On torture raised above
      The pine - you, my lips' psalm:
      The bitterness of ashberry, elm -
      Wrathful Avessalom.

      To you! May the crumbling be
      Of leaves - live mercury!
      First time to open the arms!
      To throw the manuscript!

      The swarms of green reflections...
      Like ones weaving arms!
      My bare-headed ones you are,
      My trembling ones!


      3
      To swimmers, in a circle light
      Having been beaten -
      A flock of guardian nymphs - suddenly,
      The mantles sweeping

      A scroll is unrolled - In a back throw
      Of foreheads and hands
      In dance that suddenly will end
      With blow of defense -

      A long arm put on the thigh...
      Drawing out, I scream...
      A silver of the birches,
      Alive are the streams!


      4
      Friends! Brotherly multitude!
      You, with whose stroke is blown
      The trace of earthly insult. Wood! -
      Elysium mine!

      A co-bottler of souls
      In friendships' loud band
      Having chosen soberness, day
      In quiet brotherhood - I will end.

      Ah, from a stomping crowd
      In light sacrificial fire
      Of groves! In great stillness of
      Moss! In the current of firs...

      The wise tiding of tree! Wood
      That prophesies, of the curves
      On the riffraff, here,
      Is the perfect life:

      Where no slavery, nor ugliness,
      There, where all is its height,
      There, where truth's better seen:
      On the days' other side...


      5
      Refugees? Messengers?
      Respond if you are alive!
      The monks on horseback,
      Having seen God in groves?

      How many sandals are running?
      How many buildings are flaming?
      How many runners and judges
      For the trees' running?

      Forest! You're now a rider!
      That's which people disease
      Call: is the last
      Convulsion of trees -

      This - in a wide dress
      Is a teen with nectar fed.
      This - at once and with root
      Uptorn is the wood!

      No, another, not flakes
      In a day - leafed flood
      I see: spears headlong
      I see: murmur of blood!

      And in upturned junk heap
      Flying - who could have seen?
      That is Saul after David:
      After his death so tan.


      6
      Not with paint or with brush!
      Light - his kingdom, it's gray.
      Here light violates color
      The red leaves - a lie.

      Color, with light violated.
      Light - to fight color on breast.
      Is not in this secret
      The essence and strength

      Of autumn forest?
      Over the quiet creek of days
      Like curtain was torn -
      And behind it's scary...

      Through chausible of parting
      Like seeing a son -
      And suddenly words rise:
      Elysium and Palestine.

      A stream... a draft...
      Through trembling's little script -
      Light, better than death -
      And - connection's cut.


      -- -- -- -- -- -- -- -- --
      The autumn grayness,
      You, apotheosis of Goethe!
      Much was sung here
      And was unbound still more.

      Thus light the gray spots:
      Thus family heads - of the son
      Last out of seven
      The final, very last one

      Into the last doors -
      With rubbed-through light of arms...
      (I don't trust paint! Here
      Purple - is last of servants!)

      Not light already:
      They shimmer with some kind of light...
      Not in this or other
      And the connection is cut.

      Thus the deserts are lighting
      And - I said more than I could:
      Cupolas of Elysium
      And Palestine's sand.


      7
      That which slept without a vision -
      Has touched and stands.
      In strict gradualness of psalm,
      With visionary mountain -

      The multitudes of bodies that awaken -
      Hands! Hands! Hands!
      Like warriors under the hail of arrows,
      Ripe for torments.

      Scrolls of the falling into ash
      Chausibles, see-through like nets.
      The lashes of the old ones, not knowing
      Shame, and hands

      Covering the groin... (Of virgins!)
      Of teenagers' - birds!
      With a horsecart on the pipe of court!
      Body till the loins

      Having wheedled from coffin wraps -
      Flight gray-bearded:
      Now! - Transportation! - Legion!
      Entire peoples

      Of refugees! - On dearness and rage!
      Remember! - Be! - See!
      In the evening, on the hill,
      Several running trees.


