Страница:
An' punched my cigarette"
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Grandpa died last week
And now he's buried in the rock
But everybody talk about
How badly they were shocked.
But me I expected it to happen
I knew he'd lost control
When he built a fire on main street
And shot it full of holes.
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Now the senator can down here
Showing everyone his gun.
Handing out free tickets
To the wedding of his son.
An' me I nearly got busted
An wouldn't it be my luck
To get caught without a ticket
And be discovered beneath a truck
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Now the preacher looked so baffled
When I asked him why he dressed
With twenty pounds of headlines
Stapled to his chest
But he cursed when I proved to him
Then I whispered not even you can hide.
You see you're just like me
I hope your satisfied
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Now the rainman gave men two cures
Then he said "Jump right in"
The one was Texas medicine
The other railroad gin.
An like a fool I mixed them
An' it strangled up my mind
An' now people just get uglier
An' I have no sense of time.
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
When Ruthie says come see her
In her honkey-yonk lagoon,
Where I can watch her waltz for free
'Neath her Panamanian moon.
An' I say, "Aw come on now
You must know about my dedutante."
An' she says, "Your debutante knows just what you need
But I know what you want."
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Now the bricks lay on Grand Street
Where the neon madmen climb
They all fall there so perfectly.
It all seems so well timed.
An' here I sit so patiently
Waiting to find out what price
You have to pay to get out of
Going through all these things twice
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Be seeing you,
Kelwyn.
_________
He said that's alright babe,
I love you too.
But we were Tangled Up In Blue.
- Bob Dylan
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Fri, 25 Oct 1996 11:28:17 -0700 (PDT)
From: Sacha Mallais <sacha@global-village.net>
Subject: CRD: Subterranean Homesick Blues by Bob Dylan
Cut away the chaffe and this should fit one one page.
This is a fairly difficult song to get to sound right.
The chords are simple, though (blues progression in A).
I strum the chords, alternating the bass line throughout
(play A with an an A and E bass, D with a D and A bass,
E with an E and B bass)
----------8<-------------------8<---------------------------
Subterranean Homesick Blues by Bob Dylan
A A
Johnny's in the basement mixin' up the medicine,
I'm on the pavement, thinkin' 'bout the government
The man in a trenchcoat badge (??) got laid off,
Says he's got a bad cough, wants to get it paid off
D D
Look out kid, theres something you did,
A
God knows when, but you're doin' it again.
You better duck down the alleyway, lookin' for a new friend.
E
The man in the 'coonskin cap in a pigpen
A
Wants 11 dollar bills, you only got 10.
Maggie calls fleetfoot (??) face full 'o black soot,
Talking at the heat, put (??) plants in the bed, but (??)
The phones tapped anyway, Maggie says the man he say,
They must bust in early May, orders from the DA.
Look out kid, don't matter what ch' ya did,
Walk on your tiptoes, don't tie no bows
Better stay away from those 'ho carry 'round a fire hose.
Keep a clean nose, 'n wash of plain clothes,
You don't need a weather man to know which way the wind blows.
Uhh..Get sick, get well, hang around the inkwell,
Hang bail, hot tail, if anything its gonna sell,
Try hard, get bought, get back, write braille,
Get jail, jump bail, join the army if ya fail.
Look out kid, your gonna get hit, by
Losers, cheaters, six time users, hangin' round the theaters,
Girl by the whrilpool's lookin' for a new fool,
Don't follow leaders or watch the parkin' meters.
Ohh..Get born, keep warm, short pants, romance,
Learn to dance, get dressed, get blessed, try to be a success,
Please her, please him, buy 'er gifts, don't steal, don't lift
Twenty years o' schoolin' and they put ya on the day shift,
Look out kid, they keep it all hid,
Better jump down a manhole, light yourself a candle,
Don't wear sandles, and try to force a scandal,
Don't want to be a bum, you'd better chew gum,
The pump don't work cuz the vandals took the handle.
----------------------------------------------------------------------------
Sacha Michel Mallais sacha@global-village.net
http://www.global-village.net/sacha
The bird of paradise alights only upon the hand that does not grasp.
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Scott A. Yanoff <yanoff@csd4.csd.uwm.edu>
C D G C
hey mister tambourine man, play a song for me
G Am D D
i'm not sleepy and there is no place i'm going to
C D G C
hey mister tambourine man, play a song for me
G C Am D D G D
in the jingle jangle morning i'll come followin you
C D G C
though i know that evening's empire has returned into sand
G C
vanished from my hand
G C
left me blindly here to stand
Am, D
but still not sleepin
C D G C
my weariness amazes me - i'm branded on my feet
G C
i have no one to meet
G C
and my ancient empty street's
Am D
too dead for dreamin
Please answer me at all events, thank you. If you know some other server, who
do this, so tell me.
My adress is Alex arothmun@sparc1.ntb.ch
I am Austrian, but i am studing in switzerland.
Alex
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 5 Sep 1995 13:55:46 -1000
From: Harlan L Thompson <harlant@hawaii.edu>
TANGLED UP IN BLUE (Bootleg Series Version)- Bob Dylan
TUNING: D A D F# A D or E B E G# B E
E(2) E11 E(2) E11
Early one morning the sun was shinin' he was layin' in bed
E(2) E11 E(3) Emaj7 Esus4
Wondering if she'd changed at all, if her hair was still red
E(2) E11 E(2) E11
Her folks they said that their lives together sure was gonna be rough
E(2) E11 E(3) Emaj7 Esus4
They never did like mama's home-made dress, papa's bank book wasn't big enough
Esus2/A E6 E(3) Emaj7 Esus4
And he was standing on the side of the road, rain falling on his shoes
Esus2/A E6 E(3) Emaj7 Esus4
Heading out for the old east coast, Lord knows he's paid some dues
Esus2/A E(4) F#m11 E(1) E(3) Esus4 E(3) Esus4
Getting through, tangled up in blue
She was married when they first met, soon to be divorced
He helped her out of a jam I guess but he used a little too much force
And they drove that car as far as they could, abandoned it out west
And split up on a dark sad night, both agreeing it was best
And she turned around to look at him as he was walking away
She said "This can't be the end, we'll meet on another day
On the avenue, tangled up in blue"
He had a job in the old north woods, working as a cook for a spell
But he never did like it all that much and one day the axe just fell
When he drifted down to L.A., where he reckoned to try his luck
Workin' for a while in an airplane plant loading cargo onto a truck
But all the while he was alone, the past was close behind
He's seen alot of women, but she never escaped his mind
And he just grew, tangled up in blue
She was working in topless place, I stopped in for a beer
I just kept looking at the side of her face in the spotlight so clear
And later on as the crowd thinned out, I's about to do the same
She was standing there in back of my chair said to me "What's your name?"
I muttered something underneath my breath, she studied the lines on my face
I must admit I felt a little uneasy, when she bent down to tie the laces
Of my shoe, tangled up in blue
She lit a burner on the stove and offered me a pipe
"I thought you'd never say hello" she said, "You look like the silent type"
Then she opened up a book of poems and handed it to me
Written by an Italian poet from the thirteenth century
And every one of them words rang true and glowed like burning coal
Pourin' off of every page like it was written in my soul
>From me to you, tangled up in blue
He was always in a hurry, too busy or too stoned
And everything she ever planned just had to be postponed
He thought they were successful, she thought they were blessed
With objects and material things but I never was impressed
And when it all came crashing down, I became withdrawn
The only thing I knew how to do was to keep on keeping on
Like a bird that flew, tangled up in blue
So now I'm going back again, I got to get to her somehow
All the people we used to know, they're an illusion to me now
Some are mathematicians, some are doctor's wives
Don't know how it all got started
Don't know what they're doin' with their lives
But me, I'm still on the road, headin' for another joint
We always did feel the same, we just saw it from a different point
Of view, tangled up in blue
CHORDS:
E11 E(2) E(3) Emaj7 Esus4 Esus2/A E6 E(4) F#m11 E(1)
E -5---7----0-----0-----0-----0------0---4-----2----0---
B -7---9----0-----0-----0-----1------2---0-----0----0---
G# -6---8----3-----3-----1-----2------0---3-----1----0---
E -0---0----4-----0-----0-----0------0---4-----2----0---
B -0---0----5-----4-----2-----0------2---0-----0----0---
E -0---0----0-----0-----0------------0---0-----0----0---
Subject: Tab : Tangled up in Blue - Dylan
From: cctr128@cantua.canterbury.ac.nz (Mr K Osborn)
Date: 4 Sep 92 18:42:53 +1200
Tangled Up In Blue
By Bob Dylan
A | Asus4 sus2 | A | Asus4 sus2
A G
Early one morning the sun was shinin'
A G
I was layin' in bed.
