Baldini, perfumer, shall catch Pelissier, the vinegar man, at his tricks. We shall rip the mask from his ugly face and show the innovator just what the old craft is capable of. We’ll scrupulously imitate his mixture, his fashionable perfume. It will be born anew in our hands, so perfectly copied that the humbug himself won’t be able to tell it from his own. No! That’s not enough! We shall improve on it! We’ll show up his mistakes and rinse them away, and then rub his nose in it. You’re a bungler, Pelissier! An old stinker is what you are! An upstart in the craft of perfumery, and nothing more.
And now to work, Baldini! Sharpen your nose and smell without sentimentality! Dissect the scent by the rules of the art! You must have the formula by this evening!
And he made a dive for his desk, grabbing paper, ink, and a fresh handkerchief, laid it all out properly, and began his analysis. The procedure was this: to dip the handkerchief in perfume, pass it rapidly under his nose, and extract from the fleeting cloud of scent one or another of its ingredients without being significantly distracted by the complex blending of its other parts; then, holding the handkerchief at the end of his outstretched arm, to jot down the name of the ingredient he had discovered, and repeat the process at once, letting the handkerchief flit by his nose, snatching at the next fragment of scent, and so on…
Thirteen
HE WORKED WITHOUT pause for two hours-with increasingly hectic movements, increasingly slipshod scribblings of his pen on the paper, and increasingly large doses of perfume sprinkled onto his handkerchief and held to his nose.
He could hardly smell anything now, the volatile substances he was inhaling had long since drugged him; he could no longer recognize what he thought had been established beyond doubt at the start of his analysis. He knew that it was pointless to continue smelling. He would never ascertain the ingredients of this newfangled perfume, certainly not today, nor tomorrow either, when his nose would have recovered, God willing. He had never learned fractionary smelling. Dissecting scents, fragmenting a unity, whether well or not-so-well blended, into its simple components was a wretched, loathsome business. It did not interest him. He did not want to continue.
But his hand automatically kept on making the dainty motion, practiced a thousand times over, of dunking the handkerchief, shaking it out, and whisking it rapidly past his face, and with each whisk he automatically snapped up a portion of scent-drenched air, only to let it out again with the proper exhalations and pauses. Until finally his own nose liberated him from the torture, swelling in allergic reaction till it was stopped up as tight as if plugged with wax. He could not smell a thing now, could hardly breathe. It was as if a bad cold had soldered his nose shut; little tears gathered in the corners of his eyes. Thank God in heaven! Now he could quit in good conscience. He had done his duty, to the best of his abilities, according to all the rules of the art, and was, as so often before, defeated. Ultra posse nemo obligatur. Closing time. Tomorrow morning he would send off to Pelissi-er’s for a large bottle of Amor and Psyche and use it to scent the Spanish hide for Count Verhamont, as per order. And after that he would take his valise, full of old-fashioned soaps, scent bags, pomades, and sachets and make his rounds among the salons of doddering countesses. And one day the last doddering countess would be dead, and with her his last customer. By then he would himself be doddering and would have to sell his business, to Pelissier or another one of these upstart merchants-perhaps he would get a few thousand livres for it. And he would pack one or two bags and go off to Italy with his old wife, if she was not dead herself by then. And if he survived the trip, he would buy a little house in the country near Messina where things were cheap. And there in bitterest poverty he, Giuseppe Baldini, once the greatest perfumer of Paris, would die-whenever God willed it. And that was well and good.
He stoppered the flacon, laid down his pen, and wiped the drenched handkerchief across his forehead one last time. He could sense the cooling effect of the evaporating alcohol, but nothing else. Then the sun went down.
Baldini stood up. He opened the jalousie and his body was bathed to the knees in the sunset, caught fire like a burnt-out torch glimmering low. He saw the deep red rim of the sun behind the Louvre and the softer fire across the slate roofs of the city. On the river shining like gold below him, the ships had disappeared. And a wind must have come up, for gusts were serrating the surface, and it glittered now here, now there, moving ever closer, as if a giant hand were scattering millions of louis d’or over the water. For a moment it seemed the direction of the river had changed: it was flowing toward Baldini, a shimmering flood of pure gold.
Baldini’s eyes were moist and sad. He stood there motionless for a long time gazing at the splendid scene. Then, suddenly, he flung both window casements wide and pitched the fiacon with Pelissier’s perfume away in a high arc. He saw it splash and rend the glittering carpet of water for an instant.