      8
      Someone is driving - to deadly victory.
      Trees have the gestures of tragedy.
      Jews - the secret dance! The trees
      Have the quivers of mystery.

      This - is a conspiracy against century:
      Weight, count, time, fractions.
      This - is a torn curtain:
      Trees have gestures over the coffins.

      Someone's riding. Sky - entry is.
      Triumphal gestures have the trees.


      9
      With what inspiration,
      With what truths of God,
      Of what you sound,
      The leaves' floods?

      With what frantic
      Sevillian secrets -
      Of what you sound,
      Of what forget?

      What's in your fanning?
      I know - you heal
      Time's insult with
      Eternity's chill.

      But as a young genius having
      Risen - you decry
      With finger of absence
      The beholding's lie,

      That once anew, like never,
      The earth to us did seem.
      That underneath the eyelids
      Took place conspiracies.

      That with money of wonder
      Not to show off - so please!
      That underneath the eyelids
      Took place the mysteries!

      And from strength away!
      And from urgency away!
      Into the flood! - In prophecies
      With indirect speeches.

      Canopy with - leaves?
      Did Seville moan?
      Avalanches of leaves,
      Ruins of leaves...



x x x



      Gold of my hair
      Comes to grayness quietly.
      All took place, within the chest
      All flowed, sang. Don't pity me!

      Sang - in moaning pipe of land
      On the edge blended distance.
      God! Your design is the most
      Secret: The soul did take place.


      -- -- -- -- -- -- -- -- --
      The incombustible salt
      Of my hands - will not I
      Give the Phoenix's ash for tar
      Of magnificence of time?

      Even you have grown silver,
      Satellite! To thunder and smoke,
      To young graynesses of deeds -
      Add the grayness of my thoughts.

      Golden flower so proud,
      Of your luxury don't boast:
      To young graynesses of troubles
      Laurel came - and citizen oak.



Praise to the Rich



      And henceforth, that between me and you
      There are miles - having forewarned!
      Why do I count myself with the mob,
      That honest is my place in the world:

      Under the wheels of all excess: table
      Of uglies, cripples, backs with hunch...
      And from now, from the roof of belltower
      I announce: I love the rich!

      For their root, rotten and shaky,
      Growing the wound from the cradle,
      For the absent-minded habit
      From the pocket to pocket again.

      For the quietest request of their lips,
      Filfilled like a scream. That in paradise
      They will not be allowed,
      That they do not look in the eyes.

      For their secrets - always with courier!
      For - with messenger - their romantic bliss!
      For the nights that to them are bound,
      (And they violently drink and kiss!)

      And for this that in counts, in boredom,
      In gilt, in yawns, in cotton, I screech
      Me the impudent they won't purchase -
      I'm repeating: I love the rich!

      And still, regardless of being shaved,
      Of satiety, fullness (I wink - and spend!)
      For some - suddenly - being beaten,
      For some sometime doubting glance

      Of a dog... not a rod
      To the zeros? Do not weights play and rage?
      And for this, that among the world's outcasts
      There is not such an orphanage.

      There is such foolish tale: through the eye
      Of a needle a camel to pass...
      For their look, that at death does wonder,
      Apologizing in disease,

      Like in bankruptcy... "Judged... Be glad - Yes"...
      For the quiet, from lips pressed tight, to which
      "I counted karats, I was the brother"
      I am adding: I love the rich!



Poets




      1
      Poet - from afar starts a speech.
      A poet - far away starts the speech.

      With planets, with marks, with roundabout
      Tales' hollows... between yes and nay
      He even having swung from the belltower
      Took out the hook... For comets' way

      Is poets' way. The scattered chime of purpose -
      That's his connection! Forehead up - despair!
      You know that the eclipses of the poets
      Are not foretold by the calendar.

      He's he, who mixes cards together,
      Who is deceiving count and weight,
      He's he, who asks from the desktop,
      Who beats with Kant over the head,

      Who is like tree in its own beauty
      In the stone coffin of Bastille.
      He, on whose train all are late,
      Whose traces have been chilled
      Always... For comets' way

      Is poets' way: burning and not warming.
      Tearing, not growing - to break up and tear -
      Your season, o the mantled curved one,
      Is not foretold by a calendar!