A G
Wondering if she'd changed at all
D
If her hair was still red.
A G
Her folks they said that our lives together,
A G
Sure was gonna be rough.
A G
They never did like Mama's home-made dress,
A
Papa's bank book wasn't big enough.
E F#m
And I was standing on the side of the road,
A D
Rain falling on my shoes.
E F#m
Heading out for the old east coast,
A D
Lord knows I've paid some dues,
E
Getting through,
G D A | Asus4 sus2 | A | Asus4 sus2
Tangled up in blue.
She was married when we first met
Soon to be divorced
I helped her out of a jam I guess
But I used a little too much force
We drove that car as far as we could
Abandoned it out west
Split up on a sad dark night
Both agreeing it was best
She turned around to look at me
As I was walking away
I heard her say over her shoulder
We'll meet again some day
On the avenue
Tangled up in Blue
I had a job in the great north woods
Working as a cook for a spell
But I never did like it all that much
And one day the axe just fell
So I drifted down to New Orleans
Where I was lucky to be employed
Workin' for a while on a fishing boat
Right outside of Delacroix
But all the while I was alone
The past was close behind
I seen alot of women
But she never escaped my mind
And I just grew
Tangled up in blue
She was working in topless place
And I stopped in for a beer
I just kept looking at the side of her face
In the spotlight so clear
And later on when the crowd thinned out
I was just about to do the same
She was standing there in back of my chair
Said to me Don't I know your name
I muttered something undernaeth my breath
She studdied the lines on my face
I must admit I felt a little uneasy
When she bent down to tie the laces
Of my shoe
Tangled up in blue
She lit a burner on the stove
And offered me a pipe
I thought you'd never say hello she said
You look like the silent type
Then open up a book of poems
And handed it to me
Written by an Italian poet
>From the thirteenth century
And every one of them words rang true
And glowed like burning coal
Pourin' off of every page
Like it was written in my soul
>From me to you
Tangled up in blue
I lived with them on Montague Street
In a basement down the stairs
There was music in the cafes at night
And revolution in the air
Then he started dealing in slaves
And something inside of died
She had to sell everything she owned
And froze up inside.
And when the bottom finally feel out
I became withdrawn
The only thing I knew how to do
Was to keep on keeping on
Like a bird that flew
Tangled up in blue
So now I'm going on back again
I got to get to her some how
All the people we used to know
They're an illusion to me now
Some are mathematicians
Some are carpenters wives
Don'ty know how it all got started
I don't know what they're doing with their lives
But me, I'm still on the road
Headin' for another joint
We always did feel the same
We just saw it from a different point
Of view
Tangled up in blue.
Be seeing you,
Kelwyn.
_________
He said that's alright babe,
I love you too.
But we were Tangled Up In Blue.
- Bob Dylan
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: larpe@oden.nts.mh.se (Petter Larsson)
Temporary like Achilles - Bob Dylan
-------------------------------------
('Blonde on Blonde' album)
G C D7 G
Standing on your window, honey, Yes I've been here before.
G C D7 G
Feeling so harmless, I'm looking at your second door.
D7 G
How come you don't send me no regards ?
G7 C D7
You know I want your lovin'
(no chord) G Bbo7 Ao7 G D7
Honey, why are you so hard ?
G C D7 G
Kneeling 'neath your ceiling, Yes, I guess I'll be here for a while.
G C D7 G
I tryin' to read your portrait, but, I'm helpless, like a rich man's child.
D7 G
How come you send someone out to have me barred ?
G7 C D7
You know I want your lovin'
(no chord) G Bbo7 Ao7 G D7
Honey, why are you so hard ?
Em Bm
Like a poor fool in his prime, Yes, I know you can hear me walk,
Em Bm
But is your heart made of stone, or is it lime,
D7
Or is it just solid rock ?
G C D7 G
Well, I rush into your hallway, Lean against your velvet door.
G C D7 G
I watch upon your scorpion Who crawls across your circus floor.
D7 G
Just what do you think you have to guard ?
G7 C D7
You know I want your lovin'
(no chord) G Bbo7 Ao7 G D7
Honey, but you're so hard.
G C D7 G
Chiles is in your alleyway, He don't want me here, He does brag.
G C D7 G
He's pointing to the sky And he's hungry like a man in drag.
D7 G
How come you get someone like him to be your guard ?
G7 C D7
You know I want your lovin'
(no chord) G Bbo7 Ao7 G D7 G7
Honey, but you're so hard.
-------
Typed by Petter Larsson , larpe@nts.mh.se
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
THE BALLAD OF A THIN MAN- Bob Dylan
Bm Bm/Bb
You walk into the room with your pencil in your hand
Bm/A Bm/G#
You see somebody naked and you say "who is that man?"
G Em
You try so hard but you just don't understand
D F# Bm
Just what you will say when you get home
D A
Because something is happening here
Bm G Bm
And you don't know what it is, do you, Mister Jones
You raise up your head and you ask "is this where it is?"
And somebody points to you and says "its his"
And you say "what's mine?" and somebody else says "well WHAT is"
And you say "oh my god - am i here all alone?"
But something is happening here
And you don't know what it is, do you, Mister Jones
You hand in you ticket and you go watch the geek
Who immediately walks up to you when he hears you speak
Saying "how does it feel to be such a freak?"
And you say "impossible" as he hands you a bone
And something is happening here
But you don't know what it is, do you, Mister Jones
Bm Bm/A
You have many contacts among the lumberjacks
G Bm
To get you facts when someone attacks your imagination
Bm Bm/A
But nobody has any respect, anyway they already expect you
G Em A A7
To all give a check to tax-deductable charity organizations
You've been with the professors, and they all liked your looks
With great lawyers you have discussed lepers and crooks
You've read all of F. Scott Fitzgerald's books
You're very well read, its well known
But something is happening here
And you don't know what it is, do you, Mister Jones
Well, the swordswallower comes up to you and then he kneels
He crosses himself and he clicks his high heels
And without further notice he asks you how it feels
And he says "here is your throat back, thanks for the loan"
And you know something is happening
But you don't know what it is, do you, Mister Jones
Now you see this one-eyed midget saying the word "now"
And you say "for what reason?" and he says "how?"
And you say "what does this mean?" and he screams back "you're a cow!
Give me some milk - or else go home!"
And you KNOW somethings happening here
But you dont know what it is, do you, Mister Jones
Well, you walk into the room like a camel and then you frown
You put your eyes in your pocket and your nose on the ground
There oughtta be a law against you coming around
You should be made to wear earphones
Cause something is happening here
And you don't know what it is, do you, Mister Jones
Bm: x 2 2 4 4 3 2 Bm/Bb: x 1 2 4 4 3 2
Bm/A: x 0 2 4 4 3 2 Bm/G#: 4 2 2 4 4 3 2
NOTE: I stole the lyrics from the lyrics database, thanks. This song is
perhaps not meant to be played on the guitar since itbased song, but
these are the chords anyways. Maybe itmaybe not. Also, the fingering of
some of the above chords may be
difficult. Play only part of the chord if you can't reach the whole
thing, but the important thing is to keep the bass line going down.
