Am

Most of the time

C

She ain~t even in my mind

Am

I wouldn~t know if I saw her

C

She~s that far behind

E

Most of the time

Am

I can~t even be sure

E

If she was ever with me

Am G

Or if I was ever with her



C F

Most of the time, I~m half ways content

C F

Most of the time, I know exactly where it all went

Am

I don~t cheat on myself

F

I don~t run and hide

Am

Hide from the feelings

F

That are buried inside

C F

I don~t compromise and I don~t pretend

Am F

I don~t even care if I ever see her again

C F C F

Most of the time





(fade to end chords: C F C F)








    mr_bojan.crd



#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#

From: Rabea Brauer <rbrauer@runet.edu>
Subject: Mr Bojangles
Date: Sun, 18 Feb 1996 22:19:10 -0500 (EST)

This is what my friend Antje (who has no clue that I am posting it) and I
got out of the great, greater, the greatest Bob Dylan version (from the
"Dylan" album:


C Em
I knew a man Bojangles

Am A7
And he'd dance for you

F G G7
In worn out shoes


C Em
The silver hair, a ragged shirt

Am A7
And baggy pants

F G G7
The old soft shoe


F G E7 Am A7
He'd jump so high, jump so high

D9 G G7
Then he'd lightly touch down



Am G Am G Am G C Em Am C
Mr. Bojangles, Mr. Bojangles, Mr. Bojangles, dance


The rest of the song follows the same pattern. The lyrics I am posting
are the original J.J. Walker lyrics, Dylan made a slight change here
and there.


I met him in a cell in New Orleans
I was down and out

He looked to (Dylan: at) me to be the eyes of age
As he spoke right out

He talked of life, he talked of life
Then he laughed - slepped his leg a step

He said the name Bojangles then he danced a lick
'Cross the cell

He grabbed his pants,(Dylan: for) a better stance
Oh (Dylan: then) he jumped so high
He clicked his heels

He let go laugh, let go laugh
Shook back his cloth all around

Mr. Bojangles (3x)
Dance

He danced for those at minstrel shows and county fairs
Throughout the south

Spoke with tears of 15 years
How his dog 'n him travelled about

His dog up and died, his dog up and died
After 20 years he still grieves

He said I dance now at every chance in honky tonks
For drinks and tips

But most the time I spend behind these county bars
'Cause (Dylan: For) I drinks a bit

He shook his head, and he shook his head
I heard someone ask "Please"

Mr. Bojangles (3x)
Dance
Dance


    mr_tambo.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From: jgoffin@acs.ucalgary.ca (Jeffrey Goffin)



MR. TAMBOURINE MAN by Bob Dylan



F G C F

Hey, Mr. Tambourine Man, play a song for me,

F C F G

I'm not sleepy and there ain't no place I'm going to.

F G C F

Hey, Mr. Tambourine Man, play a song for me,

C F G C

In the jingle jangle morning I'll come following you.



F G C F

Though I know that evenings empire has returned into sand,

C F

Vanished from my hand,

C F G

Left me blindly here to stand but still not sleeping.

F G C F

My weariness amazes me, I'm branded on my feet,

C F

I have no one to meet,

C F G

And the ancient empty street's too dead for dreaming.



Take me on a trip upon your magic swirling ship.

My senses have been stripped,

May hands can't feel to grip,

My toes too numb to step,

Wait only for my bootheels to be wandering.

I'm ready to go anywhere, I'm ready for to fade,

Into my own parade.

Cast your dancing spell my way, I promise to go under it.



Though you might hear laughing, spinning, swinging madly across the sun,

It's not aimed at anyone,

It's just escaping on the run,

And but for the sky there are no fences facing.

And if you hear vague traces of skipping reels of rhyme,

To your tambourine in time.

It's just a ragged clown behind,

I wouldn't pay it any mind,

It's just a shadow you're seeing that he's chasing.



Take me disappearing through the smoke rings of my mind.

Down the foggy ruins of time,

far past the frozen leaves,

The haunted frightened trees,

Out to the windy bench,

Far from the twisted reach of crazy sorrow.

Yes to dance beneath the diamond sky with one hand waving free,

Silhouetted by the sea,

Circled deep beneath the waves,

Let me forget about today until tomorrow.