Fresh air streamed into the room. Baldini gulped for breath and noticed that the swelling in his nose was subsiding. Then he closed the window. At almost the same moment, night fell, very suddenly. The view of a glistening golden city and river turned into a rigid, ashen gray silhouette. Inside the room, all at once it was dark. Baldini resumed the same position as before and stared out of the window. “I shall not send anyone to Pelissier’s in the morning,” he said, grasping the back of his armchair with both hands. “I shall not do it. And I shall not make my tour of the salons either. Instead, I shall go to the notary tomorrow morning and sell my house and my business. That is what I shall do. E basta!”
The expression on his face was that of a cheeky young boy, and he suddenly felt very happy. He was once again the old, the young Baldini, as bold and determined as ever to contend with fate-even if contending meant a retreat in this case. And what if it did! There was nothing else to do. These were stupid times, and they left him no choice. God gives good times and bad times, but He does not wish us to bemoan and bewail the bad times, but to prove ourselves men. And He had given His sign. That golden, blood-red mirage of the city had been a warning: act now, Baldini, before it is too late! Your house still stands firm, your storage rooms are still full, you will still be able to get a good price for your slumping business. The decisions are still in your hands. To grow old living modestly in Messina had not been his goal in life, true-but it was more honorable and pleasing to God than to perish in splendor in Paris. Let the Brouets, Calteaus, and Pelissiers have their triumph. Giuseppe Baldini was clearing out. But he did it unbent and of his own free will!
He was quite proud of himself now. And his mind was finally at peace. For the first time in years, there was an easing in his back of the subordinate’s cramp that had tensed his neck and given an increasingly obsequious hunch to his shoulders. And he stood up straight without strain, relaxed and free and pleased with himself. His breath passed lightly through his nose. He could clearly smell the scent of Amor and Psyche that reigned in the room, but he did not let it affect him anymore. Baidini had changed his life and felt wonderful. He would go up to his wife now and inform her of his decision, and then he would make a pilgrimage to Notre-Dame and light a candle thanking God for His gracious prompting and for having endowed him, Giuseppe Baldini, with such unbelievable strength of character.
With almost youthful elan, he plopped his wig onto his bald head, slipped into his blue coat, grabbed the candlestick from the desk, and left his study. He had just lit the tallow candle in the stairwell to light his way up to his living quarters when he heard a doorbell ring on the ground floor. It was not the Persian chimes at the shop door, but the shrill ring of the servants’ entrance, a repulsive sound that had always annoyed him. He had often made up his mind to have the thing removed and replaced with a more pleasant bell, but then the cost would always seem excessive. The thought suddenly occurred to him-and he giggled as it did-that it made no difference now, he would be selling the obtrusive doorbell along with the house. Let his successor deal with the vexation!
The bell rang shrilly again. He cocked his ear for sounds below. Apparently Chenier had already left the shop. And the servant girl seemed not about to answer it either. So Baldini went downstairs to open the door himself.
He pulled back the bolt, swung the heavy door open-and saw nothing. The darkness completely swallowed the light of his candle. Then, very gradually, he began to make out a figure, a child or a half-grown boy carrying something over his arm.
“What do you want?”
“I’m from Maitre Grimal, I’m delivering the goatskins,” said the figure and stepped closer and held out to him a stack of hides hanging from his cocked arm. By the light of his candle, Baldini could now see the boy’s face and his nervous, searching eyes. He carried himself hunched over. He looked as if he were hiding behind his own outstretched arm, waiting to be struck a blow. It was Grenouille.
He could hardly smell anything now, the volatile substances he was inhaling had long since drugged him; he could no longer recognize what he thought had been established beyond doubt at the start of his analysis. He knew that it was pointless to continue smelling. He would never ascertain the ingredients of this newfangled perfume, certainly not today, nor tomorrow either, when his nose would have recovered, God willing. He had never learned fractionary smelling. Dissecting scents, fragmenting a unity, whether well or not-so-well blended, into its simple components was a wretched, loathsome business. It did not interest him. He did not want to continue.