(from Highway 61 Revisited, 1965)
(sent by Harlan at harlant@hawaii.edu)
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
THE GATES OF EDEN- Bob Dylan
D C G D G D
Of war and peace the truth just twists, its curfew gull it glides
C G D G D
Upon 4-legged forest clouds the cowboy angel rides
A7 D G C G A
With his candle lit into the sun, though its glow is waxed in black
D F G D G D
All except when 'neath the trees of Eden
The lampost stands with folded arms, its iron claws attached
To curbs 'neath holes where babies wail though it shadows metal badge
All in all can only fall with a crashing but meaningless blow
No sound ever comes from the gates of Eden
This savage soldier sticks his head in sand and then complains
Unto the shoeless hunter who's gone deaf but still remains
Upon the beach where hounddogs bay at ships with tattooed sails
Heading for the gates of Eden
With a time-rusted compass blade, Aladdin and his Lamp
Sits with utopian hermit monks, side-saddle on the Golden Calf
And on their promises of paradise you will not hear a laugh
All except inside the gates of Eden
Relationships of ownership they whisper in the wings
To those condemned to act accordingly and wait for succeeding kings
And I try to harmonize with songs the lonesome sparrow sings
There are no kings inside the gates of Eden
The motorcycle black madonna two-wheeled gypsy queen
And her silver studded phantom cause the grey-flanneled dwarf to scream
As he weeps to wicked birds of prey who pick up on his breadcrumbs sins
And there are no sins inside the gates of Eden
The kingdoms of experience in the precious winds they rot
While paupers change possessions each one wishing for what the other has got
And the princess and the prince discuss what's real and what is not
It doesnt matter inside the gates of Eden
The foreign sun it squints upon a bed that is never mine
As friends and other strangers from their fates try to resign
Leaving men wholly totally free to do anything they wish to do but die
And there are no trials inside the gates of Eden
At dawn my lover comes to me and tells me of her dreams
With no attempts to shovel the glimpse into the ditch of what each one means
At times I think there are no words but these to tell what's true
And there are no truths outside the gates of Eden
(from Bringing it All Back Home, 1965)
(sent by Harlan at harlant@hawaii.edu)
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Thu, 09 Jan 1997 23:19:27 -0800
From: lisa&scott <carmfox@mail.idt.net>
Subject: Chrdpro : The Lonesome Death of Hattie Carroll Bob Dylan
The Lonesome Death of Hattie Carroll
by Bob Dylan
chordpro by Lisa (carmfox@mail.idt.net)
These are just the basic chords. He walks the bass notes around during
the chorus.
(capo on 4th fret)
E X32010
A X33211
G#m 022000
C#m7 C02010
B 320003
(6/8 time ^Ж ONE -two -three -FOUR -five -six . . . ^Ж two measures per
line)
E A E G#m
William Zantzinger killed poor Hattie Carroll
E A E G#m
With a cane that he twirled around his diamond ring finger
E G#m E G#m
At a Baltimore hotel society gath'rin'.
E G#m E G#m
And the cops were called in and his weapon took from him
E G#m E G#m
As they rode him in custody down to the station
E G#m E G#m B
And booked William Zantzinger for first-degree murder.
A B E G#m A B E
But you who philosophize disgrace and criticize all fears,
A B E C#m7
Take the rag away from your face.
A B E
Now ain't the time for your tears.
William Zantzinger, who at twenty-four years
Owns a tobacco farm of six hundred acres
With rich wealthy parents who provide and protect him
And high office relations in the politics of Maryland,
Reacted to his deed with a shrug of his shoulders
And swear words and sneering, and his tongue it was snarling,
In a matter of minutes on bail was out walking.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.
Hattie Carroll was a maid of the kitchen.
She was fifty-one years old and gave birth to ten children
Who carried the dishes and took out the garbage
And never sat once at the head of the table
And didn't even talk to the people at the table
Who just cleaned up all the food from the table
And emptied the ashtrays on a whole other level,
Got killed by a blow, lay slain by a cane
That sailed through the air and came down through the room,
Doomed and determined to destroy all the gentle.
And she never done nothing to William Zantzinger.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.
In the courtroom of honor, the judge pounded his gavel
To show that all's equal and that the courts are on the level
And that the strings in the books ain't pulled and persuaded
And that even the nobles get properly handled
Once that the cops have chased after and caught 'em
And that the ladder of law has no top and no bottom,
Stared at the person who killed for no reason
Who just happened to be feelin' that way without warnin'.
And he spoke through his cloak, most deep and distinguished,
And handed out strongly, for penalty and repentance,
William Zantzinger with a six-month sentence.
Oh, but you who philosophize disgrace and criticize all fears,
Bury the rag deep in your face.
For now's the time for your tears.
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From jfair@vt.edu Tue Oct 31 23:20:07 1995
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Date: Tue, 31 Oct 1995 18:18:34 +0500
To: guitar@nevada.edu
From: jfair@vt.edu (John Fair)
Subject: Man In the Long Black Coat
Status: RO
Hi. It's been too long since my last one......
Man In the Long Black Coat
Bob Dylan
3/4 time
fool around in F#m
F#m A E C#m
F#m A E F#m
F#m A E C#m
Crickets are chirpin' the water is high
F#m A E F#m
There's a soft cotton dress? on the line hangin' dry
F#m A E C#m
Windows wide open African trees
F#m A E F#m
Bent over backwards from a hurricane breeze
E
Not a word, a goodbye, not even a note
F#m A E F#m
She gone with the man in the long black coat
Somebody singing hangin' around
At the old dance hall on the outskirts of town
He looked into her eyes when she stopped him to ask
If he wanted to dance he had a face like a mask
Somebody said, from the Bible he quote
There was dust on the man in the long black coat
Preacher was talkin' there's a sermon he gave
He said every man's conscience is vile and depraved
You cannot depend on him to be your guide
And it's you who must keep it satisfied
It ain't easy to swallow, it sticks in the throat
To give her heart to the man in the long black coat
D A
There are no mistakes in life some people say
F#m E F#m
And it's true sometimes you can see it that way
D A
People don't live or die, people just float
F#m E F#m
She went with the man in the long black coat
There's smoke on the water its been there since June
Tree trunks uprooted neath the high passing moon
Feel the pulse and vibrations and the rumblin' force
Somebody is out there beating on a dead horse
She never said nothin', there was nothin' she wrote
She went with the man in the long black coat
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!mcsun!Germany.EU.net!news.netmbx.de!mailgzrz.TU-Berlin.DE!math.fu-berlin.de!news.belwue.de!eratu.rz.uni-konstanz.de!hikos.rz.uni-konstanz.de!rzlucy Sun Oct 25 14:28:00 PST 1992
Article: 3114 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!mcsun!Germany.EU.net!news.netmbx.de!mailgzrz.TU-Berlin.DE!math.fu-berlin.de!news.belwue.de!eratu.rz.uni-konstanz.de!hikos.rz.uni-konstanz.de!rzlucy
From: rzlucy@hikos.rz.uni-konstanz.de (Dierk Lucyga)
Subject: TAB: The Mighty Quinn - Bob Dylan
Message-ID: <rzlucy.49.719696748@hikos.rz.uni-konstanz.de>
Sender: usenet@eratu.rz.uni-konstanz.de
Organization: Universitaet Konstanz Rechenzentrum
Date: Wed, 21 Oct 1992 19:45:48 GMT
Lines: 57
Does anybody have the chords for "Love in Vain"?
The Mighty Quinn - Bob Dylan
G D G
Come all without, come all within
D C G
You'll not see nothing like the Mighty Quinn
G D G
Come all without, come all within
D C G
You'll not see nothing like the Mighty Quinn
G C G C
Ev'rybody's building ships and boats
G C G C
Some are building monuments, others jotting down notes.
G C G C
Ev'rybody's in despair, ev'ry girl and boy
G D
But when Quinn the Eskimo gets here,
C G
Ev'rybody's gonna jump for joy.
Come all without...
G C G C
I like to go just like the rest, I like my sugar sweet
G C G C
But jumping queues and making haste, just ain't my cup of meat.
G C G C
Ev'ryone's beneath the trees, feeding pigeons on a limb
G D
But when Quinn the Eskimo gets here,
C G
All the pigeons gonna rum to him.
Come all without...
G C G C
Let me do what I wanna do, I can recite 'em all
G C G C
Just tell me where it hurts and I'll tell you who to call.