************************************************************************

* "Here's a song that I like to play. *

* Print it out, play it and pass it around. *

* If you like it, send me one of your favourites." *

* *

* Jeffrey Goffin Internet: jgoffin@acs.ucalgary.ca *

* Calgary, Alberta, Canada FidoNet: 1:134/160 *

************************************************************************





From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>



MR. TAMBOURINE MAN- Bob Dylan



CHORUS:

G A D G

Hey, Mr. Tambourine Man, play a song for me

G D G Em A

I'm not sleepy and there ain't no place I'm going to

G A D G

Hey, Mr. Tambourine Man, play a song for me

D G Em A D

In the jingle jangle morning I'll come following you



G A D G

Though I know that evenings empire has returned into sand

D G

Vanished from my hand

D G Em A

Left me blindly here to stand but still not sleeping

G A D G

My weariness amazes me, I'm branded on my feet

D G

I have no one to meet

D G Em A

And the ancient empty street's too dead for dreaming ...CHORUS



Take me on a trip upon your magic swirling ship

My senses have been stripped

My hands can't feel to grip

My toes too numb to step

Wait only for my bootheels to be wandering

I'm ready to go anywhere, I'm ready for to fade

Into my own parade

Cast your dancing spell my way, I promise to go under it...CHORUS



Though you might hear laughing, spinning, swinging madly across the sun

It's not aimed at anyone

It's just escaping on the run

And but for the sky there are no fences facing

And if you hear vague traces of skipping reels of rhyme

To your tambourine in time

It's just a ragged clown behind

I wouldn't pay it any mind

It's just a shadow you're seeing that he's chasing ...CHORUS



Take me disappearing through the smoke rings of my mind

Down the foggy ruins of time

Far past the frozen leaves

The haunted frightened trees

Out to the windy bench

Far from the twisted reach of crazy sorrow

Yes to dance beneath the diamond sky with one hand waving free

Silhouetted by the sea

Circled by the circus sands

With all memory and fate driven deep beneath the waves

Let me forget about today until tomorrow ...CHORUS





(from Bringing It All Back Home, 1965)

(sent by Harlan at harlant@hawaii.edu)






    my_back_.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From: macon@gallifry.Berkeley.EDU (Glen Macon)



Title: MY BACK PAGES (B. Dylan)



E E5 E E5



E C#m G#m A B E E5

Crimson flames run through my years, flowing high & mighty trapped

E C#m G#m A B

Countless fire and flaming rope, using ideas as my map

C#m G#m A B

We'll meet our own edges soon said I, proud me beaded brow





E A E

CHORUS: Ah but I was so much older then

A B E E5 E E5

I'm younger than that now.





E C#m G#m A B E E5

Half ripe prejudice leapt forth, rip down all hate I scream

E C#m G#m A B

Lies that life is black and white, spoke from my skull I dreamed

C#m G#m A B

Romantic flanks of musketeers, foundation deep somehow



CHORUS



E C#m G#m A B E E5

In a soldiers stance I aim my hand at the mongrel dogs who teach

E C#m G#m A B

During night I become my enemy in the instant that I preach

C#m G#m A B

Sisters fled by confusion boats, mutiny from stern to bow



CHORUS



E C#m G#m A B E E5

The guard stood hard when abstract prints too nobel to neglect

E C#m G#m A B

Deceived me into thinking, I had something to protect

C#m G#m A B

Good and bad I define these terms, why clear, no doubt, somehow.



From: tash@warp.atcon.com (Tony Ash)

Subject: Re: Bob Dylan\My Back Pages





MY BACK PAGES (Dylan)



D Bm G D

Crimson flames tied through my ears



G D Em7 A7

Rollin' high and mighty traps...



D Bm G D

Pounced with fire on flaming roads



G D Em7 A7

Using i-deas as my maps...



D F#m G D

"We'll meet on edges, soon said," I,



Em7 A7 Em7 A7

Proud 'neath heated brow...



D D7 G D

Ah, but I was so much older then



Em7 A7 G D

I'm young-er than that now.





Half-wracked prejudice leaped forth,

"Rip down all hate," I screamed,

Lies that life is black and white

Spoke from my skull I dreamed.