But his hand automatically kept on making the dainty motion, practiced a thousand times over, of dunking the handkerchief, shaking it out, and whisking it rapidly past his face, and with each whisk he automatically snapped up a portion of scent-drenched air, only to let it out again with the proper exhalations and pauses. Until finally his own nose liberated him from the torture, swelling in allergic reaction till it was stopped up as tight as if plugged with wax. He could not smell a thing now, could hardly breathe. It was as if a bad cold had soldered his nose shut; little tears gathered in the corners of his eyes. Thank God in heaven! Now he could quit in good conscience. He had done his duty, to the best of his abilities, according to all the rules of the art, and was, as so often before, defeated. Ultra posse nemo obligatur. Closing time. Tomorrow morning he would send off to Pelissi-er’s for a large bottle of Amor and Psyche and use it to scent the Spanish hide for Count Verhamont, as per order. And after that he would take his valise, full of old-fashioned soaps, scent bags, pomades, and sachets and make his rounds among the salons of doddering countesses. And one day the last doddering countess would be dead, and with her his last customer. By then he would himself be doddering and would have to sell his business, to Pelissier or another one of these upstart merchants-perhaps he would get a few thousand livres for it. And he would pack one or two bags and go off to Italy with his old wife, if she was not dead herself by then. And if he survived the trip, he would buy a little house in the country near Messina where things were cheap. And there in bitterest poverty he, Giuseppe Baldini, once the greatest perfumer of Paris, would die-whenever God willed it. And that was well and good.
He stoppered the flacon, laid down his pen, and wiped the drenched handkerchief across his forehead one last time. He could sense the cooling effect of the evaporating alcohol, but nothing else. Then the sun went down.
Baldini stood up. He opened the jalousie and his body was bathed to the knees in the sunset, caught fire like a burnt-out torch glimmering low. He saw the deep red rim of the sun behind the Louvre and the softer fire across the slate roofs of the city. On the river shining like gold below him, the ships had disappeared. And a wind must have come up, for gusts were serrating the surface, and it glittered now here, now there, moving ever closer, as if a giant hand were scattering millions of louis d’or over the water. For a moment it seemed the direction of the river had changed: it was flowing toward Baldini, a shimmering flood of pure gold.
Baldini’s eyes were moist and sad. He stood there motionless for a long time gazing at the splendid scene. Then, suddenly, he flung both window casements wide and pitched the fiacon with Pelissier’s perfume away in a high arc. He saw it splash and rend the glittering carpet of water for an instant.
Fresh air streamed into the room. Baldini gulped for breath and noticed that the swelling in his nose was subsiding. Then he closed the window. At almost the same moment, night fell, very suddenly. The view of a glistening golden city and river turned into a rigid, ashen gray silhouette. Inside the room, all at once it was dark. Baldini resumed the same position as before and stared out of the window. “I shall not send anyone to Pelissier’s in the morning,” he said, grasping the back of his armchair with both hands. “I shall not do it. And I shall not make my tour of the salons either. Instead, I shall go to the notary tomorrow morning and sell my house and my business. That is what I shall do. E basta!”
The expression on his face was that of a cheeky young boy, and he suddenly felt very happy. He was once again the old, the young Baldini, as bold and determined as ever to contend with fate-even if contending meant a retreat in this case. And what if it did! There was nothing else to do. These were stupid times, and they left him no choice. God gives good times and bad times, but He does not wish us to bemoan and bewail the bad times, but to prove ourselves men. And He had given His sign. That golden, blood-red mirage of the city had been a warning: act now, Baldini, before it is too late! Your house still stands firm, your storage rooms are still full, you will still be able to get a good price for your slumping business. The decisions are still in your hands. To grow old living modestly in Messina had not been his goal in life, true-but it was more honorable and pleasing to God than to perish in splendor in Paris. Let the Brouets, Calteaus, and Pelissiers have their triumph. Giuseppe Baldini was clearing out. But he did it unbent and of his own free will!
He was quite proud of himself now. And his mind was finally at peace. For the first time in years, there was an easing in his back of the subordinate’s cramp that had tensed his neck and given an increasingly obsequious hunch to his shoulders. And he stood up straight without strain, relaxed and free and pleased with himself. His breath passed lightly through his nose. He could clearly smell the scent of Amor and Psyche that reigned in the room, but he did not let it affect him anymore. Baidini had changed his life and felt wonderful. He would go up to his wife now and inform her of his decision, and then he would make a pilgrimage to Notre-Dame and light a candle thanking God for His gracious prompting and for having endowed him, Giuseppe Baldini, with such unbelievable strength of character.
With almost youthful elan, he plopped his wig onto his bald head, slipped into his blue coat, grabbed the candlestick from the desk, and left his study. He had just lit the tallow candle in the stairwell to light his way up to his living quarters when he heard a doorbell ring on the ground floor. It was not the Persian chimes at the shop door, but the shrill ring of the servants’ entrance, a repulsive sound that had always annoyed him. He had often made up his mind to have the thing removed and replaced with a more pleasant bell, but then the cost would always seem excessive. The thought suddenly occurred to him-and he giggled as it did-that it made no difference now, he would be selling the obtrusive doorbell along with the house. Let his successor deal with the vexation!