G C G C
Nobody can get no sleep, there's someone on ev'ryones toes.
G D
But when Quinn the Eskimo gets here,
C G
Ev'rybody's gonna wanna doze.
Why did the crowd go "Booo!" for Sinnead? Anyway I love this crowd... :-)
/Dierk
Dierk Lucyga | Internet: Dierk.Lucyga@popserver.uni-konstanz.de
Infomation Manager | Bitnet: RZLUCY@DKNKURZ1
Universitaet Konstanz |
Postfach 5560 |
D-W7750 Konstanz | Tel.: +49 7531 88 2404
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Mike Mongeau Raytheon Equipment Division
mongeau@iatc.ed.ray.com Marlboro, MA
--------------------------------------------------------------------
The Times They Are A-Changin'
Words and Music by Bob Dylan
G Em C G
Come gather 'round people wherever you roam
G Am C D
And admit that the waters around you have grown
G Em C G
And accept it that soon you'll be drenched to the bone
G Am D
If your time to you is worth savin'
D D7 Gmaj7 D
Then you better start swimmin' or you'll sink like a stone,
G C D G
For the times, they are a chang - in'
(4 additional verses)
Come writers and critics who prophecies with your pen
And keep your eyes wide the chance won't come again
And don't speak too soon for the wheel's still in spin
And there's no tellin' who that it's namin'
For the loser now will be later to win
For the times they are a-changin'
Come mothers and fathers throughout the land
And don't criticize what you don't understand
Your sons and your daughters are beyond your command
Your old road is rapidly agin'
Please get out of the new one if you can't lend a hand
For the times they are a-changin'
Come senators, congressmen please heed the call
Don't stand in the doorway, don't block up the hall
For he that gets hurt will be he who has stalled
There's a battle outside and it's ragin'
It'll soon shake your windows and rattle your walls
For the times they are a-changin'
The line it is drawn the curse it is cast
The slow one now will later be fast
As the present now will later be past
The order is rapidly fadin'
And the first one now will later be last
For the times they are a-changin'
-----------------------------------------------------------
(Notes)
Chords used:
E A D G B e
+-----------+
C 0 3 2 0 1 0
D x 0 0 2 3 2
D7 x 3 0 2 3 2
Em 0 2 2 0 0 0
G 3 2 0 0 0 3
Gmaj7 x 2 0 0 3 2
Am 0 0 2 2 1 0
+-----------+
********************************************************************
"The Blues had a baby and they called it Rock-n-Roll" -Muddy Waters
Mike Mongeau Raytheon Equipment Division
mongeau@iatc.ed.ray.com Marlboro, MA
********************************************************************
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
TIME PASSES SLOWLY- Bob Dylan
E D A F#m
Time passes slowly up here in the mountains
E D A F#m
We sit beside bridges and walk beside fountains
G#m A G#m A
Catch the wild fishes that float through the stream
E D A F#m E
Time passes slowly when you're lost in a dream
E D A F#m
Once I had a sweetheart she was fine and good lookin'
E D A F#m
We sat in her kitchen while her mama was cookin A B
A B
Stared out the window to the stars high above
A G#m Bsus4 B E7
Time passes slowly when you're searchin' for love
BRIDGE:
A7 E7
Ain't no reason to go in a wagon to town
A7 E7
Ain't no reason to go to the fair
A7 E7
Ain't no reason to go up, ain't no reason to go down
B Bsus4 B Bsus4 B Bsus4
Ain't no reason to go anywhere
E D A F#m
Time passes slowly up here in the daylight
E D A F#m
We stare straight ahead and try so hard to stay right
Bsus4 A Bsus4 A
Like the red rose of summer that blooms in the day
Bsus4 A G#m F#m E
Time passes slowly and fades away
Bsus4: 2 2 4 4 5 2
(from New Morning, 1970)
(sent by Harlan at harlant@hawaii.edu)
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Mon, 22 Dec 1997 13:05:19 -0500
From: Allison Polans <polans@erols.com>
To: guitar@olga.net
Subject: CRD: To Make You Feel My Love by Bob Dylan
To Make You Feel My Love
Words and Music by Bob Dylan
From: Mike Polans (polans@erols.com)
Here is a revised version of the version that is in the chord archive.
I looked at the chords for the Billy Joel version to catch some of the
inversions and bass notes, and then arranged it in Db for the guitar and
to my tastes.
CHORDS ARE NOTED AT THE BOTTOM OF THE PAGE...
(Verse)
Ab -> Db Ab/C
When the rain is blowing in your face
Db7/Cb Gb/Bb
And the whole world is on your case
Gbmi/Bbb Db/Ab
I could offer you a warm embrace
Eb9/Bb Gb/Ab Db
To make you feel my love
(Verse)
When evening shadows and the stars appear
And there is no one there to dry your tears
I could hold you for a million years
To make you feel my love
(Bridge)
Gb Db
I know you haven't made your mind up yet
Eb9/Bb Gb Db
But I would never do you wrong
Gb Db
I've known it from the moment that we met
Eb7 Ab
No doubt in my mind where you belong
(Verse)
I'd go hungry I'd go black and blue
I'd go crawling down the avenue
No there's nothing that I wouldn't do
To make you feel my love
(instrumental)
(Bridge)
The storms are raging on the open seas
And on the highway of regret
The winds of change are blowing wild and free
You ain't seen nothing like me yet
(Verse)
I could make you happy make your dreams come true
Nothing that I wouldn't do
Go to the ends of the earth for you
To make you feel my love
Ab Db Ab/C Db7/Cb Gb/Bb Gbmi/Bbb Db/Ab Eb9/Bb Gb/Ab Gb Eb7
e--4------------------------------------------------2----2---6--------
b--4---6----4-----6-----7-------7------6------6-----2----2---8--------
g--5---6----5-----6-----6-------6------6------6-----3----3---6--------
d--6---6----6-----6-----4-------4------6------5-----4----4---8--------
a--6---4----3-----x-----x-------x------4------x-----x----4---6--------
e--4--------------7-----6-------5------4------6-----4----2------------
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jgoffin@acs.ucalgary.ca (Jeffrey Goffin)
TOMORROW IS A LONG TIME by Bob Dylan
G C G
If today was not an endless highway
G C G
If tonight was not a crooked trail
C D G
If tomorrow wasn't such a long time
C D G
Then lonesome would mean nothing to you at all
C D G
Yes, and only if my own true love was waitin'
C D G
Yes, and if I could hear her heart a-softly poundin'
C D G
Only if she was lyin' by me
C D G
Then I'd lie in my bed once again.
I can't see my reflection in the water
I can't speak the sounds that show no pain
I can't hear the echo of my footsteps
Or can't remember the sound of my own name
There's beauty in the silver, singing river
There's beauty in the sunrise in the sky
But none of these and nothing else can touch the beauty
That I remember in my true love's eyes.
************************************************************************
* "Here's a song that I like to play. *
* Print it out, play it and pass it around. *
* If you like it, send me one of your favourites." *
* *
* Jeffrey Goffin Internet: jgoffin@acs.ucalgary.ca *
* Calgary, Alberta, Canada FidoNet: 1:134/160 *
************************************************************************
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
TONIGHT I'LL BE STAYING HERE WITH YOU- Bob Dylan
G C G
Throw my ticket out the window
C G
Throw my suitcase out there too
C Bm C
Throw my troubles out the door
Bm Am
I don't need them any more
G C G G
'Cause tonight I'll be staying here with you
I should have left this town this morning
But it was more than I could do
Oh, your love comes on so strong
And I've waited all day long
For tonight when I'll be staying here with you
BRIDGE:
Cm G
Is it really any wonder
Cm G
The love that a stranger might receive
Ab C
You cast your spell and I went under
Am D C Bm Am D
I find it so difficult to leave
(n.c.) G C G
I can hear that whistle blowin'
I see that stationmaster, too,
If there's a poor boy on the street
Then let him have my seat
'Cause tonight I'll be staying here with you
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Grandpa died last week
And now he's buried in the rock
But everybody talk about
How badly they were shocked.