Romantic facts of musketeers

Foundationed deep, somehow,

Ah, but I was so much older then,

I'm younger than that now.



Girl's faces formed the forward path

>From phony jealousy,

To memorizing politics

Of ancient history.

Flung down by corpse evangelist

Unthought of, though, somehow,

Ah, but I was so much older then,

I'm younger than that now.



A self-ordained professor's tongue

Too serious to fool

Spouted out that liberty

Is just equality in school.

"Equality," I spoke the word

As if a wedding vow

Ah, but I was so much older then,

I'm younger than that now.





In a soldier's stance I aimed my hand

At the mongrel dogs who teach

Fearing not that I'd become my enemy

In the instant that I preach.

My pathway led by confusion boats

Mutiny from stern to bow

Ah, but I was so much older then,

I'm younger than that now.



Yes, my guards stood hard when abstract threats

Too noble to neglect

Deceived me into thinking

I had something to protect.

Good and bad, I define these terms

Quite clear, no doubt, somehow,

Ah, but I was so much older then,

I'm younger than that now.









....I think Dylan did it in Eb...

....The Byrds left out the 3rd and 4th verse in their

rendition...

....Amazing isn't it; a song thirty years old and still

just as relevant today.



Compliments of Tony Ash(tash@warp.atcon.com)





--=====================_799358827==_

Content-Type: text/plain; charset="us-ascii"



Regards---Tony Ash



--=====================_799358827==_--






    new_morn.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>



NEW MORNING- Bob Dylan



A D A D

Can't you hear that rooster crowin'?

A G#m

Rabbit runnin' down across the road

A/G F#m D A

Underneath the bridge where the water flowed through



CHORUS:

Bm C#m

So happy just to see you smile

Bm7 E

Underneath the sky of blue

A D A D

On this new morning, new morning

A D A D A D

On this new morning with you



Can't you hear that motor turnin'?

Automobile comin' into style

Comin' down the road for a country mile or two





BRIDGE:

G F#m7

The night passed away so quickly

G E

It always does when you're with me



Can't you feel that sun a shinin'?

Ground hog runnin' by the country stream

This must be the day that all of my dreams come true

CHORUS TWICE

New morning . . .







F#m7: 2 4 2 2 2 2 A/G: 3 0 2 2 2 0

Bm7: 2 2 4 2 3 2





(from New Morning, 1970)

(sent by Harlan at harlant@hawaii.edu)






    nobody_c.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>



NOBODY 'CEPT YOU- Bob Dylan



F C F

There's nothing 'round here to me that's sacred

Dm Bb

'Cept you, yeah you

F C F

There's nothing 'round here to me that matters

Dm Bb

'Cept you, yeah you



Bb

You're the one that reaches me

F

You're the one that I admire

Bb

Every time we meet together

F

I feel like I'm on fire

Bb

Nothing matters to me

F Dm

And there's nothing I desire

Bb Gm

'Cept you, yeah you



Nothing 'round here I care to try for, 'cept you, yeah you

Got nothing here to live or die for, except you, yeah you



There's a hymn I used to hear

In the churches all the time

Make me feel so good inside

So peaceful, so sublime

And there's nothing that reminds me of that

Old familiar chime, except you, yeah you



BRIDGE:

Bb

Used to run in the cemetery

F

Dance and run and sing but I was a child

C F

And it never seemed strange

Bb

But now I just pass mournfully

F

By that place where bones of life are piled

C F

I know somethin' has changed



I'm a stranger here and no one sees me, except you, yeah you

Nothing any more seems to please me,except you, yeah you



Nothing hypnotizes me

Or holds me in a spell

Everything runs by me

Just like water from a well

Everybody wants my attention

Everybody's got something to sell

Bb Gm

Except you, yeah you

F

I'm in love with you!