      2
      There are the extras, the unneeded
      That do not fit within the norm.
      (Not counting in your dictionaries
      To them the landfill is their home).

      There are the hollow, the pushed-down,
      There are the mute - like dung,
      Nail - to your silken skirt hem!
      Dirt from under the wheels is wrung!

      There are the unseen, the imaginary:
      (Sign: speck of an autumn hen!)
      There are the Jobs within the world
      That would have envied Job - when:

      We're poets - and in rhyme with pariahs,
      But from the shore thus having gone,
      We argue over God with goddesses
      And argue over girls with gods!


      3
      What should I do, blind and a stepson,
      When all have fathers and have eyes,
      When on anathema like embankments
      Of passion! Where runny nose is the
      Name of cry!

      What should I do, with rib and thought
      Singing! - like wire! Siberia! Sunburn!
      Upon your dreams - like on the bridge!
      With their weightlessness
      In weights' world.

      What should I do, singer and firstborn,
      When gray is blackest in the world!
      Where inspiration's like in thermos!
      With this measurelessness in
      Measures' world?!



Words and Meanings




      1
      You do not ever think about me!
      (Tire-some!)
      You think about me: the wires:
      Far - lasting.

      You don't complain about me, that it's pity...
      Sweeter than all...
      Only about one thing: the pedal:
      Pain - lasting.


      2
      The - palm in palm:
      What - for you're born?
      Don't - pity: please:
      Long - last - and pain.


      3
      Distance stretched out long with wires...
      Distance and pain, is the same palm
      Opening - wherefore?
      Distance and pain, is the same way.



Pedals



      As the distance pierces, likewise
      It the distance does caress.
      Longer - longer - longer - longer!
      The right pedal, this one is.

      It's no pity to be dying
      After seeing life in bliss.
      Deafer - deafer - deafer - deafer:
      The left pedal, this one is.

      Memory's humming Kitezh -
      Right! Lethean water's
      Take the left: the deafener
      Will out-sing the longerer.

      From the plot ones, notice,
      From the cast ones having tired,
      Life doesn't want to live... but often
      Death does not desire to die!

      It demands! From all the meatless
      Keys, all broken up in row.
      (With left pedal they do deafen,
      With right pedal they prolong...)

      It clangs! Like snake out of the falseness
      Of keys, broken up all the way...
      Further, further, further, further,
      With the right pedal they do lie!



Thus they listen..




      1
      Thus they listen (to the source
      Listens - the mouth).
      Thus they smell a flower:
      Deeply - till feeling's loss!

      Thus there's bottomless thirst
      In the indigo air.
      Thus children, in blueness of sheets,
      Into the memory peer.

      Thus the teenager feels
      Blood - until the lotus...
      Thus one falls in love:
      Falls into the abyss.


      2
      Do not scold me for this
      Dim and business-like look, friend.
      Thus they gulp down the gulp:
      Into depth: till feelings end.

      Thus working into cloth, tailor
      Sews his final attire.
      Thus children whisper in whisper,
      Into the cry crying.

      Thus they dance... (Great
      Is God - you turn around that's why!)
      Thus children are quiet in silence
      Crying in a cry.

      Thus without bane shows itself
      With a sting touched blood!
      Like falling into abyss:
      Thus they fall in love.



Dialogue of Hamlet with his Conscience



      "She's on the bottom, where is mud
      And seaweed... She went to sleep
      In them - but there is no sleep there!"
      "But I loved her,
      Like forty thousand brothers
      Can't love her"
      "Hamlet!

      She's on the bottom, where is mud:
      Mud! And the final garland
      Has floated on the river-side logs"
      "But I loved her
      Like forty thousand.."
      "Fewer,
      Still, than one lover.

      She's on the bottom, where is mud"
      "But I"
      (bewildered)
      "loved her?"