But me I expected it to happen
I knew he'd lost control
When he built a fire on main street
And shot it full of holes.
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Now the senator can down here
Showing everyone his gun.
Handing out free tickets
To the wedding of his son.
An' me I nearly got busted
An wouldn't it be my luck
To get caught without a ticket
And be discovered beneath a truck
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Now the preacher looked so baffled
When I asked him why he dressed
With twenty pounds of headlines
Stapled to his chest
But he cursed when I proved to him
Then I whispered not even you can hide.
You see you're just like me
I hope your satisfied
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Now the rainman gave men two cures
Then he said "Jump right in"
The one was Texas medicine
The other railroad gin.
An like a fool I mixed them
An' it strangled up my mind
An' now people just get uglier
An' I have no sense of time.
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
When Ruthie says come see her
In her honkey-yonk lagoon,
Where I can watch her waltz for free
'Neath her Panamanian moon.
An' I say, "Aw come on now
You must know about my dedutante."
An' she says, "Your debutante knows just what you need
But I know what you want."
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Now the bricks lay on Grand Street
Where the neon madmen climb
They all fall there so perfectly.
It all seems so well timed.
An' here I sit so patiently
Waiting to find out what price
You have to pay to get out of
Going through all these things twice
Oh Mama
Can this really be th end
To be stuck inside of Mobile
With the Memphis blus again.
Be seeing you,
Kelwyn.
_________
He said that's alright babe,
I love you too.
But we were Tangled Up In Blue.
- Bob Dylan
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
Date: Fri, 25 Oct 1996 11:28:17 -0700 (PDT)
From: Sacha Mallais <sacha@global-village.net>
Subject: CRD: Subterranean Homesick Blues by Bob Dylan
Cut away the chaffe and this should fit one one page.
This is a fairly difficult song to get to sound right.
The chords are simple, though (blues progression in A).
I strum the chords, alternating the bass line throughout
(play A with an an A and E bass, D with a D and A bass,
E with an E and B bass)
----------8<-------------------8<---------------------------
Subterranean Homesick Blues by Bob Dylan
A A
Johnny's in the basement mixin' up the medicine,
I'm on the pavement, thinkin' 'bout the government
The man in a trenchcoat badge (??) got laid off,
Says he's got a bad cough, wants to get it paid off
D D
Look out kid, theres something you did,
A
God knows when, but you're doin' it again.
You better duck down the alleyway, lookin' for a new friend.
E
The man in the 'coonskin cap in a pigpen
A
Wants 11 dollar bills, you only got 10.
Maggie calls fleetfoot (??) face full 'o black soot,
Talking at the heat, put (??) plants in the bed, but (??)
The phones tapped anyway, Maggie says the man he say,
They must bust in early May, orders from the DA.
Look out kid, don't matter what ch' ya did,
Walk on your tiptoes, don't tie no bows
Better stay away from those 'ho carry 'round a fire hose.
Keep a clean nose, 'n wash of plain clothes,
You don't need a weather man to know which way the wind blows.
Uhh..Get sick, get well, hang around the inkwell,
Hang bail, hot tail, if anything its gonna sell,
Try hard, get bought, get back, write braille,
Get jail, jump bail, join the army if ya fail.
Look out kid, your gonna get hit, by
Losers, cheaters, six time users, hangin' round the theaters,
Girl by the whrilpool's lookin' for a new fool,
Don't follow leaders or watch the parkin' meters.
Ohh..Get born, keep warm, short pants, romance,
Learn to dance, get dressed, get blessed, try to be a success,
Please her, please him, buy 'er gifts, don't steal, don't lift
Twenty years o' schoolin' and they put ya on the day shift,
Look out kid, they keep it all hid,
Better jump down a manhole, light yourself a candle,
Don't wear sandles, and try to force a scandal,
Don't want to be a bum, you'd better chew gum,
The pump don't work cuz the vandals took the handle.
----------------------------------------------------------------------------
Sacha Michel Mallais sacha@global-village.net
http://www.global-village.net/sacha
The bird of paradise alights only upon the hand that does not grasp.
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Scott A. Yanoff <yanoff@csd4.csd.uwm.edu>
C D G C
hey mister tambourine man, play a song for me
G Am D D
i'm not sleepy and there is no place i'm going to
C D G C
hey mister tambourine man, play a song for me
G C Am D D G D
in the jingle jangle morning i'll come followin you
C D G C
though i know that evening's empire has returned into sand
G C
vanished from my hand
G C
left me blindly here to stand
Am, D
but still not sleepin
C D G C
my weariness amazes me - i'm branded on my feet
G C
i have no one to meet
G C
and my ancient empty street's
Am D
too dead for dreamin
Please answer me at all events, thank you. If you know some other server, who
do this, so tell me.
My adress is Alex arothmun@sparc1.ntb.ch
I am Austrian, but i am studing in switzerland.
Alex
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Tue, 5 Sep 1995 13:55:46 -1000
From: Harlan L Thompson <harlant@hawaii.edu>
TANGLED UP IN BLUE (Bootleg Series Version)- Bob Dylan
TUNING: D A D F# A D or E B E G# B E
E(2) E11 E(2) E11
Early one morning the sun was shinin' he was layin' in bed
E(2) E11 E(3) Emaj7 Esus4
Wondering if she'd changed at all, if her hair was still red
E(2) E11 E(2) E11
Her folks they said that their lives together sure was gonna be rough
E(2) E11 E(3) Emaj7 Esus4
They never did like mama's home-made dress, papa's bank book wasn't big enough
Esus2/A E6 E(3) Emaj7 Esus4
And he was standing on the side of the road, rain falling on his shoes
Esus2/A E6 E(3) Emaj7 Esus4
Heading out for the old east coast, Lord knows he's paid some dues
Esus2/A E(4) F#m11 E(1) E(3) Esus4 E(3) Esus4
Getting through, tangled up in blue
She was married when they first met, soon to be divorced
He helped her out of a jam I guess but he used a little too much force
And they drove that car as far as they could, abandoned it out west
And split up on a dark sad night, both agreeing it was best
And she turned around to look at him as he was walking away
She said "This can't be the end, we'll meet on another day
On the avenue, tangled up in blue"
He had a job in the old north woods, working as a cook for a spell
But he never did like it all that much and one day the axe just fell
When he drifted down to L.A., where he reckoned to try his luck
Workin' for a while in an airplane plant loading cargo onto a truck
But all the while he was alone, the past was close behind
He's seen alot of women, but she never escaped his mind
And he just grew, tangled up in blue
She was working in topless place, I stopped in for a beer
I just kept looking at the side of her face in the spotlight so clear
And later on as the crowd thinned out, I's about to do the same
She was standing there in back of my chair said to me "What's your name?"
I muttered something underneath my breath, she studied the lines on my face
I must admit I felt a little uneasy, when she bent down to tie the laces
Of my shoe, tangled up in blue
She lit a burner on the stove and offered me a pipe
"I thought you'd never say hello" she said, "You look like the silent type"
Then she opened up a book of poems and handed it to me
Written by an Italian poet from the thirteenth century
And every one of them words rang true and glowed like burning coal
Pourin' off of every page like it was written in my soul
>From me to you, tangled up in blue
He was always in a hurry, too busy or too stoned
And everything she ever planned just had to be postponed
He thought they were successful, she thought they were blessed
With objects and material things but I never was impressed
And when it all came crashing down, I became withdrawn
The only thing I knew how to do was to keep on keeping on
Like a bird that flew, tangled up in blue
So now I'm going back again, I got to get to her somehow
All the people we used to know, they're an illusion to me now
Some are mathematicians, some are doctor's wives
Don't know how it all got started
Don't know what they're doin' with their lives
But me, I'm still on the road, headin' for another joint
We always did feel the same, we just saw it from a different point
Of view, tangled up in blue
CHORDS:
E11 E(2) E(3) Emaj7 Esus4 Esus2/A E6 E(4) F#m11 E(1)
E -5---7----0-----0-----0-----0------0---4-----2----0---
B -7---9----0-----0-----0-----1------2---0-----0----0---
G# -6---8----3-----3-----1-----2------0---3-----1----0---
E -0---0----4-----0-----0-----0------0---4-----2----0---
B -0---0----5-----4-----2-----0------2---0-----0----0---
E -0---0----0-----0-----0------------0---0-----0----0---
Subject: Tab : Tangled up in Blue - Dylan
From: cctr128@cantua.canterbury.ac.nz (Mr K Osborn)
Date: 4 Sep 92 18:42:53 +1200
Tangled Up In Blue
By Bob Dylan
A | Asus4 sus2 | A | Asus4 sus2
A G
Early one morning the sun was shinin'
A G
I was layin' in bed.