(originally done around the time of Planet Waves, 1973. Finally

released in The Bootleg Series, 1-3)

(sent by Harlan at harlant@hawaii.edu)






    north_co.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------#

#

Date: Sun, 28 Jan 1996 20:01:22 -0500 (EST)

From: "Kelvin W. Sherlock" <ksherloc@moose.uvm.edu>

Subject: bob dylan: north country blues crd



North Country Blues



Capo third fret (Cm and Bb)



Simplified Intro:

Am

e-------------|-------------|-------------|

B-----1---1---|-----1-------|-----1---1---|

G-----2---2---|-----2-------|-----2---2---|

D-----2---2---|-----2-------|-----2---2---|

A-0-----------|-------------|-0-----------|

E-------------|-0-------3---|-------------|



Am | | G | | |

Come and gather round friends and I'll tell you a tale



Am G Am |** |

Of when the red iron ore pits run a-plenty



| | G | | |

But the cardboard filled windows and old men on the benches



Am G Am |**

Tell ya now that the whole town is empty





In the north end of town my own children are grown

But I was raised on the other

In the wee hours of youth my mother took sick

And I was brought up by my brother



The iron ore poured as the years passed the door

The drag lines and shovels, they was hummin'

'Til one day my brother failed to come home

The same as my father before him



With a long winters wait from the window I watched

My friends, they couldn't have been kinder

And my school it was cut as I quit in the spring

To marry John Thomas, a miner



Oh the years passed again and the giving was good

With a lunch bucket filled every season

But with three babies born, the work was cut down

To half a day's shift with no reason



An' the shaft was soon shut and my work was cut

And the fire in the air, it felt frozen

'Til a man come to speak and he said in one week

That number eleven was closing



They complain in the east they payin' to high

They say that your ore ain't worth diggin'

That it's much cheaper down in the South American towns

Where the miners work almost for nothin'



So the minin' gates locked and the red iron rotted

And the room smelled heavy from drinkin'

When the sad silent song made the hour twice as long

As I waited for the sun to go sinking



I lived by the window as he talked to himself

The silence of tongues, it was building

'Til one morning's wake, the bed it was bare

And I's left alone with three children



The summer is gone, the ground's turning cold

The stores one by one they are folding

My children will go as soon as they grow

For there ain't nothin' here now to hold them



** Simplified Interversal thing:

Am

e-------------|

B-----1---1---|

G-----2---2---|

D-0h2-2---2---|

A-------------|

E-------------|




    obviousl.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>



OBVIOUSLY FIVE BELIEVERS- Bob Dylan



A7

Early in the mornin', early in the mornin'

D7

I'm callin' you to, I'm callin' you to

A7

Please come home

E7

Yes, I guess I could make it without you

D7 A7 (riff 2x)

If I just didn't feel so all alone



Don't let me down ,don't let me down

I won't let you down, I won't let you down

No I won't

You know I can if you can, honey

But honey, please don't



I got my black dog barkin', black dog barkin'

Yes it is now, yes it is now

Outside my yard

Yes, I could tell you what he means

If I just didn't have to try so hard



Your mama's workin',your mama's moanin'

She's cryin' you know, she's tryin' you know

You better go now

Well, I'd tell you what she wants if I

But I just don't know how



Fifteen jugglers, fifteen jugglers

Five believers, five believers

All dressed like men

Tell your mama not to worry because

Yes they're just my friends



Early in the mornin', early in the mornin'

I'm callin' you to, I'm callin' you to

Please come home

Yes, I could make it without you honey

If I just did not feel so all alone





RIFF:

E -----------------------

B -----------------------

G ----------------------- (rpt)

D -----0-2-0-------------

A -0h2-------0h2-0-------

E ------------------3p0--





(from Blonde on Blonde, 1966)

(sent by Harlan at harlant@hawaii.edu)






    oh_siste.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From uunet!zaphod.mps.ohio-state.edu!darwin.sura.net!wupost!waikato.ac.nz!canterbury.ac.nz!cantua!cctr128 Fri Sep 4 16:03:18 PDT 1992

Article: 2022 of alt.guitar.tab

Path: nevada.edu!uunet!zaphod.mps.ohio-state.edu!darwin.sura.net!wupost!waikato.ac.nz!canterbury.ac.nz!cantua!cctr128

Newsgroups: alt.guitar.tab

Subject: Tab : Oh Sister - Dylan

Message-ID: <1992Sep4.183404.657@csc.canterbury.ac.nz>

From: cctr128@cantua.canterbury.ac.nz (Mr K Osborn)

Date: 4 Sep 92 18:34:02 +1200

Reply-To: k.osborn@cantua.canterbury.ac.nz

Organization: University of Canterbury, Christchurch, New Zealand.