The bell rang shrilly again. He cocked his ear for sounds below. Apparently Chenier had already left the shop. And the servant girl seemed not about to answer it either. So Baldini went downstairs to open the door himself.
He pulled back the bolt, swung the heavy door open-and saw nothing. The darkness completely swallowed the light of his candle. Then, very gradually, he began to make out a figure, a child or a half-grown boy carrying something over his arm.
“What do you want?”
“I’m from Maitre Grimal, I’m delivering the goatskins,” said the figure and stepped closer and held out to him a stack of hides hanging from his cocked arm. By the light of his candle, Baldini could now see the boy’s face and his nervous, searching eyes. He carried himself hunched over. He looked as if he were hiding behind his own outstretched arm, waiting to be struck a blow. It was Grenouille.
Fourteen
THE GOATSKINS for the Spanish leather! Baldini remembered now. He had ordered the hides from Grimal a few days before, the finest, softest goatskin to be used as a blotter for Count Verhamont’s desk, fifteen francs apiece. But he really did not need them anymore and could spare the expense. On the other hand, if he were simply to send the boy back…? Who knew-it could make a bad impression, people might begin to talk, rumors might start: Baldini is getting undependable, Baldini isn’t getting any orders, Baldini can’t pay his bills… and that would not be good; no, no, because something like that was likely to lower the selling price of his business. It would be better to accept these useless goatskins. No one needed to know ahead of time that Giuseppe Baldini had changed his life.
“Come in!”
He let the boy inside, and they walked across to the shop, Baldini leading with the candle, Grenouille behind him with the hides. It was the first time Grenouille had ever been in a perfumery, a place in which odors are not accessories but stand unabashedly at the center of interest. Naturally he knew every single perfumery and apothecary in the city, had stood for nights on end at their shop windows, his nose pressed to the cracks of their doors. He knew every single odor handled here and had often merged them in his innermost thoughts to create the most splendid perfumes. So there was nothing new awaiting him. And yet, just as a musically gifted child burns to see an orchestra up close or to climb into the church choir where the organ keyboard lies hidden, Grenouille burned to see a perfumery from the inside; and when he had heard that leather was to be delivered to Baldini, he had done all he could to make sure that he would be the one to deliver it.
And here he stood in Baldini’s shop, on the one spot in Paris with the greatest number of professional scents assembled in one small space. He could not see much in the fleeting light of the candle, only brief glimpses of the shadows thrown by the counter with its scales, the two herons above the vessel, an armchair for the customers, the dark cupboards along the walls, the brief flash of bronze utensils and white labels on bottles and crucibles; nor could he smell anything beyond what he could already smell from the street. But he at once felt the seriousness that reigned in these rooms, you might almost call it a holy seriousness, if the word “holy” had held any meaning whatever for Grenouille; for he could feel the cold seriousness, the craftsmanlike sobriety, the staid business sense that adhered to every piece of furniture, every utensil, to tubs, bottles, and pots. And as he walked behind Baldini, in Baldini’s shadow-for Baldini did not take the trouble to light his way-he was overcome by the idea that he belonged here and nowhere else, that he would stay here, that from here he would shake the world from its foundations.
The idea was, of course, one of perfectly grotesque immodesty. There was nothing, absolutely nothing, that could justify a stray tanner’s helper of dubious origin, without connections or protection, without the least social standing, to hope that he would get so much as a toehold in the most renowned perfume shop in Paris-all the less so, since we know that the decision had been made to dissolve the business. But what had formed in Grenouille’s immodest thoughts was not, after all, a matter of hope, but of certainty. He knew that the only reason he would leave this shop would be to fetch his clothes from Grimal’s, and then never again. The tick had scented blood. It had been dormant for years, encapsulated, and had waited. Now it let itself drop, for better or for worse, entirely without hope. And that was why he was so certain.
They had crossed through the shop. Baldini opened the back room that faced the river and served partly as a storeroom, partly as a workshop and laboratory where soaps were cooked, pomades stirred, and toilet waters blended in big-bellied bottles. “There!” he said, pointing to a large table in front of the window, “lay them there!”