A G
Wondering if she'd changed at all
D
If her hair was still red.
A G
Her folks they said that our lives together,
A G
Sure was gonna be rough.
A G
They never did like Mama's home-made dress,
A
Papa's bank book wasn't big enough.
E F#m
And I was standing on the side of the road,
A D
Rain falling on my shoes.
E F#m
Heading out for the old east coast,
A D
Lord knows I've paid some dues,
E
Getting through,
G D A | Asus4 sus2 | A | Asus4 sus2
Tangled up in blue.
She was married when we first met
Soon to be divorced
I helped her out of a jam I guess
But I used a little too much force
We drove that car as far as we could
Abandoned it out west
Split up on a sad dark night
Both agreeing it was best
She turned around to look at me
As I was walking away
I heard her say over her shoulder
We'll meet again some day
On the avenue
Tangled up in Blue
I had a job in the great north woods
Working as a cook for a spell
But I never did like it all that much
And one day the axe just fell
So I drifted down to New Orleans
Where I was lucky to be employed
Workin' for a while on a fishing boat
Right outside of Delacroix
But all the while I was alone
The past was close behind
I seen alot of women
But she never escaped my mind
And I just grew
Tangled up in blue
She was working in topless place
And I stopped in for a beer
I just kept looking at the side of her face
In the spotlight so clear
And later on when the crowd thinned out
I was just about to do the same
She was standing there in back of my chair
Said to me Don't I know your name
I muttered something undernaeth my breath
She studdied the lines on my face
I must admit I felt a little uneasy
When she bent down to tie the laces
Of my shoe
Tangled up in blue
She lit a burner on the stove
And offered me a pipe
I thought you'd never say hello she said
You look like the silent type
Then open up a book of poems
And handed it to me
Written by an Italian poet
>From the thirteenth century
And every one of them words rang true
And glowed like burning coal
Pourin' off of every page
Like it was written in my soul
>From me to you
Tangled up in blue
I lived with them on Montague Street
In a basement down the stairs
There was music in the cafes at night
And revolution in the air
Then he started dealing in slaves
And something inside of died
She had to sell everything she owned
And froze up inside.
And when the bottom finally feel out
I became withdrawn
The only thing I knew how to do
Was to keep on keeping on
Like a bird that flew
Tangled up in blue
So now I'm going on back again
I got to get to her some how
All the people we used to know
They're an illusion to me now
Some are mathematicians
Some are carpenters wives
Don'ty know how it all got started
I don't know what they're doing with their lives
But me, I'm still on the road
Headin' for another joint
We always did feel the same
We just saw it from a different point
Of view
Tangled up in blue.
Be seeing you,
Kelwyn.
_________
He said that's alright babe,
I love you too.
But we were Tangled Up In Blue.
- Bob Dylan
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: larpe@oden.nts.mh.se (Petter Larsson)
Temporary like Achilles - Bob Dylan
-------------------------------------
('Blonde on Blonde' album)
G C D7 G
Standing on your window, honey, Yes I've been here before.
G C D7 G
Feeling so harmless, I'm looking at your second door.
D7 G
How come you don't send me no regards ?
G7 C D7
You know I want your lovin'
(no chord) G Bbo7 Ao7 G D7
Honey, why are you so hard ?
G C D7 G
Kneeling 'neath your ceiling, Yes, I guess I'll be here for a while.
G C D7 G
I tryin' to read your portrait, but, I'm helpless, like a rich man's child.
D7 G
How come you send someone out to have me barred ?
G7 C D7
You know I want your lovin'
(no chord) G Bbo7 Ao7 G D7
Honey, why are you so hard ?
Em Bm
Like a poor fool in his prime, Yes, I know you can hear me walk,
Em Bm
But is your heart made of stone, or is it lime,
D7
Or is it just solid rock ?
G C D7 G
Well, I rush into your hallway, Lean against your velvet door.
G C D7 G
I watch upon your scorpion Who crawls across your circus floor.
D7 G
Just what do you think you have to guard ?
G7 C D7
You know I want your lovin'
(no chord) G Bbo7 Ao7 G D7
Honey, but you're so hard.
G C D7 G
Chiles is in your alleyway, He don't want me here, He does brag.
G C D7 G
He's pointing to the sky And he's hungry like a man in drag.
D7 G
How come you get someone like him to be your guard ?
G7 C D7
You know I want your lovin'
(no chord) G Bbo7 Ao7 G D7 G7
Honey, but you're so hard.
-------
Typed by Petter Larsson , larpe@nts.mh.se
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
THE BALLAD OF A THIN MAN- Bob Dylan
Bm Bm/Bb
You walk into the room with your pencil in your hand
Bm/A Bm/G#
You see somebody naked and you say "who is that man?"
G Em
You try so hard but you just don't understand
D F# Bm
Just what you will say when you get home
D A
Because something is happening here
Bm G Bm
And you don't know what it is, do you, Mister Jones
You raise up your head and you ask "is this where it is?"
And somebody points to you and says "its his"
And you say "what's mine?" and somebody else says "well WHAT is"
And you say "oh my god - am i here all alone?"
But something is happening here
And you don't know what it is, do you, Mister Jones
You hand in you ticket and you go watch the geek
Who immediately walks up to you when he hears you speak
Saying "how does it feel to be such a freak?"
And you say "impossible" as he hands you a bone
And something is happening here
But you don't know what it is, do you, Mister Jones
Bm Bm/A
You have many contacts among the lumberjacks
G Bm
To get you facts when someone attacks your imagination
Bm Bm/A
But nobody has any respect, anyway they already expect you
G Em A A7
To all give a check to tax-deductable charity organizations
You've been with the professors, and they all liked your looks
With great lawyers you have discussed lepers and crooks
You've read all of F. Scott Fitzgerald's books
You're very well read, its well known
But something is happening here
And you don't know what it is, do you, Mister Jones
Well, the swordswallower comes up to you and then he kneels
He crosses himself and he clicks his high heels
And without further notice he asks you how it feels
And he says "here is your throat back, thanks for the loan"
And you know something is happening
But you don't know what it is, do you, Mister Jones
Now you see this one-eyed midget saying the word "now"
And you say "for what reason?" and he says "how?"
And you say "what does this mean?" and he screams back "you're a cow!
Give me some milk - or else go home!"
And you KNOW somethings happening here
But you dont know what it is, do you, Mister Jones
Well, you walk into the room like a camel and then you frown
You put your eyes in your pocket and your nose on the ground
There oughtta be a law against you coming around
You should be made to wear earphones
Cause something is happening here
And you don't know what it is, do you, Mister Jones
Bm: x 2 2 4 4 3 2 Bm/Bb: x 1 2 4 4 3 2
Bm/A: x 0 2 4 4 3 2 Bm/G#: 4 2 2 4 4 3 2
NOTE: I stole the lyrics from the lyrics database, thanks. This song is
perhaps not meant to be played on the guitar since itbased song, but
these are the chords anyways. Maybe itmaybe not. Also, the fingering of
some of the above chords may be
difficult. Play only part of the chord if you can't reach the whole
thing, but the important thing is to keep the bass line going down.