Nntp-Posting-Host: cantua.canterbury.ac.nz

X-Newsreader: Tin 1.1 PL3

Lines: 43



Oh Sister

words and music by Bob Dylan & Jacques Levy

errors are mine B^)



G Bm C G

Oh sister when I come, to ly in your arms.



G Bm C G

You should not treat me like a stranger.



G Bm C G

Our father would not like the way that you act,



G Bm C G

And you must realize the danger.





Oh sister am I not a brother to you.



And one deserving of affection.



And is our purpose not the same on this earth,



To love and follow his direction.



F C G

We grew up together from the cradle to the grave.



F C G D G

We died and were reborn and left mysteriously saved





Oh sister when I come to knock on your door



Don't turn away, you'll create sorrow.



Time is an ocean, but it ends at the shore.



You may not see me tomorrow.














    one_more.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From uunet!comp.vuw.ac.nz!canterbury.ac.nz!cctr128 Wed Aug 26 16:51:44 PDT 1992

Article: 1866 of alt.guitar.tab

Path: nevada.edu!uunet!comp.vuw.ac.nz!canterbury.ac.nz!cctr128

From: cctr128@csc.canterbury.ac.nz (Kelwyn Osborn, CSC Uni of Canterbury)

Newsgroups: alt.guitar.tab

Subject: Tab: One More Cup of Coffee

Message-ID: <1992Aug27.094626.548@csc.canterbury.ac.nz>

Date: 27 Aug 92 09:46:25 +1200

Organization: University of Canterbury, Christchurch, New Zealand

Lines: 84



This is from memory so there could be a mistake or two...



One More Cup of Coffee

Bob Dylan and Jacques Levy



Am

Your Breath is sweet, your eyes are like



G

Two jewels in the sky



F

Your back is straight your hair is smooth



E

On the pillow where you lie.



Am

But I don't sense affection



G

No gratitude or love.



F E

Your loyalty is not me but to the stars above





Chourus :

F E

One more cup of coffee for the road.



F E

One more cup of coffee for I go,



NC Am G F E

To the valley below.





Your daddy he's an outlaw



And a wanderer by trade.



He'll teach you how to pick an choose



And how to throw the blade.



And he oversees his kingdom



So no stranger does intrude.



His voice it trembles as he calls out



For another plate of food





Chorus





Your sister sees the future



Like your momma and yourself.



You've never learned to read or write



There's no books upon your shelf.



And your pleasure know no limits



Your voice is like a meadow larks.



But your heart is like an ocean



Mysterious and dark.





Chours:





Kelwyn



He said thats alright Babe

I love you too.

But we were tangled up in blue.








    one_of_u.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From: larpe@oden.nts.mh.se (Petter Larsson)



One of Us Must Know - Bob Dylan

---------------------------------

('Blonde on Blonde' album)





F Bb F Bb F Bb F Bb





---- #1:

F Bb F Bb F

I didn't mean to treat you so bad

Bb F Dm C7

You shouldn't take it so personal

F Bb F Bb F

I didn't mean to make you so sad

Bb F Dm C7 F C7

You just happened to be there, that's all

Dm Am

When I saw you say "goodbye" to my friend and smile

Gm F

I thought that it was well understood

Dm Am

That you'd be comin' back in a little while

Gm Bb

I didn't know that you were sayin' "goodbye" for good





---- Chorous:

C7 C11 C7 Gm7 C11

But,

F Bb F

sooner or later, one of us must know

Bb F C7

You just did what you're supposed to do

F Bb F

Sooner or later, one of us must know

Bb F C7

That I really did try to get close to you





F Bb F Bb





---- #2:

I couldn't see what you could show me

Your scarf had kept your mouth well hid

I couldn't see how you could know me

But you said you knew me and I believed you did

When you whispered in my ear

And asked me if I was leavin' with you or her

I didn't realize just what I did hear

I didn't realize how young you were





[Chorous]





F Bb F Bb





---- #3:

I couldn't see when it started snowin'

Your voice was all that I heard

I couldn't see where we were goin'