Crevasse



      With what this day will end
      Neither friendship nor love will know.
      With each day you answer more quietly,
      With each day deeper you go.

      Thus, worrying over nothing -
      Only branches move of a tree -
      Thus into the ice crevasse -
      Into the chest, that I smashed against thee!

      From the treasure-chest of likenesses
      Here is prediction - by guess - for thee:
      You in me like in crystal coffin
      Sleep - you like in deep wound in me

      Sleep - tight is the icy crevasse!
      Ices are jealous of their dead ones:
      Finger - armor - print - and belt...
      Without return and without response.

      In vain you scold Helen, widows!
      Not the beautiful Helen's Troy's fire!
      The blueness of ice crevasses,
      On whose bottom you sleep, sire...

      Sleep, dreamer! With you having met
      Like with Empidocles, Aetna...
      Chest will not give out its dead
      And to family say, it's in vain.



x x x



      On the appointed meeting
      I'll be late. I will come gray
      Having taken spring with me.
      You appointed him up high!

      I will walk for years - to bitter mercury
      Did not go Ophelia's taste!
      I will walk through mountains - and deserts,
      I will walk through souls - and hands.

      The earth will live for long! Thicket -
      Blood! And each droplet - creek.
      But always with the stream's side
      In bitter grass, Ophelia's look.

      That which quaffing passion, only
      Filled with mud! - On the stone, with shaft!
      I have loved you highly, highly,
      In the sky I have myself kept.



x x x



      Early still - not to be!
      Early still - not to burn!
      Tenderness! Cruel lash of
      Meetings from other world.

      How deeply not to lean -
      Bottomless vat is heaven!
      O, for a love like this
      It's early - without wounds!

      Life lives with jealousy!
      Into the earth the blood
      Pours. The widow will give
      Her right - for a sword?

      Life lives with jealousy!
      Damage to heart is blessed!
      Her right for a sickle
      Will give away the grass.

      Secret thirst of the grass...
      Every sprout: "break me down"...
      Given away to the rag,
      Still all the wounds are - mine!

      And till a common seam -
      I pour - you will not place -
      It is still early for ices
      Of other-worldly lands!



Moon - to Sleepwalker



      Those who wound up - will remain.
      Further - up.
      In the hour of final forgetfulness
      Don't wake up.

      He has no friends who is a genius
      And walks at night.
      In the hour of final vision
      Don't gain sight.

      I'm your eyes. The owl's roof
      Of eyes, dear.
      I will call you by the name -
      Do not hear.

      I'm your soul: Urania:
      To gods - door.
      Do not check me in the final
      Melding's hour.



Rails



      In some frequent lining of a note
      Coddling on the sheets without fail -
      Linens of a railroad are appearing,
      Cutting through, the blueness of a rail!

      Pushkin's: How many of them, where
      It chases! (It passed - they don't sing!)
      Here they all are leaving and departing,
      Here they chill and here they linger still.

      Here they stay. Pain like a note
      Remaining... Above love all
      Remaining... With wife of Lot
      Like embankment have grown cold the poles...

      Hour, when with despair like with loom
      Sheets have been spread out - Yours!
      And the that-has- now-gone-voiceless Sappho
      Cries in pain like a final seamstress.

      Cry unmurmuring! Cry of a swamp
      Heron, knowing already... Deep
      Linens of a railroad spreading out,
      With a scissors cutting is the beep.

      Flow apart with an unneeded dawn,
      O the red unnecessary spot!
      The young women each in their turn
      Do aspire onto such a sheet.



Letter



      They don't wait for letters,
      For a letter they wait.
      A shred of rag
      Around a braid
      Of glue. Within - a word.
      And happiness. And this - is all.

      Thus they don't wait for joy,
      Thus they wait for the end:
      A soldier's salute
      And into the chest - lead
      Three pieces. It's red in the eye.
      And this is it. And only.

      No happiness - she's old!
      Wind blew - color!
      The black muzzles
      And the yard's square.

      (The letter's square:
      Of ink and spells!)
      No one is too old
      For sleep of death!