(from Highway 61 Revisited, 1965)
(sent by Harlan at harlant@hawaii.edu)
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
THE GATES OF EDEN- Bob Dylan
D C G D G D
Of war and peace the truth just twists, its curfew gull it glides
C G D G D
Upon 4-legged forest clouds the cowboy angel rides
A7 D G C G A
With his candle lit into the sun, though its glow is waxed in black
D F G D G D
All except when 'neath the trees of Eden
The lampost stands with folded arms, its iron claws attached
To curbs 'neath holes where babies wail though it shadows metal badge
All in all can only fall with a crashing but meaningless blow
No sound ever comes from the gates of Eden
This savage soldier sticks his head in sand and then complains
Unto the shoeless hunter who's gone deaf but still remains
Upon the beach where hounddogs bay at ships with tattooed sails
Heading for the gates of Eden
With a time-rusted compass blade, Aladdin and his Lamp
Sits with utopian hermit monks, side-saddle on the Golden Calf
And on their promises of paradise you will not hear a laugh
All except inside the gates of Eden
Relationships of ownership they whisper in the wings
To those condemned to act accordingly and wait for succeeding kings
And I try to harmonize with songs the lonesome sparrow sings
There are no kings inside the gates of Eden
The motorcycle black madonna two-wheeled gypsy queen
And her silver studded phantom cause the grey-flanneled dwarf to scream
As he weeps to wicked birds of prey who pick up on his breadcrumbs sins
And there are no sins inside the gates of Eden
The kingdoms of experience in the precious winds they rot
While paupers change possessions each one wishing for what the other has got
And the princess and the prince discuss what's real and what is not
It doesnt matter inside the gates of Eden
The foreign sun it squints upon a bed that is never mine
As friends and other strangers from their fates try to resign
Leaving men wholly totally free to do anything they wish to do but die
And there are no trials inside the gates of Eden
At dawn my lover comes to me and tells me of her dreams
With no attempts to shovel the glimpse into the ditch of what each one means
At times I think there are no words but these to tell what's true
And there are no truths outside the gates of Eden
(from Bringing it All Back Home, 1965)
(sent by Harlan at harlant@hawaii.edu)
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Date: Thu, 09 Jan 1997 23:19:27 -0800
From: lisa&scott <carmfox@mail.idt.net>
Subject: Chrdpro : The Lonesome Death of Hattie Carroll Bob Dylan
The Lonesome Death of Hattie Carroll
by Bob Dylan
chordpro by Lisa (carmfox@mail.idt.net)
These are just the basic chords. He walks the bass notes around during
the chorus.
(capo on 4th fret)
E X32010
A X33211
G#m 022000
C#m7 C02010
B 320003
(6/8 time ^Ж ONE -two -three -FOUR -five -six . . . ^Ж two measures per
line)
E A E G#m
William Zantzinger killed poor Hattie Carroll
E A E G#m
With a cane that he twirled around his diamond ring finger
E G#m E G#m
At a Baltimore hotel society gath'rin'.
E G#m E G#m
And the cops were called in and his weapon took from him
E G#m E G#m
As they rode him in custody down to the station
E G#m E G#m B
And booked William Zantzinger for first-degree murder.
A B E G#m A B E
But you who philosophize disgrace and criticize all fears,
A B E C#m7
Take the rag away from your face.
A B E
Now ain't the time for your tears.
William Zantzinger, who at twenty-four years
Owns a tobacco farm of six hundred acres
With rich wealthy parents who provide and protect him
And high office relations in the politics of Maryland,
Reacted to his deed with a shrug of his shoulders
And swear words and sneering, and his tongue it was snarling,
In a matter of minutes on bail was out walking.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.
Hattie Carroll was a maid of the kitchen.
She was fifty-one years old and gave birth to ten children
Who carried the dishes and took out the garbage
And never sat once at the head of the table
And didn't even talk to the people at the table
Who just cleaned up all the food from the table
And emptied the ashtrays on a whole other level,
Got killed by a blow, lay slain by a cane
That sailed through the air and came down through the room,
Doomed and determined to destroy all the gentle.
And she never done nothing to William Zantzinger.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.
In the courtroom of honor, the judge pounded his gavel
To show that all's equal and that the courts are on the level
And that the strings in the books ain't pulled and persuaded
And that even the nobles get properly handled
Once that the cops have chased after and caught 'em
And that the ladder of law has no top and no bottom,
Stared at the person who killed for no reason
Who just happened to be feelin' that way without warnin'.
And he spoke through his cloak, most deep and distinguished,
And handed out strongly, for penalty and repentance,
William Zantzinger with a six-month sentence.
Oh, but you who philosophize disgrace and criticize all fears,
Bury the rag deep in your face.
For now's the time for your tears.
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From jfair@vt.edu Tue Oct 31 23:20:07 1995
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Date: Tue, 31 Oct 1995 18:18:34 +0500
To: guitar@nevada.edu
From: jfair@vt.edu (John Fair)
Subject: Man In the Long Black Coat
Status: RO
Hi. It's been too long since my last one......
Man In the Long Black Coat
Bob Dylan
3/4 time
fool around in F#m
F#m A E C#m
F#m A E F#m
F#m A E C#m
Crickets are chirpin' the water is high
F#m A E F#m
There's a soft cotton dress? on the line hangin' dry
F#m A E C#m
Windows wide open African trees
F#m A E F#m
Bent over backwards from a hurricane breeze
E
Not a word, a goodbye, not even a note
F#m A E F#m
She gone with the man in the long black coat
Somebody singing hangin' around
At the old dance hall on the outskirts of town
He looked into her eyes when she stopped him to ask
If he wanted to dance he had a face like a mask
Somebody said, from the Bible he quote
There was dust on the man in the long black coat
Preacher was talkin' there's a sermon he gave
He said every man's conscience is vile and depraved
You cannot depend on him to be your guide
And it's you who must keep it satisfied
It ain't easy to swallow, it sticks in the throat
To give her heart to the man in the long black coat
D A
There are no mistakes in life some people say
F#m E F#m
And it's true sometimes you can see it that way
D A
People don't live or die, people just float
F#m E F#m
She went with the man in the long black coat
There's smoke on the water its been there since June
Tree trunks uprooted neath the high passing moon
Feel the pulse and vibrations and the rumblin' force
Somebody is out there beating on a dead horse
She never said nothin', there was nothin' she wrote
She went with the man in the long black coat
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From uunet!mcsun!Germany.EU.net!news.netmbx.de!mailgzrz.TU-Berlin.DE!math.fu-berlin.de!news.belwue.de!eratu.rz.uni-konstanz.de!hikos.rz.uni-konstanz.de!rzlucy Sun Oct 25 14:28:00 PST 1992
Article: 3114 of alt.guitar.tab
Newsgroups: alt.guitar.tab
Path: nevada.edu!uunet!mcsun!Germany.EU.net!news.netmbx.de!mailgzrz.TU-Berlin.DE!math.fu-berlin.de!news.belwue.de!eratu.rz.uni-konstanz.de!hikos.rz.uni-konstanz.de!rzlucy
From: rzlucy@hikos.rz.uni-konstanz.de (Dierk Lucyga)
Subject: TAB: The Mighty Quinn - Bob Dylan
Message-ID: <rzlucy.49.719696748@hikos.rz.uni-konstanz.de>
Sender: usenet@eratu.rz.uni-konstanz.de
Organization: Universitaet Konstanz Rechenzentrum
Date: Wed, 21 Oct 1992 19:45:48 GMT
Lines: 57
Does anybody have the chords for "Love in Vain"?
The Mighty Quinn - Bob Dylan
G D G
Come all without, come all within
D C G
You'll not see nothing like the Mighty Quinn
G D G
Come all without, come all within
D C G
You'll not see nothing like the Mighty Quinn
G C G C
Ev'rybody's building ships and boats
G C G C
Some are building monuments, others jotting down notes.
G C G C
Ev'rybody's in despair, ev'ry girl and boy
G D
But when Quinn the Eskimo gets here,
C G
Ev'rybody's gonna jump for joy.
Come all without...
G C G C
I like to go just like the rest, I like my sugar sweet
G C G C
But jumping queues and making haste, just ain't my cup of meat.
G C G C
Ev'ryone's beneath the trees, feeding pigeons on a limb
G D
But when Quinn the Eskimo gets here,
C G
All the pigeons gonna rum to him.
Come all without...
G C G C
Let me do what I wanna do, I can recite 'em all
G C G C
Just tell me where it hurts and I'll tell you who to call.