But you said you knew an' I took your word

And then you told me later, as I apologized

That you were just kiddin' me, you weren't really from the farm

An' I told you, as you clawed out my eyes

That I never really meant to do you any harm





[Chorous]





F C Bb F Bb F C7 F



-------

Typed by Petter Larsson , larpe@nts.mh.se




    percys_s.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From: BJCURRY@MECHANICAL.watstar.uwaterloo.ca (B Curry)



PERCY'S SONG



by Bob Dylan



G C

Bad news, bad news, come to me where I sleep,

G D

Turn, turn, turn again,

G C

Sayin' one of your friends is in trouble deep,

G C D Em7 D Em7 D

Turn, turn to the rain and the wind.



Tell me, the trouble tell once to my ear,

Turn, turn, turn again,

Joliet prison and ninety-nine years.

Turn, turn to the rain and the wind.



Oh what's the charge of how this came to be,

Turn, turn, turn again,

Manslaughter in the highest of degree.

Turn, turn to the rain and the wind.



I sat down and wrote the best words I could write,

Turn, turn, turn again,

Explaining to the judge I'd be there on Wednesday night.

Turn, turn to the rain and the wind.



Without a reply I left by the moon,

Turn, turn, turn again,

And was in his chambers by the next afternoon.

Turn, turn to the rain and the wind.



Could ya tell me the facts? I said without fear,

Turn, turn, turn again,

That a friend of mine would get ninety-nine years.

Turn, turn to the rain and the wind.



A crash on the highway flew the car to a field,

Turn, turn, turn again,

There was four persons killed and he was at the wheel.

Turn, turn to the rain and the wind.



But I knew him as good as I'm knowin' myself,

Turn, turn, turn again,

And he wouldn't harm a life that belonged to someone else.

Turn, turn to the rain and the wind.



The judge spoke out of the side of his mouth,

Turn, turn, turn again,

Sayin' the witness who saw he left little doubt.

Turn, turn to the rain and the wind.



That may be true he's got a sentence to serve,

Turn, turn, turn again,

But ninety-nine years he just don't deserve.

Turn, turn to the rain and the wind.



Too late, too late for his case it is sealed

Turn, turn, turn again,

His sentence is passed and it cannot be repealed.

Turn, turn to the rain and the wind.



But he ain't no criminal and his crime it is none,

Turn, turn, turn again,

What happened to him could happen to anyone.

Turn, turn to the rain and the wind.



And at that the judge jerked forward and his face it did freeze,

Turn, turn, turn again,

Sayin' "Could you kindly leave my office now, please."

Turn, turn to the rain and the wind.



Well his eyes looked funny and I stood up so slow,

Turn, turn, turn again,

With no other choice except but for to go.

Turn, turn to the rain and the wind.



I walked down the hallway and I heard his door slam,

Turn, turn, turn again,

I walked down the courthouse stairs and I could not understand.

Turn, turn to the rain and the wind.



And I played my guitar through the night to the day,

Turn, turn, turn again,

And the only tune my guitar could play

Was "Old cruel rain and the wind."



CHORDS



C x32010 G 320003 D xx0232 Em7 020000



------------------------------------------------------------------------------

B Curry










    positiv.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From uunet!decwrl!world!rogers Sat Jul 18 13:21:55 PDT 1992

Article: 857 of alt.guitar.tab

Newsgroups: alt.guitar.tab

Path: nevada.edu!uunet!decwrl!world!rogers

From: rogers@world.std.com (roger j selverstone)