      The letter's square.



x x x



      You that loved me with the falseness
      Of truth - and truth of lie,
      Abroad! There is nowhere further!
      You that in me placed your love!

      You, that loved me for much longer
      Than the time. - The right hand's stroke!
      You don't love me any longer
      Is the truth in six small words.



x x x



      The demon in me
      Is not dead but lives!
      In self like in jail
      In body like in bilge.

      Exit is axe
      From the world that is walls
      (An actor mumbles,
      "A stage is the world.")

      And lump-legged jester
      Did not act sly.
      In body - like in glory.
      Like in toga - in body.

      Many a year!
      Hold dear that you're alive!
      (Only the poets
      In bone - like in lie!)

      We won't make merry,
      Singing brothers,
      In body like in cotton
      Gown of a father.

      We cost the better.
      In heat we wilt.
      In body - like in stall.
      In self - like in a pot.

      Transitory magnificence
      We do not hold.
      In body - like in morass,
      In body - like in vault,

      In body - like in extreme
      Exile. - Wilt!
      In body - like in secret,
      In temples - like in a grip

      Of an iron mask.



x x x



      Into the gray spot - temple,
      Into rut - a soldier.
      Sky - with a sea we are painting you.
      Like on every syllable -
      That on secret peer
      I turnaround,
      I make myself cute.

      In the shootout - scythe,
      In the Christ dance - switch,
      Sea - I choke you off with the sky.
      Like on every poem -
      On a secret screech
      I am stopping,
      Putting my guard up high.

      In each line: You stand! In each spot
      There may treasure be.
      Eye! With light in you I unfold myself,
      I come apart. With angst
      On guitar harmony
      I rebuild myself,
      I cover myself.

      Marriage - in dawn
      Not in feather - of swan!
      Marriages are altogether different!
      Like on hyphen sign
      That on secret sign
      Brows are starting -
      You suspect me yet?

      Not in drunken tea
      Of glory - strong's my soul.
      And my exchequer is not small!
      Under your finger
      Like bread of the Lord
      We are broken up,
      We are being milled.


      x x x
      Brother in the songtime woe -
      I am envying you.
      Let it be fulfilled this way -
      In separate room to die! -
      How many years? Century?
      Is the dream of every day.


      -- -- -- -- -- -- -- -- --
      And not pity: little lived,
      And no anguish: little gave.
      He who lived in our days, lived
      A lot: he who gave a song - all gave.
      To live (only not newer
      Than death!) here across the veins.
      For some one thing this exists -
      Hooks upon the ceiling.



Conversation with a Genius



      With blocks - on forehead
      Resides the laurel.
      "I cannot sing"
      "You will" - "Vanished, fell

      (Translate into
      Oatmeal!)
      Sound from the chest -
      Just like milk.

      Empty and dry.
      In full spring -
      Feeling's a bitch."
      "An old song!

      Throw, don't confuse!"
      "Better I go -
      Pound a stone"
      "And to sing now"

      "What am I, bullflinch
      In the day to sing?"
      "Do not be able to,
      Bird, but sing!

      To spite the foe!"
      "That just lines, two
      I cannot parse?"
      "Who ever could?!"

      "Torture!" - "Endure!"
      "Meadow mown down -
      Gullet!" - "Wheeze:
      That too is sound!"

      "Business of lions
      Not of wives." - "Kids:
      Broken apart -
      Orpheus did sing!"

      "Thus in a coffin?"
      "A board underneath."
      "I cannot sing"
      "So you sing this!"



To Mayakovsky




      1
      That the world would not die
      Without desperate men,
      Be, baby Vladimir, ruler
      Of world from end to end.


      2
      Literary - not in it is
      Truth, but here - spill blood!
      It comes out every seven days.
      Departed - once in a hundred

      Years it comes. Killed is the first
      Soldier. Which, capital,
      Missives to you, which
      Article to you still?

      Gold - to a bourgeois:
      This is to us, dear.
      "Bass, they say, and walks in vests.
      Mayakovsky, Vladimir"...