Grenouille stepped out from Baldini’s shadow, laid the leather on the table, but quickly jumped back again, placing himself between Baldini and the door. Baldini stood there for a while. He held the candle to one side to prevent the wax from dripping on the table and stroked the smooth surface of the skins with the back of his fingers. Then he pulled back the top one and ran his hand across the velvety reverse side, rough and yet soft at the same time. They were very good goatskins. Just made for Spanish leather. As they dried they would hardly shrink, and when correctly pared they would become supple again; he could feel that at once just by pressing one between his thumb and index finger. They could be impregnated with scent for five to ten years. They were very, very good hides-perhaps he could make gloves from them, three pairs for himself and three for his wife, for the trip to Messina.
He pulled back his hand. He was touched by the way this worktable looked: everything lay ready, the glass basin for the perfume bath, the glass plate for drying, the mortars for mixing the tincture, pestle and spatula, brush and parer and shears. It was as if these things were only sleeping because it was dark and would come to life in the morning. Should he perhaps take the table with him to Messina? And a few of the tools, only the most important ones…? You could sit and work very nicely at this table. The boards were oak, and legs as well, and it was cross-braced, so that nothing about it could wiggle or wobble, acids couldn’t mar it, or oils or slips of a knife-but it would cost a fortune to take it with him to Messina! Even by ship! And therefore it would be sold, the table would be sold tomorrow, and everything that lay on it, under it, and beside it would be sold as well! Because he, Baldini, might have a sentimental heart, but he also had strength of character, and so he would follow through on his decision, as difficult as that was to do; he would give it all up with tears in his eyes, but he would do it nonetheless, because he knew he was right-he had been given a sign.
He turned to go. There at the door stood this little deformed person he had almost forgotten about. “They’re fine,” Baldini said. “Tell your master that the skins are fine. I’ll come by in the next few days and pay for them.”
“Yes, sir,” said Grenouille, but stood where he was, blocking the way for Baldini, who was ready to leave the workshop. Baldini was somewhat startled, but so unsuspecting that he took the boy’s behavior not for insolence but for shyness.
“What is it?” he asked. “Is there something else I can do for you? Well? Speak up!”
Grenouille stood there cowering and gazing at Baldini with a look of apparent timidity, but which in reality came from a cunning intensity.
“I want to work for you, Maitre Baldini. Work for you, here in your business.”
It was not spoken as a request, but as a demand; nor was it really spoken, but squeezed out, hissed out in reptile fashion. And once again, Baldini misread Grenouille’s outrageous self-confidence as boyish awkwardness. He gave him a friendly smile. “You’re a tanner’s apprentice, my lad,” he said. “I have no use for a tanner’s apprentice. I have a journeyman already, and I don’t need an apprentice.”
“You want to make these goatskins smell good, Maitre Baldini? You want to make this leather I’ve brought you smell good, don’t you?” Grenouille hissed, as if he had paid not the least attention to Baldini’s answer.
“Yes indeed,” said Baldini.
“With Amor and Psyche by Pelissier?” Grenouille asked, cowering even more than before.
At that, a wave of mild terror swept through Baldini’s body. Not because he asked himself how this lad knew all about it so exactly, but simply because the boy had said the name of the wretched perfume that had defeated his efforts at decoding today.
“Come in!”
He let the boy inside, and they walked across to the shop, Baldini leading with the candle, Grenouille behind him with the hides. It was the first time Grenouille had ever been in a perfumery, a place in which odors are not accessories but stand unabashedly at the center of interest. Naturally he knew every single perfumery and apothecary in the city, had stood for nights on end at their shop windows, his nose pressed to the cracks of their doors. He knew every single odor handled here and had often merged them in his innermost thoughts to create the most splendid perfumes. So there was nothing new awaiting him. And yet, just as a musically gifted child burns to see an orchestra up close or to climb into the church choir where the organ keyboard lies hidden, Grenouille burned to see a perfumery from the inside; and when he had heard that leather was to be delivered to Baldini, he had done all he could to make sure that he would be the one to deliver it.
And here he stood in Baldini’s shop, on the one spot in Paris with the greatest number of professional scents assembled in one small space. He could not see much in the fleeting light of the candle, only brief glimpses of the shadows thrown by the counter with its scales, the two herons above the vessel, an armchair for the customers, the dark cupboards along the walls, the brief flash of bronze utensils and white labels on bottles and crucibles; nor could he smell anything beyond what he could already smell from the street. But he at once felt the seriousness that reigned in these rooms, you might almost call it a holy seriousness, if the word “holy” had held any meaning whatever for Grenouille; for he could feel the cold seriousness, the craftsmanlike sobriety, the staid business sense that adhered to every piece of furniture, every utensil, to tubs, bottles, and pots. And as he walked behind Baldini, in Baldini’s shadow-for Baldini did not take the trouble to light his way-he was overcome by the idea that he belonged here and nowhere else, that he would stay here, that from here he would shake the world from its foundations.