Subject: CRD:Positively 4th Street

Message-ID: <BrLHvx.D0p@world.std.com>

Organization: The World Public Access UNIX, Brookline, MA

Date: Sat, 18 Jul 1992 17:28:44 GMT

Lines: 35



Positively 4th Street - Dylan

=============================

G Am C G

You got a lotta nerve to say you are my friend

D C Em7 D

When I was down you just stood there grinning

G Am C G

You got a lotta nerve to say you got a helping hand

D C Em7 D

You just want to be on the side that's winning



You say I let you down you know it's not like that

If you're so hurt why then don't you show it

You say you lost your faith but that's not where it's at

You had no faith to lose and you know it



I know the reason that you talk behind my back

I used to be among the crowd you're in with

Do you take me for such a fool to think I'd make contact

With the one who tries to hide what he don't know to begin with



You see me on the street you always act surprised

You say, "How are you?" "Good luck" but you don't mean it

When you know as well as me you'd rather see me paralyzed

Why don't you just come out once and scream it



No, I do not feel that good when I see the heartbreaks you embrace

If I was a master thief perhaps I'd rob them

And now I know you're dissatisfied with your position and your place

Don't you understand it's not my problem



I wish that for just one time you could stand inside my shoes

And just for that one moment I could be you

Yes, I wish that for just one time you could stand inside my shoes

You'd know what a drag it is to see you






    positive.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

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From: Dirk.Rutabaga.Queen.Elvis.Schulze@um.cc.umich.edu

To: jamesb@nevada.edu

Message-Id: <16711535@um.cc.umich.edu>

X-Mts-Userid: 699B

Subject: "Positively Fourth Street" by Bob Dylan



"Positively Fourth Street" by Bob Dylan



You've got a lot of nerve to say you are my friend

G C Cm G



When I was down you just stood there grinning

G D C G D



You've got a lot of nerve to say you got a helping hand to lend

G C Cm G



You just want to be on the side that's winning

G D C G D



All verses follow same pattern. Cm can be played (xx1013) if desired.


    queen_ja.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

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From: Paul Zimmerman <AUDSM@asuvm.inre.asu.edu>

Subject: CRD: Queen Jane Approximately - Dylan

To: jamesb@animal-farm.nevada.edu

Message-Id: <01GZX6RJS6QQ8ZDVLN@asu.edu>

Content-Transfer-Encoding: 7BIT





QUEEN JANE APPROXIMATELY

Bob Dylan



Dm9 Em F C

When your mother sends back all of your invitations

Dm9 Em F G7

And your father to your sister, he explains

C F C Am

That you're tired of yourself and all of your creations

C F C F

Won't you come see me Queen Jane

C F C

Won't you come see me Queen Jane





Now when all of the flower ladies want back what they have lent you

And the smell of their roses does not remain

And all of your children start to resent you

Won't you come see me Queen Jane

Won't you come see me Queen Jane



Now when all the clowns that you have commissioned

Have died in battle or in vain

And you're sick of all this repetition

Won't you come see me Queen Jane

Won't you come see me Queen Jane



When all of your advisors heave their plastic

At your feet to convince you of your pain

Trying to prove that your conclusions should be more drastic

Won't you come see me Queen Jane

Won't you come see me Queen Jane



Now when all the other bandits that you turned the other cheek to

All lay down their bandanas and complain

And you want somebody you don't have to speak to

Won't you come see me Queen Jane

Won't you come see me Queen Jane





Dm9 - XX2211





Thanks to the original poster.



Peace,

Paul Z


    rainy_d.crd



#----------------------------------PLEASE NOTE--------------------------------#
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#
From: Nicholas Sprague <nws103@psu.edu>
To: guitar@olga.net
Subject: tab correction: Rainy Day Woman #12 and 35 by Bob Dylan
Date: Sat, 04 Jan 1997 15:30:21 -0500
From: "Peter L. Spain (remote)" <pspain@smtp.aed.org>

"Rainy Day Women #12 & 35" by Bob Dylan from "Blonde on Blonde"

F* Do C7/E F A* F#o E7/G# A
--- --- --- --- --- --- --- ---
e-5 4 3 1 9 8 7 5
B-6 3 1 1 10 7 5 5
G-5 4 3 2 9 8 7 6
D-x 3 2 3 x 7 6 7
A-x x x x x x x x
E-x x x x x x x x


F* Do C7/E F
They'll stone you when you're tryin to be so good
F* Do C7/E F
They'll stone you just like they said they would
A* F#o E7/G# A
They'll stone you when you're tryin to go home
F* Do C7/E F
They'll stone you when you're there all alone
A* F#o E7/G# A
But I would not feel so all alone
F* Do C7/E F
Everybody must get stoned


repeat until bored.