      Hey, blood-your-blood!
      How to make peace with the news,
      When the blood of her first
      Soldier - on second page
      (Of the news).


      3

      "In the coffin, in the usual dark suit,
      in steady, rough shoes, shod with
      iron, lies the greatest poet of the
      Revolution." -
One-day Newspaper, April 24 1920.

      In the boots shod with iron
      In the boots in which he took the mountain -
      Not with any detour or redirection
      Having reached the crossing -

      Over a run of twenty years
      Until they were shining, spent.
      Mountain of the proletarian Sinai,
      On which he as the prophet stands,

      That the resident office would not meddle
      In the boots - a two-foot living square -
      In the boots, in which, wearing a frown,
      He carried the mountain - and took - and sang - and swore -

      In the boots before, without refusal
      By the untilled fields of October,
      In the boots - almost like water-climber:
      Infantryman, speaking clearer:

      In the boots of a great hike,
      On the Donbass, I do fear, nails.
      Of hundred ten million (State Publications)
      Mountain of the grief of own people...

      In which kind, I'm asking you with honor,
      Of one's own, when is which year:
      "Nothing of one's own in the factory!"
      Burning mountain of all the peoples - here.

      Thus in these - about his Rolls-Royces
      Talk has not gone silent at this time -
      To dead pioneers he shouted: Take formation!
      In the boots - witnesses to the crime.


      4

      The lovers' boat broke against life.

      And a bet one would not place
      Upon a leader such as this.
      Comrade, comrade, this your boat
      From what dictionary is?

      Still within the lovers' boat
      Thrown one's head back - a scandal!
      Razin - what here does not suit you?
      Better mastered life, withal.

      This novelty - medicine
      Bursting, what is your faucet?
      Fellow, not like proletarian
      You behave, what's with you yet?

      It was worth in gods and mother
      Us, that - not the dawn, the blood!
      The white undercoat of class
      To turn over toward the end.

      Like a cadet, at the Toska
      From despair having shot!
      Fellow! Not like Mayakovky
      You're behaving, like a shah.

      With a cap upon your brow
      And - farewell, my dear one!
      You ended as great-grand-father
      Having lived as great-grand-son.

      And again, like on the checkup
      We will go - shame'll eat you, son:
      You the Soviet-Russian Werther,
      Gesture noble-Russian.

      Earlier - to police station,
      Now... My enemy, dear one!
      There are no new lover's boats
      Underneath the shining moon.


      5
      Like only by enemies,
      In the very soul - a shot.
      This today, the final temple
      Is destroyed by foe of God.

      Having not yet oriented,
      Went to sleep, reaching the spot.
      Heart began now beating, beating,
      Stop, within the trace of shot.

      (An abroad, within the meeting:
      "Incident! What a land mine!
      This means - there is a heart also?
      And with our own, the same one?"

      A shot - in the very spot now,
      Like into the aim of market.
      (Often - the left lobe
      Having shaved - with wife in bed. )

      Hotshot! You did not miss target!
      And this for the woman - what!
      And Helen a lousy creature
      You will call, having thought.

      By but one thing, but completely,
      The Left poet surprised us so:
      Only to the right and knowing
      How to shoot, and left did go.

      In the right - would that the lancet
      Shine - and healthy is your chef.
      Well, the self-same Central Singer:
      A shot in the door on left!


      6
      The Soviet grandee,
      Under full Sinod...
      "Hello, Sergei!"
      "Hello, Volodya!"

      "Got tired?" "Just little"
      "By common?" "My own yet."
      "Did it shoot?" "Habitually."
      "Did it burn?" "Excellent."

      "Thus maybe it lived?"
      "Pass in which type, here."
      "Not so good, Sergei!"
      "Not so good, Vladimir!

      And do you remember,
      How in your pop
      Bass you did curse me?"
      "Well, now, stop...

      Thus here a boat
      Is this lovers' boat!
      Not from a skirt?"
      "It's worse from vodka -

      A bloated face.
      From that time on platoon here?
      Not so good, Sergei."
      "Not so good, Vladimir.