G C G C
Nobody can get no sleep, there's someone on ev'ryones toes.
G D
But when Quinn the Eskimo gets here,
C G
Ev'rybody's gonna wanna doze.
Why did the crowd go "Booo!" for Sinnead? Anyway I love this crowd... :-)
/Dierk
Dierk Lucyga | Internet: Dierk.Lucyga@popserver.uni-konstanz.de
Infomation Manager | Bitnet: RZLUCY@DKNKURZ1
Universitaet Konstanz |
Postfach 5560 |
D-W7750 Konstanz | Tel.: +49 7531 88 2404
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Mike Mongeau Raytheon Equipment Division
mongeau@iatc.ed.ray.com Marlboro, MA
--------------------------------------------------------------------
The Times They Are A-Changin'
Words and Music by Bob Dylan
G Em C G
Come gather 'round people wherever you roam
G Am C D
And admit that the waters around you have grown
G Em C G
And accept it that soon you'll be drenched to the bone
G Am D
If your time to you is worth savin'
D D7 Gmaj7 D
Then you better start swimmin' or you'll sink like a stone,
G C D G
For the times, they are a chang - in'
(4 additional verses)
Come writers and critics who prophecies with your pen
And keep your eyes wide the chance won't come again
And don't speak too soon for the wheel's still in spin
And there's no tellin' who that it's namin'
For the loser now will be later to win
For the times they are a-changin'
Come mothers and fathers throughout the land
And don't criticize what you don't understand
Your sons and your daughters are beyond your command
Your old road is rapidly agin'
Please get out of the new one if you can't lend a hand
For the times they are a-changin'
Come senators, congressmen please heed the call
Don't stand in the doorway, don't block up the hall
For he that gets hurt will be he who has stalled
There's a battle outside and it's ragin'
It'll soon shake your windows and rattle your walls
For the times they are a-changin'
The line it is drawn the curse it is cast
The slow one now will later be fast
As the present now will later be past
The order is rapidly fadin'
And the first one now will later be last
For the times they are a-changin'
-----------------------------------------------------------
(Notes)
Chords used:
E A D G B e
+-----------+
C 0 3 2 0 1 0
D x 0 0 2 3 2
D7 x 3 0 2 3 2
Em 0 2 2 0 0 0
G 3 2 0 0 0 3
Gmaj7 x 2 0 0 3 2
Am 0 0 2 2 1 0
+-----------+
********************************************************************
"The Blues had a baby and they called it Rock-n-Roll" -Muddy Waters
Mike Mongeau Raytheon Equipment Division
mongeau@iatc.ed.ray.com Marlboro, MA
********************************************************************
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
TIME PASSES SLOWLY- Bob Dylan
E D A F#m
Time passes slowly up here in the mountains
E D A F#m
We sit beside bridges and walk beside fountains
G#m A G#m A
Catch the wild fishes that float through the stream
E D A F#m E
Time passes slowly when you're lost in a dream
E D A F#m
Once I had a sweetheart she was fine and good lookin'
E D A F#m
We sat in her kitchen while her mama was cookin A B
A B
Stared out the window to the stars high above
A G#m Bsus4 B E7
Time passes slowly when you're searchin' for love
BRIDGE:
A7 E7
Ain't no reason to go in a wagon to town
A7 E7
Ain't no reason to go to the fair
A7 E7
Ain't no reason to go up, ain't no reason to go down
B Bsus4 B Bsus4 B Bsus4
Ain't no reason to go anywhere
E D A F#m
Time passes slowly up here in the daylight
E D A F#m
We stare straight ahead and try so hard to stay right
Bsus4 A Bsus4 A
Like the red rose of summer that blooms in the day
Bsus4 A G#m F#m E
Time passes slowly and fades away
Bsus4: 2 2 4 4 5 2
(from New Morning, 1970)
(sent by Harlan at harlant@hawaii.edu)
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
Date: Mon, 22 Dec 1997 13:05:19 -0500
From: Allison Polans <polans@erols.com>
To: guitar@olga.net
Subject: CRD: To Make You Feel My Love by Bob Dylan
To Make You Feel My Love
Words and Music by Bob Dylan
From: Mike Polans (polans@erols.com)
Here is a revised version of the version that is in the chord archive.
I looked at the chords for the Billy Joel version to catch some of the
inversions and bass notes, and then arranged it in Db for the guitar and
to my tastes.
CHORDS ARE NOTED AT THE BOTTOM OF THE PAGE...
(Verse)
Ab -> Db Ab/C
When the rain is blowing in your face
Db7/Cb Gb/Bb
And the whole world is on your case
Gbmi/Bbb Db/Ab
I could offer you a warm embrace
Eb9/Bb Gb/Ab Db
To make you feel my love
(Verse)
When evening shadows and the stars appear
And there is no one there to dry your tears
I could hold you for a million years
To make you feel my love
(Bridge)
Gb Db
I know you haven't made your mind up yet
Eb9/Bb Gb Db
But I would never do you wrong
Gb Db
I've known it from the moment that we met
Eb7 Ab
No doubt in my mind where you belong
(Verse)
I'd go hungry I'd go black and blue
I'd go crawling down the avenue
No there's nothing that I wouldn't do
To make you feel my love
(instrumental)
(Bridge)
The storms are raging on the open seas
And on the highway of regret
The winds of change are blowing wild and free
You ain't seen nothing like me yet
(Verse)
I could make you happy make your dreams come true
Nothing that I wouldn't do
Go to the ends of the earth for you
To make you feel my love
Ab Db Ab/C Db7/Cb Gb/Bb Gbmi/Bbb Db/Ab Eb9/Bb Gb/Ab Gb Eb7
e--4------------------------------------------------2----2---6--------
b--4---6----4-----6-----7-------7------6------6-----2----2---8--------
g--5---6----5-----6-----6-------6------6------6-----3----3---6--------
d--6---6----6-----6-----4-------4------6------5-----4----4---8--------
a--6---4----3-----x-----x-------x------4------x-----x----4---6--------
e--4--------------7-----6-------5------4------6-----4----2------------
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: jgoffin@acs.ucalgary.ca (Jeffrey Goffin)
TOMORROW IS A LONG TIME by Bob Dylan
G C G
If today was not an endless highway
G C G
If tonight was not a crooked trail
C D G
If tomorrow wasn't such a long time
C D G
Then lonesome would mean nothing to you at all
C D G
Yes, and only if my own true love was waitin'
C D G
Yes, and if I could hear her heart a-softly poundin'
C D G
Only if she was lyin' by me
C D G
Then I'd lie in my bed once again.
I can't see my reflection in the water
I can't speak the sounds that show no pain
I can't hear the echo of my footsteps
Or can't remember the sound of my own name
There's beauty in the silver, singing river
There's beauty in the sunrise in the sky
But none of these and nothing else can touch the beauty
That I remember in my true love's eyes.
************************************************************************
* "Here's a song that I like to play. *
* Print it out, play it and pass it around. *
* If you like it, send me one of your favourites." *
* *
* Jeffrey Goffin Internet: jgoffin@acs.ucalgary.ca *
* Calgary, Alberta, Canada FidoNet: 1:134/160 *
************************************************************************
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Harlan L Thompson <harlant@uhunix.uhcc.Hawaii.Edu>
TONIGHT I'LL BE STAYING HERE WITH YOU- Bob Dylan
G C G
Throw my ticket out the window
C G
Throw my suitcase out there too
C Bm C
Throw my troubles out the door
Bm Am
I don't need them any more
G C G G
'Cause tonight I'll be staying here with you
I should have left this town this morning
But it was more than I could do
Oh, your love comes on so strong
And I've waited all day long
For tonight when I'll be staying here with you
BRIDGE:
Cm G
Is it really any wonder
Cm G
The love that a stranger might receive
Ab C
You cast your spell and I went under
Am D C Bm Am D
I find it so difficult to leave
(n.c.) G C G
I can hear that whistle blowin'
I see that stationmaster, too,
If there's a poor boy on the street
Then let him have my seat
'Cause tonight I'll be staying here with you