CORRECTION TO RAINY DAY WOMAN #12 and 35 BY Bob Dylan:
Submitted by: Nick Sprague (nws103@psu.edu)

The A* progression should be moved up one fret it since it is A# not A. This makes the F#* into G* and so on for the rest of the progression.
The line "But I would not feel so all alone" is also slightly off. The progression for that is moved up to a C* to start it. This means that the first chord is C* (10,11,10,x,x,x) the second chord is (11,10,11,10,x,x), the third chord is (10,8,10,9,x,x)
and the fourth is (8,8,9,10,10).





    rainy_da.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

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Date: 15 Feb 1993 18:38:02 -0700 (MST)

From: Paul Zimmerman <IFSXM@asuvm.inre.asu.edu>

Subject: CRD: Rainy Day Women - Bob Dylan

To: jamesb@animal-farm.nevada.edu

Message-Id: <01GURE4RVZGY96WJUH@asu.edu>

Content-Transfer-Encoding: 7BIT





RAINY DAY WOMEN #12 & 35

Bob Dylan



F C F

Well, they'll stone you when you're trying to be so good

C F C

They'll stone you just like they said they would

Bb F Bb

They'll stone you when you're trying to go home

F C F

And they'll stone you when you're there all alone

C

But I would not feel so all alone

F C F

Everybody must get stoned





Well, they'll stone you when you're at the breakfast table

They'll stone you when you are young and able

They'll stone you when you're riding in your car

And they'll stone you when you're playing your guitar

But I would not feel so all alone

Everybody must get stoned



Well, they'll stone you when you're walking on the street

They'll stone you when you're tryin' to keep your seat

They'll stone you when you're tryin' to make a buck

Then they'll stone you and then they'll say "good luck"

But I would not feel so all alone

Everybody must get stoned





instrumental verse:

|C B Bb | A A Bb B | C B Bb | A D Eb E |

|F E Eb | D A Bb B | C B Bb | A |

|CCC C C C C C C | CCC C C C C A Bb B | C B Bb | A |





Well, they'll stone you when you're at the breakfast table

They'll stone you when you are young and able

They'll stone you and they'll say that you are brave

They'll stone you when you're sent down in your grave

But I would not feel so all alone

Everybody must get stoned





Peace, love, and soul,

Paul Zimmerman


    rambling.crd



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From: boogieboy@aol.com (BoogieBoy)

Date: 25 Jun 1995 22:34:43 -0400

Subject: CRD: Dylan "Ramblin Gamblin Willie"



Rambling, Gambing Willie

Bob Dylan



First line of verse vocals low, 2nd and 3rd vocals go up.



C and F 2 medium downstrokes w/ C then 4 down & up fast

and hold a C before the first verse



C C F C

Come round you rovin gamblers thereТs a story I will tell

C C F C

About the greatest gambler you all should know him well

C C F C

His name was Willie OТConnelly and he gambled all his life

F C F

HeТs had 27 children yet heТs never had a wife



C F C F C F C F

And itТs ride Willie ride, roll Willie roll,

F C F C F C F hold C

Where ever youТre a gamblinТ now nobody knows



Well he gambled in the white house and in the railroad yards

Where ever there was people there was Willie and his cards

He had the reputation as the gamblinest man around

Wives would keep their husbands home when Willie came town



Sailin down the Mississippi to a town called New Orleans

TheyТre still talkin about that card game on that Jackson Queen

УIТve come to win some money,Ф gamblin Willie says

When the game finally ended up, the whole darn boat was his



Up in the Rocky Mountains in a town called Cripple Creek

There was an old poker game lasted about a week

900 miners had laid their money down

When Willie finally left the room he owned the whole darn town.



(verse with harp)



Well Willie had a heart of gold and this I know is true

He supported all his children and all their mothers too

He wore no wings and fancy things that other gamblers wore

He spread his money far and wide to help the sick and poor



When you played your cards with Willie you never really knew

Whether he was bluffin or whether he was true

He won a fortune from a man who folded in his chair

The man he left a diamond flush Willie didnТt even have a pair



It was late one evening during a poker game

A man lost all his money said Willie was to blame

He shot poor Willie through the head which was a tragic fate

WillieТs cards fell on the floor they were aces backed with eights



So all you ramblin gamblers where ever you might be

The moral of the story is very plain to see

Make your money while you can before you have to stop

Cause when you pull that dead manТs hand your gamblin days are up.