      And maybe - not razor -
      Is worked out cleanly.
      Thus beaten is card
      Completely?" "It trickles."

      "Apply now the plaintain"
      "It's good and collodium.
      Let's apply it, Sergei?"
      "Let's apply, Volodya."

      And what is in Russia -
      The mother? "Where's it?"
      "In USSR
      What is new?" "They build

      The parents give birth,
      The harmful ones sharpen,
      The publishers drive and
      The writers are writing.

      The new bridge is laid
      And washed out with half-water.
      It's all the same, Sergei!"
      "It's the same, Vladimir

      And the singing flock?
      "People, know, winding
      Our ground laurels
      Like rod of the dead ones.

      The old Rost
      With tomorrow's lacquer.
      You will not do with
      Just one Pasternak here.

      Let's apply the arms
      To that there lack of water?
      Let's apply them, Sergei?
      "Let's apply, Vladimir!

      Still bows to you now...
      "And what's the kind, our
      Lsan Alexandrovich?"
      "There -angel!" "Fyodor

      Kuzmich?" "On the canal:
      By the red cheeks
      He went." "Nikolai Gumilev?"
      "On the East

      (On the complete dray,
      In matting bloody...)
      "Still the same, Sergei"
      "Still the same, Volodya.

      And still this the same,
      Volodya dear friend -
      Let's apply the hands
      Though there are no hands

      Volodya." "Though there is none,
      My dear brother Sergei,
      Underneath this kingdom
      Let's place a grenade!

      And on the sunset
      By us bothered
      Let's place it, Sergei!"
      "Let's place it, Vladimir!"


      7
      He destroyed many temples,
      And this - more precious than all.
      Accept, Lord, your deceased enemy's soul.



Poems to Pushkin




      1
      Scourge of gendarmes, god of students,
      Bile of husbands and wives' sweetness,
      Pushkin - in a monument's role?
      In a role of a stone guest?

      Bare-toothed, looking like dare,
      Pushkin - in role of commander?

      Critic - whining, whiner - speaking:
      "Where is Pushkin's (weeping)
      Sense of measure?" Feeling - having
      Forgotten sea - beating

      On the granite? Salty one,
      Pushkin - in role of lexicon?

      His two legs having stretched out
      To warm, and upon the table
      Having jumped before the tyrant
      African man of free will -

      Killing of our great-grandfathers -
      Pushkin - in role of governor?

      Negro can't be painted over
      Can't correct it into white!
      Not bad is the Russian classic,
      Having once African sky

      Called his own, cursed the Nieva's!
      Pushkin - in role of Russia-lover?

      O you, the bearded augurs!
      Would have given to you the ball
      He who rhymed the tsar's censorship
      With the creep, and for it all

      "Europe's messenger" - with...
      Pushkin - in role of gravedigger?

      To the jubilee of Pushkin
      We will at this time give word:
      Ruddier than all and tanner
      Till this time in all the world,

      Livelier than all and living!
      Pushkin - in role of mausoleum?

      By the cabins of Pushkin
      You model, that're trash - themselves!
      Like from shower! Like from cannon -
      At the Pushkin's nightingales

      Words, the flight of falcons!
      Pushkin - in role of a gun!

      From the scream the ears are popping:
      "In a row before Pushkin!"
      Where did they leave the red of lips,
      Where did they leave the Pushkin's

      Mutiny? Lips' cursed pleasure?
      Pushkin - in the Pushkin's measure!

      Having placed tomes in the bookcase -
      You will bring laughter to him,
      Having mixed your refugeeness
      With his white insanity!

      White-bloodedness of brain, blueness
      Of morgue - with Negro's leer, a throat
      To the seeming...

      Would you, O the Copper Horseman,
      On all hooves behind come leap.
      Poor Vanya was a coward,
      But he - is not cowardly.

      He, looking in all directions -
      In Tatyana's role, one's own?

      What are you doing, you crows,