The idea was, of course, one of perfectly grotesque immodesty. There was nothing, absolutely nothing, that could justify a stray tanner’s helper of dubious origin, without connections or protection, without the least social standing, to hope that he would get so much as a toehold in the most renowned perfume shop in Paris-all the less so, since we know that the decision had been made to dissolve the business. But what had formed in Grenouille’s immodest thoughts was not, after all, a matter of hope, but of certainty. He knew that the only reason he would leave this shop would be to fetch his clothes from Grimal’s, and then never again. The tick had scented blood. It had been dormant for years, encapsulated, and had waited. Now it let itself drop, for better or for worse, entirely without hope. And that was why he was so certain.
They had crossed through the shop. Baldini opened the back room that faced the river and served partly as a storeroom, partly as a workshop and laboratory where soaps were cooked, pomades stirred, and toilet waters blended in big-bellied bottles. “There!” he said, pointing to a large table in front of the window, “lay them there!”
Grenouille stepped out from Baldini’s shadow, laid the leather on the table, but quickly jumped back again, placing himself between Baldini and the door. Baldini stood there for a while. He held the candle to one side to prevent the wax from dripping on the table and stroked the smooth surface of the skins with the back of his fingers. Then he pulled back the top one and ran his hand across the velvety reverse side, rough and yet soft at the same time. They were very good goatskins. Just made for Spanish leather. As they dried they would hardly shrink, and when correctly pared they would become supple again; he could feel that at once just by pressing one between his thumb and index finger. They could be impregnated with scent for five to ten years. They were very, very good hides-perhaps he could make gloves from them, three pairs for himself and three for his wife, for the trip to Messina.
He pulled back his hand. He was touched by the way this worktable looked: everything lay ready, the glass basin for the perfume bath, the glass plate for drying, the mortars for mixing the tincture, pestle and spatula, brush and parer and shears. It was as if these things were only sleeping because it was dark and would come to life in the morning. Should he perhaps take the table with him to Messina? And a few of the tools, only the most important ones…? You could sit and work very nicely at this table. The boards were oak, and legs as well, and it was cross-braced, so that nothing about it could wiggle or wobble, acids couldn’t mar it, or oils or slips of a knife-but it would cost a fortune to take it with him to Messina! Even by ship! And therefore it would be sold, the table would be sold tomorrow, and everything that lay on it, under it, and beside it would be sold as well! Because he, Baldini, might have a sentimental heart, but he also had strength of character, and so he would follow through on his decision, as difficult as that was to do; he would give it all up with tears in his eyes, but he would do it nonetheless, because he knew he was right-he had been given a sign.
He turned to go. There at the door stood this little deformed person he had almost forgotten about. “They’re fine,” Baldini said. “Tell your master that the skins are fine. I’ll come by in the next few days and pay for them.”
“Yes, sir,” said Grenouille, but stood where he was, blocking the way for Baldini, who was ready to leave the workshop. Baldini was somewhat startled, but so unsuspecting that he took the boy’s behavior not for insolence but for shyness.
“What is it?” he asked. “Is there something else I can do for you? Well? Speak up!”
Grenouille stood there cowering and gazing at Baldini with a look of apparent timidity, but which in reality came from a cunning intensity.
“I want to work for you, Maitre Baldini. Work for you, here in your business.”
It was not spoken as a request, but as a demand; nor was it really spoken, but squeezed out, hissed out in reptile fashion. And once again, Baldini misread Grenouille’s outrageous self-confidence as boyish awkwardness. He gave him a friendly smile. “You’re a tanner’s apprentice, my lad,” he said. “I have no use for a tanner’s apprentice. I have a journeyman already, and I don’t need an apprentice.”
“You want to make these goatskins smell good, Maitre Baldini? You want to make this leather I’ve brought you smell good, don’t you?” Grenouille hissed, as if he had paid not the least attention to Baldini’s answer.
“Yes indeed,” said Baldini.
“With Amor and Psyche by Pelissier?” Grenouille asked, cowering even more than before.
At that, a wave of mild terror swept through Baldini’s body. Not because he asked himself how this lad knew all about it so exactly, but simply because the boy had said the name of the wretched perfume that had defeated his efforts at decoding today.